8529 lines
564 KiB
Text
8529 lines
564 KiB
Text
I
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One morning, when Gregor Samsa woke from troubled dreams, he found
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himself transformed in his bed into a horrible vermin. He lay on his
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armour-like back, and if he lifted his head a little he could see his
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brown belly, slightly domed and divided by arches into stiff sections.
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The bedding was hardly able to cover it and seemed ready to slide off
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any moment. His many legs, pitifully thin compared with the size of the
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rest of him, waved about helplessly as he looked.
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“What’s happened to me?” he thought. It wasn’t a dream. His room, a
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proper human room although a little too small, lay peacefully between
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its four familiar walls. A collection of textile samples lay spread out
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on the table—Samsa was a travelling salesman—and above it there hung a
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picture that he had recently cut out of an illustrated magazine and
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housed in a nice, gilded frame. It showed a lady fitted out with a fur
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hat and fur boa who sat upright, raising a heavy fur muff that covered
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the whole of her lower arm towards the viewer.
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Gregor then turned to look out the window at the dull weather. Drops of
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rain could be heard hitting the pane, which made him feel quite sad.
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“How about if I sleep a little bit longer and forget all this
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nonsense”, he thought, but that was something he was unable to do
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because he was used to sleeping on his right, and in his present state
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couldn’t get into that position. However hard he threw himself onto his
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right, he always rolled back to where he was. He must have tried it a
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hundred times, shut his eyes so that he wouldn’t have to look at the
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floundering legs, and only stopped when he began to feel a mild, dull
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pain there that he had never felt before.
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“Oh, God”, he thought, “what a strenuous career it is that I’ve chosen!
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Travelling day in and day out. Doing business like this takes much more
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effort than doing your own business at home, and on top of that there’s
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the curse of travelling, worries about making train connections, bad
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and irregular food, contact with different people all the time so that
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you can never get to know anyone or become friendly with them. It can
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all go to Hell!” He felt a slight itch up on his belly; pushed himself
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slowly up on his back towards the headboard so that he could lift his
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head better; found where the itch was, and saw that it was covered with
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lots of little white spots which he didn’t know what to make of; and
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when he tried to feel the place with one of his legs he drew it quickly
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back because as soon as he touched it he was overcome by a cold
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shudder.
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He slid back into his former position. “Getting up early all the time”,
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he thought, “it makes you stupid. You’ve got to get enough sleep. Other
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travelling salesmen live a life of luxury. For instance, whenever I go
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back to the guest house during the morning to copy out the contract,
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these gentlemen are always still sitting there eating their breakfasts.
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I ought to just try that with my boss; I’d get kicked out on the spot.
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But who knows, maybe that would be the best thing for me. If I didn’t
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have my parents to think about I’d have given in my notice a long time
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ago, I’d have gone up to the boss and told him just what I think, tell
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him everything I would, let him know just what I feel. He’d fall right
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off his desk! And it’s a funny sort of business to be sitting up there
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at your desk, talking down at your subordinates from up there,
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especially when you have to go right up close because the boss is hard
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of hearing. Well, there’s still some hope; once I’ve got the money
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together to pay off my parents’ debt to him—another five or six years I
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suppose—that’s definitely what I’ll do. That’s when I’ll make the big
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change. First of all though, I’ve got to get up, my train leaves at
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five.”
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And he looked over at the alarm clock, ticking on the chest of drawers.
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“God in Heaven!” he thought. It was half past six and the hands were
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quietly moving forwards, it was even later than half past, more like
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quarter to seven. Had the alarm clock not rung? He could see from the
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bed that it had been set for four o’clock as it should have been; it
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certainly must have rung. Yes, but was it possible to quietly sleep
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through that furniture-rattling noise? True, he had not slept
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peacefully, but probably all the more deeply because of that. What
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should he do now? The next train went at seven; if he were to catch
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that he would have to rush like mad and the collection of samples was
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still not packed, and he did not at all feel particularly fresh and
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lively. And even if he did catch the train he would not avoid his
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boss’s anger as the office assistant would have been there to see the
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five o’clock train go, he would have put in his report about Gregor’s
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not being there a long time ago. The office assistant was the boss’s
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man, spineless, and with no understanding. What about if he reported
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sick? But that would be extremely strained and suspicious as in five
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years of service Gregor had never once yet been ill. His boss would
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certainly come round with the doctor from the medical insurance
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company, accuse his parents of having a lazy son, and accept the
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doctor’s recommendation not to make any claim as the doctor believed
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that no-one was ever ill but that many were workshy. And what’s more,
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would he have been entirely wrong in this case? Gregor did in fact,
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apart from excessive sleepiness after sleeping for so long, feel
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completely well and even felt much hungrier than usual.
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He was still hurriedly thinking all this through, unable to decide to
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get out of the bed, when the clock struck quarter to seven. There was a
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cautious knock at the door near his head. “Gregor”, somebody called—it
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was his mother—“it’s quarter to seven. Didn’t you want to go
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somewhere?” That gentle voice! Gregor was shocked when he heard his own
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voice answering, it could hardly be recognised as the voice he had had
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before. As if from deep inside him, there was a painful and
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uncontrollable squeaking mixed in with it, the words could be made out
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at first but then there was a sort of echo which made them unclear,
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leaving the hearer unsure whether he had heard properly or not. Gregor
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had wanted to give a full answer and explain everything, but in the
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circumstances contented himself with saying: “Yes, mother, yes,
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thank-you, I’m getting up now.” The change in Gregor’s voice probably
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could not be noticed outside through the wooden door, as his mother was
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satisfied with this explanation and shuffled away. But this short
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conversation made the other members of the family aware that Gregor,
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against their expectations was still at home, and soon his father came
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knocking at one of the side doors, gently, but with his fist. “Gregor,
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Gregor”, he called, “what’s wrong?” And after a short while he called
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again with a warning deepness in his voice: “Gregor! Gregor!” At the
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other side door his sister came plaintively: “Gregor? Aren’t you well?
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Do you need anything?” Gregor answered to both sides: “I’m ready, now”,
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making an effort to remove all the strangeness from his voice by
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enunciating very carefully and putting long pauses between each,
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individual word. His father went back to his breakfast, but his sister
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whispered: “Gregor, open the door, I beg of you.” Gregor, however, had
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no thought of opening the door, and instead congratulated himself for
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his cautious habit, acquired from his travelling, of locking all doors
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at night even when he was at home.
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The first thing he wanted to do was to get up in peace without being
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disturbed, to get dressed, and most of all to have his breakfast. Only
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then would he consider what to do next, as he was well aware that he
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would not bring his thoughts to any sensible conclusions by lying in
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bed. He remembered that he had often felt a slight pain in bed, perhaps
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caused by lying awkwardly, but that had always turned out to be pure
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imagination and he wondered how his imaginings would slowly resolve
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themselves today. He did not have the slightest doubt that the change
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in his voice was nothing more than the first sign of a serious cold,
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which was an occupational hazard for travelling salesmen.
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It was a simple matter to throw off the covers; he only had to blow
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himself up a little and they fell off by themselves. But it became
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difficult after that, especially as he was so exceptionally broad. He
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would have used his arms and his hands to push himself up; but instead
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of them he only had all those little legs continuously moving in
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different directions, and which he was moreover unable to control. If
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he wanted to bend one of them, then that was the first one that would
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stretch itself out; and if he finally managed to do what he wanted with
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that leg, all the others seemed to be set free and would move about
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painfully. “This is something that can’t be done in bed”, Gregor said
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to himself, “so don’t keep trying to do it”.
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The first thing he wanted to do was get the lower part of his body out
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of the bed, but he had never seen this lower part, and could not
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imagine what it looked like; it turned out to be too hard to move; it
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went so slowly; and finally, almost in a frenzy, when he carelessly
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shoved himself forwards with all the force he could gather, he chose
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the wrong direction, hit hard against the lower bedpost, and learned
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from the burning pain he felt that the lower part of his body might
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well, at present, be the most sensitive.
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So then he tried to get the top part of his body out of the bed first,
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carefully turning his head to the side. This he managed quite easily,
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and despite its breadth and its weight, the bulk of his body eventually
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followed slowly in the direction of the head. But when he had at last
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got his head out of the bed and into the fresh air it occurred to him
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that if he let himself fall it would be a miracle if his head were not
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injured, so he became afraid to carry on pushing himself forward the
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same way. And he could not knock himself out now at any price; better
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to stay in bed than lose consciousness.
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It took just as much effort to get back to where he had been earlier,
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but when he lay there sighing, and was once more watching his legs as
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they struggled against each other even harder than before, if that was
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possible, he could think of no way of bringing peace and order to this
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chaos. He told himself once more that it was not possible for him to
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stay in bed and that the most sensible thing to do would be to get free
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of it in whatever way he could at whatever sacrifice. At the same time,
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though, he did not forget to remind himself that calm consideration was
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much better than rushing to desperate conclusions. At times like this
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he would direct his eyes to the window and look out as clearly as he
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could, but unfortunately, even the other side of the narrow street was
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enveloped in morning fog and the view had little confidence or cheer to
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offer him. “Seven o’clock, already”, he said to himself when the clock
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struck again, “seven o’clock, and there’s still a fog like this.” And
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he lay there quietly a while longer, breathing lightly as if he perhaps
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expected the total stillness to bring things back to their real and
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natural state.
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But then he said to himself: “Before it strikes quarter past seven I’ll
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definitely have to have got properly out of bed. And by then somebody
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will have come round from work to ask what’s happened to me as well, as
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they open up at work before seven o’clock.” And so he set himself to
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the task of swinging the entire length of his body out of the bed all
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at the same time. If he succeeded in falling out of bed in this way and
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kept his head raised as he did so he could probably avoid injuring it.
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His back seemed to be quite hard, and probably nothing would happen to
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it falling onto the carpet. His main concern was for the loud noise he
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was bound to make, and which even through all the doors would probably
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raise concern if not alarm. But it was something that had to be risked.
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When Gregor was already sticking half way out of the bed—the new method
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was more of a game than an effort, all he had to do was rock back and
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forth—it occurred to him how simple everything would be if somebody
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came to help him. Two strong people—he had his father and the maid in
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mind—would have been more than enough; they would only have to push
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their arms under the dome of his back, peel him away from the bed, bend
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down with the load and then be patient and careful as he swang over
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onto the floor, where, hopefully, the little legs would find a use.
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Should he really call for help though, even apart from the fact that
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all the doors were locked? Despite all the difficulty he was in, he
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could not suppress a smile at this thought.
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After a while he had already moved so far across that it would have
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been hard for him to keep his balance if he rocked too hard. The time
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was now ten past seven and he would have to make a final decision very
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soon. Then there was a ring at the door of the flat. “That’ll be
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someone from work”, he said to himself, and froze very still, although
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his little legs only became all the more lively as they danced around.
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For a moment everything remained quiet. “They’re not opening the door”,
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Gregor said to himself, caught in some nonsensical hope. But then of
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course, the maid’s firm steps went to the door as ever and opened it.
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Gregor only needed to hear the visitor’s first words of greeting and he
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knew who it was—the chief clerk himself. Why did Gregor have to be the
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only one condemned to work for a company where they immediately became
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highly suspicious at the slightest shortcoming? Were all employees,
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every one of them, louts, was there not one of them who was faithful
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and devoted who would go so mad with pangs of conscience that he
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couldn’t get out of bed if he didn’t spend at least a couple of hours
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in the morning on company business? Was it really not enough to let one
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of the trainees make enquiries—assuming enquiries were even
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necessary—did the chief clerk have to come himself, and did they have
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to show the whole, innocent family that this was so suspicious that
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only the chief clerk could be trusted to have the wisdom to investigate
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it? And more because these thoughts had made him upset than through any
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proper decision, he swang himself with all his force out of the bed.
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There was a loud thump, but it wasn’t really a loud noise. His fall was
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softened a little by the carpet, and Gregor’s back was also more
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elastic than he had thought, which made the sound muffled and not too
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noticeable. He had not held his head carefully enough, though, and hit
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it as he fell; annoyed and in pain, he turned it and rubbed it against
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the carpet.
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“Something’s fallen down in there”, said the chief clerk in the room on
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the left. Gregor tried to imagine whether something of the sort that
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had happened to him today could ever happen to the chief clerk too; you
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had to concede that it was possible. But as if in gruff reply to this
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question, the chief clerk’s firm footsteps in his highly polished boots
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could now be heard in the adjoining room. From the room on his right,
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Gregor’s sister whispered to him to let him know: “Gregor, the chief
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clerk is here.” “Yes, I know”, said Gregor to himself; but without
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daring to raise his voice loud enough for his sister to hear him.
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“Gregor”, said his father now from the room to his left, “the chief
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clerk has come round and wants to know why you didn’t leave on the
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early train. We don’t know what to say to him. And anyway, he wants to
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speak to you personally. So please open up this door. I’m sure he’ll be
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good enough to forgive the untidiness of your room.” Then the chief
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clerk called “Good morning, Mr. Samsa”. “He isn’t well”, said his
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mother to the chief clerk, while his father continued to speak through
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the door. “He isn’t well, please believe me. Why else would Gregor have
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missed a train! The lad only ever thinks about the business. It nearly
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makes me cross the way he never goes out in the evenings; he’s been in
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town for a week now but stayed home every evening. He sits with us in
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the kitchen and just reads the paper or studies train timetables. His
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idea of relaxation is working with his fretsaw. He’s made a little
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frame, for instance, it only took him two or three evenings, you’ll be
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amazed how nice it is; it’s hanging up in his room; you’ll see it as
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soon as Gregor opens the door. Anyway, I’m glad you’re here; we
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wouldn’t have been able to get Gregor to open the door by ourselves;
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he’s so stubborn; and I’m sure he isn’t well, he said this morning that
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he is, but he isn’t.” “I’ll be there in a moment”, said Gregor slowly
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and thoughtfully, but without moving so that he would not miss any word
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of the conversation. “Well I can’t think of any other way of explaining
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it, Mrs. Samsa”, said the chief clerk, “I hope it’s nothing serious.
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But on the other hand, I must say that if we people in commerce ever
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become slightly unwell then, fortunately or unfortunately as you like,
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we simply have to overcome it because of business considerations.” “Can
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the chief clerk come in to see you now then?”, asked his father
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impatiently, knocking at the door again. “No”, said Gregor. In the room
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on his right there followed a painful silence; in the room on his left
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his sister began to cry.
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So why did his sister not go and join the others? She had probably only
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just got up and had not even begun to get dressed. And why was she
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crying? Was it because he had not got up, and had not let the chief
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clerk in, because he was in danger of losing his job and if that
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happened his boss would once more pursue their parents with the same
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demands as before? There was no need to worry about things like that
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yet. Gregor was still there and had not the slightest intention of
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abandoning his family. For the time being he just lay there on the
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carpet, and no-one who knew the condition he was in would seriously
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have expected him to let the chief clerk in. It was only a minor
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discourtesy, and a suitable excuse could easily be found for it later
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on, it was not something for which Gregor could be sacked on the spot.
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And it seemed to Gregor much more sensible to leave him now in peace
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instead of disturbing him with talking at him and crying. But the
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others didn’t know what was happening, they were worried, that would
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excuse their behaviour.
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The chief clerk now raised his voice, “Mr. Samsa”, he called to him,
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“what is wrong? You barricade yourself in your room, give us no more
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than yes or no for an answer, you are causing serious and unnecessary
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concern to your parents and you fail—and I mention this just by the
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way—you fail to carry out your business duties in a way that is quite
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unheard of. I’m speaking here on behalf of your parents and of your
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employer, and really must request a clear and immediate explanation. I
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am astonished, quite astonished. I thought I knew you as a calm and
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sensible person, and now you suddenly seem to be showing off with
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peculiar whims. This morning, your employer did suggest a possible
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reason for your failure to appear, it’s true—it had to do with the
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money that was recently entrusted to you—but I came near to giving him
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my word of honour that that could not be the right explanation. But now
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that I see your incomprehensible stubbornness I no longer feel any wish
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whatsoever to intercede on your behalf. And nor is your position all
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that secure. I had originally intended to say all this to you in
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private, but since you cause me to waste my time here for no good
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reason I don’t see why your parents should not also learn of it. Your
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turnover has been very unsatisfactory of late; I grant you that it’s
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not the time of year to do especially good business, we recognise that;
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but there simply is no time of year to do no business at all, Mr.
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Samsa, we cannot allow there to be.”
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“But Sir”, called Gregor, beside himself and forgetting all else in the
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excitement, “I’ll open up immediately, just a moment. I’m slightly
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unwell, an attack of dizziness, I haven’t been able to get up. I’m
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still in bed now. I’m quite fresh again now, though. I’m just getting
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out of bed. Just a moment. Be patient! It’s not quite as easy as I’d
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thought. I’m quite alright now, though. It’s shocking, what can
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suddenly happen to a person! I was quite alright last night, my parents
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know about it, perhaps better than me, I had a small symptom of it last
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night already. They must have noticed it. I don’t know why I didn’t let
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you know at work! But you always think you can get over an illness
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without staying at home. Please, don’t make my parents suffer! There’s
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no basis for any of the accusations you’re making; nobody’s ever said a
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word to me about any of these things. Maybe you haven’t read the latest
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contracts I sent in. I’ll set off with the eight o’clock train, as
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well, these few hours of rest have given me strength. You don’t need to
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wait, sir; I’ll be in the office soon after you, and please be so good
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as to tell that to the boss and recommend me to him!”
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And while Gregor gushed out these words, hardly knowing what he was
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saying, he made his way over to the chest of drawers—this was easily
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done, probably because of the practise he had already had in bed—where
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he now tried to get himself upright. He really did want to open the
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door, really did want to let them see him and to speak with the chief
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clerk; the others were being so insistent, and he was curious to learn
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what they would say when they caught sight of him. If they were shocked
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then it would no longer be Gregor’s responsibility and he could rest.
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If, however, they took everything calmly he would still have no reason
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to be upset, and if he hurried he really could be at the station for
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eight o’clock. The first few times he tried to climb up on the smooth
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chest of drawers he just slid down again, but he finally gave himself
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one last swing and stood there upright; the lower part of his body was
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in serious pain but he no longer gave any attention to it. Now he let
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himself fall against the back of a nearby chair and held tightly to the
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edges of it with his little legs. By now he had also calmed down, and
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kept quiet so that he could listen to what the chief clerk was saying.
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“Did you understand a word of all that?” the chief clerk asked his
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parents, “surely he’s not trying to make fools of us”. “Oh, God!”
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called his mother, who was already in tears, “he could be seriously ill
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and we’re making him suffer. Grete! Grete!” she then cried. “Mother?”
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his sister called from the other side. They communicated across
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Gregor’s room. “You’ll have to go for the doctor straight away. Gregor
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is ill. Quick, get the doctor. Did you hear the way Gregor spoke just
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now?” “That was the voice of an animal”, said the chief clerk, with a
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calmness that was in contrast with his mother’s screams. “Anna! Anna!”
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his father called into the kitchen through the entrance hall, clapping
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his hands, “get a locksmith here, now!” And the two girls, their skirts
|
||
swishing, immediately ran out through the hall, wrenching open the
|
||
front door of the flat as they went. How had his sister managed to get
|
||
dressed so quickly? There was no sound of the door banging shut again;
|
||
they must have left it open; people often do in homes where something
|
||
awful has happened.
|
||
|
||
Gregor, in contrast, had become much calmer. So they couldn’t
|
||
understand his words any more, although they seemed clear enough to
|
||
him, clearer than before—perhaps his ears had become used to the sound.
|
||
They had realised, though, that there was something wrong with him, and
|
||
were ready to help. The first response to his situation had been
|
||
confident and wise, and that made him feel better. He felt that he had
|
||
been drawn back in among people, and from the doctor and the locksmith
|
||
he expected great and surprising achievements—although he did not
|
||
really distinguish one from the other. Whatever was said next would be
|
||
crucial, so, in order to make his voice as clear as possible, he
|
||
coughed a little, but taking care to do this not too loudly as even
|
||
this might well sound different from the way that a human coughs and he
|
||
was no longer sure he could judge this for himself. Meanwhile, it had
|
||
become very quiet in the next room. Perhaps his parents were sat at the
|
||
table whispering with the chief clerk, or perhaps they were all pressed
|
||
against the door and listening.
|
||
|
||
Gregor slowly pushed his way over to the door with the chair. Once
|
||
there he let go of it and threw himself onto the door, holding himself
|
||
upright against it using the adhesive on the tips of his legs. He
|
||
rested there a little while to recover from the effort involved and
|
||
then set himself to the task of turning the key in the lock with his
|
||
mouth. He seemed, unfortunately, to have no proper teeth—how was he,
|
||
then, to grasp the key?—but the lack of teeth was, of course, made up
|
||
for with a very strong jaw; using the jaw, he really was able to start
|
||
the key turning, ignoring the fact that he must have been causing some
|
||
kind of damage as a brown fluid came from his mouth, flowed over the
|
||
key and dripped onto the floor. “Listen”, said the chief clerk in the
|
||
next room, “he’s turning the key.” Gregor was greatly encouraged by
|
||
this; but they all should have been calling to him, his father and his
|
||
mother too: “Well done, Gregor”, they should have cried, “keep at it,
|
||
keep hold of the lock!” And with the idea that they were all excitedly
|
||
following his efforts, he bit on the key with all his strength, paying
|
||
no attention to the pain he was causing himself. As the key turned
|
||
round he turned around the lock with it, only holding himself upright
|
||
with his mouth, and hung onto the key or pushed it down again with the
|
||
whole weight of his body as needed. The clear sound of the lock as it
|
||
snapped back was Gregor’s sign that he could break his concentration,
|
||
and as he regained his breath he said to himself: “So, I didn’t need
|
||
the locksmith after all”. Then he lay his head on the handle of the
|
||
door to open it completely.
|
||
|
||
Because he had to open the door in this way, it was already wide open
|
||
before he could be seen. He had first to slowly turn himself around one
|
||
of the double doors, and he had to do it very carefully if he did not
|
||
want to fall flat on his back before entering the room. He was still
|
||
occupied with this difficult movement, unable to pay attention to
|
||
anything else, when he heard the chief clerk exclaim a loud “Oh!”,
|
||
which sounded like the soughing of the wind. Now he also saw him—he was
|
||
the nearest to the door—his hand pressed against his open mouth and
|
||
slowly retreating as if driven by a steady and invisible force.
|
||
Gregor’s mother, her hair still dishevelled from bed despite the chief
|
||
clerk’s being there, looked at his father. Then she unfolded her arms,
|
||
took two steps forward towards Gregor and sank down onto the floor into
|
||
her skirts that spread themselves out around her as her head
|
||
disappeared down onto her breast. His father looked hostile, and
|
||
clenched his fists as if wanting to knock Gregor back into his room.
|
||
Then he looked uncertainly round the living room, covered his eyes with
|
||
his hands and wept so that his powerful chest shook.
|
||
|
||
So Gregor did not go into the room, but leant against the inside of the
|
||
other door which was still held bolted in place. In this way only half
|
||
of his body could be seen, along with his head above it which he leant
|
||
over to one side as he peered out at the others. Meanwhile the day had
|
||
become much lighter; part of the endless, grey-black building on the
|
||
other side of the street—which was a hospital—could be seen quite
|
||
clearly with the austere and regular line of windows piercing its
|
||
façade; the rain was still falling, now throwing down large, individual
|
||
droplets which hit the ground one at a time. The washing up from
|
||
breakfast lay on the table; there was so much of it because, for
|
||
Gregor’s father, breakfast was the most important meal of the day and
|
||
he would stretch it out for several hours as he sat reading a number of
|
||
different newspapers. On the wall exactly opposite there was photograph
|
||
of Gregor when he was a lieutenant in the army, his sword in his hand
|
||
and a carefree smile on his face as he called forth respect for his
|
||
uniform and bearing. The door to the entrance hall was open and as the
|
||
front door of the flat was also open he could see onto the landing and
|
||
the stairs where they began their way down below.
|
||
|
||
“Now, then”, said Gregor, well aware that he was the only one to have
|
||
kept calm, “I’ll get dressed straight away now, pack up my samples and
|
||
set off. Will you please just let me leave? You can see”, he said to
|
||
the chief clerk, “that I’m not stubborn and I like to do my job; being
|
||
a commercial traveller is arduous but without travelling I couldn’t
|
||
earn my living. So where are you going, in to the office? Yes? Will you
|
||
report everything accurately, then? It’s quite possible for someone to
|
||
be temporarily unable to work, but that’s just the right time to
|
||
remember what’s been achieved in the past and consider that later on,
|
||
once the difficulty has been removed, he will certainly work with all
|
||
the more diligence and concentration. You’re well aware that I’m
|
||
seriously in debt to our employer as well as having to look after my
|
||
parents and my sister, so that I’m trapped in a difficult situation,
|
||
but I will work my way out of it again. Please don’t make things any
|
||
harder for me than they are already, and don’t take sides against me at
|
||
the office. I know that nobody likes the travellers. They think we earn
|
||
an enormous wage as well as having a soft time of it. That’s just
|
||
prejudice but they have no particular reason to think better of it. But
|
||
you, sir, you have a better overview than the rest of the staff, in
|
||
fact, if I can say this in confidence, a better overview than the boss
|
||
himself—it’s very easy for a businessman like him to make mistakes
|
||
about his employees and judge them more harshly than he should. And
|
||
you’re also well aware that we travellers spend almost the whole year
|
||
away from the office, so that we can very easily fall victim to gossip
|
||
and chance and groundless complaints, and it’s almost impossible to
|
||
defend yourself from that sort of thing, we don’t usually even hear
|
||
about them, or if at all it’s when we arrive back home exhausted from a
|
||
trip, and that’s when we feel the harmful effects of what’s been going
|
||
on without even knowing what caused them. Please, don’t go away, at
|
||
least first say something to show that you grant that I’m at least
|
||
partly right!”
|
||
|
||
But the chief clerk had turned away as soon as Gregor had started to
|
||
speak, and, with protruding lips, only stared back at him over his
|
||
trembling shoulders as he left. He did not keep still for a moment
|
||
while Gregor was speaking, but moved steadily towards the door without
|
||
taking his eyes off him. He moved very gradually, as if there had been
|
||
some secret prohibition on leaving the room. It was only when he had
|
||
reached the entrance hall that he made a sudden movement, drew his foot
|
||
from the living room, and rushed forward in a panic. In the hall, he
|
||
stretched his right hand far out towards the stairway as if out there,
|
||
there were some supernatural force waiting to save him.
|
||
|
||
Gregor realised that it was out of the question to let the chief clerk
|
||
go away in this mood if his position in the firm was not to be put into
|
||
extreme danger. That was something his parents did not understand very
|
||
well; over the years, they had become convinced that this job would
|
||
provide for Gregor for his entire life, and besides, they had so much
|
||
to worry about at present that they had lost sight of any thought for
|
||
the future. Gregor, though, did think about the future. The chief clerk
|
||
had to be held back, calmed down, convinced and finally won over; the
|
||
future of Gregor and his family depended on it! If only his sister were
|
||
here! She was clever; she was already in tears while Gregor was still
|
||
lying peacefully on his back. And the chief clerk was a lover of women,
|
||
surely she could persuade him; she would close the front door in the
|
||
entrance hall and talk him out of his shocked state. But his sister was
|
||
not there, Gregor would have to do the job himself. And without
|
||
considering that he still was not familiar with how well he could move
|
||
about in his present state, or that his speech still might not—or
|
||
probably would not—be understood, he let go of the door; pushed himself
|
||
through the opening; tried to reach the chief clerk on the landing who,
|
||
ridiculously, was holding on to the banister with both hands; but
|
||
Gregor fell immediately over and, with a little scream as he sought
|
||
something to hold onto, landed on his numerous little legs. Hardly had
|
||
that happened than, for the first time that day, he began to feel
|
||
alright with his body; the little legs had the solid ground under them;
|
||
to his pleasure, they did exactly as he told them; they were even
|
||
making the effort to carry him where he wanted to go; and he was soon
|
||
believing that all his sorrows would soon be finally at an end. He held
|
||
back the urge to move but swayed from side to side as he crouched there
|
||
on the floor. His mother was not far away in front of him and seemed,
|
||
at first, quite engrossed in herself, but then she suddenly jumped up
|
||
with her arms outstretched and her fingers spread shouting: “Help, for
|
||
pity’s sake, Help!” The way she held her head suggested she wanted to
|
||
see Gregor better, but the unthinking way she was hurrying backwards
|
||
showed that she did not; she had forgotten that the table was behind
|
||
her with all the breakfast things on it; when she reached the table she
|
||
sat quickly down on it without knowing what she was doing; without even
|
||
seeming to notice that the coffee pot had been knocked over and a gush
|
||
of coffee was pouring down onto the carpet.
|
||
|
||
“Mother, mother”, said Gregor gently, looking up at her. He had
|
||
completely forgotten the chief clerk for the moment, but could not help
|
||
himself snapping in the air with his jaws at the sight of the flow of
|
||
coffee. That set his mother screaming anew, she fled from the table and
|
||
into the arms of his father as he rushed towards her. Gregor, though,
|
||
had no time to spare for his parents now; the chief clerk had already
|
||
reached the stairs; with his chin on the banister, he looked back for
|
||
the last time. Gregor made a run for him; he wanted to be sure of
|
||
reaching him; the chief clerk must have expected something, as he leapt
|
||
down several steps at once and disappeared; his shouts resounding all
|
||
around the staircase. The flight of the chief clerk seemed,
|
||
unfortunately, to put Gregor’s father into a panic as well. Until then
|
||
he had been relatively self controlled, but now, instead of running
|
||
after the chief clerk himself, or at least not impeding Gregor as he
|
||
ran after him, Gregor’s father seized the chief clerk’s stick in his
|
||
right hand (the chief clerk had left it behind on a chair, along with
|
||
his hat and overcoat), picked up a large newspaper from the table with
|
||
his left, and used them to drive Gregor back into his room, stamping
|
||
his foot at him as he went. Gregor’s appeals to his father were of no
|
||
help, his appeals were simply not understood, however much he humbly
|
||
turned his head his father merely stamped his foot all the harder.
|
||
Across the room, despite the chilly weather, Gregor’s mother had pulled
|
||
open a window, leant far out of it and pressed her hands to her face. A
|
||
strong draught of air flew in from the street towards the stairway, the
|
||
curtains flew up, the newspapers on the table fluttered and some of
|
||
them were blown onto the floor. Nothing would stop Gregor’s father as
|
||
he drove him back, making hissing noises at him like a wild man. Gregor
|
||
had never had any practice in moving backwards and was only able to go
|
||
very slowly. If Gregor had only been allowed to turn round he would
|
||
have been back in his room straight away, but he was afraid that if he
|
||
took the time to do that his father would become impatient, and there
|
||
was the threat of a lethal blow to his back or head from the stick in
|
||
his father’s hand any moment. Eventually, though, Gregor realised that
|
||
he had no choice as he saw, to his disgust, that he was quite incapable
|
||
of going backwards in a straight line; so he began, as quickly as
|
||
possible and with frequent anxious glances at his father, to turn
|
||
himself round. It went very slowly, but perhaps his father was able to
|
||
see his good intentions as he did nothing to hinder him, in fact now
|
||
and then he used the tip of his stick to give directions from a
|
||
distance as to which way to turn. If only his father would stop that
|
||
unbearable hissing! It was making Gregor quite confused. When he had
|
||
nearly finished turning round, still listening to that hissing, he made
|
||
a mistake and turned himself back a little the way he had just come. He
|
||
was pleased when he finally had his head in front of the doorway, but
|
||
then saw that it was too narrow, and his body was too broad to get
|
||
through it without further difficulty. In his present mood, it
|
||
obviously did not occur to his father to open the other of the double
|
||
doors so that Gregor would have enough space to get through. He was
|
||
merely fixed on the idea that Gregor should be got back into his room
|
||
as quickly as possible. Nor would he ever have allowed Gregor the time
|
||
to get himself upright as preparation for getting through the doorway.
|
||
What he did, making more noise than ever, was to drive Gregor forwards
|
||
all the harder as if there had been nothing in the way; it sounded to
|
||
Gregor as if there was now more than one father behind him; it was not
|
||
a pleasant experience, and Gregor pushed himself into the doorway
|
||
without regard for what might happen. One side of his body lifted
|
||
itself, he lay at an angle in the doorway, one flank scraped on the
|
||
white door and was painfully injured, leaving vile brown flecks on it,
|
||
soon he was stuck fast and would not have been able to move at all by
|
||
himself, the little legs along one side hung quivering in the air while
|
||
those on the other side were pressed painfully against the ground. Then
|
||
his father gave him a hefty shove from behind which released him from
|
||
where he was held and sent him flying, and heavily bleeding, deep into
|
||
his room. The door was slammed shut with the stick, then, finally, all
|
||
was quiet.
|
||
|
||
|
||
|
||
|
||
II
|
||
|
||
|
||
It was not until it was getting dark that evening that Gregor awoke
|
||
from his deep and coma-like sleep. He would have woken soon afterwards
|
||
anyway even if he hadn’t been disturbed, as he had had enough sleep and
|
||
felt fully rested. But he had the impression that some hurried steps
|
||
and the sound of the door leading into the front room being carefully
|
||
shut had woken him. The light from the electric street lamps shone
|
||
palely here and there onto the ceiling and tops of the furniture, but
|
||
down below, where Gregor was, it was dark. He pushed himself over to
|
||
the door, feeling his way clumsily with his antennae—of which he was
|
||
now beginning to learn the value—in order to see what had been
|
||
happening there. The whole of his left side seemed like one, painfully
|
||
stretched scar, and he limped badly on his two rows of legs. One of the
|
||
legs had been badly injured in the events of that morning—it was nearly
|
||
a miracle that only one of them had been—and dragged along lifelessly.
|
||
|
||
It was only when he had reached the door that he realised what it
|
||
actually was that had drawn him over to it; it was the smell of
|
||
something to eat. By the door there was a dish filled with sweetened
|
||
milk with little pieces of white bread floating in it. He was so
|
||
pleased he almost laughed, as he was even hungrier than he had been
|
||
that morning, and immediately dipped his head into the milk, nearly
|
||
covering his eyes with it. But he soon drew his head back again in
|
||
disappointment; not only did the pain in his tender left side make it
|
||
difficult to eat the food—he was only able to eat if his whole body
|
||
worked together as a snuffling whole—but the milk did not taste at all
|
||
nice. Milk like this was normally his favourite drink, and his sister
|
||
had certainly left it there for him because of that, but he turned,
|
||
almost against his own will, away from the dish and crawled back into
|
||
the centre of the room.
|
||
|
||
Through the crack in the door, Gregor could see that the gas had been
|
||
lit in the living room. His father at this time would normally be sat
|
||
with his evening paper, reading it out in a loud voice to Gregor’s
|
||
mother, and sometimes to his sister, but there was now not a sound to
|
||
be heard. Gregor’s sister would often write and tell him about this
|
||
reading, but maybe his father had lost the habit in recent times. It
|
||
was so quiet all around too, even though there must have been somebody
|
||
in the flat. “What a quiet life it is the family lead”, said Gregor to
|
||
himself, and, gazing into the darkness, felt a great pride that he was
|
||
able to provide a life like that in such a nice home for his sister and
|
||
parents. But what now, if all this peace and wealth and comfort should
|
||
come to a horrible and frightening end? That was something that Gregor
|
||
did not want to think about too much, so he started to move about,
|
||
crawling up and down the room.
|
||
|
||
Once during that long evening, the door on one side of the room was
|
||
opened very slightly and hurriedly closed again; later on the door on
|
||
the other side did the same; it seemed that someone needed to enter the
|
||
room but thought better of it. Gregor went and waited immediately by
|
||
the door, resolved either to bring the timorous visitor into the room
|
||
in some way or at least to find out who it was; but the door was opened
|
||
no more that night and Gregor waited in vain. The previous morning
|
||
while the doors were locked everyone had wanted to get in there to him,
|
||
but now, now that he had opened up one of the doors and the other had
|
||
clearly been unlocked some time during the day, no-one came, and the
|
||
keys were in the other sides.
|
||
|
||
It was not until late at night that the gaslight in the living room was
|
||
put out, and now it was easy to see that his parents and sister had
|
||
stayed awake all that time, as they all could be distinctly heard as
|
||
they went away together on tip-toe. It was clear that no-one would come
|
||
into Gregor’s room any more until morning; that gave him plenty of time
|
||
to think undisturbed about how he would have to re-arrange his life.
|
||
For some reason, the tall, empty room where he was forced to remain
|
||
made him feel uneasy as he lay there flat on the floor, even though he
|
||
had been living in it for five years. Hardly aware of what he was doing
|
||
other than a slight feeling of shame, he hurried under the couch. It
|
||
pressed down on his back a little, and he was no longer able to lift
|
||
his head, but he nonetheless felt immediately at ease and his only
|
||
regret was that his body was too broad to get it all underneath.
|
||
|
||
He spent the whole night there. Some of the time he passed in a light
|
||
sleep, although he frequently woke from it in alarm because of his
|
||
hunger, and some of the time was spent in worries and vague hopes
|
||
which, however, always led to the same conclusion: for the time being
|
||
he must remain calm, he must show patience and the greatest
|
||
consideration so that his family could bear the unpleasantness that he,
|
||
in his present condition, was forced to impose on them.
|
||
|
||
Gregor soon had the opportunity to test the strength of his decisions,
|
||
as early the next morning, almost before the night had ended, his
|
||
sister, nearly fully dressed, opened the door from the front room and
|
||
looked anxiously in. She did not see him straight away, but when she
|
||
did notice him under the couch—he had to be somewhere, for God’s sake,
|
||
he couldn’t have flown away—she was so shocked that she lost control of
|
||
herself and slammed the door shut again from outside. But she seemed to
|
||
regret her behaviour, as she opened the door again straight away and
|
||
came in on tip-toe as if entering the room of someone seriously ill or
|
||
even of a stranger. Gregor had pushed his head forward, right to the
|
||
edge of the couch, and watched her. Would she notice that he had left
|
||
the milk as it was, realise that it was not from any lack of hunger and
|
||
bring him in some other food that was more suitable? If she didn’t do
|
||
it herself he would rather go hungry than draw her attention to it,
|
||
although he did feel a terrible urge to rush forward from under the
|
||
couch, throw himself at his sister’s feet and beg her for something
|
||
good to eat. However, his sister noticed the full dish immediately and
|
||
looked at it and the few drops of milk splashed around it with some
|
||
surprise. She immediately picked it up—using a rag, not her bare
|
||
hands—and carried it out. Gregor was extremely curious as to what she
|
||
would bring in its place, imagining the wildest possibilities, but he
|
||
never could have guessed what his sister, in her goodness, actually did
|
||
bring. In order to test his taste, she brought him a whole selection of
|
||
things, all spread out on an old newspaper. There were old, half-rotten
|
||
vegetables; bones from the evening meal, covered in white sauce that
|
||
had gone hard; a few raisins and almonds; some cheese that Gregor had
|
||
declared inedible two days before; a dry roll and some bread spread
|
||
with butter and salt. As well as all that she had poured some water
|
||
into the dish, which had probably been permanently set aside for
|
||
Gregor’s use, and placed it beside them. Then, out of consideration for
|
||
Gregor’s feelings, as she knew that he would not eat in front of her,
|
||
she hurried out again and even turned the key in the lock so that
|
||
Gregor would know he could make things as comfortable for himself as he
|
||
liked. Gregor’s little legs whirred, at last he could eat. What’s more,
|
||
his injuries must already have completely healed as he found no
|
||
difficulty in moving. This amazed him, as more than a month earlier he
|
||
had cut his finger slightly with a knife, he thought of how his finger
|
||
had still hurt the day before yesterday. “Am I less sensitive than I
|
||
used to be, then?”, he thought, and was already sucking greedily at the
|
||
cheese which had immediately, almost compellingly, attracted him much
|
||
more than the other foods on the newspaper. Quickly one after another,
|
||
his eyes watering with pleasure, he consumed the cheese, the vegetables
|
||
and the sauce; the fresh foods, on the other hand, he didn’t like at
|
||
all, and even dragged the things he did want to eat a little way away
|
||
from them because he couldn’t stand the smell. Long after he had
|
||
finished eating and lay lethargic in the same place, his sister slowly
|
||
turned the key in the lock as a sign to him that he should withdraw. He
|
||
was immediately startled, although he had been half asleep, and he
|
||
hurried back under the couch. But he needed great self-control to stay
|
||
there even for the short time that his sister was in the room, as
|
||
eating so much food had rounded out his body a little and he could
|
||
hardly breathe in that narrow space. Half suffocating, he watched with
|
||
bulging eyes as his sister unselfconsciously took a broom and swept up
|
||
the left-overs, mixing them in with the food he had not even touched at
|
||
all as if it could not be used any more. She quickly dropped it all
|
||
into a bin, closed it with its wooden lid, and carried everything out.
|
||
She had hardly turned her back before Gregor came out again from under
|
||
the couch and stretched himself.
|
||
|
||
This was how Gregor received his food each day now, once in the morning
|
||
while his parents and the maid were still asleep, and the second time
|
||
after everyone had eaten their meal at midday as his parents would
|
||
sleep for a little while then as well, and Gregor’s sister would send
|
||
the maid away on some errand. Gregor’s father and mother certainly did
|
||
not want him to starve either, but perhaps it would have been more than
|
||
they could stand to have any more experience of his feeding than being
|
||
told about it, and perhaps his sister wanted to spare them what
|
||
distress she could as they were indeed suffering enough.
|
||
|
||
It was impossible for Gregor to find out what they had told the doctor
|
||
and the locksmith that first morning to get them out of the flat. As
|
||
nobody could understand him, nobody, not even his sister, thought that
|
||
he could understand them, so he had to be content to hear his sister’s
|
||
sighs and appeals to the saints as she moved about his room. It was
|
||
only later, when she had become a little more used to everything—there
|
||
was, of course, no question of her ever becoming fully used to the
|
||
situation—that Gregor would sometimes catch a friendly comment, or at
|
||
least a comment that could be construed as friendly. “He’s enjoyed his
|
||
dinner today”, she might say when he had diligently cleared away all
|
||
the food left for him, or if he left most of it, which slowly became
|
||
more and more frequent, she would often say, sadly, “now everything’s
|
||
just been left there again”.
|
||
|
||
Although Gregor wasn’t able to hear any news directly he did listen to
|
||
much of what was said in the next rooms, and whenever he heard anyone
|
||
speaking he would scurry straight to the appropriate door and press his
|
||
whole body against it. There was seldom any conversation, especially at
|
||
first, that was not about him in some way, even if only in secret. For
|
||
two whole days, all the talk at every mealtime was about what they
|
||
should do now; but even between meals they spoke about the same subject
|
||
as there were always at least two members of the family at home—nobody
|
||
wanted to be at home by themselves and it was out of the question to
|
||
leave the flat entirely empty. And on the very first day the maid had
|
||
fallen to her knees and begged Gregor’s mother to let her go without
|
||
delay. It was not very clear how much she knew of what had happened but
|
||
she left within a quarter of an hour, tearfully thanking Gregor’s
|
||
mother for her dismissal as if she had done her an enormous service.
|
||
She even swore emphatically not to tell anyone the slightest about what
|
||
had happened, even though no-one had asked that of her.
|
||
|
||
Now Gregor’s sister also had to help his mother with the cooking;
|
||
although that was not so much bother as no-one ate very much. Gregor
|
||
often heard how one of them would unsuccessfully urge another to eat,
|
||
and receive no more answer than “no thanks, I’ve had enough” or
|
||
something similar. No-one drank very much either. His sister would
|
||
sometimes ask his father whether he would like a beer, hoping for the
|
||
chance to go and fetch it herself. When his father then said nothing
|
||
she would add, so that he would not feel selfish, that she could send
|
||
the housekeeper for it, but then his father would close the matter with
|
||
a big, loud “No”, and no more would be said.
|
||
|
||
Even before the first day had come to an end, his father had explained
|
||
to Gregor’s mother and sister what their finances and prospects were.
|
||
Now and then he stood up from the table and took some receipt or
|
||
document from the little cash box he had saved from his business when
|
||
it had collapsed five years earlier. Gregor heard how he opened the
|
||
complicated lock and then closed it again after he had taken the item
|
||
he wanted. What he heard his father say was some of the first good news
|
||
that Gregor heard since he had first been incarcerated in his room. He
|
||
had thought that nothing at all remained from his father’s business, at
|
||
least he had never told him anything different, and Gregor had never
|
||
asked him about it anyway. Their business misfortune had reduced the
|
||
family to a state of total despair, and Gregor’s only concern at that
|
||
time had been to arrange things so that they could all forget about it
|
||
as quickly as possible. So then he started working especially hard,
|
||
with a fiery vigour that raised him from a junior salesman to a
|
||
travelling representative almost overnight, bringing with it the chance
|
||
to earn money in quite different ways. Gregor converted his success at
|
||
work straight into cash that he could lay on the table at home for the
|
||
benefit of his astonished and delighted family. They had been good
|
||
times and they had never come again, at least not with the same
|
||
splendour, even though Gregor had later earned so much that he was in a
|
||
position to bear the costs of the whole family, and did bear them. They
|
||
had even got used to it, both Gregor and the family, they took the
|
||
money with gratitude and he was glad to provide it, although there was
|
||
no longer much warm affection given in return. Gregor only remained
|
||
close to his sister now. Unlike him, she was very fond of music and a
|
||
gifted and expressive violinist, it was his secret plan to send her to
|
||
the conservatory next year even though it would cause great expense
|
||
that would have to be made up for in some other way. During Gregor’s
|
||
short periods in town, conversation with his sister would often turn to
|
||
the conservatory but it was only ever mentioned as a lovely dream that
|
||
could never be realised. Their parents did not like to hear this
|
||
innocent talk, but Gregor thought about it quite hard and decided he
|
||
would let them know what he planned with a grand announcement of it on
|
||
Christmas day.
|
||
|
||
That was the sort of totally pointless thing that went through his mind
|
||
in his present state, pressed upright against the door and listening.
|
||
There were times when he simply became too tired to continue listening,
|
||
when his head would fall wearily against the door and he would pull it
|
||
up again with a start, as even the slightest noise he caused would be
|
||
heard next door and they would all go silent. “What’s that he’s doing
|
||
now”, his father would say after a while, clearly having gone over to
|
||
the door, and only then would the interrupted conversation slowly be
|
||
taken up again.
|
||
|
||
When explaining things, his father repeated himself several times,
|
||
partly because it was a long time since he had been occupied with these
|
||
matters himself and partly because Gregor’s mother did not understand
|
||
everything the first time. From these repeated explanations Gregor
|
||
learned, to his pleasure, that despite all their misfortunes there was
|
||
still some money available from the old days. It was not a lot, but it
|
||
had not been touched in the meantime and some interest had accumulated.
|
||
Besides that, they had not been using up all the money that Gregor had
|
||
been bringing home every month, keeping only a little for himself, so
|
||
that that, too, had been accumulating. Behind the door, Gregor nodded
|
||
with enthusiasm in his pleasure at this unexpected thrift and caution.
|
||
He could actually have used this surplus money to reduce his father’s
|
||
debt to his boss, and the day when he could have freed himself from
|
||
that job would have come much closer, but now it was certainly better
|
||
the way his father had done things.
|
||
|
||
This money, however, was certainly not enough to enable the family to
|
||
live off the interest; it was enough to maintain them for, perhaps, one
|
||
or two years, no more. That’s to say, it was money that should not
|
||
really be touched but set aside for emergencies; money to live on had
|
||
to be earned. His father was healthy but old, and lacking in self
|
||
confidence. During the five years that he had not been working—the
|
||
first holiday in a life that had been full of strain and no success—he
|
||
had put on a lot of weight and become very slow and clumsy. Would
|
||
Gregor’s elderly mother now have to go and earn money? She suffered
|
||
from asthma and it was a strain for her just to move about the home,
|
||
every other day would be spent struggling for breath on the sofa by the
|
||
open window. Would his sister have to go and earn money? She was still
|
||
a child of seventeen, her life up till then had been very enviable,
|
||
consisting of wearing nice clothes, sleeping late, helping out in the
|
||
business, joining in with a few modest pleasures and most of all
|
||
playing the violin. Whenever they began to talk of the need to earn
|
||
money, Gregor would always first let go of the door and then throw
|
||
himself onto the cool, leather sofa next to it, as he became quite hot
|
||
with shame and regret.
|
||
|
||
He would often lie there the whole night through, not sleeping a wink
|
||
but scratching at the leather for hours on end. Or he might go to all
|
||
the effort of pushing a chair to the window, climbing up onto the sill
|
||
and, propped up in the chair, leaning on the window to stare out of it.
|
||
He had used to feel a great sense of freedom from doing this, but doing
|
||
it now was obviously something more remembered than experienced, as
|
||
what he actually saw in this way was becoming less distinct every day,
|
||
even things that were quite near; he had used to curse the ever-present
|
||
view of the hospital across the street, but now he could not see it at
|
||
all, and if he had not known that he lived in Charlottenstrasse, which
|
||
was a quiet street despite being in the middle of the city, he could
|
||
have thought that he was looking out the window at a barren waste where
|
||
the grey sky and the grey earth mingled inseparably. His observant
|
||
sister only needed to notice the chair twice before she would always
|
||
push it back to its exact position by the window after she had tidied
|
||
up the room, and even left the inner pane of the window open from then
|
||
on.
|
||
|
||
If Gregor had only been able to speak to his sister and thank her for
|
||
all that she had to do for him it would have been easier for him to
|
||
bear it; but as it was it caused him pain. His sister, naturally, tried
|
||
as far as possible to pretend there was nothing burdensome about it,
|
||
and the longer it went on, of course, the better she was able to do so,
|
||
but as time went by Gregor was also able to see through it all so much
|
||
better. It had even become very unpleasant for him, now, whenever she
|
||
entered the room. No sooner had she come in than she would quickly
|
||
close the door as a precaution so that no-one would have to suffer the
|
||
view into Gregor’s room, then she would go straight to the window and
|
||
pull it hurriedly open almost as if she were suffocating. Even if it
|
||
was cold, she would stay at the window breathing deeply for a little
|
||
while. She would alarm Gregor twice a day with this running about and
|
||
noise making; he would stay under the couch shivering the whole while,
|
||
knowing full well that she would certainly have liked to spare him this
|
||
ordeal, but it was impossible for her to be in the same room with him
|
||
with the windows closed.
|
||
|
||
One day, about a month after Gregor’s transformation when his sister no
|
||
longer had any particular reason to be shocked at his appearance, she
|
||
came into the room a little earlier than usual and found him still
|
||
staring out the window, motionless, and just where he would be most
|
||
horrible. In itself, his sister’s not coming into the room would have
|
||
been no surprise for Gregor as it would have been difficult for her to
|
||
immediately open the window while he was still there, but not only did
|
||
she not come in, she went straight back and closed the door behind her,
|
||
a stranger would have thought he had threatened her and tried to bite
|
||
her. Gregor went straight to hide himself under the couch, of course,
|
||
but he had to wait until midday before his sister came back and she
|
||
seemed much more uneasy than usual. It made him realise that she still
|
||
found his appearance unbearable and would continue to do so, she
|
||
probably even had to overcome the urge to flee when she saw the little
|
||
bit of him that protruded from under the couch. One day, in order to
|
||
spare her even this sight, he spent four hours carrying the bedsheet
|
||
over to the couch on his back and arranged it so that he was completely
|
||
covered and his sister would not be able to see him even if she bent
|
||
down. If she did not think this sheet was necessary then all she had to
|
||
do was take it off again, as it was clear enough that it was no
|
||
pleasure for Gregor to cut himself off so completely. She left the
|
||
sheet where it was. Gregor even thought he glimpsed a look of gratitude
|
||
one time when he carefully looked out from under the sheet to see how
|
||
his sister liked the new arrangement.
|
||
|
||
For the first fourteen days, Gregor’s parents could not bring
|
||
themselves to come into the room to see him. He would often hear them
|
||
say how they appreciated all the new work his sister was doing even
|
||
though, before, they had seen her as a girl who was somewhat useless
|
||
and frequently been annoyed with her. But now the two of them, father
|
||
and mother, would often both wait outside the door of Gregor’s room
|
||
while his sister tidied up in there, and as soon as she went out again
|
||
she would have to tell them exactly how everything looked, what Gregor
|
||
had eaten, how he had behaved this time and whether, perhaps, any
|
||
slight improvement could be seen. His mother also wanted to go in and
|
||
visit Gregor relatively soon but his father and sister at first
|
||
persuaded her against it. Gregor listened very closely to all this, and
|
||
approved fully. Later, though, she had to be held back by force, which
|
||
made her call out: “Let me go and see Gregor, he is my unfortunate son!
|
||
Can’t you understand I have to see him?”, and Gregor would think to
|
||
himself that maybe it would be better if his mother came in, not every
|
||
day of course, but one day a week, perhaps; she could understand
|
||
everything much better than his sister who, for all her courage, was
|
||
still just a child after all, and really might not have had an adult’s
|
||
appreciation of the burdensome job she had taken on.
|
||
|
||
Gregor’s wish to see his mother was soon realised. Out of consideration
|
||
for his parents, Gregor wanted to avoid being seen at the window during
|
||
the day, the few square meters of the floor did not give him much room
|
||
to crawl about, it was hard to just lie quietly through the night, his
|
||
food soon stopped giving him any pleasure at all, and so, to entertain
|
||
himself, he got into the habit of crawling up and down the walls and
|
||
ceiling. He was especially fond of hanging from the ceiling; it was
|
||
quite different from lying on the floor; he could breathe more freely;
|
||
his body had a light swing to it; and up there, relaxed and almost
|
||
happy, it might happen that he would surprise even himself by letting
|
||
go of the ceiling and landing on the floor with a crash. But now, of
|
||
course, he had far better control of his body than before and, even
|
||
with a fall as great as that, caused himself no damage. Very soon his
|
||
sister noticed Gregor’s new way of entertaining himself—he had, after
|
||
all, left traces of the adhesive from his feet as he crawled about—and
|
||
got it into her head to make it as easy as possible for him by removing
|
||
the furniture that got in his way, especially the chest of drawers and
|
||
the desk. Now, this was not something that she would be able to do by
|
||
herself; she did not dare to ask for help from her father; the sixteen
|
||
year old maid had carried on bravely since the cook had left but she
|
||
certainly would not have helped in this, she had even asked to be
|
||
allowed to keep the kitchen locked at all times and never to have to
|
||
open the door unless it was especially important; so his sister had no
|
||
choice but to choose some time when Gregor’s father was not there and
|
||
fetch his mother to help her. As she approached the room, Gregor could
|
||
hear his mother express her joy, but once at the door she went silent.
|
||
First, of course, his sister came in and looked round to see that
|
||
everything in the room was alright; and only then did she let her
|
||
mother enter. Gregor had hurriedly pulled the sheet down lower over the
|
||
couch and put more folds into it so that everything really looked as if
|
||
it had just been thrown down by chance. Gregor also refrained, this
|
||
time, from spying out from under the sheet; he gave up the chance to
|
||
see his mother until later and was simply glad that she had come. “You
|
||
can come in, he can’t be seen”, said his sister, obviously leading her
|
||
in by the hand. The old chest of drawers was too heavy for a pair of
|
||
feeble women to be heaving about, but Gregor listened as they pushed it
|
||
from its place, his sister always taking on the heaviest part of the
|
||
work for herself and ignoring her mother’s warnings that she would
|
||
strain herself. This lasted a very long time. After labouring at it for
|
||
fifteen minutes or more his mother said it would be better to leave the
|
||
chest where it was, for one thing it was too heavy for them to get the
|
||
job finished before Gregor’s father got home and leaving it in the
|
||
middle of the room it would be in his way even more, and for another
|
||
thing it wasn’t even sure that taking the furniture away would really
|
||
be any help to him. She thought just the opposite; the sight of the
|
||
bare walls saddened her right to her heart; and why wouldn’t Gregor
|
||
feel the same way about it, he’d been used to this furniture in his
|
||
room for a long time and it would make him feel abandoned to be in an
|
||
empty room like that. Then, quietly, almost whispering as if wanting
|
||
Gregor (whose whereabouts she did not know) to hear not even the tone
|
||
of her voice, as she was convinced that he did not understand her
|
||
words, she added “and by taking the furniture away, won’t it seem like
|
||
we’re showing that we’ve given up all hope of improvement and we’re
|
||
abandoning him to cope for himself? I think it’d be best to leave the
|
||
room exactly the way it was before so that when Gregor comes back to us
|
||
again he’ll find everything unchanged and he’ll be able to forget the
|
||
time in between all the easier”.
|
||
|
||
Hearing these words from his mother made Gregor realise that the lack
|
||
of any direct human communication, along with the monotonous life led
|
||
by the family during these two months, must have made him confused—he
|
||
could think of no other way of explaining to himself why he had
|
||
seriously wanted his room emptied out. Had he really wanted to
|
||
transform his room into a cave, a warm room fitted out with the nice
|
||
furniture he had inherited? That would have let him crawl around
|
||
unimpeded in any direction, but it would also have let him quickly
|
||
forget his past when he had still been human. He had come very close to
|
||
forgetting, and it had only been the voice of his mother, unheard for
|
||
so long, that had shaken him out of it. Nothing should be removed;
|
||
everything had to stay; he could not do without the good influence the
|
||
furniture had on his condition; and if the furniture made it difficult
|
||
for him to crawl about mindlessly that was not a loss but a great
|
||
advantage.
|
||
|
||
His sister, unfortunately, did not agree; she had become used to the
|
||
idea, not without reason, that she was Gregor’s spokesman to his
|
||
parents about the things that concerned him. This meant that his
|
||
mother’s advice now was sufficient reason for her to insist on removing
|
||
not only the chest of drawers and the desk, as she had thought at
|
||
first, but all the furniture apart from the all-important couch. It was
|
||
more than childish perversity, of course, or the unexpected confidence
|
||
she had recently acquired, that made her insist; she had indeed noticed
|
||
that Gregor needed a lot of room to crawl about in, whereas the
|
||
furniture, as far as anyone could see, was of no use to him at all.
|
||
Girls of that age, though, do become enthusiastic about things and feel
|
||
they must get their way whenever they can. Perhaps this was what
|
||
tempted Grete to make Gregor’s situation seem even more shocking than
|
||
it was so that she could do even more for him. Grete would probably be
|
||
the only one who would dare enter a room dominated by Gregor crawling
|
||
about the bare walls by himself.
|
||
|
||
So she refused to let her mother dissuade her. Gregor’s mother already
|
||
looked uneasy in his room, she soon stopped speaking and helped
|
||
Gregor’s sister to get the chest of drawers out with what strength she
|
||
had. The chest of drawers was something that Gregor could do without if
|
||
he had to, but the writing desk had to stay. Hardly had the two women
|
||
pushed the chest of drawers, groaning, out of the room than Gregor
|
||
poked his head out from under the couch to see what he could do about
|
||
it. He meant to be as careful and considerate as he could, but,
|
||
unfortunately, it was his mother who came back first while Grete in the
|
||
next room had her arms round the chest, pushing and pulling at it from
|
||
side to side by herself without, of course, moving it an inch. His
|
||
mother was not used to the sight of Gregor, he might have made her ill,
|
||
so Gregor hurried backwards to the far end of the couch. In his
|
||
startlement, though, he was not able to prevent the sheet at its front
|
||
from moving a little. It was enough to attract his mother’s attention.
|
||
She stood very still, remained there a moment, and then went back out
|
||
to Grete.
|
||
|
||
Gregor kept trying to assure himself that nothing unusual was
|
||
happening, it was just a few pieces of furniture being moved after all,
|
||
but he soon had to admit that the women going to and fro, their little
|
||
calls to each other, the scraping of the furniture on the floor, all
|
||
these things made him feel as if he were being assailed from all sides.
|
||
With his head and legs pulled in against him and his body pressed to
|
||
the floor, he was forced to admit to himself that he could not stand
|
||
all of this much longer. They were emptying his room out; taking away
|
||
everything that was dear to him; they had already taken out the chest
|
||
containing his fretsaw and other tools; now they threatened to remove
|
||
the writing desk with its place clearly worn into the floor, the desk
|
||
where he had done his homework as a business trainee, at high school,
|
||
even while he had been at infant school—he really could not wait any
|
||
longer to see whether the two women’s intentions were good. He had
|
||
nearly forgotten they were there anyway, as they were now too tired to
|
||
say anything while they worked and he could only hear their feet as
|
||
they stepped heavily on the floor.
|
||
|
||
So, while the women were leant against the desk in the other room
|
||
catching their breath, he sallied out, changed direction four times not
|
||
knowing what he should save first before his attention was suddenly
|
||
caught by the picture on the wall—which was already denuded of
|
||
everything else that had been on it—of the lady dressed in copious fur.
|
||
He hurried up onto the picture and pressed himself against its glass,
|
||
it held him firmly and felt good on his hot belly. This picture at
|
||
least, now totally covered by Gregor, would certainly be taken away by
|
||
no-one. He turned his head to face the door into the living room so
|
||
that he could watch the women when they came back.
|
||
|
||
They had not allowed themselves a long rest and came back quite soon;
|
||
Grete had put her arm around her mother and was nearly carrying her.
|
||
“What shall we take now, then?”, said Grete and looked around. Her eyes
|
||
met those of Gregor on the wall. Perhaps only because her mother was
|
||
there, she remained calm, bent her face to her so that she would not
|
||
look round and said, albeit hurriedly and with a tremor in her voice:
|
||
“Come on, let’s go back in the living room for a while?” Gregor could
|
||
see what Grete had in mind, she wanted to take her mother somewhere
|
||
safe and then chase him down from the wall. Well, she could certainly
|
||
try it! He sat unyielding on his picture. He would rather jump at
|
||
Grete’s face.
|
||
|
||
But Grete’s words had made her mother quite worried, she stepped to one
|
||
side, saw the enormous brown patch against the flowers of the
|
||
wallpaper, and before she even realised it was Gregor that she saw
|
||
screamed: “Oh God, oh God!” Arms outstretched, she fell onto the couch
|
||
as if she had given up everything and stayed there immobile. “Gregor!”
|
||
shouted his sister, glowering at him and shaking her fist. That was the
|
||
first word she had spoken to him directly since his transformation. She
|
||
ran into the other room to fetch some kind of smelling salts to bring
|
||
her mother out of her faint; Gregor wanted to help too—he could save
|
||
his picture later, although he stuck fast to the glass and had to pull
|
||
himself off by force; then he, too, ran into the next room as if he
|
||
could advise his sister like in the old days; but he had to just stand
|
||
behind her doing nothing; she was looking into various bottles, he
|
||
startled her when she turned round; a bottle fell to the ground and
|
||
broke; a splinter cut Gregor’s face, some kind of caustic medicine
|
||
splashed all over him; now, without delaying any longer, Grete took
|
||
hold of all the bottles she could and ran with them in to her mother;
|
||
she slammed the door shut with her foot. So now Gregor was shut out
|
||
from his mother, who, because of him, might be near to death; he could
|
||
not open the door if he did not want to chase his sister away, and she
|
||
had to stay with his mother; there was nothing for him to do but wait;
|
||
and, oppressed with anxiety and self-reproach, he began to crawl about,
|
||
he crawled over everything, walls, furniture, ceiling, and finally in
|
||
his confusion as the whole room began to spin around him he fell down
|
||
into the middle of the dinner table.
|
||
|
||
He lay there for a while, numb and immobile, all around him it was
|
||
quiet, maybe that was a good sign. Then there was someone at the door.
|
||
The maid, of course, had locked herself in her kitchen so that Grete
|
||
would have to go and answer it. His father had arrived home. “What’s
|
||
happened?” were his first words; Grete’s appearance must have made
|
||
everything clear to him. She answered him with subdued voice, and
|
||
openly pressed her face into his chest: “Mother’s fainted, but she’s
|
||
better now. Gregor got out.” “Just as I expected”, said his father,
|
||
“just as I always said, but you women wouldn’t listen, would you.” It
|
||
was clear to Gregor that Grete had not said enough and that his father
|
||
took it to mean that something bad had happened, that he was
|
||
responsible for some act of violence. That meant Gregor would now have
|
||
to try to calm his father, as he did not have the time to explain
|
||
things to him even if that had been possible. So he fled to the door of
|
||
his room and pressed himself against it so that his father, when he
|
||
came in from the hall, could see straight away that Gregor had the best
|
||
intentions and would go back into his room without delay, that it would
|
||
not be necessary to drive him back but that they had only to open the
|
||
door and he would disappear.
|
||
|
||
His father, though, was not in the mood to notice subtleties like that;
|
||
“Ah!”, he shouted as he came in, sounding as if he were both angry and
|
||
glad at the same time. Gregor drew his head back from the door and
|
||
lifted it towards his father. He really had not imagined his father the
|
||
way he stood there now; of late, with his new habit of crawling about,
|
||
he had neglected to pay attention to what was going on the rest of the
|
||
flat the way he had done before. He really ought to have expected
|
||
things to have changed, but still, still, was that really his father?
|
||
The same tired man as used to be laying there entombed in his bed when
|
||
Gregor came back from his business trips, who would receive him sitting
|
||
in the armchair in his nightgown when he came back in the evenings; who
|
||
was hardly even able to stand up but, as a sign of his pleasure, would
|
||
just raise his arms and who, on the couple of times a year when they
|
||
went for a walk together on a Sunday or public holiday wrapped up
|
||
tightly in his overcoat between Gregor and his mother, would always
|
||
labour his way forward a little more slowly than them, who were already
|
||
walking slowly for his sake; who would place his stick down carefully
|
||
and, if he wanted to say something would invariably stop and gather his
|
||
companions around him. He was standing up straight enough now; dressed
|
||
in a smart blue uniform with gold buttons, the sort worn by the
|
||
employees at the banking institute; above the high, stiff collar of the
|
||
coat his strong double-chin emerged; under the bushy eyebrows, his
|
||
piercing, dark eyes looked out fresh and alert; his normally unkempt
|
||
white hair was combed down painfully close to his scalp. He took his
|
||
cap, with its gold monogram from, probably, some bank, and threw it in
|
||
an arc right across the room onto the sofa, put his hands in his
|
||
trouser pockets, pushing back the bottom of his long uniform coat, and,
|
||
with look of determination, walked towards Gregor. He probably did not
|
||
even know himself what he had in mind, but nonetheless lifted his feet
|
||
unusually high. Gregor was amazed at the enormous size of the soles of
|
||
his boots, but wasted no time with that—he knew full well, right from
|
||
the first day of his new life, that his father thought it necessary to
|
||
always be extremely strict with him. And so he ran up to his father,
|
||
stopped when his father stopped, scurried forwards again when he moved,
|
||
even slightly. In this way they went round the room several times
|
||
without anything decisive happening, without even giving the impression
|
||
of a chase as everything went so slowly. Gregor remained all this time
|
||
on the floor, largely because he feared his father might see it as
|
||
especially provoking if he fled onto the wall or ceiling. Whatever he
|
||
did, Gregor had to admit that he certainly would not be able to keep up
|
||
this running about for long, as for each step his father took he had to
|
||
carry out countless movements. He became noticeably short of breath,
|
||
even in his earlier life his lungs had not been very reliable. Now, as
|
||
he lurched about in his efforts to muster all the strength he could for
|
||
running he could hardly keep his eyes open; his thoughts became too
|
||
slow for him to think of any other way of saving himself than running;
|
||
he almost forgot that the walls were there for him to use although,
|
||
here, they were concealed behind carefully carved furniture full of
|
||
notches and protrusions—then, right beside him, lightly tossed,
|
||
something flew down and rolled in front of him. It was an apple; then
|
||
another one immediately flew at him; Gregor froze in shock; there was
|
||
no longer any point in running as his father had decided to bombard
|
||
him. He had filled his pockets with fruit from the bowl on the
|
||
sideboard and now, without even taking the time for careful aim, threw
|
||
one apple after another. These little, red apples rolled about on the
|
||
floor, knocking into each other as if they had electric motors. An
|
||
apple thrown without much force glanced against Gregor’s back and slid
|
||
off without doing any harm. Another one however, immediately following
|
||
it, hit squarely and lodged in his back; Gregor wanted to drag himself
|
||
away, as if he could remove the surprising, the incredible pain by
|
||
changing his position; but he felt as if nailed to the spot and spread
|
||
himself out, all his senses in confusion. The last thing he saw was the
|
||
door of his room being pulled open, his sister was screaming, his
|
||
mother ran out in front of her in her blouse (as his sister had taken
|
||
off some of her clothes after she had fainted to make it easier for her
|
||
to breathe), she ran to his father, her skirts unfastened and sliding
|
||
one after another to the ground, stumbling over the skirts she pushed
|
||
herself to his father, her arms around him, uniting herself with him
|
||
totally—now Gregor lost his ability to see anything—her hands behind
|
||
his father’s head begging him to spare Gregor’s life.
|
||
|
||
|
||
|
||
|
||
III
|
||
|
||
|
||
No-one dared to remove the apple lodged in Gregor’s flesh, so it
|
||
remained there as a visible reminder of his injury. He had suffered it
|
||
there for more than a month, and his condition seemed serious enough to
|
||
remind even his father that Gregor, despite his current sad and
|
||
revolting form, was a family member who could not be treated as an
|
||
enemy. On the contrary, as a family there was a duty to swallow any
|
||
revulsion for him and to be patient, just to be patient.
|
||
|
||
Because of his injuries, Gregor had lost much of his mobility—probably
|
||
permanently. He had been reduced to the condition of an ancient invalid
|
||
and it took him long, long minutes to crawl across his room—crawling
|
||
over the ceiling was out of the question—but this deterioration in his
|
||
condition was fully (in his opinion) made up for by the door to the
|
||
living room being left open every evening. He got into the habit of
|
||
closely watching it for one or two hours before it was opened and then,
|
||
lying in the darkness of his room where he could not be seen from the
|
||
living room, he could watch the family in the light of the dinner table
|
||
and listen to their conversation—with everyone’s permission, in a way,
|
||
and thus quite differently from before.
|
||
|
||
They no longer held the lively conversations of earlier times, of
|
||
course, the ones that Gregor always thought about with longing when he
|
||
was tired and getting into the damp bed in some small hotel room. All
|
||
of them were usually very quiet nowadays. Soon after dinner, his father
|
||
would go to sleep in his chair; his mother and sister would urge each
|
||
other to be quiet; his mother, bent deeply under the lamp, would sew
|
||
fancy underwear for a fashion shop; his sister, who had taken a sales
|
||
job, learned shorthand and French in the evenings so that she might be
|
||
able to get a better position later on. Sometimes his father would wake
|
||
up and say to Gregor’s mother “you’re doing so much sewing again
|
||
today!”, as if he did not know that he had been dozing—and then he
|
||
would go back to sleep again while mother and sister would exchange a
|
||
tired grin.
|
||
|
||
With a kind of stubbornness, Gregor’s father refused to take his
|
||
uniform off even at home; while his nightgown hung unused on its peg
|
||
Gregor’s father would slumber where he was, fully dressed, as if always
|
||
ready to serve and expecting to hear the voice of his superior even
|
||
here. The uniform had not been new to start with, but as a result of
|
||
this it slowly became even shabbier despite the efforts of Gregor’s
|
||
mother and sister to look after it. Gregor would often spend the whole
|
||
evening looking at all the stains on this coat, with its gold buttons
|
||
always kept polished and shiny, while the old man in it would sleep,
|
||
highly uncomfortable but peaceful.
|
||
|
||
As soon as it struck ten, Gregor’s mother would speak gently to his
|
||
father to wake him and try to persuade him to go to bed, as he couldn’t
|
||
sleep properly where he was and he really had to get his sleep if he
|
||
was to be up at six to get to work. But since he had been in work he
|
||
had become more obstinate and would always insist on staying longer at
|
||
the table, even though he regularly fell asleep and it was then harder
|
||
than ever to persuade him to exchange the chair for his bed. Then,
|
||
however much mother and sister would importune him with little
|
||
reproaches and warnings he would keep slowly shaking his head for a
|
||
quarter of an hour with his eyes closed and refusing to get up.
|
||
Gregor’s mother would tug at his sleeve, whisper endearments into his
|
||
ear, Gregor’s sister would leave her work to help her mother, but
|
||
nothing would have any effect on him. He would just sink deeper into
|
||
his chair. Only when the two women took him under the arms he would
|
||
abruptly open his eyes, look at them one after the other and say: “What
|
||
a life! This is what peace I get in my old age!” And supported by the
|
||
two women he would lift himself up carefully as if he were carrying the
|
||
greatest load himself, let the women take him to the door, send them
|
||
off and carry on by himself while Gregor’s mother would throw down her
|
||
needle and his sister her pen so that they could run after his father
|
||
and continue being of help to him.
|
||
|
||
Who, in this tired and overworked family, would have had time to give
|
||
more attention to Gregor than was absolutely necessary? The household
|
||
budget became even smaller; so now the maid was dismissed; an enormous,
|
||
thick-boned charwoman with white hair that flapped around her head came
|
||
every morning and evening to do the heaviest work; everything else was
|
||
looked after by Gregor’s mother on top of the large amount of sewing
|
||
work she did. Gregor even learned, listening to the evening
|
||
conversation about what price they had hoped for, that several items of
|
||
jewellery belonging to the family had been sold, even though both
|
||
mother and sister had been very fond of wearing them at functions and
|
||
celebrations. But the loudest complaint was that although the flat was
|
||
much too big for their present circumstances, they could not move out
|
||
of it, there was no imaginable way of transferring Gregor to the new
|
||
address. He could see quite well, though, that there were more reasons
|
||
than consideration for him that made it difficult for them to move, it
|
||
would have been quite easy to transport him in any suitable crate with
|
||
a few air holes in it; the main thing holding the family back from
|
||
their decision to move was much more to do with their total despair,
|
||
and the thought that they had been struck with a misfortune unlike
|
||
anything experienced by anyone else they knew or were related to. They
|
||
carried out absolutely everything that the world expects from poor
|
||
people, Gregor’s father brought bank employees their breakfast, his
|
||
mother sacrificed herself by washing clothes for strangers, his sister
|
||
ran back and forth behind her desk at the behest of the customers, but
|
||
they just did not have the strength to do any more. And the injury in
|
||
Gregor’s back began to hurt as much as when it was new. After they had
|
||
come back from taking his father to bed Gregor’s mother and sister
|
||
would now leave their work where it was and sit close together, cheek
|
||
to cheek; his mother would point to Gregor’s room and say “Close that
|
||
door, Grete”, and then, when he was in the dark again, they would sit
|
||
in the next room and their tears would mingle, or they would simply sit
|
||
there staring dry-eyed at the table.
|
||
|
||
Gregor hardly slept at all, either night or day. Sometimes he would
|
||
think of taking over the family’s affairs, just like before, the next
|
||
time the door was opened; he had long forgotten about his boss and the
|
||
chief clerk, but they would appear again in his thoughts, the salesmen
|
||
and the apprentices, that stupid teaboy, two or three friends from
|
||
other businesses, one of the chambermaids from a provincial hotel, a
|
||
tender memory that appeared and disappeared again, a cashier from a hat
|
||
shop for whom his attention had been serious but too slow,—all of them
|
||
appeared to him, mixed together with strangers and others he had
|
||
forgotten, but instead of helping him and his family they were all of
|
||
them inaccessible, and he was glad when they disappeared. Other times
|
||
he was not at all in the mood to look after his family, he was filled
|
||
with simple rage about the lack of attention he was shown, and although
|
||
he could think of nothing he would have wanted, he made plans of how he
|
||
could get into the pantry where he could take all the things he was
|
||
entitled to, even if he was not hungry. Gregor’s sister no longer
|
||
thought about how she could please him but would hurriedly push some
|
||
food or other into his room with her foot before she rushed out to work
|
||
in the morning and at midday, and in the evening she would sweep it
|
||
away again with the broom, indifferent as to whether it had been eaten
|
||
or—more often than not—had been left totally untouched. She still
|
||
cleared up the room in the evening, but now she could not have been any
|
||
quicker about it. Smears of dirt were left on the walls, here and there
|
||
were little balls of dust and filth. At first, Gregor went into one of
|
||
the worst of these places when his sister arrived as a reproach to her,
|
||
but he could have stayed there for weeks without his sister doing
|
||
anything about it; she could see the dirt as well as he could but she
|
||
had simply decided to leave him to it. At the same time she became
|
||
touchy in a way that was quite new for her and which everyone in the
|
||
family understood—cleaning up Gregor’s room was for her and her alone.
|
||
Gregor’s mother did once thoroughly clean his room, and needed to use
|
||
several bucketfuls of water to do it—although that much dampness also
|
||
made Gregor ill and he lay flat on the couch, bitter and immobile. But
|
||
his mother was to be punished still more for what she had done, as
|
||
hardly had his sister arrived home in the evening than she noticed the
|
||
change in Gregor’s room and, highly aggrieved, ran back into the living
|
||
room where, despite her mothers raised and imploring hands, she broke
|
||
into convulsive tears. Her father, of course, was startled out of his
|
||
chair and the two parents looked on astonished and helpless; then they,
|
||
too, became agitated; Gregor’s father, standing to the right of his
|
||
mother, accused her of not leaving the cleaning of Gregor’s room to his
|
||
sister; from her left, Gregor’s sister screamed at her that she was
|
||
never to clean Gregor’s room again; while his mother tried to draw his
|
||
father, who was beside himself with anger, into the bedroom; his
|
||
sister, quaking with tears, thumped on the table with her small fists;
|
||
and Gregor hissed in anger that no-one had even thought of closing the
|
||
door to save him the sight of this and all its noise.
|
||
|
||
Gregor’s sister was exhausted from going out to work, and looking after
|
||
Gregor as she had done before was even more work for her, but even so
|
||
his mother ought certainly not to have taken her place. Gregor, on the
|
||
other hand, ought not to be neglected. Now, though, the charwoman was
|
||
here. This elderly widow, with a robust bone structure that made her
|
||
able to withstand the hardest of things in her long life, wasn’t really
|
||
repelled by Gregor. Just by chance one day, rather than any real
|
||
curiosity, she opened the door to Gregor’s room and found herself face
|
||
to face with him. He was taken totally by surprise, no-one was chasing
|
||
him but he began to rush to and fro while she just stood there in
|
||
amazement with her hands crossed in front of her. From then on she
|
||
never failed to open the door slightly every evening and morning and
|
||
look briefly in on him. At first she would call to him as she did so
|
||
with words that she probably considered friendly, such as “come on
|
||
then, you old dung-beetle!”, or “look at the old dung-beetle there!”
|
||
Gregor never responded to being spoken to in that way, but just
|
||
remained where he was without moving as if the door had never even been
|
||
opened. If only they had told this charwoman to clean up his room every
|
||
day instead of letting her disturb him for no reason whenever she felt
|
||
like it! One day, early in the morning while a heavy rain struck the
|
||
windowpanes, perhaps indicating that spring was coming, she began to
|
||
speak to him in that way once again. Gregor was so resentful of it that
|
||
he started to move toward her, he was slow and infirm, but it was like
|
||
a kind of attack. Instead of being afraid, the charwoman just lifted up
|
||
one of the chairs from near the door and stood there with her mouth
|
||
open, clearly intending not to close her mouth until the chair in her
|
||
hand had been slammed down into Gregor’s back. “Aren’t you coming any
|
||
closer, then?”, she asked when Gregor turned round again, and she
|
||
calmly put the chair back in the corner.
|
||
|
||
Gregor had almost entirely stopped eating. Only if he happened to find
|
||
himself next to the food that had been prepared for him he might take
|
||
some of it into his mouth to play with it, leave it there a few hours
|
||
and then, more often than not, spit it out again. At first he thought
|
||
it was distress at the state of his room that stopped him eating, but
|
||
he had soon got used to the changes made there. They had got into the
|
||
habit of putting things into this room that they had no room for
|
||
anywhere else, and there were now many such things as one of the rooms
|
||
in the flat had been rented out to three gentlemen. These earnest
|
||
gentlemen—all three of them had full beards, as Gregor learned peering
|
||
through the crack in the door one day—were painfully insistent on
|
||
things’ being tidy. This meant not only in their own room but, since
|
||
they had taken a room in this establishment, in the entire flat and
|
||
especially in the kitchen. Unnecessary clutter was something they could
|
||
not tolerate, especially if it was dirty. They had moreover brought
|
||
most of their own furnishings and equipment with them. For this reason,
|
||
many things had become superfluous which, although they could not be
|
||
sold, the family did not wish to discard. All these things found their
|
||
way into Gregor’s room. The dustbins from the kitchen found their way
|
||
in there too. The charwoman was always in a hurry, and anything she
|
||
couldn’t use for the time being she would just chuck in there. He,
|
||
fortunately, would usually see no more than the object and the hand
|
||
that held it. The woman most likely meant to fetch the things back out
|
||
again when she had time and the opportunity, or to throw everything out
|
||
in one go, but what actually happened was that they were left where
|
||
they landed when they had first been thrown unless Gregor made his way
|
||
through the junk and moved it somewhere else. At first he moved it
|
||
because, with no other room free where he could crawl about, he was
|
||
forced to, but later on he came to enjoy it although moving about in
|
||
that way left him sad and tired to death, and he would remain immobile
|
||
for hours afterwards.
|
||
|
||
The gentlemen who rented the room would sometimes take their evening
|
||
meal at home in the living room that was used by everyone, and so the
|
||
door to this room was often kept closed in the evening. But Gregor
|
||
found it easy to give up having the door open, he had, after all, often
|
||
failed to make use of it when it was open and, without the family
|
||
having noticed it, lain in his room in its darkest corner. One time,
|
||
though, the charwoman left the door to the living room slightly open,
|
||
and it remained open when the gentlemen who rented the room came in in
|
||
the evening and the light was put on. They sat up at the table where,
|
||
formerly, Gregor had taken his meals with his father and mother, they
|
||
unfolded the serviettes and picked up their knives and forks. Gregor’s
|
||
mother immediately appeared in the doorway with a dish of meat and soon
|
||
behind her came his sister with a dish piled high with potatoes. The
|
||
food was steaming, and filled the room with its smell. The gentlemen
|
||
bent over the dishes set in front of them as if they wanted to test the
|
||
food before eating it, and the gentleman in the middle, who seemed to
|
||
count as an authority for the other two, did indeed cut off a piece of
|
||
meat while it was still in its dish, clearly wishing to establish
|
||
whether it was sufficiently cooked or whether it should be sent back to
|
||
the kitchen. It was to his satisfaction, and Gregor’s mother and
|
||
sister, who had been looking on anxiously, began to breathe again and
|
||
smiled.
|
||
|
||
The family themselves ate in the kitchen. Nonetheless, Gregor’s father
|
||
came into the living room before he went into the kitchen, bowed once
|
||
with his cap in his hand and did his round of the table. The gentlemen
|
||
stood as one, and mumbled something into their beards. Then, once they
|
||
were alone, they ate in near perfect silence. It seemed remarkable to
|
||
Gregor that above all the various noises of eating their chewing teeth
|
||
could still be heard, as if they had wanted to show Gregor that you
|
||
need teeth in order to eat and it was not possible to perform anything
|
||
with jaws that are toothless however nice they might be. “I’d like to
|
||
eat something”, said Gregor anxiously, “but not anything like they’re
|
||
eating. They do feed themselves. And here I am, dying!”
|
||
|
||
Throughout all this time, Gregor could not remember having heard the
|
||
violin being played, but this evening it began to be heard from the
|
||
kitchen. The three gentlemen had already finished their meal, the one
|
||
in the middle had produced a newspaper, given a page to each of the
|
||
others, and now they leant back in their chairs reading them and
|
||
smoking. When the violin began playing they became attentive, stood up
|
||
and went on tip-toe over to the door of the hallway where they stood
|
||
pressed against each other. Someone must have heard them in the
|
||
kitchen, as Gregor’s father called out: “Is the playing perhaps
|
||
unpleasant for the gentlemen? We can stop it straight away.” “On the
|
||
contrary”, said the middle gentleman, “would the young lady not like to
|
||
come in and play for us here in the room, where it is, after all, much
|
||
more cosy and comfortable?” “Oh yes, we’d love to”, called back
|
||
Gregor’s father as if he had been the violin player himself. The
|
||
gentlemen stepped back into the room and waited. Gregor’s father soon
|
||
appeared with the music stand, his mother with the music and his sister
|
||
with the violin. She calmly prepared everything for her to begin
|
||
playing; his parents, who had never rented a room out before and
|
||
therefore showed an exaggerated courtesy towards the three gentlemen,
|
||
did not even dare to sit on their own chairs; his father leant against
|
||
the door with his right hand pushed in between two buttons on his
|
||
uniform coat; his mother, though, was offered a seat by one of the
|
||
gentlemen and sat—leaving the chair where the gentleman happened to
|
||
have placed it—out of the way in a corner.
|
||
|
||
His sister began to play; father and mother paid close attention, one
|
||
on each side, to the movements of her hands. Drawn in by the playing,
|
||
Gregor had dared to come forward a little and already had his head in
|
||
the living room. Before, he had taken great pride in how considerate he
|
||
was but now it hardly occurred to him that he had become so thoughtless
|
||
about the others. What’s more, there was now all the more reason to
|
||
keep himself hidden as he was covered in the dust that lay everywhere
|
||
in his room and flew up at the slightest movement; he carried threads,
|
||
hairs, and remains of food about on his back and sides; he was much too
|
||
indifferent to everything now to lay on his back and wipe himself on
|
||
the carpet like he had used to do several times a day. And despite this
|
||
condition, he was not too shy to move forward a little onto the
|
||
immaculate floor of the living room.
|
||
|
||
No-one noticed him, though. The family was totally preoccupied with the
|
||
violin playing; at first, the three gentlemen had put their hands in
|
||
their pockets and come up far too close behind the music stand to look
|
||
at all the notes being played, and they must have disturbed Gregor’s
|
||
sister, but soon, in contrast with the family, they withdrew back to
|
||
the window with their heads sunk and talking to each other at half
|
||
volume, and they stayed by the window while Gregor’s father observed
|
||
them anxiously. It really now seemed very obvious that they had
|
||
expected to hear some beautiful or entertaining violin playing but had
|
||
been disappointed, that they had had enough of the whole performance
|
||
and it was only now out of politeness that they allowed their peace to
|
||
be disturbed. It was especially unnerving, the way they all blew the
|
||
smoke from their cigarettes upwards from their mouth and noses. Yet
|
||
Gregor’s sister was playing so beautifully. Her face was leant to one
|
||
side, following the lines of music with a careful and melancholy
|
||
expression. Gregor crawled a little further forward, keeping his head
|
||
close to the ground so that he could meet her eyes if the chance came.
|
||
Was he an animal if music could captivate him so? It seemed to him that
|
||
he was being shown the way to the unknown nourishment he had been
|
||
yearning for. He was determined to make his way forward to his sister
|
||
and tug at her skirt to show her she might come into his room with her
|
||
violin, as no-one appreciated her playing here as much as he would. He
|
||
never wanted to let her out of his room, not while he lived, anyway;
|
||
his shocking appearance should, for once, be of some use to him; he
|
||
wanted to be at every door of his room at once to hiss and spit at the
|
||
attackers; his sister should not be forced to stay with him, though,
|
||
but stay of her own free will; she would sit beside him on the couch
|
||
with her ear bent down to him while he told her how he had always
|
||
intended to send her to the conservatory, how he would have told
|
||
everyone about it last Christmas—had Christmas really come and gone
|
||
already?—if this misfortune hadn’t got in the way, and refuse to let
|
||
anyone dissuade him from it. On hearing all this, his sister would
|
||
break out in tears of emotion, and Gregor would climb up to her
|
||
shoulder and kiss her neck, which, since she had been going out to
|
||
work, she had kept free without any necklace or collar.
|
||
|
||
“Mr. Samsa!”, shouted the middle gentleman to Gregor’s father,
|
||
pointing, without wasting any more words, with his forefinger at Gregor
|
||
as he slowly moved forward. The violin went silent, the middle of the
|
||
three gentlemen first smiled at his two friends, shaking his head, and
|
||
then looked back at Gregor. His father seemed to think it more
|
||
important to calm the three gentlemen before driving Gregor out, even
|
||
though they were not at all upset and seemed to think Gregor was more
|
||
entertaining than the violin playing had been. He rushed up to them
|
||
with his arms spread out and attempted to drive them back into their
|
||
room at the same time as trying to block their view of Gregor with his
|
||
body. Now they did become a little annoyed, and it was not clear
|
||
whether it was his father’s behaviour that annoyed them or the dawning
|
||
realisation that they had had a neighbour like Gregor in the next room
|
||
without knowing it. They asked Gregor’s father for explanations, raised
|
||
their arms like he had, tugged excitedly at their beards and moved back
|
||
towards their room only very slowly. Meanwhile Gregor’s sister had
|
||
overcome the despair she had fallen into when her playing was suddenly
|
||
interrupted. She had let her hands drop and let violin and bow hang
|
||
limply for a while but continued to look at the music as if still
|
||
playing, but then she suddenly pulled herself together, lay the
|
||
instrument on her mother’s lap who still sat laboriously struggling for
|
||
breath where she was, and ran into the next room which, under pressure
|
||
from her father, the three gentlemen were more quickly moving toward.
|
||
Under his sister’s experienced hand, the pillows and covers on the beds
|
||
flew up and were put into order and she had already finished making the
|
||
beds and slipped out again before the three gentlemen had reached the
|
||
room. Gregor’s father seemed so obsessed with what he was doing that he
|
||
forgot all the respect he owed to his tenants. He urged them and
|
||
pressed them until, when he was already at the door of the room, the
|
||
middle of the three gentlemen shouted like thunder and stamped his foot
|
||
and thereby brought Gregor’s father to a halt. “I declare here and
|
||
now”, he said, raising his hand and glancing at Gregor’s mother and
|
||
sister to gain their attention too, “that with regard to the repugnant
|
||
conditions that prevail in this flat and with this family”—here he
|
||
looked briefly but decisively at the floor—“I give immediate notice on
|
||
my room. For the days that I have been living here I will, of course,
|
||
pay nothing at all, on the contrary I will consider whether to proceed
|
||
with some kind of action for damages from you, and believe me it would
|
||
be very easy to set out the grounds for such an action.” He was silent
|
||
and looked straight ahead as if waiting for something. And indeed, his
|
||
two friends joined in with the words: “And we also give immediate
|
||
notice.” With that, he took hold of the door handle and slammed the
|
||
door.
|
||
|
||
Gregor’s father staggered back to his seat, feeling his way with his
|
||
hands, and fell into it; it looked as if he was stretching himself out
|
||
for his usual evening nap but from the uncontrolled way his head kept
|
||
nodding it could be seen that he was not sleeping at all. Throughout
|
||
all this, Gregor had lain still where the three gentlemen had first
|
||
seen him. His disappointment at the failure of his plan, and perhaps
|
||
also because he was weak from hunger, made it impossible for him to
|
||
move. He was sure that everyone would turn on him any moment, and he
|
||
waited. He was not even startled out of this state when the violin on
|
||
his mother’s lap fell from her trembling fingers and landed loudly on
|
||
the floor.
|
||
|
||
“Father, Mother”, said his sister, hitting the table with her hand as
|
||
introduction, “we can’t carry on like this. Maybe you can’t see it, but
|
||
I can. I don’t want to call this monster my brother, all I can say is:
|
||
we have to try and get rid of it. We’ve done all that’s humanly
|
||
possible to look after it and be patient, I don’t think anyone could
|
||
accuse us of doing anything wrong.”
|
||
|
||
“She’s absolutely right”, said Gregor’s father to himself. His mother,
|
||
who still had not had time to catch her breath, began to cough dully,
|
||
her hand held out in front of her and a deranged expression in her
|
||
eyes.
|
||
|
||
Gregor’s sister rushed to his mother and put her hand on her forehead.
|
||
Her words seemed to give Gregor’s father some more definite ideas. He
|
||
sat upright, played with his uniform cap between the plates left by the
|
||
three gentlemen after their meal, and occasionally looked down at
|
||
Gregor as he lay there immobile.
|
||
|
||
“We have to try and get rid of it”, said Gregor’s sister, now speaking
|
||
only to her father, as her mother was too occupied with coughing to
|
||
listen, “it’ll be the death of both of you, I can see it coming. We
|
||
can’t all work as hard as we have to and then come home to be tortured
|
||
like this, we can’t endure it. I can’t endure it any more.” And she
|
||
broke out so heavily in tears that they flowed down the face of her
|
||
mother, and she wiped them away with mechanical hand movements.
|
||
|
||
“My child”, said her father with sympathy and obvious understanding,
|
||
“what are we to do?”
|
||
|
||
His sister just shrugged her shoulders as a sign of the helplessness
|
||
and tears that had taken hold of her, displacing her earlier certainty.
|
||
|
||
“If he could just understand us”, said his father almost as a question;
|
||
his sister shook her hand vigorously through her tears as a sign that
|
||
of that there was no question.
|
||
|
||
“If he could just understand us”, repeated Gregor’s father, closing his
|
||
eyes in acceptance of his sister’s certainty that that was quite
|
||
impossible, “then perhaps we could come to some kind of arrangement
|
||
with him. But as it is ...”
|
||
|
||
“It’s got to go”, shouted his sister, “that’s the only way, Father.
|
||
You’ve got to get rid of the idea that that’s Gregor. We’ve only harmed
|
||
ourselves by believing it for so long. How can that be Gregor? If it
|
||
were Gregor he would have seen long ago that it’s not possible for
|
||
human beings to live with an animal like that and he would have gone of
|
||
his own free will. We wouldn’t have a brother any more, then, but we
|
||
could carry on with our lives and remember him with respect. As it is
|
||
this animal is persecuting us, it’s driven out our tenants, it
|
||
obviously wants to take over the whole flat and force us to sleep on
|
||
the streets. Father, look, just look”, she suddenly screamed, “he’s
|
||
starting again!” In her alarm, which was totally beyond Gregor’s
|
||
comprehension, his sister even abandoned his mother as she pushed
|
||
herself vigorously out of her chair as if more willing to sacrifice her
|
||
own mother than stay anywhere near Gregor. She rushed over to behind
|
||
her father, who had become excited merely because she was and stood up
|
||
half raising his hands in front of Gregor’s sister as if to protect
|
||
her.
|
||
|
||
But Gregor had had no intention of frightening anyone, least of all his
|
||
sister. All he had done was begin to turn round so that he could go
|
||
back into his room, although that was in itself quite startling as his
|
||
pain-wracked condition meant that turning round required a great deal
|
||
of effort and he was using his head to help himself do it, repeatedly
|
||
raising it and striking it against the floor. He stopped and looked
|
||
round. They seemed to have realised his good intention and had only
|
||
been alarmed briefly. Now they all looked at him in unhappy silence.
|
||
His mother lay in her chair with her legs stretched out and pressed
|
||
against each other, her eyes nearly closed with exhaustion; his sister
|
||
sat next to his father with her arms around his neck.
|
||
|
||
“Maybe now they’ll let me turn round”, thought Gregor and went back to
|
||
work. He could not help panting loudly with the effort and had
|
||
sometimes to stop and take a rest. No-one was making him rush any more,
|
||
everything was left up to him. As soon as he had finally finished
|
||
turning round he began to move straight ahead. He was amazed at the
|
||
great distance that separated him from his room, and could not
|
||
understand how he had covered that distance in his weak state a little
|
||
while before and almost without noticing it. He concentrated on
|
||
crawling as fast as he could and hardly noticed that there was not a
|
||
word, not any cry, from his family to distract him. He did not turn his
|
||
head until he had reached the doorway. He did not turn it all the way
|
||
round as he felt his neck becoming stiff, but it was nonetheless enough
|
||
to see that nothing behind him had changed, only his sister had stood
|
||
up. With his last glance he saw that his mother had now fallen
|
||
completely asleep.
|
||
|
||
He was hardly inside his room before the door was hurriedly shut,
|
||
bolted and locked. The sudden noise behind Gregor so startled him that
|
||
his little legs collapsed under him. It was his sister who had been in
|
||
so much of a rush. She had been standing there waiting and sprung
|
||
forward lightly, Gregor had not heard her coming at all, and as she
|
||
turned the key in the lock she said loudly to her parents “At last!”.
|
||
|
||
“What now, then?”, Gregor asked himself as he looked round in the
|
||
darkness. He soon made the discovery that he could no longer move at
|
||
all. This was no surprise to him, it seemed rather that being able to
|
||
actually move around on those spindly little legs until then was
|
||
unnatural. He also felt relatively comfortable. It is true that his
|
||
entire body was aching, but the pain seemed to be slowly getting weaker
|
||
and weaker and would finally disappear altogether. He could already
|
||
hardly feel the decayed apple in his back or the inflamed area around
|
||
it, which was entirely covered in white dust. He thought back of his
|
||
family with emotion and love. If it was possible, he felt that he must
|
||
go away even more strongly than his sister. He remained in this state
|
||
of empty and peaceful rumination until he heard the clock tower strike
|
||
three in the morning. He watched as it slowly began to get light
|
||
everywhere outside the window too. Then, without his willing it, his
|
||
head sank down completely, and his last breath flowed weakly from his
|
||
nostrils.
|
||
|
||
When the cleaner came in early in the morning—they’d often asked her
|
||
not to keep slamming the doors but with her strength and in her hurry
|
||
she still did, so that everyone in the flat knew when she’d arrived and
|
||
from then on it was impossible to sleep in peace—she made her usual
|
||
brief look in on Gregor and at first found nothing special. She thought
|
||
he was laying there so still on purpose, playing the martyr; she
|
||
attributed all possible understanding to him. She happened to be
|
||
holding the long broom in her hand, so she tried to tickle Gregor with
|
||
it from the doorway. When she had no success with that she tried to
|
||
make a nuisance of herself and poked at him a little, and only when she
|
||
found she could shove him across the floor with no resistance at all
|
||
did she start to pay attention. She soon realised what had really
|
||
happened, opened her eyes wide, whistled to herself, but did not waste
|
||
time to yank open the bedroom doors and shout loudly into the darkness
|
||
of the bedrooms: “Come and ’ave a look at this, it’s dead, just lying
|
||
there, stone dead!”
|
||
|
||
Mr. and Mrs. Samsa sat upright there in their marriage bed and had to
|
||
make an effort to get over the shock caused by the cleaner before they
|
||
could grasp what she was saying. But then, each from his own side, they
|
||
hurried out of bed. Mr. Samsa threw the blanket over his shoulders,
|
||
Mrs. Samsa just came out in her nightdress; and that is how they went
|
||
into Gregor’s room. On the way they opened the door to the living room
|
||
where Grete had been sleeping since the three gentlemen had moved in;
|
||
she was fully dressed as if she had never been asleep, and the paleness
|
||
of her face seemed to confirm this. “Dead?”, asked Mrs. Samsa, looking
|
||
at the charwoman enquiringly, even though she could have checked for
|
||
herself and could have known it even without checking. “That’s what I
|
||
said”, replied the cleaner, and to prove it she gave Gregor’s body
|
||
another shove with the broom, sending it sideways across the floor.
|
||
Mrs. Samsa made a movement as if she wanted to hold back the broom, but
|
||
did not complete it. “Now then”, said Mr. Samsa, “let’s give thanks to
|
||
God for that”. He crossed himself, and the three women followed his
|
||
example. Grete, who had not taken her eyes from the corpse, said: “Just
|
||
look how thin he was. He didn’t eat anything for so long. The food came
|
||
out again just the same as when it went in”. Gregor’s body was indeed
|
||
completely dried up and flat, they had not seen it until then, but now
|
||
he was not lifted up on his little legs, nor did he do anything to make
|
||
them look away.
|
||
|
||
“Grete, come with us in here for a little while”, said Mrs. Samsa with
|
||
a pained smile, and Grete followed her parents into the bedroom but not
|
||
without looking back at the body. The cleaner shut the door and opened
|
||
the window wide. Although it was still early in the morning the fresh
|
||
air had something of warmth mixed in with it. It was already the end of
|
||
March, after all.
|
||
|
||
The three gentlemen stepped out of their room and looked round in
|
||
amazement for their breakfasts; they had been forgotten about. “Where
|
||
is our breakfast?”, the middle gentleman asked the cleaner irritably.
|
||
She just put her finger on her lips and made a quick and silent sign to
|
||
the men that they might like to come into Gregor’s room. They did so,
|
||
and stood around Gregor’s corpse with their hands in the pockets of
|
||
their well-worn coats. It was now quite light in the room.
|
||
|
||
Then the door of the bedroom opened and Mr. Samsa appeared in his
|
||
uniform with his wife on one arm and his daughter on the other. All of
|
||
them had been crying a little; Grete now and then pressed her face
|
||
against her father’s arm.
|
||
|
||
“Leave my home. Now!”, said Mr. Samsa, indicating the door and without
|
||
letting the women from him. “What do you mean?”, asked the middle of
|
||
the three gentlemen somewhat disconcerted, and he smiled sweetly. The
|
||
other two held their hands behind their backs and continually rubbed
|
||
them together in gleeful anticipation of a loud quarrel which could
|
||
only end in their favour. “I mean just what I said”, answered Mr.
|
||
Samsa, and, with his two companions, went in a straight line towards
|
||
the man. At first, he stood there still, looking at the ground as if
|
||
the contents of his head were rearranging themselves into new
|
||
positions. “Alright, we’ll go then”, he said, and looked up at Mr.
|
||
Samsa as if he had been suddenly overcome with humility and wanted
|
||
permission again from Mr. Samsa for his decision. Mr. Samsa merely
|
||
opened his eyes wide and briefly nodded to him several times. At that,
|
||
and without delay, the man actually did take long strides into the
|
||
front hallway; his two friends had stopped rubbing their hands some
|
||
time before and had been listening to what was being said. Now they
|
||
jumped off after their friend as if taken with a sudden fear that Mr.
|
||
Samsa might go into the hallway in front of them and break the
|
||
connection with their leader. Once there, all three took their hats
|
||
from the stand, took their sticks from the holder, bowed without a word
|
||
and left the premises. Mr. Samsa and the two women followed them out
|
||
onto the landing; but they had had no reason to mistrust the men’s
|
||
intentions and as they leaned over the landing they saw how the three
|
||
gentlemen made slow but steady progress down the many steps. As they
|
||
turned the corner on each floor they disappeared and would reappear a
|
||
few moments later; the further down they went, the more that the Samsa
|
||
family lost interest in them; when a butcher’s boy, proud of posture
|
||
with his tray on his head, passed them on his way up and came nearer
|
||
than they were, Mr. Samsa and the women came away from the landing and
|
||
went, as if relieved, back into the flat.
|
||
|
||
They decided the best way to make use of that day was for relaxation
|
||
and to go for a walk; not only had they earned a break from work but
|
||
they were in serious need of it. So they sat at the table and wrote
|
||
three letters of excusal, Mr. Samsa to his employers, Mrs. Samsa to her
|
||
contractor and Grete to her principal. The cleaner came in while they
|
||
were writing to tell them she was going, she’d finished her work for
|
||
that morning. The three of them at first just nodded without looking up
|
||
from what they were writing, and it was only when the cleaner still did
|
||
not seem to want to leave that they looked up in irritation. “Well?”,
|
||
asked Mr. Samsa. The charwoman stood in the doorway with a smile on her
|
||
face as if she had some tremendous good news to report, but would only
|
||
do it if she was clearly asked to. The almost vertical little ostrich
|
||
feather on her hat, which had been a source of irritation to Mr. Samsa
|
||
all the time she had been working for them, swayed gently in all
|
||
directions. “What is it you want then?”, asked Mrs. Samsa, whom the
|
||
cleaner had the most respect for. “Yes”, she answered, and broke into a
|
||
friendly laugh that made her unable to speak straight away, “well then,
|
||
that thing in there, you needn’t worry about how you’re going to get
|
||
rid of it. That’s all been sorted out.” Mrs. Samsa and Grete bent down
|
||
over their letters as if intent on continuing with what they were
|
||
writing; Mr. Samsa saw that the cleaner wanted to start describing
|
||
everything in detail but, with outstretched hand, he made it quite
|
||
clear that she was not to. So, as she was prevented from telling them
|
||
all about it, she suddenly remembered what a hurry she was in and,
|
||
clearly peeved, called out “Cheerio then, everyone”, turned round
|
||
sharply and left, slamming the door terribly as she went.
|
||
|
||
“Tonight she gets sacked”, said Mr. Samsa, but he received no reply
|
||
from either his wife or his daughter as the charwoman seemed to have
|
||
destroyed the peace they had only just gained. They got up and went
|
||
over to the window where they remained with their arms around each
|
||
other. Mr. Samsa twisted round in his chair to look at them and sat
|
||
there watching for a while. Then he called out: “Come here, then. Let’s
|
||
forget about all that old stuff, shall we. Come and give me a bit of
|
||
attention”. The two women immediately did as he said, hurrying over to
|
||
him where they kissed him and hugged him and then they quickly finished
|
||
their letters.
|
||
|
||
After that, the three of them left the flat together, which was
|
||
something they had not done for months, and took the tram out to the
|
||
open country outside the town. They had the tram, filled with warm
|
||
sunshine, all to themselves. Leant back comfortably on their seats,
|
||
they discussed their prospects and found that on closer examination
|
||
they were not at all bad—until then they had never asked each other
|
||
about their work but all three had jobs which were very good and held
|
||
particularly good promise for the future. The greatest improvement for
|
||
the time being, of course, would be achieved quite easily by moving
|
||
house; what they needed now was a flat that was smaller and cheaper
|
||
than the current one which had been chosen by Gregor, one that was in a
|
||
better location and, most of all, more practical. All the time, Grete
|
||
was becoming livelier. With all the worry they had been having of late
|
||
her cheeks had become pale, but, while they were talking, Mr. and Mrs.
|
||
Samsa were struck, almost simultaneously, with the thought of how their
|
||
daughter was blossoming into a well built and beautiful young lady.
|
||
They became quieter. Just from each other’s glance and almost without
|
||
knowing it they agreed that it would soon be time to find a good man
|
||
for her. And, as if in confirmation of their new dreams and good
|
||
intentions, as soon as they reached their destination Grete was the
|
||
first to get up and stretch out her young body.
|
||
Chapter One
|
||
|
||
Arrest--Conversation with Mrs. Grubach--Then Miss Bürstner
|
||
|
||
|
||
Someone must have been telling lies about Josef K., he knew he had done
|
||
nothing wrong but, one morning, he was arrested. Every day at eight in
|
||
the morning he was brought his breakfast by Mrs. Grubach's cook--Mrs.
|
||
Grubach was his landlady--but today she didn't come. That had never
|
||
happened before. K. waited a little while, looked from his pillow at the
|
||
old woman who lived opposite and who was watching him with an
|
||
inquisitiveness quite unusual for her, and finally, both hungry and
|
||
disconcerted, rang the bell. There was immediately a knock at the door
|
||
and a man entered. He had never seen the man in this house before. He
|
||
was slim but firmly built, his clothes were black and close-fitting,
|
||
with many folds and pockets, buckles and buttons and a belt, all of
|
||
which gave the impression of being very practical but without making it
|
||
very clear what they were actually for. "Who are you?" asked K., sitting
|
||
half upright in his bed. The man, however, ignored the question as if
|
||
his arrival simply had to be accepted, and merely replied, "You rang?"
|
||
"Anna should have brought me my breakfast," said K. He tried to work
|
||
out who the man actually was, first in silence, just through
|
||
observation and by thinking about it, but the man didn't stay still to
|
||
be looked at for very long. Instead he went over to the door, opened it
|
||
slightly, and said to someone who was clearly standing immediately
|
||
behind it, "He
|
||
wants Anna to bring him his breakfast." There was a little laughter in
|
||
the neighbouring room, it was not clear from the sound of it whether
|
||
there were several people laughing. The strange man could not have
|
||
learned anything from it that he hadn't known already, but now he said
|
||
to K., as if making his report "It is not possible." "It would be the
|
||
first time that's happened," said K., as he jumped out of bed and
|
||
quickly pulled on his trousers. "I want to see who that is in the next
|
||
room, and why it is that Mrs. Grubach has let me be disturbed in this
|
||
way." It immediately occurred to him that he needn't have said this out
|
||
loud, and that he must to some extent have acknowledged their authority
|
||
by doing so, but that didn't seem important to him at the time. That, at
|
||
least, is how the stranger took it, as he said, "Don't you think you'd
|
||
better stay where you are?" "I want neither to stay here nor to be
|
||
spoken to by you until you've introduced yourself." "I meant it for your
|
||
own good," said the stranger and opened the door, this time without
|
||
being asked. The next room, which K. entered more slowly than he had
|
||
intended, looked at first glance exactly the same as it had the previous
|
||
evening. It was Mrs. Grubach's living room, over-filled with furniture,
|
||
tablecloths, porcelain and photographs. Perhaps there was a little more
|
||
space in there than usual today, but if so it was not immediately
|
||
obvious, especially as the main difference was the presence of a man
|
||
sitting by the open window with a book from which he now looked up.
|
||
"You should have stayed in your room! Didn't Franz tell you?" "And what
|
||
is it you want, then?" said K., looking back and forth between this new
|
||
acquaintance and the one named Franz, who had remained in the doorway.
|
||
Through the open window he noticed the old woman again, who had come
|
||
close to the window opposite so that she could continue to see
|
||
everything. She was showing an inquisitiveness that really made it seem
|
||
like she was going senile. "I want to see Mrs. Grubach ...," said K.,
|
||
making a movement as if tearing himself away from the two men--even
|
||
though they were standing well away from him--and wanted to go. "No,"
|
||
said the man at the window, who threw his book down on a coffee table
|
||
and stood up. "You can't go away when you're under arrest." "That's how
|
||
it seems," said K. "And why am I under arrest?" he then asked. "That's
|
||
something we're not allowed to tell you. Go into your room and wait
|
||
there. Proceedings are underway and you'll learn about everything all in
|
||
good time. It's not really part of my job to be friendly towards you
|
||
like this, but I hope no-one, apart from Franz, will hear about it, and
|
||
he's been more friendly towards you than he should have been, under the
|
||
rules, himself. If you carry on having as much good luck as you have
|
||
been with your arresting officers then you can reckon on things going
|
||
well with you." K. wanted to sit down, but then he saw that, apart from
|
||
the chair by the window, there was nowhere anywhere in the room where he
|
||
could sit. "You'll get the chance to see for yourself how true all this
|
||
is," said Franz and both men then walked up to K. They were
|
||
significantly bigger than him, especially the second man, who frequently
|
||
slapped him on the shoulder. The two of them felt K.'s nightshirt, and
|
||
said he would now have to wear one that was of much lower quality, but
|
||
that they would keep the nightshirt along with his other underclothes
|
||
and return them to him if his case turned out well. "It's better for you
|
||
if you give us the things than if you leave them in the storeroom," they
|
||
said. "Things have a tendency to go missing in the storeroom, and after
|
||
a certain amount of time they sell things off, whether the case involved
|
||
has come to an end or not. And cases like this can last a long time,
|
||
especially the ones that have been coming up lately. They'd give you the
|
||
money they got for them, but it wouldn't be very much as it's not what
|
||
they're offered for them when they sell them that counts, it's how much
|
||
they get slipped on the side, and things like that lose their value
|
||
anyway when they get passed on from hand to hand, year after year." K.
|
||
paid hardly any attention to what they were saying, he did not place
|
||
much value on what he may have still possessed or on who decided what
|
||
happened to them. It was much more important to him to get a clear
|
||
understanding of his position, but he could not think clearly while
|
||
these people were here, the second policeman's belly--and they could
|
||
only be policemen--looked friendly enough, sticking out towards him, but
|
||
when K. looked up and saw his dry, bony face it did not seem to fit
|
||
with the body. His strong nose twisted to one side as if ignoring K. and
|
||
sharing an understanding with the other policeman. What sort of people
|
||
were these? What were they talking about? What office did they belong
|
||
to? K. was living in a free country, after all, everywhere was at peace,
|
||
all laws were decent and were upheld, who was it who dared accost him in
|
||
his own home. He was always inclined to take life as lightly as he
|
||
could, to cross bridges when he came to them, pay no heed for the
|
||
future, even when everything seemed under threat. But here that did not
|
||
seem the right thing to do. He could have taken it all as a joke, a big
|
||
joke set up by his colleagues at the bank for some unknown reason, or
|
||
also perhaps because today was his thirtieth birthday, it was all
|
||
possible of course, maybe all he had to do was laugh in the policemen's
|
||
face in some way and they would laugh with him, maybe they were
|
||
tradesmen from the corner of the street, they looked like they might
|
||
be--but he was nonetheless determined, ever since he first caught sight
|
||
of the one called Franz, not to lose any slight advantage he might have
|
||
had over these people. There was a very slight risk that people would
|
||
later say he couldn't understand a joke, but--although he wasn't
|
||
normally in the habit of learning from experience--he might also have
|
||
had a few unimportant occasions in mind when, unlike his more cautious
|
||
friends, he had acted with no thought at all for what might follow and
|
||
had been made to suffer for it. He didn't want that to happen again, not
|
||
this time at least; if they were play-acting he would act along with
|
||
them.
|
||
|
||
He still had time. "Allow me," he said, and hurried between the two
|
||
policemen through into his room. "He seems sensible enough," he heard
|
||
them say behind him. Once in his room, he quickly pulled open the drawer
|
||
of his writing desk, everything in it was very tidy but in his
|
||
agitation he was unable to find the identification documents he was
|
||
looking for straight away. He finally found his bicycle permit and was
|
||
about to go back to the policemen with it when it seemed to him too
|
||
petty, so he carried on searching until he found his birth certificate.
|
||
Just as he got back in the adjoining room the door on the other side
|
||
opened and Mrs. Grubach was about to enter. He only saw her for an
|
||
instant, for as soon as she recognised K. she was clearly embarrassed,
|
||
asked for forgiveness and disappeared, closing the door behind her very
|
||
carefully. "Do come in," K. could have said just then. But now he stood
|
||
in the middle of the room with his papers in his hand and still looking
|
||
at the door which did not open again. He stayed like that until he was
|
||
startled out of it by the shout of the policeman who sat at the little
|
||
table at the open window and, as K. now saw, was eating his breakfast.
|
||
"Why didn't she come in?" he asked. "She's not allowed to," said the
|
||
big policeman. "You're under arrest, aren't you?" "But how can I be
|
||
under arrest? And how come it's like this?" "Now you're starting again,"
|
||
said the policeman, dipping a piece of buttered bread in the honeypot.
|
||
"We don't answer questions like that." "You will have to answer them,"
|
||
said K. "Here are my identification papers, now show me yours and I
|
||
certainly want to see the arrest warrant." "Oh, my God!" said the
|
||
policeman. "In a position like yours, and you think you can start giving
|
||
orders, do you. It won't do you any good to get us on the wrong side,
|
||
even if you think it will--we're probably more on your side that anyone
|
||
else you know!" "That's true, you know, you'd better believe it," said
|
||
Franz, holding a cup of coffee in his hand which he did not lift to his
|
||
mouth but looked at K. in a way that was probably meant to be full of
|
||
meaning but could not actually be understood. K. found himself, without
|
||
intending it, in a mute dialogue with Franz, but then slapped his hand
|
||
down on his papers and said, "Here are my identity documents." "And what
|
||
do you want us to do about it?" replied the big policeman, loudly. "The
|
||
way you're carrying on, it's worse than a child. What is it you want? Do
|
||
you want to get this great, bloody trial of yours over with quickly by
|
||
talking about ID and arrest warrants with us? We're just coppers, that's
|
||
all we are. Junior officers like us hardly know one end of an ID card
|
||
from another, all we've got to do with you is keep an eye on you for
|
||
ten hours a day and get paid for it. That's all we are. Mind you, what
|
||
we can do is make sure that the high officials we work for find out
|
||
just what sort of person it is they're going to arrest, and why he
|
||
should be arrested, before they issue the warrant. There's no mistake
|
||
there. Our authorities as far as I know, and I only know the lowest
|
||
grades, don't go out looking for guilt among the public; it's the guilt
|
||
that draws them out, like it says in the law, and they have to send us
|
||
police officers out. That's the law. Where d'you think there'd be any
|
||
mistake there?" "I don't know this law," said K. "So much the worse for
|
||
you, then," said the policeman. "It's probably exists only in your
|
||
heads," said K., he wanted, in some way, to insinuate his way into the
|
||
thoughts of the policemen, to re-shape those thoughts to his benefit or
|
||
to make himself at home there. But the policeman just said dismissively,
|
||
"You'll find out when it affects you." Franz joined in, and said, "Look
|
||
at this, Willem, he admits he doesn't know the law and at the same time
|
||
insists he's innocent." "You're quite right, but we can't get him to
|
||
understand a thing," said the other. K. stopped talking with them; do I,
|
||
he thought to himself, do I really have to carry on getting tangled up
|
||
with the chattering of base functionaries like this?--and they admit
|
||
themselves that they are of the lowest position. They're talking about
|
||
things of which they don't have the slightest understanding, anyway.
|
||
It's only because of their stupidity that they're able to be so sure of
|
||
themselves. I just need few words with someone of the same social
|
||
standing as myself and everything will be incomparably clearer, much
|
||
clearer than a long conversation with these two can make it. He walked
|
||
up and down the free space in the room a couple of times, across the
|
||
street he could see the old woman who, now, had pulled an old man, much
|
||
older than herself, up to the window and had her arms around him. K. had
|
||
to put an end to this display, "Take me to your superior," he said. "As
|
||
soon as he wants to see you. Not before," said the policeman, the one
|
||
called Willem. "And now my advice to you," he added, "is to go into your
|
||
room, stay calm, and wait and see what's to be done with you. If you
|
||
take our advice, you won't tire yourself out thinking about things to no
|
||
purpose, you need to pull yourself together as there's a lot that's
|
||
going to required of you. You've not behaved towards us the way we
|
||
deserve after being so good to you, you forget that we, whatever we are,
|
||
we're still free men and you're not, and that's quite an advantage. But
|
||
in spite of all that we're still willing, if you've got the money, to go
|
||
and get you some breakfast from the café over the road."
|
||
|
||
Without giving any answer to this offer, K. stood still for some time.
|
||
Perhaps, if he opened the door of the next room or even the front door,
|
||
the two of them would not dare to stand in his way, perhaps that would
|
||
be the simplest way to settle the whole thing, by bringing it to a head.
|
||
But maybe they would grab him, and if he were thrown down on the ground
|
||
he would lose all the advantage he, in a certain respect, had over them.
|
||
So he decided on the more certain solution, the way things would go in
|
||
the natural course of events, and went back in his room without another
|
||
word either from him or from the policemen.
|
||
|
||
He threw himself down on his bed, and from the dressing table he took
|
||
the nice apple that he had put there the previous evening for his
|
||
breakfast. Now it was all the breakfast he had and anyway, as he
|
||
confirmed as soon as he took his first, big bite of it, it was far
|
||
better than a breakfast he could have had through the good will of the
|
||
policemen from the dirty café. He felt well and confident, he had failed
|
||
to go into work at the bank this morning but that could easily be
|
||
excused because of the relatively high position he held there. Should he
|
||
really send in his explanation? He wondered about it. If nobody believed
|
||
him, and in this case that would be understandable, he could bring Mrs.
|
||
Grubach in as a witness, or even the old pair from across the street,
|
||
who probably even now were on their way over to the window opposite. It
|
||
puzzled K., at least it puzzled him looking at it from the policemen's
|
||
point of view, that they had made him go into the room and left him
|
||
alone there, where he had ten different ways of killing himself. At the
|
||
same time, though, he asked himself, this time looking at it from his
|
||
own point of view, what reason he could have to do so. Because those two
|
||
were sitting there in the next room and had taken his breakfast,
|
||
perhaps. It would have been so pointless to kill himself that, even if
|
||
he had wanted to, the pointlessness would have made him unable. Maybe,
|
||
if the policemen had not been so obviously limited in their mental
|
||
abilities, it could have been supposed that they had come to the same
|
||
conclusion and saw no danger in leaving him alone because of it. They
|
||
could watch now, if they wanted, and see how he went over to the
|
||
cupboard in the wall where he kept a bottle of good schnapps, how he
|
||
first emptied a glass of it in place of his breakfast and how he then
|
||
took a second glassful in order to give himself courage, the last one
|
||
just as a precaution for the unlikely chance it would be needed.
|
||
|
||
Then he was so startled by a shout to him from the other room that he
|
||
struck his teeth against the glass. "The supervisor wants to see you!" a
|
||
voice said. It was only the shout that startled him, this curt, abrupt,
|
||
military shout, that he would not have expected from the policeman
|
||
called Franz. In itself, he found the order very welcome. "At last!" he
|
||
called back, locked the cupboard and, without delay, hurried into the
|
||
next room. The two policemen were standing there and chased him back
|
||
into his bedroom as if that were a matter of course. "What d'you think
|
||
you're doing?" they cried. "Think you're going to see the supervisor
|
||
dressed in just your shirt, do you? He'd see to it you got a right
|
||
thumping, and us and all!" "Let go of me for God's sake!" called K., who
|
||
had already been pushed back as far as his wardrobe, "if you accost me
|
||
when I'm still in bed you can't expect to find me in my evening dress."
|
||
"That won't help you," said the policemen, who always became very quiet,
|
||
almost sad, when K. began to shout, and in that way confused him or, to
|
||
some extent, brought him to his senses. "Ridiculous formalities!" he
|
||
grumbled, as he lifted his coat from the chair and kept it in both his
|
||
hands for a little while, as if holding it out for the policemen's
|
||
inspection. They shook their heads. "It's got to be a black coat,"
|
||
they said. At that, K. threw the coat to the floor and said--without
|
||
knowing even himself what he meant by it--"Well it's not going to be the
|
||
main trial, after all." The policemen laughed, but continued to insist,
|
||
"It's got to be a black coat." "Well that's alright by me if it makes
|
||
things go any faster," said K. He opened the wardrobe himself, spent a
|
||
long time searching through all the clothes, and chose his best black
|
||
suit which had a short jacket that had greatly surprised those who knew
|
||
him, then he also pulled out a fresh shirt and began, carefully, to get
|
||
dressed. He secretly told himself that he had succeeded in speeding
|
||
things up by letting the policemen forget to make him have a bath. He
|
||
watched them to see if they might remember after all, but of course it
|
||
never occurred to them, although Willem did not forget to send Franz up
|
||
to the supervisor with the message saying that K. was getting dressed.
|
||
|
||
Once he was properly dressed, K. had to pass by Willem as he went
|
||
through the next room into the one beyond, the door of which was already
|
||
wide open. K. knew very well that this room had recently been let to a
|
||
typist called 'Miss Bürstner'. She was in the habit of going out to work
|
||
very early and coming back home very late, and K. had never exchanged
|
||
more than a few words of greeting with her. Now, her bedside table had
|
||
been pulled into the middle of the room to be used as a desk for these
|
||
proceedings, and the supervisor sat behind it. He had his legs crossed,
|
||
and had thrown one arm over the backrest of the chair.
|
||
|
||
In one corner of the room there were three young people looking at the
|
||
photographs belonging to Miss Bürstner that had been put into a piece of
|
||
fabric on the wall. Hung up on the handle of the open window was a white
|
||
blouse. At the window across the street, there was the old pair again,
|
||
although now their number had increased, as behind them, and far taller
|
||
than they were, stood a man with an open shirt that showed his chest and
|
||
a reddish goatee beard which he squeezed and twisted with his fingers.
|
||
"Josef K.?" asked the supervisor, perhaps merely to attract K.'s
|
||
attention as he looked round the room. K. nodded. "I daresay you were
|
||
quite surprised by all that's been taking place this morning," said the
|
||
supervisor as, with both hands, he pushed away the few items on the
|
||
bedside table--the candle and box of matches, a book and a pin cushion
|
||
which lay there as if they were things he would need for his own
|
||
business. "Certainly," said K., and he began to feel relaxed now that,
|
||
at last, he stood in front of someone with some sense, someone with whom
|
||
he would be able to talk about his situation. "Certainly I'm surprised,
|
||
but I'm not in any way very surprised." "You're not very surprised?"
|
||
asked the supervisor, as he positioned the candle in the middle of the
|
||
table and the other things in a group around it. "Perhaps you don't
|
||
quite understand me," K. hurriedly pointed out. "What I mean is ..."
|
||
here K. broke off what he was saying and looked round for somewhere to
|
||
sit. "I may sit down, mayn't I?" he asked. "That's not usual," the
|
||
supervisor answered. "What I mean is ...," said K. without delaying a
|
||
second time, "that, yes, I am very surprised but when you've been in the
|
||
world for thirty years already and had to make your own way through
|
||
everything yourself, which has been my lot, then you become hardened to
|
||
surprises and don't take them too hard. Especially not what's happened
|
||
today." "Why especially not what's happened today?" "I wouldn't want to
|
||
say that I see all of this as a joke, you seem to have gone to too much
|
||
trouble making all these arrangements for that. Everyone in the house
|
||
must be taking part in it as well as all of you, that would be going
|
||
beyond what could be a joke. So I don't want to say that this is a
|
||
joke." "Quite right," said the supervisor, looking to see how many
|
||
matches were left in the box. "But on the other hand," K. went on,
|
||
looking round at everyone there and even wishing he could get the
|
||
attention of the three who were looking at the photographs, "on the
|
||
other hand this really can't be all that important. That follows from
|
||
the fact that I've been indicted, but can't think of the slightest
|
||
offence for which I could be indicted. But even that is all beside the
|
||
point, the main question is: Who is issuing the indictment? What office
|
||
is conducting this affair? Are you officials? None of you is wearing a
|
||
uniform, unless what you are wearing"--here he turned towards Franz--"is
|
||
meant to be a uniform, it's actually more of a travelling suit. I
|
||
require a clear answer to all these questions, and I'm quite sure that
|
||
once things have been made clear we can take our leave of each other on
|
||
the best of terms." The supervisor slammed the box of matches down on
|
||
the table. "You're making a big mistake," he said. "These gentlemen and
|
||
I have got nothing to do with your business, in fact we know almost
|
||
nothing about you. We could be wearing uniforms as proper and exact as
|
||
you like and your situation wouldn't be any the worse for it. As to
|
||
whether you're on a charge, I can't give you any sort of clear answer to
|
||
that, I don't even know whether you are or not. You're under arrest,
|
||
you're quite right about that, but I don't know any more than that.
|
||
Maybe these officers have been chit-chatting with you, well if they have
|
||
that's all it is, chit-chat. I can't give you an answer to your
|
||
questions, but I can give you a bit of advice: You'd better think less
|
||
about us and what's going to happen to you, and think a bit more about
|
||
yourself. And stop making all this fuss about your sense of innocence;
|
||
you don't make such a bad impression, but with all this fuss you're
|
||
damaging it. And you ought to do a bit less talking, too. Almost
|
||
everything you've said so far has been things we could have taken from
|
||
your behaviour, even if you'd said no more than a few words. And what
|
||
you have said has not exactly been in your favour."
|
||
|
||
K. stared at the supervisor. Was this man, probably younger than he was,
|
||
lecturing him like a schoolmaster. Was he being punished for his honesty
|
||
with a telling off. And was he to learn nothing about the reasons for
|
||
his arrest or those who were arresting him. He became somewhat cross and
|
||
began to walk up and down. No-one stopped him doing this and he pushed
|
||
his sleeves back, felt his chest, straightened his hair, went over to
|
||
the three men, said, "It makes no sense," at which these three turned
|
||
round to face him and came towards him with serious expressions. He
|
||
finally came again to a halt in front of the supervisor's desk. "State
|
||
Attorney Hasterer is a good friend of mine," he said, "can I telephone
|
||
him?" "Certainly," said the supervisor, "but I don't know what the point
|
||
of that will be, I suppose you must have some private matter you want to
|
||
discuss with him." "What the point is?" shouted K., more disconcerted
|
||
that cross. "Who do you think you are? You want to see some point in it
|
||
while you're carrying out something as pointless as it could be. It's
|
||
enough to make you cry! These gentlemen first accost me, and now they
|
||
sit or stand about in here and let me be hauled up in front of you.
|
||
What point there would be, in telephoning a state attorney when I'm
|
||
ostensibly under arrest? Very well, I won't make the telephone call."
|
||
"You can call him if you want to," said the supervisor, stretching his
|
||
hand out towards the outer room where the telephone was, "please, go on,
|
||
do make your phone call." "No, I don't want to any more," said K., and
|
||
went over to the window. Across the street, the people were still there
|
||
at the window, and it was only now that K. had gone up to his window
|
||
that they seemed to become uneasy about quietly watching what was going
|
||
on. The old couple wanted to get up but the man behind them calmed them
|
||
down. "We've got some kind of audience over there," called K. to the
|
||
supervisor, quite loudly, as he pointed out with his forefinger. "Go
|
||
away," he then called across to them. And the three of them did
|
||
immediately retreat a few steps, the old pair even found themselves
|
||
behind the man who then concealed them with the breadth of his body and
|
||
seemed, going by the movements of his mouth, to be saying something
|
||
incomprehensible into the distance. They did not disappear entirely,
|
||
though, but seemed to be waiting for the moment when they could come
|
||
back to the window without being noticed. "Intrusive, thoughtless
|
||
people!" said K. as he turned back into the room. The supervisor may
|
||
have agreed with him, at least K. thought that was what he saw from the
|
||
corner of his eye. But it was just as possible that he had not even been
|
||
listening as he had his hand pressed firmly down on the table and seemed
|
||
to be comparing the length of his fingers. The two policemen were
|
||
sitting on a chest covered with a coloured blanket, rubbing their knees.
|
||
The three young people had put their hands on their hips and were
|
||
looking round aimlessly. Everything was still, like in some office that
|
||
has been forgotten about. "Now, gentlemen," called out K., and for a
|
||
moment it seemed as if he was carrying all of them on his shoulders, "it
|
||
looks like your business with me is over with. In my opinion, it's best
|
||
now to stop wondering about whether you're proceeding correctly or
|
||
incorrectly, and to bring the matter to a peaceful close with a mutual
|
||
handshake. If you are of the same opinion, then please...." and he
|
||
walked up to the supervisor's desk and held out his hand to him. The
|
||
supervisor raised his eyes, bit his lip and looked at K.'s outstretched
|
||
hand; K. still believed the supervisor would do as he suggested. But
|
||
instead, he stood up, picked up a hard round hat that was laying on
|
||
Miss Bürstner's bed and put it carefully onto his head, using both hands
|
||
as if trying on a new hat. "Everything seems so simple to you, doesn't
|
||
it," he said to K. as he did so, "so you think we should bring the
|
||
matter to a peaceful close, do you? No, no, that won't do. Mind you, on
|
||
the other hand I certainly wouldn't want you to think there's no hope
|
||
for you. No, why should you think that? You're simply under arrest,
|
||
nothing more than that. That's what I had to tell you, that's what I've
|
||
done and now I've seen how you've taken it. That's enough for one day
|
||
and we can take our leave of each other, for the time being at least. I
|
||
expect you'll want to go in to the bank now, won't you?" "In to the
|
||
bank?" asked K., "I thought I was under arrest." K. said this with a
|
||
certain amount of defiance as, although his handshake had not been
|
||
accepted, he was feeling more independent of all these people,
|
||
especially since the supervisor had stood up. He was playing with them.
|
||
If they left, he had decided he would run after them and offer to let
|
||
them arrest him. That's why he even repeated, "How can I go in to the
|
||
bank when I'm under arrest?" "I see you've misunderstood me," said the
|
||
supervisor who was already at the door. "It's true that you're under
|
||
arrest, but that shouldn't stop you from carrying out your job. And
|
||
there shouldn't be anything to stop you carrying on with your usual
|
||
life." "In that case it's not too bad, being under arrest," said K., and
|
||
went up close to the supervisor. "I never meant it should be anything
|
||
else," he replied. "It hardly seems to have been necessary to notify me
|
||
of the arrest in that case," said K., and went even closer. The others
|
||
had also come closer. All of them had gathered together into a narrow
|
||
space by the door. "That was my duty," said the supervisor. "A silly
|
||
duty," said K., unyielding. "Maybe so," replied the supervisor, "only
|
||
don't let's waste our time talking on like this. I had assumed you'd be
|
||
wanting to go to the bank. As you're paying close attention to every
|
||
word I'll add this: I'm not forcing you to go to the bank, I'd just
|
||
assumed you wanted to. And to make things easier for you, and to let you
|
||
get to the bank with as little fuss as possible I've put these three
|
||
gentlemen, colleagues of yours, at your disposal." "What's that?"
|
||
exclaimed K., and looked at the three in astonishment. He could only
|
||
remember seeing them in their group by the photographs, but these
|
||
characterless, anaemic young people were indeed officials from his bank,
|
||
not colleagues of his, that was putting it too high and it showed a gap
|
||
in the omniscience of the supervisor, but they were nonetheless junior
|
||
members of staff at the bank. How could K. have failed to see that? How
|
||
occupied he must have been with the supervisor and the policemen not to
|
||
have recognised these three! Rabensteiner, with his stiff demeanour and
|
||
swinging hands, Kullich, with his blonde hair and deep-set eyes, and
|
||
Kaminer, with his involuntary grin caused by chronic muscle spasms.
|
||
"Good morning," said K. after a while, extending his hand to the
|
||
gentlemen as they bowed correctly to him. "I didn't recognise you at
|
||
all. So, we'll go into work now, shall we?" The gentlemen laughed and
|
||
nodded enthusiastically, as if that was what they had been waiting for
|
||
all the time, except that K. had left his hat in his room so they all
|
||
dashed, one after another, into the room to fetch it, which caused a
|
||
certain amount of embarrassment. K. stood where he was and watched them
|
||
through the open double doorway, the last to go, of course, was the
|
||
apathetic Rabensteiner who had broken into no more than an elegant trot.
|
||
Kaminer got to the hat and K., as he often had to do at the bank,
|
||
forcibly reminded himself that the grin was not deliberate, that he in
|
||
fact wasn't able to grin deliberately. At that moment Mrs. Grubach
|
||
opened the door from the hallway into the living room where all the
|
||
people were. She did not seem to feel guilty about anything at all, and
|
||
K., as often before, looked down at the belt of her apron which, for no
|
||
reason, cut so deeply into her hefty body. Once downstairs, K., with his
|
||
watch in his hand, decided to take a taxi--he had already been delayed
|
||
by half an hour and there was no need to make the delay any longer.
|
||
Kaminer ran to the corner to summon it, and the two others were making
|
||
obvious efforts to keep K. diverted when Kullich pointed to the doorway
|
||
of the house on the other side of the street where the large man with
|
||
the blonde goatee beard appeared and, a little embarrassed at first at
|
||
letting himself be seen in his full height, stepped back to the wall and
|
||
leant against it. The old couple were probably still on the stairs. K.
|
||
was cross with Kullich for pointing out this man whom he had already
|
||
seen himself, in fact whom he had been expecting. "Don't look at him!"
|
||
he snapped, without noticing how odd it was to speak to free men in this
|
||
way. But there was no explanation needed anyway as just then the taxi
|
||
arrived, they sat inside and set off. Inside the taxi, K. remembered
|
||
that he had not noticed the supervisor and the policemen leaving--the
|
||
supervisor had stopped him noticing the three bank staff and now the
|
||
three bank staff had stopped him noticing the supervisor. This showed
|
||
that K. was not very attentive, and he resolved to watch himself more
|
||
carefully in this respect. Nonetheless, he gave it no thought as he
|
||
twisted himself round and leant over onto the rear shelf of the car to
|
||
catch sight of the supervisor and the policemen if he could. But he
|
||
turned back round straight away and leant comfortably into the corner of
|
||
the taxi without even having made the effort to see anyone. Although it
|
||
did not seem like it, now was just the time when he needed some
|
||
encouragement, but the gentlemen seemed tired just then, Rabensteiner
|
||
looked out of the car to the right, Kullich to the left and only Kaminer
|
||
was there with his grin at K.'s service. It would have been inhumane to
|
||
make fun of that.
|
||
|
||
That spring, whenever possible, K. usually spent his evenings after
|
||
work--he usually stayed in the office until nine o'clock--with a short
|
||
walk, either by himself or in the company of some of the bank officials,
|
||
and then he would go into a pub where he would sit at the regulars'
|
||
table with mostly older men until eleven. There were, however, also
|
||
exceptions to this habit, times, for instance, when K. was invited by
|
||
the bank's manager (whom he greatly respected for his industry and
|
||
trustworthiness) to go with him for a ride in his car or to eat dinner
|
||
with him at his large house. K. would also go, once a week, to see a
|
||
girl called Elsa who worked as a waitress in a wine bar through the
|
||
night until late in the morning. During the daytime she only received
|
||
visitors while still in bed.
|
||
|
||
That evening, though,--the day had passed quickly with a lot of hard
|
||
work and many respectful and friendly birthday greetings--K. wanted to
|
||
go straight home. Each time he had any small break from the day's work
|
||
he considered, without knowing exactly what he had in mind, that Mrs.
|
||
Grubach's flat seemed to have been put into great disarray by the events
|
||
of that morning, and that it was up to him to put it back into order.
|
||
Once order had been restored, every trace of those events would have
|
||
been erased and everything would take its previous course once more. In
|
||
particular, there was nothing to fear from the three bank officials,
|
||
they had immersed themselves back into their paperwork and there was no
|
||
alteration to be seen in them. K. had called each of them, separately or
|
||
all together, into his office that day for no other reason than to
|
||
observe them; he was always satisfied and had always been able to let
|
||
them go again.
|
||
|
||
At half past nine that evening, when he arrived back in front of the
|
||
building where he lived, he met a young lad in the doorway who was
|
||
standing there, his legs apart and smoking a pipe. "Who are you?"
|
||
immediately asked K., bringing his face close to the lad's, as it was
|
||
hard to see in the half light of the landing. "I'm the landlord's son,
|
||
sir," answered the lad, taking the pipe from his mouth and stepping to
|
||
one side. "The landlord's son?" asked K., and impatiently knocked on the
|
||
ground with his stick. "Did you want anything, sir? Would you like me
|
||
to fetch my father?" "No, no," said K., there was something forgiving
|
||
in his voice, as if the boy had harmed him in some way and he was
|
||
excusing him. "It's alright," he said then, and went on, but before
|
||
going up the stairs he turned round once more.
|
||
|
||
He could have gone directly to his room, but as he wanted to speak with
|
||
Mrs. Grubach he went straight to her door and knocked. She was sat at
|
||
the table with a knitted stocking and a pile of old stockings in front
|
||
of her. K. apologised, a little embarrassed at coming so late, but Mrs.
|
||
Grubach was very friendly and did not want to hear any apology, she was
|
||
always ready to speak to him, he knew very well that he was her best and
|
||
her favourite tenant. K. looked round the room, it looked exactly as it
|
||
usually did, the breakfast dishes, which had been on the table by the
|
||
window that morning, had already been cleared away. "A woman's hands
|
||
will do many things when no-one's looking," he thought, he might himself
|
||
have smashed all the dishes on the spot but certainly would not have
|
||
been able to carry it all out. He looked at Mrs. Grubach with some
|
||
gratitude. "Why are you working so late?" he asked. They were now both
|
||
sitting at the table, and K. now and then sank his hands into the pile
|
||
of stockings. "There's a lot of work to do," she said, "during the day I
|
||
belong to the tenants; if I'm to sort out my own things there are only
|
||
the evenings left to me." "I fear I may have caused you some exceptional
|
||
work today." "How do you mean, Mr. K.?" she asked, becoming more
|
||
interested and leaving her work in her lap. "I mean the men who were
|
||
here this morning." "Oh, I see," she said, and went peacefully back to
|
||
what she was doing, "that was no trouble, not especially." K. looked on
|
||
in silence as she took up the knitted stocking once more. She seems
|
||
surprised at my mentioning it, he thought, she seems to think it's
|
||
improper for me to mention it. All the more important for me to do so.
|
||
An old woman is the only person I can speak about it with. "But it must
|
||
have caused some work for you," he said then, "but it won't happen
|
||
again." "No, it can't happen again," she agreed, and smiled at K. in a
|
||
way that was almost pained. "Do you mean that seriously?" asked K.
|
||
"Yes," she said, more gently, "but the important thing is you mustn't
|
||
take it too hard. There are so many awful things happening in the world!
|
||
As you're being so honest with me, Mr. K., I can admit to you that I
|
||
listened to a little of what was going on from behind the door, and that
|
||
those two policemen told me one or two things as well. It's all to do
|
||
with your happiness, and that's something that's quite close to my
|
||
heart, perhaps more than it should be as I am, after all, only your
|
||
landlady. Anyway, so I heard one or two things but I can't really say
|
||
that it's about anything very serious. No. You have been arrested, but
|
||
it's not in the same way as when they arrest a thief. If you're arrested
|
||
in the same way as a thief, then it's bad, but an arrest like this....
|
||
It seems to me that it's something very complicated--forgive me if I'm
|
||
saying something stupid--something very complicated that I don't
|
||
understand, but something that you don't really need to understand
|
||
anyway."
|
||
|
||
"There's nothing stupid about what you've said, Mrs. Grubach, or at
|
||
least I partly agree with you, only, the way I judge the whole thing is
|
||
harsher than yours, and think it's not only not something complicated
|
||
but simply a fuss about nothing. I was just caught unawares, that's what
|
||
happened. If I had got up as soon as I was awake without letting myself
|
||
get confused because Anna wasn't there, if I'd got up and paid no regard
|
||
to anyone who might have been in my way and come straight to you, if I'd
|
||
done something like having my breakfast in the kitchen as an exception,
|
||
asked you to bring my clothes from my room, in short, if I had behaved
|
||
sensibly then nothing more would have happened, everything that was
|
||
waiting to happen would have been stifled. People are so often
|
||
unprepared. In the bank, for example, I am well prepared, nothing of
|
||
this sort could possibly happen to me there, I have my own assistant
|
||
there, there are telephones for internal and external calls in front of
|
||
me on the desk, I continually receive visits from people,
|
||
representatives, officials, but besides that, and most importantly, I'm
|
||
always occupied with my work, that's to say I'm always alert, it would
|
||
even be a pleasure for me to find myself faced with something of that
|
||
sort. But now it's over with, and I didn't really even want to talk
|
||
about it any more, only I wanted to hear what you, as a sensible woman,
|
||
thought about it all, and I'm very glad to hear that we're in agreement.
|
||
But now you must give me your hand, an agreement of this sort needs to
|
||
be confirmed with a handshake."
|
||
|
||
Will she shake hands with me? The supervisor didn't shake hands, he
|
||
thought, and looked at the woman differently from before, examining her.
|
||
She stood up, as he had also stood up, and was a little self-conscious,
|
||
she hadn't been able to understand everything that K. said. As a result
|
||
of this self-consciousness she said something that she certainly did
|
||
not intend and certainly was not appropriate. "Don't take it so hard,
|
||
Mr. K.," she said, with tears in her voice and also, of course,
|
||
forgetting the handshake. "I didn't know I was taking it hard," said K.,
|
||
feeling suddenly tired and seeing that if this woman did agree with him
|
||
it was of very little value.
|
||
|
||
Before going out the door he asked, "Is Miss Bürstner home?" "No," said
|
||
Mrs. Grubach, smiling as she gave this simple piece of information,
|
||
saying something sensible at last. "She's at the theatre. Did you want
|
||
to see her? Should I give her a message?" "I, er, I just wanted to have
|
||
a few words with her." "I'm afraid I don't know when she's coming in;
|
||
she usually gets back late when she's been to the theatre." "It really
|
||
doesn't matter," said K. his head hanging as he turned to the door to
|
||
leave, "I just wanted to give her my apology for taking over her room
|
||
today." "There's no need for that, Mr. K., you're too conscientious, the
|
||
young lady doesn't know anything about it, she hasn't been home since
|
||
early this morning and everything's been tidied up again, you can see
|
||
for yourself." And she opened the door to Miss Bürstner's room. "Thank
|
||
you, I'll take your word for it," said K., but went nonetheless over to
|
||
the open door. The moon shone quietly into the unlit room. As far as
|
||
could be seen, everything was indeed in its place, not even the blouse
|
||
was hanging on the window handle. The pillows on the bed looked
|
||
remarkably plump as they lay half in the moonlight. "Miss Bürstner often
|
||
comes home late," said K., looking at Mrs. Grubach as if that were her
|
||
responsibility. "That's how young people are!" said Mrs. Grubach to
|
||
excuse herself. "Of course, of course," said K., "but it can be taken
|
||
too far." "Yes, it can be," said Mrs. Grubach, "you're so right, Mr. K.
|
||
Perhaps it is in this case. I certainly wouldn't want to say anything
|
||
nasty about Miss Bürstner, she is a good, sweet girl, friendly, tidy,
|
||
punctual, works hard, I appreciate all that very much, but one thing is
|
||
true, she ought to have more pride, be a bit less forthcoming. Twice
|
||
this month already, in the street over the way, I've seen her with a
|
||
different gentleman. I really don't like saying this, you're the only
|
||
one I've said this to, Mr. K., I swear to God, but I'm going to have no
|
||
choice but to have a few words with Miss Bürstner about it myself. And
|
||
it's not the only thing about her that I'm worried about." "Mrs.
|
||
Grubach, you are on quite the wrong track," said K., so angry that he
|
||
was hardly able to hide it, "and you have moreover misunderstood what I
|
||
was saying about Miss Bürstner, that is not what I meant. In fact I warn
|
||
you quite directly not to say anything to her, you are quite mistaken, I
|
||
know Miss Bürstner very well and there is no truth at all in what you
|
||
say. And what's more, perhaps I'm going to far, I don't want to get in
|
||
your way, say to her whatever you see fit. Good night." "Mr. K.," said
|
||
Mrs. Grubach as if asking him for something and hurrying to his door
|
||
which he had already opened, "I don't want to speak to Miss Bürstner at
|
||
all, not yet, of course I'll continue to keep an eye on her but you're
|
||
the only one I've told what I know. And it is, after all something that
|
||
everyone who lets rooms has to do if she's to keep the house decent,
|
||
that's all I'm trying to do." "Decent!" called out K. through the crack
|
||
in the door, "if you want to keep the house decent you'll first have to
|
||
give me notice." Then he slammed the door shut, there was a gentle
|
||
knocking to which he paid no more attention.
|
||
|
||
He did not feel at all like going to bed, so he decided to stay up, and
|
||
this would also give him the chance to find out when Miss Bürstner would
|
||
arrive home. Perhaps it would also still be possible, even if a little
|
||
inappropriate, to have a few words with her. As he lay there by the
|
||
window, pressing his hands to his tired eyes, he even thought for a
|
||
moment that he might punish Mrs. Grubach by persuading Miss Bürstner to
|
||
give in her notice at the same time as he would. But he immediately
|
||
realised that that would be shockingly excessive, and there would even
|
||
be the suspicion that he was moving house because of the incidents of
|
||
that morning. Nothing would have been more nonsensical and, above all,
|
||
more pointless and contemptible.
|
||
|
||
When he had become tired of looking out onto the empty street he
|
||
slightly opened the door to the living room so that he could see anyone
|
||
who entered the flat from where he was and lay down on the couch. He lay
|
||
there, quietly smoking a cigar, until about eleven o'clock. He wasn't
|
||
able to hold out longer than that, and went a little way into the
|
||
hallway as if in that way he could make Miss Bürstner arrive sooner. He
|
||
had no particular desire for her, he could not even remember what she
|
||
looked like, but now he wanted to speak to her and it irritated him that
|
||
her late arrival home meant this day would be full of unease and
|
||
disorder right to its very end. It was also her fault that he had not
|
||
had any dinner that evening and that he had been unable to visit Elsa
|
||
as he had intended. He could still make up for both of those things,
|
||
though, if he went to the wine bar where Elsa worked. He wanted to do so
|
||
even later, after the discussion with Miss Bürstner.
|
||
|
||
It was already gone half past eleven when someone could be heard in the
|
||
stairway. K., who had been lost in his thoughts in the hallway, walking
|
||
up and down loudly as if it were his own room, fled behind his door.
|
||
Miss Bürstner had arrived. Shivering, she pulled a silk shawl over her
|
||
slender shoulders as she locked the door. The next moment she would
|
||
certainly go into her room, where K. ought not to intrude in the middle
|
||
of the night; that meant he would have to speak to her now, but,
|
||
unfortunately, he had not put the electric light on in his room so that
|
||
when he stepped out of the dark it would give the impression of being an
|
||
attack and would certainly, at the very least, have been quite alarming.
|
||
There was no time to lose, and in his helplessness he whispered through
|
||
the crack of the door, "Miss Bürstner." It sounded like he was pleading
|
||
with her, not calling to her. "Is there someone there?" asked Miss
|
||
Bürstner, looking round with her eyes wide open. "It's me," said K. and
|
||
came out. "Oh, Mr. K.!" said Miss Bürstner with a smile. "Good Evening,"
|
||
and offered him her hand. "I wanted to have a word with you, if you
|
||
would allow me?" "Now?" asked Miss Bürstner, "does it have to be now? It
|
||
is a little odd, isn't it?" "I've been waiting for you since nine
|
||
o'clock." "Well, I was at the theatre, I didn't know anything about you
|
||
waiting for me." "The reason I need to speak to you only came up
|
||
today." "I see, well I don't see why not, I suppose, apart from being
|
||
so tired I could drop. Come into my room for a few minutes then. We
|
||
certainly can't talk out here, we'd wake everyone up and I think that
|
||
would be more unpleasant for us than for them. Wait here till I've put
|
||
the light on in my room, and then turn the light down out here." K. did
|
||
as he was told, and then even waited until Miss Bürstner came out of her
|
||
room and quietly invited him, once more, to come in. "Sit down," she
|
||
said, indicating the ottoman, while she herself remained standing by
|
||
the bedpost despite the tiredness she had spoken of; she did not even
|
||
take off her hat, which was small but decorated with an abundance of
|
||
flowers. "What is it you wanted, then? I'm really quite curious." She
|
||
gently crossed her legs. "I expect you'll say," K. began, "that the
|
||
matter really isn't all that urgent and we don't need to talk about it
|
||
right now, but...." "I never listen to introductions," said Miss
|
||
Bürstner. "That makes my job so much easier," said K. "This morning, to
|
||
some extent through my fault, your room was made a little untidy, this
|
||
happened because of people I did not know and against my will but, as I
|
||
said, because of my fault; I wanted to apologise for it." "My room?"
|
||
asked Miss Bürstner, and instead of looking round the room scrutinised
|
||
K. "It is true," said K., and now, for the first time, they looked each
|
||
other in the eyes, "there's no point in saying exactly how this came
|
||
about." "But that's the interesting thing about it," said Miss Bürstner.
|
||
"No," said K. "Well then," said Miss Bürstner, "I don't want to force my
|
||
way into any secrets, if you insist that it's of no interest I won't
|
||
insist. I'm quite happy to forgive you for it, as you ask, especially as
|
||
I can't see anything at all that's been left untidy." With her hand laid
|
||
flat on her lower hip, she made a tour around the room. At the mat where
|
||
the photographs were she stopped. "Look at this!" she cried. "My
|
||
photographs really have been put in the wrong places. Oh, that's
|
||
horrible. Someone really has been in my room without permission." K.
|
||
nodded, and quietly cursed Kaminer who worked at his bank and who was
|
||
always active doing things that had neither use nor purpose. "It is
|
||
odd," said Miss Bürstner, "that I'm forced to forbid you to do something
|
||
that you ought to have forbidden yourself to do, namely to come into my
|
||
room when I'm not here." "But I did explain to you," said K., and went
|
||
over to join her by the photographs, "that it wasn't me who interfered
|
||
with your photographs; but as you don't believe me I'll have to admit
|
||
that the investigating committee brought along three bank employees with
|
||
them, one of them must have touched your photographs and as soon as I
|
||
get the chance I'll ask to have him dismissed from the bank. Yes, there
|
||
was an investigating committee here," added K., as the young lady was
|
||
looking at him enquiringly. "Because of you?" she asked. "Yes," answered
|
||
K. "No!" the lady cried with a laugh. "Yes, they were," said K., "you
|
||
believe that I'm innocent then, do you?" "Well now, innocent ..." said
|
||
the lady, "I don't want to start making any pronouncements that might
|
||
have serious consequences, I don't really know you after all, it means
|
||
they're dealing with a serious criminal if they send an investigating
|
||
committee straight out to get him. But you're not in custody now--at
|
||
least I take it you've not escaped from prison considering that you seem
|
||
quite calm--so you can't have committed any crime of that sort." "Yes,"
|
||
said K., "but it might be that the investigating committee could see
|
||
that I'm innocent, or not so guilty as had been supposed." "Yes, that's
|
||
certainly a possibility," said Miss Bürstner, who seemed very
|
||
interested. "Listen," said K., "you don't have much experience in legal
|
||
matters." "No, that's true, I don't," said Miss Bürstner, "and I've
|
||
often regretted it, as I'd like to know everything and I'm very
|
||
interested in legal matters. There's something peculiarly attractive
|
||
about the law, isn't there. But I'll certainly be perfecting my
|
||
knowledge in this area, as next month I start work in a legal office."
|
||
"That's very good," said K., "that means you'll be able to give me some
|
||
help with my trial." "That could well be," said Miss Bürstner, "why not?
|
||
I like to make use of what I know." "I mean it quite seriously," said
|
||
K., "or at least, half seriously, as you do. This affair is too petty to
|
||
call in a lawyer, but I could make good use of someone who could give me
|
||
advice." "Yes, but if I'm to give you advice I'll have to know what it's
|
||
all about," said Miss Bürstner. "That's exactly the problem," said K.,
|
||
"I don't know that myself." "So you have been making fun of me, then,"
|
||
said Miss Bürstner exceedingly disappointed, "you really ought not to
|
||
try something like that on at this time of night." And she stepped away
|
||
from the photographs where they had stood so long together. "Miss
|
||
Bürstner, no," said K., "I'm not making fun of you. Please believe me!
|
||
I've already told you everything I know. More than I know, in fact, as
|
||
it actually wasn't even an investigating committee, that's just what I
|
||
called them because I don't know what else to call them. There was no
|
||
cross questioning at all, I was merely arrested, but by a committee."
|
||
Miss Bürstner sat on the ottoman and laughed again. "What was it like
|
||
then?" she asked. "It was terrible," said K., although his mind was no
|
||
longer on the subject, he had become totally absorbed by Miss Bürstner's
|
||
gaze who was supporting her chin on one hand--the elbow rested on the
|
||
cushion of the ottoman--and slowly stroking her hip with the other.
|
||
"That's too vague," said Miss Bürstner. "What's too vague?" asked K.
|
||
Then he remembered himself and asked, "Would you like me to show you
|
||
what it was like?" He wanted to move in some way but did not want to
|
||
leave. "I'm already tired," said Miss Bürstner. "You arrived back so
|
||
late," said K. "Now you've started telling me off. Well I suppose I
|
||
deserve it as I shouldn't have let you in here in the first place, and
|
||
it turns out there wasn't even any point." "Oh, there was a point,
|
||
you'll see now how important a point it was," said K. "May I move this
|
||
table away from your bedside and put it here?" "What do you think you're
|
||
doing?" said Miss Bürstner. "Of course you can't!" "In that case I
|
||
can't show you," said K., quite upset, as if Miss Bürstner had committed
|
||
some incomprehensible offence against him. "Alright then, if you need it
|
||
to show what you mean, just take the bedside table then," said Miss
|
||
Bürstner, and after a short pause added in a weak voice, "I'm so tired
|
||
I'm allowing more than I ought to." K. put the little table in the
|
||
middle of the room and sat down behind it. "You have to get a proper
|
||
idea of where the people were situated, it is very interesting. I'm the
|
||
supervisor, sitting over there on the chest are two policemen, standing
|
||
next to the photographs there are three young people. Hanging on the
|
||
handle of the window is a white blouse--I just mention that by the way.
|
||
And now it begins. Ah yes, I'm forgetting myself, the most important
|
||
person of all, so I'm standing here in front of the table. The
|
||
supervisor is sitting extremely comfortably with his legs crossed and
|
||
his arm hanging over the backrest here like some layabout. And now it
|
||
really does begin. The supervisor calls out as if he had to wake me up,
|
||
in fact he shouts at me, I'm afraid, if I'm to make it clear to you,
|
||
I'll have to shout as well, and it's nothing more than my name that he
|
||
shouts out." Miss Bürstner, laughing as she listened to him, laid her
|
||
forefinger on her mouth so that K. would not shout, but it was too late.
|
||
K. was too engrossed in his role and slowly called out, "Josef K.!" It
|
||
was not as loud as he had threatened, but nonetheless, once he had
|
||
suddenly called it out, the cry seemed gradually to spread itself all
|
||
round the room.
|
||
|
||
There was a series of loud, curt and regular knocks at the door of the
|
||
adjoining room. Miss Bürstner went pale and laid her hand on her heart.
|
||
K. was especially startled, as for a moment he had been quite unable to
|
||
think of anything other than the events of that morning and the girl for
|
||
whom he was performing them. He had hardly pulled himself together when
|
||
he jumped over to Miss Bürstner and took her hand. "Don't be afraid," he
|
||
whispered, "I'll put everything right. But who can it be? It's only the
|
||
living room next door, nobody sleeps in there." "Yes they do," whispered
|
||
Miss Bürstner into K.'s ear, "a nephew of Mrs. Grubach's, a captain in
|
||
the army, has been sleeping there since yesterday. There's no other room
|
||
free. I'd forgotten about it too. Why did you have to shout like that?
|
||
You've made me quite upset." "There is no reason for it," said K., and,
|
||
now as she sank back onto the cushion, kissed her forehead. "Go away, go
|
||
away," she said, hurriedly sitting back up, "get out of here, go, what
|
||
is it you want, he's listening at the door, he can hear everything.
|
||
You're causing me so much trouble!" "I won't go," said K., "until you've
|
||
calmed down a bit. Come over into the other corner of the room, he
|
||
won't be able to hear us there." She let him lead her there. "Don't
|
||
forget," he said, "although this might be unpleasant for you you're not
|
||
in any real danger. You know how much esteem Mrs. Grubach has for me,
|
||
she's the one who will make all the decisions in this, especially as the
|
||
captain is her nephew, but she believes everything I say without
|
||
question. What's more, she has borrowed a large sum of money from me and
|
||
that makes her dependent on me. I will confirm whatever you say to
|
||
explain our being here together, however inappropriate it might be, and
|
||
I guarantee to make sure that Mrs. Grubach will not only say she
|
||
believes the explanation in public but will believe it truly and
|
||
sincerely. You will have no need to consider me in any way. If you wish
|
||
to let it be known that I have attacked you then Mrs. Grubach will be
|
||
informed of such and she will believe it without even losing her trust
|
||
in me, that's how much respect she has for me." Miss Bürstner looked at
|
||
the floor in front of her, quiet and a little sunk in on herself. "Why
|
||
would Mrs. Grubach not believe that I've attacked you?" added K. He
|
||
looked at her hair in front of him, parted, bunched down, reddish and
|
||
firmly held in place. He thought she would look up at him, but without
|
||
changing her manner she said, "Forgive me, but it was the suddenness of
|
||
the knocking that startled me so much, not so much what the consequences
|
||
of the captain being here might be. It was all so quiet after you'd
|
||
shouted, and then there was the knocking, that's what made me so
|
||
shocked, and I was sitting right by the door, the knocking was right
|
||
next to me. Thank you for your suggestions, but I won't accept them. I
|
||
can bear the responsibility for anything that happens in my room myself,
|
||
and I can do so with anyone. I'm surprised you don't realise just how
|
||
insulting your suggestions are and what they imply about me, although I
|
||
certainly acknowledge your good intentions. But now, please go, leave me
|
||
alone, I need you to go now even more than I did earlier. The couple of
|
||
minutes you asked for have grown into half an hour, more than half an
|
||
hour now." K. took hold of her hand, and then of her wrist, "You're not
|
||
cross with me, though?" he said. She pulled her hand away and answered,
|
||
"No, no, I'm never cross with anyone." He grasped her wrist once more,
|
||
she tolerated it now and, in that way, led him to the door. He had
|
||
fully intended to leave. But when he reached the door he came to a halt
|
||
as if he hadn't expected to find a door there, Miss Bürstner made use of
|
||
that moment to get herself free, open the door, slip out into the
|
||
hallway and gently say to K. from there, "Now, come along, please.
|
||
Look," she pointed to the captain's door, from under which there was a
|
||
light shining, "he's put a light on and he's laughing at us." "Alright,
|
||
I'm coming," said K., moved forward, took hold of her, kissed her on
|
||
the mouth and then over her whole face like a thirsty animal lapping
|
||
with its tongue when it eventually finds water. He finally kissed her on
|
||
her neck and her throat and left his lips pressed there for a long time.
|
||
He did not look up until there was a noise from the captain's room.
|
||
"I'll go now," he said, he wanted to address Miss Bürstner by her
|
||
Christian name, but did not know it. She gave him a tired nod, offered
|
||
him her hand to kiss as she turned away as if she did not know what she
|
||
was doing, and went back into her room with her head bowed. A short
|
||
while later, K. was lying in his bed. He very soon went to sleep, but
|
||
before he did he thought a little while about his behaviour, he was
|
||
satisfied with it but felt some surprise that he was not more satisfied;
|
||
he was seriously worried about Miss Bürstner because of the captain.
|
||
|
||
|
||
|
||
|
||
Chapter Two
|
||
|
||
First Cross-examination
|
||
|
||
|
||
K. was informed by telephone that there would be a small hearing
|
||
concerning his case the following Sunday. He was made aware that these
|
||
cross examinations would follow one another regularly, perhaps not every
|
||
week but quite frequently. On the one hand it was in everyone's interest
|
||
to bring proceedings quickly to their conclusion, but on the other hand
|
||
every aspect of the examinations had to be carried out thoroughly
|
||
without lasting too long because of the associated stress. For these
|
||
reasons, it had been decided to hold a series of brief examinations
|
||
following on one after another. Sunday had been chosen as the day for
|
||
the hearings so that K. would not be disturbed in his professional work.
|
||
It was assumed that he would be in agreement with this, but if he wished
|
||
for another date then, as far as possible, he would be accommodated.
|
||
Cross-examinations could even be held in the night, for instance, but K.
|
||
would probably not be fresh enough at that time. Anyway, as long as K.
|
||
made no objection, the hearing would be left on Sundays. It was a matter
|
||
of course that he would have to appear without fail, there was probably
|
||
no need to point this out to him. He would be given the number of the
|
||
building where he was to present himself, which was in a street in a
|
||
suburb well away from the city centre which K. had never been to before.
|
||
|
||
Once he had received this notice, K. hung up the receiver without giving
|
||
an answer; he had decided immediately to go there that Sunday, it was
|
||
certainly necessary, proceedings had begun and he had to face up to it,
|
||
and this first examination would probably also be the last. He was still
|
||
standing in thought by the telephone when he heard the voice of the
|
||
deputy director behind him--he wanted to use the telephone but K. stood
|
||
in his way. "Bad news?" asked the deputy director casually, not in order
|
||
to find anything out but just to get K. away from the device. "No, no,"
|
||
said K., he stepped to one side but did not go away entirely. The deputy
|
||
director picked up the receiver and, as he waited for his connection,
|
||
turned away from it and said to K., "One question, Mr. K.: Would you
|
||
like to give me the pleasure of joining me on my sailing boat on Sunday
|
||
morning? There's quite a few people coming, you're bound to know some
|
||
of them. One of them is Hasterer, the state attorney. Would you like to
|
||
come along? Do come along!" K. tried to pay attention to what the
|
||
deputy director was saying. It was of no small importance for him, as
|
||
this invitation from the deputy director, with whom he had never got on
|
||
very well, meant that he was trying to improve his relations with him.
|
||
It showed how important K. had become in the bank and how its second
|
||
most important official seemed to value his friendship, or at least his
|
||
impartiality. He was only speaking at the side of the telephone receiver
|
||
while he waited for his connection, but in giving this invitation the
|
||
deputy director was humbling himself. But K. would have to humiliate him
|
||
a second time as a result, he said, "Thank you very much, but I'm afraid
|
||
I will have no time on Sunday, I have a previous obligation." "Pity,"
|
||
said the deputy director, and turned to the telephone conversation that
|
||
had just been connected. It was not a short conversation, but K.
|
||
remained standing confused by the instrument all the time it was going
|
||
on. It was only when the deputy director hung up that he was shocked
|
||
into awareness and said, in order to partially excuse his standing there
|
||
for no reason, "I've just received a telephone call, there's somewhere I
|
||
need to go, but they forgot to tell me what time." "Ask them then," said
|
||
the deputy director. "It's not that important," said K., although in
|
||
that way his earlier excuse, already weak enough, was made even weaker.
|
||
As he went, the deputy director continued to speak about other things.
|
||
K. forced himself to answer, but his thoughts were mainly about that
|
||
Sunday, how it would be best to get there for nine o'clock in the
|
||
morning as that was the time that courts always start work on weekdays.
|
||
|
||
The weather was dull on Sunday. K. was very tired, as he had stayed out
|
||
drinking until late in the night celebrating with some of the regulars,
|
||
and he had almost overslept. He dressed hurriedly, without the time to
|
||
think and assemble the various plans he had worked out during the week.
|
||
With no breakfast, he rushed to the suburb he had been told about. Oddly
|
||
enough, although he had little time to look around him, he came across
|
||
the three bank officials involved in his case, Rabensteiner, Kullich and
|
||
Kaminer. The first two were travelling in a tram that went across K.'s
|
||
route, but Kaminer sat on the terrace of a café and leant curiously
|
||
over the wall as K. came over. All of them seemed to be looking at him,
|
||
surprised at seeing their superior running; it was a kind of pride that
|
||
made K. want to go on foot, this was his affair and the idea of any help
|
||
from strangers, however slight, was repulsive to him, he also wanted to
|
||
avoid asking for anyone's help because that would initiate them into the
|
||
affair even if only slightly. And after all, he had no wish at all to
|
||
humiliate himself before the committee by being too punctual. Anyway,
|
||
now he was running so that he would get there by nine o'clock if at all
|
||
possible, even though he had no appointment for this time.
|
||
|
||
He had thought that he would recognise the building from a distance by
|
||
some kind of sign, without knowing exactly what the sign would look
|
||
like, or from some particular kind of activity outside the entrance. K.
|
||
had been told that the building was in Juliusstrasse, but when he stood
|
||
at the street's entrance it consisted on each side of almost nothing but
|
||
monotonous, grey constructions, tall blocks of flats occupied by poor
|
||
people. Now, on a Sunday morning, most of the windows were occupied, men
|
||
in their shirtsleeves leant out smoking, or carefully and gently held
|
||
small children on the sills. Other windows were piled up with bedding,
|
||
above which the dishevelled head of a woman would briefly appear. People
|
||
called out to each other across the street, one of the calls provoked a
|
||
loud laugh about K. himself. It was a long street, and spaced evenly
|
||
along it were small shops below street level, selling various kinds of
|
||
foodstuffs, which you reached by going down a few steps. Women went in
|
||
and out of them or stood chatting on the steps. A fruitmonger, taking
|
||
his goods up to the windows, was just as inattentive as K. and nearly
|
||
knocked him down with his cart. Just then, a gramophone, which in better
|
||
parts of town would have been seen as worn out, began to play some
|
||
murderous tune.
|
||
|
||
K. went further into the street, slowly, as if he had plenty of time
|
||
now, or as if the examining magistrate were looking at him from one of
|
||
the windows and therefore knew that K. had found his way there. It was
|
||
shortly after nine. The building was quite far down the street, it
|
||
covered so much area it was almost extraordinary, and the gateway in
|
||
particular was tall and long. It was clearly intended for delivery
|
||
wagons belonging to the various warehouses all round the yard which were
|
||
now locked up and carried the names of companies some of which K. knew
|
||
from his work at the bank. In contrast with his usual habits, he
|
||
remained standing a while at the entrance to the yard taking in all
|
||
these external details. Near him, there was a bare-footed man sitting on
|
||
a crate and reading a newspaper. There were two lads swinging on a hand
|
||
cart. In front of a pump stood a weak, young girl in a bedjacket who, as
|
||
the water flowed into her can, looked at K. There was a piece of rope
|
||
stretched between two windows in a corner of the yard, with some washing
|
||
hanging on it to dry. A man stood below it calling out instructions to
|
||
direct the work being done.
|
||
|
||
K. went over to the stairway to get to the room where the hearing was to
|
||
take place, but then stood still again as besides these steps he could
|
||
see three other stairway entrances, and there also seemed to be a small
|
||
passageway at the end of the yard leading into a second yard. It
|
||
irritated him that he had not been given more precise directions to the
|
||
room, it meant they were either being especially neglectful with him or
|
||
especially indifferent, and he decided to make that clear to them very
|
||
loudly and very unambiguously. In the end he decided to climb up the
|
||
stairs, his thoughts playing on something that he remembered the
|
||
policeman, Willem, saying to him; that the court is attracted by the
|
||
guilt, from which it followed that the courtroom must be on the stairway
|
||
that K. selected by chance.
|
||
|
||
As he went up he disturbed a large group of children playing on the
|
||
stairs who looked at him as he stepped through their rows. "Next time I
|
||
come here," he said to himself, "I must either bring sweets with me to
|
||
make them like me or a stick to hit them with." Just before he reached
|
||
the first landing he even had to wait a little while until a ball had
|
||
finished its movement, two small lads with sly faces like grown-up
|
||
scoundrels held him by his trouser-legs until it had; if he were to
|
||
shake them off he would have to hurt them, and he was afraid of what
|
||
noise they would make by shouting.
|
||
|
||
On the first floor, his search began for real. He still felt unable to
|
||
ask for the investigating committee, and so he invented a joiner called
|
||
Lanz--that name occurred to him because the captain, Mrs. Grubach's
|
||
nephew, was called Lanz--so that he could ask at every flat whether Lanz
|
||
the joiner lived there and thus obtain a chance to look into the rooms.
|
||
It turned out, though, that that was mostly possible without further
|
||
ado, as almost all the doors were left open and the children ran in and
|
||
out. Most of them were small, one-windowed rooms where they also did the
|
||
cooking. Many women held babies in one arm and worked at the stove with
|
||
the other. Half grown girls, who seemed to be dressed in just their
|
||
pinafores worked hardest running to and fro. In every room, the beds
|
||
were still in use by people who were ill, or still asleep, or people
|
||
stretched out on them in their clothes. K. knocked at the flats where
|
||
the doors were closed and asked whether Lanz the joiner lived there. It
|
||
was usually a woman who opened the door, heard the enquiry and turned to
|
||
somebody in the room who would raise himself from the bed. "The
|
||
gentleman's asking if a joiner called Lanz, lives here." "A joiner,
|
||
called Lanz?" he would ask from the bed." "That's right," K. would say,
|
||
although it was clear that the investigating committee was not to be
|
||
found there, and so his task was at an end. There were many who thought
|
||
it must be very important for K. to find Lanz the joiner and thought
|
||
long about it, naming a joiner who was not called Lanz or giving a name
|
||
that had some vague similarity with Lanz, or they asked neighbours or
|
||
accompanied K. to a door a long way away where they thought someone of
|
||
that sort might live in the back part of the building or where someone
|
||
would be who could advise K. better than they could themselves. K.
|
||
eventually had to give up asking if he did not want to be led all round
|
||
from floor to floor in this way. He regretted his initial plan, which
|
||
had at first seemed so practical to him. As he reached the fifth floor,
|
||
he decided to give up the search, took his leave of a friendly, young
|
||
worker who wanted to lead him on still further and went down the stairs.
|
||
But then the thought of how much time he was wasting made him cross, he
|
||
went back again and knocked at the first door on the fifth floor. The
|
||
first thing he saw in the small room was a large clock on the wall which
|
||
already showed ten o'clock. "Is there a joiner called Lanz who lives
|
||
here?" he asked. "Pardon?" said a young woman with black, shining eyes
|
||
who was, at that moment, washing children's underclothes in a bucket.
|
||
She pointed her wet hand towards the open door of the adjoining room.
|
||
|
||
K. thought he had stepped into a meeting. A medium sized, two windowed
|
||
room was filled with the most diverse crowd of people--nobody paid any
|
||
attention to the person who had just entered. Close under its ceiling it
|
||
was surrounded by a gallery which was also fully occupied and where the
|
||
people could only stand bent down with their heads and their backs
|
||
touching the ceiling. K., who found the air too stuffy, stepped out
|
||
again and said to the young woman, who had probably misunderstood what
|
||
he had said, "I asked for a joiner, someone by the name of Lanz." "Yes,"
|
||
said the woman, "please go on in." K. would probably not have followed
|
||
her if the woman had not gone up to him, taken hold of the door handle
|
||
and said, "I'll have to close the door after you, no-one else will be
|
||
allowed in." "Very sensible," said K., "but it's too full already." But
|
||
then he went back in anyway. He passed through between two men who were
|
||
talking beside the door--one of them held both hands far out in front of
|
||
himself making the movements of counting out money, the other looked him
|
||
closely in the eyes--and someone took him by the hand. It was a small,
|
||
red-faced youth. "Come in, come in," he said. K. let himself be led by
|
||
him, and it turned out that there was--surprisingly in a densely packed
|
||
crowd of people moving to and fro--a narrow passage which may have been
|
||
the division between two factions; this idea was reinforced by the fact
|
||
that in the first few rows to the left and the right of him there was
|
||
hardly any face looking in his direction, he saw nothing but the backs
|
||
of people directing their speech and their movements only towards
|
||
members of their own side. Most of them were dressed in black, in old,
|
||
long, formal frock coats that hung down loosely around them. These
|
||
clothes were the only thing that puzzled K., as he would otherwise have
|
||
taken the whole assembly for a local political meeting.
|
||
|
||
At the other end of the hall where K. had been led there was a little
|
||
table set at an angle on a very low podium which was as overcrowded as
|
||
everywhere else, and behind the table, near the edge of the podium, sat
|
||
a small, fat, wheezing man who was talking with someone behind him. This
|
||
second man was standing with his legs crossed and his elbows on the
|
||
backrest of the chair, provoking much laughter. From time to time he
|
||
threw his arm in the air as if doing a caricature of someone. The youth
|
||
who was leading K. had some difficulty in reporting to the man. He had
|
||
already tried twice to tell him something, standing on tiptoe, but
|
||
without getting the man's attention as he sat there above him. It was
|
||
only when one of the people up on the podium drew his attention to the
|
||
youth that the man turned to him and leant down to hear what it was he
|
||
quietly said. Then he pulled out his watch and quickly looked over at K.
|
||
"You should have been here one hour and five minutes ago," he said. K.
|
||
was going to give him a reply but had no time to do so, as hardly had
|
||
the man spoken than a general muttering arose all over the right hand
|
||
side of the hall. "You should have been here one hour and five minutes
|
||
ago," the man now repeated, raising his voice this time, and quickly
|
||
looked round the hall beneath him. The muttering also became immediately
|
||
louder and, as the man said nothing more, died away only gradually. Now
|
||
the hall was much quieter than when K. had entered. Only the people up
|
||
in the gallery had not stopped passing remarks. As far as could be
|
||
distinguished, up in the half-darkness, dust and haze, they seemed to be
|
||
less well dressed than those below. Many of them had brought pillows
|
||
that they had put between their heads and the ceiling so that they would
|
||
not hurt themselves pressed against it.
|
||
|
||
K. had decided he would do more watching than talking, so he did not
|
||
defend himself for supposedly having come late, and simply said, "Well
|
||
maybe I have arrived late, I'm here now." There followed loud applause,
|
||
once more from the right hand side of the hall. Easy people to get on
|
||
your side, thought K., and was bothered only by the quiet from the left
|
||
hand side which was directly behind him and from which there was
|
||
applause from only a few individuals. He wondered what he could say to
|
||
get all of them to support him together or, if that were not possible,
|
||
to at least get the support of the others for a while.
|
||
|
||
"Yes," said the man, "but I'm now no longer under any obligation to hear
|
||
your case"--there was once more a muttering, but this time it was
|
||
misleading as the man waved the people's objections aside with his hand
|
||
and continued--"I will, however, as an exception, continue with it
|
||
today. But you should never arrive late like this again. And now, step
|
||
forward!" Someone jumped down from the podium so that there would be a
|
||
place free for K., and K. stepped up onto it. He stood pressed closely
|
||
against the table, the press of the crowd behind him was so great that
|
||
he had to press back against it if he did not want to push the judge's
|
||
desk down off the podium and perhaps the judge along with it.
|
||
|
||
The judge, however, paid no attention to that but sat very comfortably
|
||
on his chair and, after saying a few words to close his discussion with
|
||
the man behind him, reached for a little note book, the only item on his
|
||
desk. It was like an old school exercise book and had become quite
|
||
misshapen from much thumbing. "Now then," said the judge, thumbing
|
||
through the book. He turned to K. with the tone of someone who knows his
|
||
facts and said, "you are a house painter?" "No," said K., "I am the
|
||
chief clerk in a large bank." This reply was followed by laughter among
|
||
the right hand faction down in the hall, it was so hearty that K.
|
||
couldn't stop himself joining in with it. The people supported
|
||
themselves with their hands on their knees and shook as if suffering a
|
||
serious attack of coughing. Even some of those in the gallery were
|
||
laughing. The judge had become quite cross but seemed to have no power
|
||
over those below him in the hall, he tried to reduce what harm had been
|
||
done in the gallery and jumped up threatening them, his eyebrows, until
|
||
then hardly remarkable, pushed themselves up and became big, black and
|
||
bushy over his eyes.
|
||
|
||
The left hand side of the hall was still quiet, though, the people stood
|
||
there in rows with their faces looking towards the podium listening to
|
||
what was being said there, they observed the noise from the other side
|
||
of the hall with the same quietness and even allowed some individuals
|
||
from their own ranks, here and there, to go forward into the other
|
||
faction. The people in the left faction were not only fewer in number
|
||
than the right but probably were no more important than them, although
|
||
their behaviour was calmer and that made it seem like they were. When K.
|
||
now began to speak he was convinced he was doing it in the same way as
|
||
them.
|
||
|
||
"Your question, My Lord, as to whether I am a house painter--in fact
|
||
even more than that, you did not ask at all but merely imposed it on
|
||
me--is symptomatic of the whole way these proceedings against me are
|
||
being carried out. Perhaps you will object that there are no proceedings
|
||
against me. You will be quite right, as there are proceedings only if I
|
||
acknowledge that there are. But, for the moment, I do acknowledge it,
|
||
out of pity for yourselves to a large extent. It's impossible not to
|
||
observe all this business without feeling pity. I don't say things are
|
||
being done without due care but I would like to make it clear that it is
|
||
I who make the acknowledgement."
|
||
|
||
K. stopped speaking and looked down into the hall. He had spoken
|
||
sharply, more sharply than he had intended, but he had been quite right.
|
||
It should have been rewarded with some applause here and there but
|
||
everything was quiet, they were all clearly waiting for what would
|
||
follow, perhaps the quietness was laying the ground for an outbreak of
|
||
activity that would bring this whole affair to an end. It was somewhat
|
||
disturbing that just then the door at the end of the hall opened, the
|
||
young washerwoman, who seemed to have finished her work, came in and,
|
||
despite all her caution, attracted the attention of some of the people
|
||
there. It was only the judge who gave K. any direct pleasure, as he
|
||
seemed to have been immediately struck by K.'s words. Until then, he had
|
||
listened to him standing, as K.'s speech had taken him by surprise while
|
||
he was directing his attention to the gallery. Now, in the pause, he sat
|
||
down very slowly, as if he did not want anyone to notice. He took out
|
||
the notebook again, probably so that he could give the impression of
|
||
being calmer.
|
||
|
||
"That won't help you, sir," continued K., "even your little book will
|
||
only confirm what I say." K. was satisfied to hear nothing but his own
|
||
quiet words in this room full of strangers, and he even dared casually
|
||
to pick up the examining judge's notebook and, touching it only with the
|
||
tips of his fingers as if it were something revolting, lifted it in the
|
||
air, holding it just by one of the middle pages so that the others on
|
||
each side of it, closely written, blotted and yellowing, flapped down.
|
||
"Those are the official notes of the examining judge," he said, and let
|
||
the notebook fall down onto the desk. "You can read in your book as much
|
||
as you like, sir, I really don't have anything in this charge book to be
|
||
afraid of, even though I don't have access to it as I wouldn't want it
|
||
in my hand, I can only touch it with two fingers." The judge grabbed the
|
||
notebook from where it had fallen on the desk--which could only have
|
||
been a sign of his deep humiliation, or at least that is how it must
|
||
have been perceived--tried to tidy it up a little, and held it once more
|
||
in front of himself in order to read from it.
|
||
|
||
The people in the front row looked up at him, showing such tension on
|
||
their faces that he looked back down at them for some time. Every one of
|
||
them was an old man, some of them with white beards. Could they perhaps
|
||
be the crucial group who could turn the whole assembly one way or the
|
||
other. They had sunk into a state of motionlessness while K. gave his
|
||
oration, and it had not been possible to raise them from this passivity
|
||
even when the judge was being humiliated. "What has happened to me,"
|
||
continued K., with less of the vigour he had had earlier, he continually
|
||
scanned the faces in the first row, and this gave his address a somewhat
|
||
nervous and distracted character, "what has happened to me is not just
|
||
an isolated case. If it were it would not be of much importance as it's
|
||
not of much importance to me, but it is a symptom of proceedings which
|
||
are carried out against many. It's on behalf of them that I stand here
|
||
now, not for myself alone."
|
||
|
||
Without having intended it, he had raised his voice. Somewhere in the
|
||
hall, someone raised his hands and applauded him shouting, "Bravo! Why
|
||
not then? Bravo! Again I say, Bravo!" Some of the men in the first row
|
||
groped around in their beards, none of them looked round to see who was
|
||
shouting. Not even K. thought him of any importance but it did raise his
|
||
spirits; he no longer thought it at all necessary that all of those in
|
||
the hall should applaud him, it was enough if the majority of them began
|
||
to think about the matter and if only one of them, now and then, was
|
||
persuaded.
|
||
|
||
"I'm not trying to be a successful orator," said K. after this thought,
|
||
"that's probably more than I'm capable of anyway. I'm sure the examining
|
||
judge can speak far better than I can, it is part of his job after all.
|
||
All that I want is a public discussion of a public wrong. Listen: ten
|
||
days ago I was placed under arrest, the arrest itself is something I
|
||
laugh about but that's beside the point. They came for me in the morning
|
||
when I was still in bed. Maybe the order had been given to arrest some
|
||
house painter--that seems possible after what the judge has
|
||
said--someone who is as innocent as I am, but it was me they chose.
|
||
There were two police thugs occupying the next room. They could not have
|
||
taken better precautions if I had been a dangerous robber. And these
|
||
policemen were unprincipled riff-raff, they talked at me till I was sick
|
||
of it, they wanted bribes, they wanted to trick me into giving them my
|
||
clothes, they wanted money, supposedly so that they could bring me my
|
||
breakfast after they had blatantly eaten my own breakfast in front of my
|
||
eyes. And even that was not enough. I was led in front of the supervisor
|
||
in another room. This was the room of a lady who I have a lot of respect
|
||
for, and I was forced to look on while the supervisor and the policemen
|
||
made quite a mess of this room because of me, although not through any
|
||
fault of mine. It was not easy to stay calm, but I managed to do so and
|
||
was completely calm when I asked the supervisor why it was that I was
|
||
under arrest. If he were here he would have to confirm what I say. I can
|
||
see him now, sitting on the chair belonging to that lady I mentioned--a
|
||
picture of dull-witted arrogance. What do you think he answered? What
|
||
he told me, gentlemen, was basically nothing at all; perhaps he really
|
||
did know nothing, he had placed me under arrest and was satisfied. In
|
||
fact he had done more than that and brought three junior employees from
|
||
the bank where I work into the lady's room; they had made themselves
|
||
busy interfering with some photographs that belonged to the lady and
|
||
causing a mess. There was, of course, another reason for bringing these
|
||
employees; they, just like my landlady and her maid, were expected to
|
||
spread the news of my arrest and damage my public reputation and in
|
||
particular to remove me from my position at the bank. Well they didn't
|
||
succeed in any of that, not in the slightest, even my landlady, who is
|
||
quite a simple person--and I will give you here her name in full
|
||
respect, her name is Mrs. Grubach--even Mrs. Grubach was understanding
|
||
enough to see that an arrest like this has no more significance than an
|
||
attack carried out on the street by some youths who are not kept under
|
||
proper control. I repeat, this whole affair has caused me nothing but
|
||
unpleasantness and temporary irritation, but could it not also have had
|
||
some far worse consequences?"
|
||
|
||
K. broke off here and looked at the judge, who said nothing. As he did
|
||
so he thought he saw the judge use a movement of his eyes to give a sign
|
||
to someone in the crowd. K. smiled and said, "And now the judge, right
|
||
next to me, is giving a secret sign to someone among you. There seems to
|
||
be someone among you who is taking directions from above. I don't know
|
||
whether the sign is meant to produce booing or applause, but I'll resist
|
||
trying to guess what its meaning is too soon. It really doesn't matter
|
||
to me, and I give his lordship the judge my full and public permission
|
||
to stop giving secret signs to his paid subordinate down there and give
|
||
his orders in words instead; let him just say 'Boo now!,' and then the
|
||
next time 'Clap now!'"
|
||
|
||
Whether it was embarrassment or impatience, the judge rocked backwards
|
||
and forwards on his seat. The man behind him, whom he had been talking
|
||
with earlier, leant forward again, either to give him a few general
|
||
words of encouragement or some specific piece of advice. Below them in
|
||
the hall the people talked to each other quietly but animatedly. The two
|
||
factions had earlier seemed to hold views strongly opposed to each other
|
||
but now they began to intermingle, a few individuals pointed up at K.,
|
||
others pointed at the judge. The air in the room was fuggy and extremely
|
||
oppressive, those who were standing furthest away could hardly even be
|
||
seen through it. It must have been especially troublesome for those
|
||
visitors who were in the gallery, as they were forced to quietly ask
|
||
the participants in the assembly what exactly was happening, albeit
|
||
with timid glances at the judge. The replies they received were just as
|
||
quiet, and given behind the protection of a raised hand.
|
||
|
||
"I have nearly finished what I have to say," said K., and as there was
|
||
no bell available he struck the desk with his fist in a way that
|
||
startled the judge and his advisor and made them look up from each
|
||
other. "None of this concerns me, and I am therefore able to make a calm
|
||
assessment of it, and, assuming that this so-called court is of any real
|
||
importance, it will be very much to your advantage to listen to what I
|
||
have to say. If you want to discuss what I say, please don't bother to
|
||
write it down until later on, I don't have any time to waste and I'll
|
||
soon be leaving."
|
||
|
||
There was immediate silence, which showed how well K. was in control of
|
||
the crowd. There were no shouts among them as there had been at the
|
||
start, no-one even applauded, but if they weren't already persuaded they
|
||
seemed very close to it.
|
||
|
||
K. was pleased at the tension among all the people there as they
|
||
listened to him, a rustling rose from the silence which was more
|
||
invigorating than the most ecstatic applause could have been. "There is
|
||
no doubt," he said quietly, "that there is some enormous organisation
|
||
determining what is said by this court. In my case this includes my
|
||
arrest and the examination taking place here today, an organisation that
|
||
employs policemen who can be bribed, oafish supervisors and judges of
|
||
whom nothing better can be said than that they are not as arrogant as
|
||
some others. This organisation even maintains a high-level judiciary
|
||
along with its train of countless servants, scribes, policemen and all
|
||
the other assistance that it needs, perhaps even executioners and
|
||
torturers--I'm not afraid of using those words. And what, gentlemen, is
|
||
the purpose of this enormous organisation. Its purpose is to arrest
|
||
innocent people and wage pointless prosecutions against them which, as
|
||
in my case, lead to no result. How are we to avoid those in office
|
||
becoming deeply corrupt when everything is devoid of meaning? That is
|
||
impossible, not even the highest judge would be able to achieve that for
|
||
himself. That is why policemen try to steal the clothes off the back of
|
||
those they arrest, that is why supervisors break into the homes of
|
||
people they do not know, that is why innocent people are humiliated in
|
||
front of crowds rather than being given a proper trial. The policemen
|
||
only talked about the warehouses where they put the property of those
|
||
they arrest, I would like to see these warehouses where the hard won
|
||
possessions of people under arrest is left to decay, if, that is, it's
|
||
not stolen by the thieving hands of the warehouse workers."
|
||
|
||
K. was interrupted by a screeching from the far end of the hall, he
|
||
shaded his eyes to see that far, as the dull light of day made the smoke
|
||
whitish and hard to see through. It was the washerwoman whom K. had
|
||
recognised as a likely source of disturbance as soon as she had entered.
|
||
It was hard to see now whether it was her fault or not. K. could only
|
||
see that a man had pulled her into a corner by the door and was pressing
|
||
himself against her. But it was not her who was screaming, but the man,
|
||
he had opened his mouth wide and looked up at the ceiling. A small
|
||
circle had formed around the two of them, the visitors near him in the
|
||
gallery seemed delighted that the serious tone K. had introduced into
|
||
the gathering had been disturbed in this way. K.'s first thought was to
|
||
run over there, and he also thought that everyone would want to bring
|
||
things back into order there or at least to make the pair leave the
|
||
room, but the first row of people in front of him stayed were they were,
|
||
no-one moved and no-one let K. through. On the contrary, they stood in
|
||
his way, old men held out their arms in front of him and a hand from
|
||
somewhere--he did not have the time to turn round--took hold of his
|
||
collar. K., by this time, had forgotten about the pair, it seemed to him
|
||
that his freedom was being limited as if his arrest was being taken
|
||
seriously, and, without any thought for what he was doing, he jumped
|
||
down from the podium. Now he stood face to face with the crowd. Had he
|
||
judged the people properly? Had he put too much faith in the effect of
|
||
his speech? Had they been putting up a pretence all the time he had
|
||
been speaking, and now that he came to the end and to what must follow,
|
||
were they tired of pretending? What faces they were, all around him!
|
||
Dark, little eyes flickered here and there, cheeks drooped down like on
|
||
drunken men, their long beards were thin and stiff, if they took hold of
|
||
them it was more like they were making their hands into claws, not as if
|
||
they were taking hold of their own beards. But underneath those
|
||
beards--and this was the real discovery made by K.--there were badges of
|
||
various sizes and colours shining on the collars of their coats. As far
|
||
as he could see, every one of them was wearing one of these badges. All
|
||
of them belonged to the same group, even though they seemed to be
|
||
divided to the right and the left of him, and when he suddenly turned
|
||
round he saw the same badge on the collar of the examining judge who
|
||
calmly looked down at him with his hands in his lap. "So," called out
|
||
K., throwing his arms in the air as if this sudden realisation needed
|
||
more room, "all of you are working for this organisation, I see now that
|
||
you are all the very bunch of cheats and liars I've just been speaking
|
||
about, you've all pressed yourselves in here in order to listen in and
|
||
snoop on me, you gave the impression of having formed into factions, one
|
||
of you even applauded me to test me out, and you wanted to learn how to
|
||
trap an innocent man! Well, I hope you haven't come here for nothing, I
|
||
hope you've either had some fun from someone who expected you to defend
|
||
his innocence or else--let go of me or I'll hit you," shouted K. to a
|
||
quivery old man who had pressed himself especially close to him--"or
|
||
else that you've actually learned something. And so I wish you good luck
|
||
in your trade." He briskly took his hat from where it lay on the edge of
|
||
the table and, surrounded by a silence caused perhaps by the
|
||
completeness of their surprise, pushed his way to the exit. However, the
|
||
examining judge seems to have moved even more quickly than K., as he was
|
||
waiting for him at the doorway. "One moment," he said. K. stood where he
|
||
was, but looked at the door with his hand already on its handle rather
|
||
than at the judge. "I merely wanted to draw your attention," said the
|
||
judge, "to something you seem not yet to be aware of: today, you have
|
||
robbed yourself of the advantages that a hearing of this sort always
|
||
gives to someone who is under arrest." K. laughed towards the door. "You
|
||
bunch of louts," he called, "you can keep all your hearings as a present
|
||
from me," then opened the door and hurried down the steps. Behind him,
|
||
the noise of the assembly rose as it became lively once more and
|
||
probably began to discuss these events as if making a scientific study
|
||
of them.
|
||
|
||
|
||
|
||
|
||
Chapter Three
|
||
|
||
In the empty Courtroom--The Student--The Offices
|
||
|
||
|
||
Every day over the following week, K. expected another summons to
|
||
arrive, he could not believe that his rejection of any more hearings had
|
||
been taken literally, and when the expected summons really had not come
|
||
by Saturday evening he took it to mean that he was expected, without
|
||
being told, to appear at the same place at the same time. So on Sunday,
|
||
he set out once more in the same direction, going without hesitation up
|
||
the steps and through the corridors; some of the people remembered him
|
||
and greeted him from their doorways, but he no longer needed to ask
|
||
anyone the way and soon arrived at the right door. It was opened as soon
|
||
as he knocked and, paying no attention to the woman he had seen last
|
||
time who was standing at the doorway, he was about to go straight into
|
||
the adjoining room when she said to him "There's no session today."
|
||
"What do you mean; no session?" he asked, unable to believe it. But the
|
||
woman persuaded him by opening the door to the next room. It was indeed
|
||
empty, and looked even more dismal empty than it had the previous
|
||
Sunday. On the podium stood the table exactly as it had been before with
|
||
a few books laying on it. "Can I have a look at those books?" asked K.,
|
||
not because he was especially curious but so that he would not have come
|
||
for nothing. "No," said the woman as she re-closed the door, "that's not
|
||
allowed. Those books belong to the examining judge." "I see," said K.,
|
||
and nodded, "those books must be law books, and that's how this court
|
||
does things, not only to try people who are innocent but even to try
|
||
them without letting them know what's going on." "I expect you're
|
||
right," said the woman, who had not understood exactly what he meant.
|
||
"I'd better go away again, then," said K. "Should I give a message to
|
||
the examining judge?" asked the woman. "Do you know him, then?" asked K.
|
||
"Of course I know him," said the woman, "my husband is the court usher."
|
||
It was only now that K. noticed that the room, which before had held
|
||
nothing but a wash-tub, had been fitted out as a living room. The woman
|
||
saw how surprised he was and said, "Yes, we're allowed to live here as
|
||
we like, only we have to clear the room out when the court's in session.
|
||
There's lots of disadvantages to my husband's job." "It's not so much
|
||
the room that surprises me," said K., looking at her crossly, "it's your
|
||
being married that shocks me." "Are you thinking about what happened
|
||
last time the court was in session, when I disturbed what you were
|
||
saying?" asked the woman. "Of course," said K., "it's in the past now
|
||
and I've nearly forgotten about it, but at the time it made me furious.
|
||
And now you tell me yourself that you are a married woman." "It wasn't
|
||
any disadvantage for you to have your speech interrupted. The way they
|
||
talked about you after you'd gone was really bad." "That could well be,"
|
||
said K., turning away, "but it does not excuse you." "There's no-one I
|
||
know who'd hold it against me," said the woman. "Him, who put his arms
|
||
around me, he's been chasing after me for a long time. I might not be
|
||
very attractive for most people, but I am for him. I've got no
|
||
protection from him, even my husband has had to get used to it; if he
|
||
wants to keep his job he's got to put up with it as that man's a student
|
||
and he'll almost certainly be very powerful later on. He's always after
|
||
me, he'd only just left when you arrived." "That fits in with everything
|
||
else," said K., "I'm not surprised." "Do you want to make things a bit
|
||
better here?" the woman asked slowly, watching him as if she were saying
|
||
something that could be as dangerous for K. as for herself. "That's what
|
||
I thought when I heard you speak, I really liked what you said. Mind
|
||
you, I only heard part of it, I missed the beginning of it and at the
|
||
end I was lying on the floor with the student--it's so horrible here,"
|
||
she said after a pause, and took hold of K.'s hand. "Do you believe you
|
||
really will be able to make things better?" K. smiled and twisted his
|
||
hand round a little in her soft hands. "It's really not my job to make
|
||
things better here, as you put it," he said, "and if you said that to
|
||
the examining judge he would laugh at you or punish you for it. I really
|
||
would not have become involved in this matter if I could have helped it,
|
||
and I would have lost no sleep worrying about how this court needs to be
|
||
made better. But because I'm told that I have been arrested--and I am
|
||
under arrest--it forces me to take some action, and to do so for my own
|
||
sake. However, if I can be of some service to you in the process I will,
|
||
of course, be glad to do so. And I will be glad to do so not only for
|
||
the sake of charity but also because you can be of some help to me."
|
||
"How could I help you, then?" said the woman. "You could, for example,
|
||
show me the books on the table there." "Yes, certainly," the woman
|
||
cried, and pulled K. along behind her as she rushed to them. The books
|
||
were old and well worn, the cover of one of them had nearly broken
|
||
through in its middle, and it was held together with a few threads.
|
||
"Everything is so dirty here," said K., shaking his head, and before he
|
||
could pick the books up the woman wiped some of the dust off with her
|
||
apron. K. took hold of the book that lay on top and threw it open, an
|
||
indecent picture appeared. A man and a woman sat naked on a sofa, the
|
||
base intent of whoever drew it was easy to see but he had been so
|
||
grossly lacking in skill that all that anyone could really make out were
|
||
the man and the woman who dominated the picture with their bodies,
|
||
sitting in overly upright postures that created a false perspective and
|
||
made it difficult for them to approach each other. K. didn't thumb
|
||
through that book any more, but just threw open the next one at its
|
||
title page, it was a novel with the title, What Grete Suffered from her
|
||
Husband, Hans. "So this is the sort of law book they study here," said
|
||
K., "this is the sort of person sitting in judgement over me." "I can
|
||
help you," said the woman, "would you like me to?" "Could you really do
|
||
that without placing yourself in danger? You did say earlier on that
|
||
your husband is wholly dependent on his superiors." "I still want to
|
||
help you," said the woman, "come over here, we've got to talk about it.
|
||
Don't say any more about what danger I'm in, I only fear danger where I
|
||
want to fear it. Come over here." She pointed to the podium and invited
|
||
him to sit down on the step with her. "You've got lovely dark eyes," she
|
||
said after they had sat down, looking up into K.'s face, "people say
|
||
I've got nice eyes too, but yours are much nicer. It was the first thing
|
||
I noticed when you first came here. That's even why I came in here, into
|
||
the assembly room, afterwards, I'd never normally do that, I'm not
|
||
really even allowed to." So that's what all this is about, thought K.,
|
||
she's offering herself to me, she's as degenerate as everything else
|
||
around here, she's had enough of the court officials, which is
|
||
understandable I suppose, and so she approaches any stranger and makes
|
||
compliments about his eyes. With that, K. stood up in silence as if he
|
||
had spoken his thoughts out loud and thus explained his action to the
|
||
woman. "I don't think you can be of any assistance to me," he said, "to
|
||
be of any real assistance you would need to be in contact with high
|
||
officials. But I'm sure you only know the lower employees, and there are
|
||
crowds of them milling about here. I'm sure you're very familiar with
|
||
them and could achieve a great deal through them, I've no doubt of that,
|
||
but the most that could be done through them would have no bearing at
|
||
all on the final outcome of the trial. You, on the other hand, would
|
||
lose some of your friends as a result, and I have no wish of that. Carry
|
||
on with these people in the same way as you have been, as it does seem
|
||
to me to be something you cannot do without. I have no regrets in saying
|
||
this as, in return for your compliment to me, I also find you rather
|
||
attractive, especially when you look at me as sadly as you are now,
|
||
although you really have no reason to do so. You belong to the people I
|
||
have to combat, and you're very comfortable among them, you're even in
|
||
love with the student, or if you don't love him you do at least prefer
|
||
him to your husband. It's easy to see that from what you've been
|
||
saying." "No!" she shouted, remained sitting where she was and grasped
|
||
K.'s hand, which he failed to pull away fast enough. "You can't go away
|
||
now, you can't go away when you've misjudged me like that! Are you
|
||
really capable of going away now? Am I really so worthless that you
|
||
won't even do me the favour of staying a little bit longer?" "You
|
||
misunderstand me," said K., sitting back down, "if it's really important
|
||
to you for me to stay here then I'll be glad to do so, I have plenty of
|
||
time, I came here thinking there would be a trial taking place. All I
|
||
meant with what I said just now was to ask you not to do anything on my
|
||
behalf in the proceedings against me. But even that is nothing for you
|
||
to worry about when you consider that there's nothing hanging on the
|
||
outcome of this trial, and that, whatever the verdict, I will just laugh
|
||
at it. And that's even presupposing it ever even reaches any conclusion,
|
||
which I very much doubt. I think it's much more likely that the court
|
||
officials will be too lazy, too forgetful, or even too fearful ever to
|
||
continue with these proceedings and that they will soon be abandoned if
|
||
they haven't been abandoned already. It's even possible that they will
|
||
pretend to be carrying on with the trial in the hope of receiving a
|
||
large bribe, although I can tell you now that that will be quite in vain
|
||
as I pay bribes to no-one. Perhaps one favour you could do me would be
|
||
to tell the examining judge, or anyone else who likes to spread
|
||
important news, that I will never be induced to pay any sort of bribe
|
||
through any stratagem of theirs--and I'm sure they have many stratagems
|
||
at their disposal. There is no prospect of that, you can tell them that
|
||
quite openly. And what's more, I expect they have already noticed
|
||
themselves, or even if they haven't, this affair is really not so
|
||
important to me as they think. Those gentlemen would only save some work
|
||
for themselves, or at least some unpleasantness for me, which, however,
|
||
I am glad to endure if I know that each piece of unpleasantness for me
|
||
is a blow against them. And I will make quite sure it is a blow against
|
||
them. Do you actually know the judge?" "Course I do," said the woman,
|
||
"he was the first one I thought of when I offered to help you. I didn't
|
||
know he's only a minor official, but if you say so it must be true. Mind
|
||
you, I still think the report he gives to his superiors must have some
|
||
influence. And he writes so many reports. You say these officials are
|
||
lazy, but they're certainly not all lazy, especially this examining
|
||
judge, he writes ever such a lot. Last Sunday, for instance, that
|
||
session went on till the evening. Everyone had gone, but the examining
|
||
judge, he stayed in the hall, I had to bring him a lamp in, all I had
|
||
was a little kitchen lamp but he was very satisfied with it and started
|
||
to write straight away. Meantime my husband arrived, he always has the
|
||
day off on Sundays, we got the furniture back in and got our room sorted
|
||
out and then a few of the neighbours came, we sat and talked for a bit
|
||
by a candle, in short, we forgot all about the examining judge and went
|
||
to bed. All of a sudden in the night, it must have been quite late in
|
||
the night, I wakes up, next to the bed, there's the examining judge
|
||
shading the lamp with his hand so that there's no light from it falls on
|
||
my husband, he didn't need to be as careful as that, the way my husband
|
||
sleeps the light wouldn't have woken him up anyway. I was quite shocked
|
||
and nearly screamed, but the judge was very friendly, warned me I should
|
||
be careful, he whispered to me he's been writing all this time, and now
|
||
he's brought me the lamp back, and he'll never forget how I looked when
|
||
he found me there asleep. What I mean, with all this, I just wanted to
|
||
tell you how the examining judge really does write lots of reports,
|
||
especially about you as questioning you was definitely one of the main
|
||
things on the agenda that Sunday. If he writes reports as long as that
|
||
they must be of some importance. And besides all that, you can see from
|
||
what happened that the examining judge is after me, and it's right now,
|
||
when he's first begun to notice me, that I can have a lot of influence
|
||
on him. And I've got other proof I mean a lot to him, too. Yesterday, he
|
||
sent that student to me, the one he really trusts and who he works with,
|
||
he sent him with a present for me, silk stockings. He said it was
|
||
because I clear up in the courtroom but that's only a pretence, that
|
||
job's no more than what I'm supposed to do, it's what my husband gets
|
||
paid for. Nice stockings, they are, look,"--she stretched out her leg,
|
||
drew her skirt up to her knee and looked, herself, at the
|
||
stocking--"they are nice stockings, but they're too good for me,
|
||
really."
|
||
|
||
She suddenly interrupted herself and lay her hand on K.'s as if she
|
||
wanted to calm him down, and whispered, "Be quiet, Berthold is watching
|
||
us." K. slowly looked up. In the doorway to the courtroom stood a young
|
||
man, he was short, his legs were not quite straight, and he continually
|
||
moved his finger round in a short, thin, red beard with which he hoped
|
||
to make himself look dignified. K. looked at him with some curiosity, he
|
||
was the first student he had ever met of the unfamiliar discipline of
|
||
jurisprudence, face to face at least, a man who would even most likely
|
||
attain high office one day. The student, in contrast, seemed to take no
|
||
notice of K. at all, he merely withdrew his finger from his beard long
|
||
enough to beckon to the woman and went over to the window, the woman
|
||
leant over to K. and whispered, "Don't be cross with me, please don't,
|
||
and please don't think ill of me either, I've got to go to him now, to
|
||
this horrible man, just look at his bent legs. But I'll come straight
|
||
back and then I'll go with you if you'll take me, I'll go wherever you
|
||
want, you can do whatever you like with me, I'll be happy if I can be
|
||
away from here for as long as possible, it'd be best if I could get away
|
||
from here for good." She stroked K.'s hand once more, jumped up and ran
|
||
over to the window. Before he realised it, K. grasped for her hand but
|
||
failed to catch it. He really was attracted to the woman, and even after
|
||
thinking hard about it could find no good reason why he should not give
|
||
in to her allure. It briefly crossed his mind that the woman meant to
|
||
entrap him on behalf of the court, but that was an objection he had no
|
||
difficulty in fending off. In what way could she entrap him? Was he not
|
||
still free, so free that he could crush the entire court whenever he
|
||
wanted, at least where it concerned him? Could he not have that much
|
||
confidence in himself? And her offer of help sounded sincere, and maybe
|
||
it wasn't quite worthless. And maybe there was no better revenge against
|
||
the examining judge and his cronies than to take this woman from him and
|
||
have her for himself. Maybe then, after much hard work writing dishonest
|
||
reports about K., the judge would go to the woman's bed late one night
|
||
and find it empty. And it would be empty because she belonged to K.,
|
||
because this woman at the window, this lush, supple, warm body in its
|
||
sombre clothes of rough, heavy material belonged to him, totally to him
|
||
and to him alone. Once he had settled his thoughts towards the woman in
|
||
this way, he began to find the quiet conversation at the window was
|
||
taking too long, he rapped on the podium with his knuckles, and then
|
||
even with his fist. The student briefly looked away from the woman to
|
||
glance at K. over his shoulder but did allow himself to be disturbed, in
|
||
fact he even pressed himself close to the woman and put his arms around
|
||
her. She dropped her head down low as if listening to him carefully, as
|
||
she did so he kissed her right on the neck, hardly even interrupting
|
||
what he was saying. K. saw this as confirmation of the tyranny the
|
||
student held over the woman and which she had already complained about,
|
||
he stood up and walked up and down the room. Glancing sideways at the
|
||
student, he wondered what would be the quickest possible way to get rid
|
||
of him, and so it was not unwelcome to him when the student, clearly
|
||
disturbed by K.'s to-ing and fro-ing which K. had now developed into a
|
||
stamping up and down, said to him, "You don't have to stay here, you
|
||
know, if you're getting impatient. You could have gone earlier, no-one
|
||
would have missed you. In fact you should have gone, you should have
|
||
left as quickly as possible as soon as I got here." This comment could
|
||
have caused all possible rage to break out between them, but K. also
|
||
bore in mind that this was a prospective court official speaking to a
|
||
disfavoured defendant, and he might well have been taking pride in
|
||
speaking in this way. K. remained standing quite close to him and said
|
||
with a smile, "You're quite right, I am impatient, but the easiest way
|
||
to settle this impatience would be if you left us. On the other hand,
|
||
if you've come here to study--you are a student, I hear--I'll be quite
|
||
happy to leave the room to you and go away with the woman. I'm sure
|
||
you'll still have a lot of study to do before you're made into a judge.
|
||
It's true that I'm still not all that familiar with your branch of
|
||
jurisprudence but I take it it involves a lot more than speaking
|
||
roughly--and I see you have no shame in doing that extremely well." "He
|
||
shouldn't have been allowed to move about so freely," said the student,
|
||
as if he wanted to give the woman an explanation for K.'s insults, "that
|
||
was a mistake. I've told the examining judge so. He should at least have
|
||
been detained in his room between hearings. Sometimes it's impossible to
|
||
understand what the judge thinks he's doing." "You're wasting your
|
||
breath," said K., then he reached his hand out towards the woman and
|
||
said, "come with me." "So that's it," said the student, "oh no, you're
|
||
not going to get her," and with a strength you would not have expected
|
||
from him, he glanced tenderly at her, lifted her up on one arm and, his
|
||
back bent under the weight, ran with her to the door. In this way he
|
||
showed, unmistakably, that he was to some extent afraid of K., but he
|
||
nonetheless dared to provoke him still further by stroking and squeezing
|
||
the woman's arm with his free hand. K. ran the few steps up to him, but
|
||
when he had reached him and was about to take hold of him and, if
|
||
necessary, throttle him, the woman said, "It's no good, it's the
|
||
examining judge who's sent for me, I daren't go with you, this little
|
||
bastard ..." and here she ran her hand over the student's face, "this
|
||
little bastard won't let me." "And you don't want to be set free!"
|
||
shouted K., laying his hand on the student's shoulder, who then snapped
|
||
at it with his teeth. "No!" shouted the woman, pushing K. away with both
|
||
hands, "no, no don't do that, what d'you think you're doing? That'd be
|
||
the end of me. Let go of him, please just let go of him. He's only
|
||
carrying out the judge's orders, he's carrying me to him." "Let him take
|
||
you then, and I want to see nothing more of you," said K., enraged by
|
||
his disappointment and giving the student a thump in the back so that he
|
||
briefly stumbled and then, glad that he had not fallen, immediately
|
||
jumped up all the higher with his burden. K. followed them slowly. He
|
||
realised that this was the first unambiguous setback he had suffered
|
||
from these people. It was of course nothing to worry about, he accepted
|
||
the setback only because he was looking for a fight. If he stayed at
|
||
home and carried on with his normal life he would be a thousand times
|
||
superior to these people and could get any of them out of his way just
|
||
with a kick. And he imagined the most laughable scene possible as an
|
||
example of this, if this contemptible student, this inflated child, this
|
||
knock-kneed redbeard, if he were kneeling at Elsa's bed wringing his
|
||
hands and begging for forgiveness. K. so enjoyed imagining this scene
|
||
that he decided to take the student along to Elsa with him if ever he
|
||
should get the opportunity.
|
||
|
||
K. was curious to see where the woman would be taken and he hurried over
|
||
to the door, the student was not likely to carry her through the streets
|
||
on his arm. It turned out that the journey was far shorter. Directly
|
||
opposite the flat there was a narrow flight of wooden steps which
|
||
probably led up to the attic, they turned as they went so that it was
|
||
not possible to see where they ended. The student carried the woman up
|
||
these steps, and after the exertions of running with her he was soon
|
||
groaning and moving very slowly. The woman waved down at K. and by
|
||
raising and lowering her shoulders she tried to show that she was an
|
||
innocent party in this abduction, although the gesture did not show a
|
||
lot of regret. K. watched her without expression like a stranger, he
|
||
wanted to show neither that he was disappointed nor that he would easily
|
||
get over his disappointment.
|
||
|
||
The two of them had disappeared, but K. remained standing in the
|
||
doorway. He had to accept that the woman had not only cheated him but
|
||
that she had also lied to him when she said she was being taken to the
|
||
examining judge. The examining judge certainly wouldn't be sitting and
|
||
waiting in the attic. The wooden stairs would explain nothing to him
|
||
however long he stared at them. Then K. noticed a small piece of paper
|
||
next to them, went across to it and read, in a childish and unpractised
|
||
hand, "Entrance to the Court Offices". Were the court offices here, in
|
||
the attic of this tenement, then? If that was how they were
|
||
accommodated it did not attract much respect, and it was some comfort
|
||
for the accused to realise how little money this court had at its
|
||
disposal if it had to locate its offices in a place where the tenants of
|
||
the building, who were themselves among the poorest of people, would
|
||
throw their unneeded junk. On the other hand, it was possible that the
|
||
officials had enough money but that they squandered it on themselves
|
||
rather than use it for the court's purposes. Going by K.'s experience of
|
||
them so far, that even seemed probable, except that if the court were
|
||
allowed to decay in that way it would not just humiliate the accused but
|
||
also give him more encouragement than if the court were simply in a
|
||
state of poverty. K. also now understood that the court was ashamed to
|
||
summon those it accused to the attic of this building for the initial
|
||
hearing, and why it preferred to impose upon them in their own homes.
|
||
What a position it was that K. found himself in, compared with the judge
|
||
sitting up in the attic! K., at the bank, had a big office with an
|
||
ante-room, and had an enormous window through which he could look down
|
||
at the activity in the square. It was true, though, that he had no
|
||
secondary income from bribes and fraud, and he couldn't tell a servant
|
||
to bring him a woman up to the office on his arm. K., however, was quite
|
||
willing to do without such things, in this life at least. K. was still
|
||
looking at the notice when a man came up the stairs, looked through the
|
||
open door into the living room where it was also possible to see the
|
||
courtroom, and finally asked K. whether he had just seen a woman there.
|
||
"You're the court usher, aren't you?" asked K. "That's right," said the
|
||
man, "oh, yes, you're defendant K., I recognise you now as well. Nice to
|
||
see you here." And he offered K. his hand, which was far from what K.
|
||
had expected. And when K. said nothing, he added, "There's no court
|
||
session planned for today, though." "I know that," said K. as he looked
|
||
at the usher's civilian coat which, beside its ordinary buttons,
|
||
displayed two gilded ones as the only sign of his office and seemed to
|
||
have been taken from an old army officer's coat. "I was speaking with
|
||
your wife a little while ago. She is no longer here. The student has
|
||
carried her off to the examining judge." "Listen to this," said the
|
||
usher, "they're always carrying her away from me. It's Sunday today, and
|
||
it's not part of my job to do any work today, but they send me off with
|
||
some message which isn't even necessary just to get me away from here.
|
||
What they do is they send me off not too far away so that I can still
|
||
hope to get back on time if I really hurry. So off I go running as fast
|
||
as I can, shout the message through the crack in the door of the office
|
||
I've been sent to, so out of breath they'll hardly be able to understand
|
||
it, run back here again, but the student's been even faster than I
|
||
have--well he's got less far to go, he's only got to run down the steps.
|
||
If I wasn't so dependent on them I'd have squashed the student against
|
||
the wall here a long time ago. Right here, next to the sign. I'm always
|
||
dreaming of doing that. Just here, just above the floor, that's where
|
||
he's crushed onto the wall, his arms stretched out, his fingers spread
|
||
apart, his crooked legs twisted round into a circle and blood squirted
|
||
out all around him. It's only ever been a dream so far, though." "Is
|
||
there nothing else you do?" asked K. with a smile. "Nothing that I know
|
||
of," said the usher. "And it's going to get even worse now, up till now
|
||
he's only been carrying her off for himself, now he's started carrying
|
||
her off for the judge and all, just like I'd always said he would."
|
||
"Does your wife, then, not share some of the responsibility?" asked K.
|
||
He had to force himself as he asked this question, as he, too, felt so
|
||
jealous now. "Course she does," said the usher, "it's more her fault
|
||
than theirs. It was her who attached herself to him. All he did, he just
|
||
chases after any woman. There's five flats in this block alone where
|
||
he's been thrown out after working his way in there. And my wife is the
|
||
best looking woman in the whole building, but it's me who's not even
|
||
allowed to defend himself." "If that's how things are, then there's
|
||
nothing that can be done," said K. "Well why not?" asked the usher.
|
||
"He's a coward that student, if he wants to lay a finger on my wife all
|
||
you'd have to do is give him such a good hiding he'd never dare do it
|
||
again. But I'm not allowed to do that, and nobody else is going to do me
|
||
the favour as they're all afraid of his power. The only one who could do
|
||
it is a man like you." "What, how could I do it?" asked K. in
|
||
astonishment. "Well you're facing a charge, aren't you," said the usher.
|
||
"Yes, but that's all the more reason for me to be afraid. Even if he has
|
||
no influence on the outcome of the trial he probably has some on the
|
||
initial examination." "Yes, exactly," said the usher, as if K.'s view
|
||
had been just as correct as his own. "Only we don't usually get any
|
||
trials heard here with no hope at all." "I am not of the same opinion,"
|
||
said K., "although that ought not to prevent me from dealing with the
|
||
student if the opportunity arises." "I would be very grateful to you,"
|
||
said the usher of the court, somewhat formally, not really seeming to
|
||
believe that his highest wish could be fulfilled. "Perhaps," continued
|
||
K., "perhaps there are some other officials of yours here, perhaps all
|
||
of them, who would deserve the same." "Oh yes, yes," said the usher, as
|
||
if this was a matter of course. Then he looked at K. trustingly which,
|
||
despite all his friendliness, he had not done until then, and added,
|
||
"they're always rebelling." But the conversation seemed to have become a
|
||
little uncomfortable for him, as he broke it off by saying, "now I have
|
||
to report to the office. Would you like to come with me?" "There's
|
||
nothing for me to do there," said K. "You'd be able to have a look at
|
||
it. No-one will take any notice of you." "Is it worth seeing then?"
|
||
asked K. hesitatingly, although he felt very keen to go with him.
|
||
"Well," said the usher, "I thought you'd be interested in it." "Alright
|
||
then," said K. finally, "I'll come with you." And, quicker than the
|
||
usher himself, he ran up the steps.
|
||
|
||
At the entrance he nearly fell over, as behind the door there was
|
||
another step. "They don't show much concern for the public," he said.
|
||
"They don't show any concern at all," said the usher, "just look at the
|
||
waiting room here." It consisted of a long corridor from which roughly
|
||
made doors led out to the separate departments of the attic. There was
|
||
no direct source of light but it was not entirely dark as many of the
|
||
departments, instead of solid walls, had just wooden bars reaching up to
|
||
the ceiling to separate them from the corridor. The light made its way
|
||
in through them, and it was also possible to see individual officials
|
||
through them as they sat writing at their desks or stood up at the
|
||
wooden frameworks and watched the people on the corridor through the
|
||
gaps. There were only a few people in the corridor, probably because it
|
||
was Sunday. They were not very impressive. They sat, equally spaced, on
|
||
two rows of long wooden benches which had been placed along both sides
|
||
of the corridor. All of them were carelessly dressed although the
|
||
expressions on their faces, their bearing, the style of their beards and
|
||
many details which were hard to identify showed that they belonged to
|
||
the upper classes. There were no coat hooks for them to use, and so they
|
||
had placed their hats under the bench, each probably having followed the
|
||
example of the others. When those who were sitting nearest the door saw
|
||
K. and the usher of the court they stood up to greet them, and when the
|
||
others saw that, they also thought they had to greet them, so that as
|
||
the two of them went by all the people there stood up. None of them
|
||
stood properly upright, their backs were bowed, their knees bent, they
|
||
stood like beggars on the street. K. waited for the usher, who was
|
||
following just behind him. "They must all be very dispirited," he said.
|
||
"Yes," said the usher, "they are the accused, everyone you see here has
|
||
been accused." "Really!" said K. "They're colleagues of mine then." And
|
||
he turned to the nearest one, a tall, thin man with hair that was nearly
|
||
grey. "What is it you are waiting for here?" asked K., politely, but the
|
||
man was startled at being spoken to unexpectedly, which was all the more
|
||
pitiful to see because the man clearly had some experience of the world
|
||
and elsewhere would certainly have been able to show his superiority and
|
||
would not have easily given up the advantage he had acquired. Here,
|
||
though, he did not know what answer to give to such a simple question
|
||
and looked round at the others as if they were under some obligation to
|
||
help him, and as if no-one could expect any answer from him without this
|
||
help. Then the usher of the court stepped forward to him and, in order
|
||
to calm him down and raise his spirits, said, "The gentleman here's only
|
||
asking what it is you're waiting for. You can give him an answer." The
|
||
voice of the usher was probably familiar to him, and had a better effect
|
||
than K.'s. "I'm ... I'm waiting...." he began, and then came to a halt.
|
||
He had clearly chosen this beginning so that he could give a precise
|
||
answer to the question, but now he didn't know how to continue. Some of
|
||
the others waiting had come closer and stood round the group, the usher
|
||
of the court said to them, "Get out the way, keep the gangway free."
|
||
They moved back slightly, but not as far as where they had been sitting
|
||
before. In the meantime, the man whom K. had first approached had pulled
|
||
himself together and even answered him with a smile. "A month ago I made
|
||
some applications for evidence to be heard in my case, and I'm waiting
|
||
for it to be settled." "You certainly seem to be going to a lot of
|
||
effort," said K. "Yes," said the man, "it is my affair after all." "Not
|
||
everyone thinks the same way as you do," said K. "I've been indicted as
|
||
well but I swear on my soul that I've neither submitted evidence nor
|
||
done anything else of the sort. Do you really think that's necessary?"
|
||
"I don't really know, exactly," said the man, once more totally unsure
|
||
of himself; he clearly thought K. was joking with him and therefore
|
||
probably thought it best to repeat his earlier answer in order to avoid
|
||
making any new mistakes. With K. looking at him impatiently, he just
|
||
said, "as far as I'm concerned, I've applied to have this evidence
|
||
heard." "Perhaps you don't believe I've been indicted?" asked K. "Oh,
|
||
please, I certainly do," said the man, stepping slightly to one side,
|
||
but there was more anxiety in his answer than belief. "You don't believe
|
||
me then?" asked K., and took hold of his arm, unconsciously prompted by
|
||
the man's humble demeanour, and as if he wanted to force him to believe
|
||
him. But he did not want to hurt the man and had only taken hold of him
|
||
very lightly. Nonetheless, the man cried out as if K. had grasped him
|
||
not with two fingers but with red hot tongs. Shouting in this ridiculous
|
||
way finally made K. tired of him, if he didn't believe he was indicted
|
||
then so much the better; maybe he even thought K. was a judge. And
|
||
before leaving, he held him a lot harder, shoved him back onto the bench
|
||
and walked on. "These defendants are so sensitive, most of them," said
|
||
the usher of the court. Almost all of those who had been waiting had now
|
||
assembled around the man who, by now, had stopped shouting and they
|
||
seemed to be asking him lots of precise questions about the incident. K.
|
||
was approached by a security guard, identifiable mainly by his sword, of
|
||
which the scabbard seemed to be made of aluminium. This greatly
|
||
surprised K., and he reached out for it with his hand. The guard had
|
||
come because of the shouting and asked what had been happening. The
|
||
usher of the court said a few words to try and calm him down but the
|
||
guard explained that he had to look into it himself, saluted, and
|
||
hurried on, walking with very short steps, probably because of gout.
|
||
|
||
K. didn't concern himself long with the guard or these people,
|
||
especially as he saw a turning off the corridor, about half way along
|
||
it on the right hand side, where there was no door to stop him going
|
||
that way. He asked the usher whether that was the right way to go, the
|
||
usher nodded, and that is the way that K. went. The usher remained
|
||
always one or two steps behind K., which he found irritating as in a
|
||
place like this it could give the impression that he was being driven
|
||
along by someone who had arrested him, so he frequently waited for the
|
||
usher to catch up, but the usher always remained behind him. In order to
|
||
put an end to his discomfort, K. finally said, "Now that I've seen what
|
||
it looks like here, I'd like to go." "You haven't seen everything yet,"
|
||
said the usher ingenuously. "I don't want to see everything," said K.,
|
||
who was also feeling very tired, "I want to go, what is the way to the
|
||
exit?" "You haven't got lost, have you?" asked the usher in amazement,
|
||
"you go down this way to the corner, then right down the corridor
|
||
straight ahead as far as the door." "Come with me," said K., "show me
|
||
the way, I'll miss it, there are so many different ways here." "It's the
|
||
only way there is," said the usher, who had now started to sound quite
|
||
reproachful, "I can't go back with you again, I've got to hand in my
|
||
report, and I've already lost a lot of time because of you as it is."
|
||
"Come with me!" K. repeated, now somewhat sharper as if he had finally
|
||
caught the usher out in a lie. "Don't shout like that," whispered the
|
||
usher, "there's offices all round us here. If you don't want to go back
|
||
by yourself come on a bit further with me or else wait here till I've
|
||
sorted out my report, then I'll be glad to go back with you again." "No,
|
||
no," said K., "I will not wait and you must come with me now." K. had
|
||
still not looked round at anything at all in the room where he found
|
||
himself, and it was only when one of the many wooden doors all around
|
||
him opened that he noticed it. A young woman, probably summoned by the
|
||
loudness of K.'s voice, entered and asked, "What is it the gentleman
|
||
wants?" In the darkness behind her there was also a man approaching. K.
|
||
looked at the usher. He had, after all, said that no-one would take any
|
||
notice of K., and now there were two people coming, it only needed a few
|
||
and everyone in the office would become aware of him and asking for
|
||
explanations as to why he was there. The only understandable and
|
||
acceptable thing to say was that he was accused of something and wanted
|
||
to know the date of his next hearing, but this was an explanation he did
|
||
not want to give, especially as it was not true--he had only come out of
|
||
curiosity. Or else, an explanation even less usable, he could say that
|
||
he wanted to ascertain that the court was as revolting on the inside as
|
||
it was on the outside. And it did seem that he had been quite right in
|
||
this supposition, he had no wish to intrude any deeper, he was disturbed
|
||
enough by what he had seen already, he was not in the right frame of
|
||
mind just then to face a high official such as might appear from behind
|
||
any door, and he wanted to go, either with the usher of the court or, if
|
||
needs be, alone.
|
||
|
||
But he must have seemed very odd standing there in silence, and the
|
||
young woman and the usher were indeed looking at him as if they thought
|
||
he would go through some major metamorphosis any second which they
|
||
didn't want to miss seeing. And in the doorway stood the man whom K. had
|
||
noticed in the background earlier, he held firmly on to the beam above
|
||
the low door swinging a little on the tips of his feet as if becoming
|
||
impatient as he watched. But the young woman was the first to recognise
|
||
that K.'s behaviour was caused by his feeling slightly unwell, she
|
||
brought a chair and asked, "Would you not like to sit down?" K. sat down
|
||
immediately and, in order to keep his place better, put his elbows on
|
||
the armrests. "You're a little bit dizzy, aren't you?" she asked him.
|
||
Her face was now close in front of him, it bore the severe expression
|
||
that many young women have just when they're in the bloom of their
|
||
youth. "It's nothing for you to worry about," she said, "that's nothing
|
||
unusual here, almost everyone gets an attack like that the first time
|
||
they come here. This is your first time is it. Yes, it's nothing unusual
|
||
then. The sun burns down on the roof and the hot wood makes the air so
|
||
thick and heavy. It makes this place rather unsuitable for offices,
|
||
whatever other advantages it might offer. But the air is almost
|
||
impossible to breathe on days when there's a lot of business, and that's
|
||
almost every day. And when you think that there's a lot of washing put
|
||
out to dry here as well--and we can't stop the tenants doing that--it's
|
||
not surprising you started to feel unwell. But you get used to the air
|
||
alright in the end. When you're here for the second or third time you'll
|
||
hardly notice how oppressive the air is. Are you feeling any better
|
||
now?" K. made no answer, he felt too embarrassed at being put at the
|
||
mercy of these people by his sudden weakness, and learning the reason
|
||
for feeling ill made him feel not better but a little worse. The girl
|
||
noticed it straight away, and to make the air fresher for K., she took a
|
||
window pole that was leaning against the wall and pushed open a small
|
||
hatch directly above K.'s head that led to the outside. But so much soot
|
||
fell in that the girl had to immediately close the hatch again and clean
|
||
the soot off K.'s hands with her handkerchief, as K. was too tired to do
|
||
that for himself. He would have liked just to sit quietly where he was
|
||
until he had enough strength to leave, and the less fuss people made
|
||
about him the sooner that would be. But then the girl said, "You can't
|
||
stay here, we're in people's way here...." K. looked at her as if to ask
|
||
whose way they were impeding. "If you like, I can take you to the sick
|
||
room," and turning to the man in the doorway said, "please help me." The
|
||
man immediately came over to them, but K. did not want to go to the sick
|
||
room, that was just what he wanted to avoid, being led further from
|
||
place to place, the further he went the more difficult it must become.
|
||
So he said, "I am able to walk now," and stood up, shaking after
|
||
becoming used to sitting so comfortably. But then he was unable to stay
|
||
upright. "I can't manage it," he said shaking his head, and sat down
|
||
again with a sigh. He remembered the usher who, despite everything,
|
||
would have been able to lead him out of there but who seemed to have
|
||
gone long before. K. looked out between the man and the young woman who
|
||
were standing in front of him but was unable to find the usher. "I
|
||
think," said the man, who was elegantly dressed and whose appearance was
|
||
made especially impressive with a grey waistcoat that had two long,
|
||
sharply tailored points, "the gentleman is feeling unwell because of the
|
||
atmosphere here, so the best thing, and what he would most prefer, would
|
||
be not to take him to the sick room but get him out of the offices
|
||
altogether." "That's right," exclaimed K., with such joy that he nearly
|
||
interrupted what the man was saying, "I'm sure that'll make me feel
|
||
better straight away, I'm really not that weak, all I need is a little
|
||
support under my arms, I won't cause you much trouble, it's not such a
|
||
long way anyway, lead me to the door and then I'll sit on the stairs for
|
||
a while and soon recover, as I don't suffer from attacks like this at
|
||
all, I'm surprised at it myself. I also work in an office and I'm quite
|
||
used to office air, but here it seems to be too strong, you've said so
|
||
yourselves. So please, be so kind as to help me on my way a little, I'm
|
||
feeling dizzy, you see, and it'll make me ill if I stand up by myself."
|
||
And with that he raised his shoulders to make it easier for the two of
|
||
them to take him by the arms.
|
||
|
||
The man, however, didn't follow this suggestion but just stood there
|
||
with his hands in his trouser pockets and laughed out loud. "There, you
|
||
see," he said to the girl, "I was quite right. The gentleman is only
|
||
unwell here, and not in general." The young woman smiled too, but
|
||
lightly tapped the man's arm with the tips of her fingers as if he had
|
||
allowed himself too much fun with K. "So what do you think, then?" said
|
||
the man, still laughing, "I really do want to lead the gentleman out of
|
||
here." "That's alright, then," said the girl, briefly inclining her
|
||
charming head. "Don't worry too much about him laughing," said the girl
|
||
to K., who had become unhappy once more and stared quietly in front of
|
||
himself as if needing no further explanation. "This gentleman--may I
|
||
introduce you?"--(the man gave his permission with a wave of the
|
||
hand)--"so, this gentleman's job is to give out information. He gives
|
||
all the information they need to people who are waiting, as our court
|
||
and its offices are not very well known among the public he gets asked
|
||
for quite a lot. He has an answer for every question, you can try him
|
||
out if you feel like it. But that's not his only distinction, his other
|
||
distinction is his elegance of dress. We, that's to say all of us who
|
||
work in the offices here, we decided that the information-giver would
|
||
have to be elegantly dressed as he continually has to deal with the
|
||
litigants and he's the first one they meet, so he needs to give a
|
||
dignified first impression. The rest of us I'm afraid, as you can see
|
||
just by looking at me, dress very badly and old-fashioned; and there's
|
||
not much point in spending much on clothes anyway, as we hardly ever
|
||
leave the offices, we even sleep here. But, as I said, we decided that
|
||
the information-giver would have to have nice clothes. As the management
|
||
here is rather peculiar in this respect, and they would get them for us,
|
||
we had a collection--some of the litigants contributed too--and bought
|
||
him these lovely clothes and some others besides. So everything would be
|
||
ready for him to give a good impression, except that he spoils it again
|
||
by laughing and frightening people." "That's how it is," said the man,
|
||
mocking her, "but I don't understand why it is that you're explaining
|
||
all our intimate facts to the gentleman, or rather why it is that you're
|
||
pressing them on him, as I'm sure he's not all interested. Just look at
|
||
him sitting there, it's clear he's occupied with his own affairs." K.
|
||
just did not feel like contradicting him. The girl's intention may have
|
||
been good, perhaps she was under instructions to distract him or to give
|
||
him the chance to collect himself, but the attempt had not worked. "I
|
||
had to explain to him why you were laughing," said the girl. "I suppose
|
||
it was insulting." "I think he would forgive even worse insults if I
|
||
finally took him outside." K. said nothing, did not even look up, he
|
||
tolerated the two of them negotiating over him like an object, that was
|
||
even what suited him best. But suddenly he felt the information-giver's
|
||
hand on one arm and the young woman's hand on the other. "Up you get
|
||
then, weakling," said the information-giver. "Thank you both very much,"
|
||
said K., pleasantly surprised, as he slowly rose and personally guided
|
||
these unfamiliar hands to the places where he most needed support. As
|
||
they approached the corridor, the girl said quietly into K.'s ear, "I
|
||
must seem to think it's very important to show the information-giver in
|
||
a good light, but you shouldn't doubt what I say, I just want to say the
|
||
truth. He isn't hard-hearted. It's not really his job to help litigants
|
||
outside if they're unwell but he's doing it anyway, as you can see. I
|
||
don't suppose any of us is hard-hearted, perhaps we'd all like to be
|
||
helpful, but working for the court offices it's easy for us to give the
|
||
impression we are hard-hearted and don't want to help anyone. It makes
|
||
me quite sad." "Would you not like to sit down here a while?" asked the
|
||
information-giver, there were already in the corridor and just in front
|
||
of the defendant whom K. had spoken to earlier. K. felt almost ashamed
|
||
to be seen by him, earlier he had stood so upright in front of him and
|
||
now he had to be supported by two others, his hat was held up by the
|
||
information-giver balanced on outstretched fingers, his hair was
|
||
dishevelled and hung down onto the sweat on his forehead. But the
|
||
defendant seemed to notice nothing of what was going on and just stood
|
||
there humbly, as if wanting to apologise to the information-giver for
|
||
being there. The information-giver looked past him. "I know," he said,
|
||
"that my case can't be settled today, not yet, but I've come in anyway,
|
||
I thought, I thought I could wait here anyway, it's Sunday today, I've
|
||
got plenty of time, and I'm not disturbing anyone here." "There's no
|
||
need to be so apologetic," said the information-giver, "it's very
|
||
commendable for you to be so attentive. You are taking up space here
|
||
when you don't need to but as long as you don't get in my way I will do
|
||
nothing to stop you following the progress of your case as closely as
|
||
you like. When one has seen so many people who shamefully neglect their
|
||
cases one learns to show patience with people like you. Do sit down."
|
||
"He's very good with the litigants," whispered the girl. K. nodded, but
|
||
started to move off again when the information-giver repeated, "Would
|
||
you not like to sit down here a while?" "No," said K., "I don't want to
|
||
rest." He had said that as decisively as he could, but in fact it would
|
||
have done him a lot of good to sit down. It was as if he were suffering
|
||
sea-sickness. He felt as if he were on a ship in a rough sea, as if the
|
||
water were hitting against the wooden walls, a thundering from the
|
||
depths of the corridor as if the torrent were crashing over it, as if
|
||
the corridor were swaying and the waiting litigants on each side of it
|
||
rising and sinking. It made the calmness of the girl and the man leading
|
||
him all the more incomprehensible. He was at their mercy, if they let go
|
||
of him he would fall like a board. Their little eyes glanced here and
|
||
there, K. could feel the evenness of their steps but could not do the
|
||
same, as from step to step he was virtually being carried. He finally
|
||
noticed they were speaking to him but he did not understand them, all he
|
||
heard was a noise that filled all the space and through which there
|
||
seemed to be an unchanging higher note sounding, like a siren. "Louder,"
|
||
he whispered with his head sunk low, ashamed at having to ask them to
|
||
speak louder when he knew they had spoken loudly enough, even if it had
|
||
been, for him, incomprehensible. At last, a draught of cool air blew in
|
||
his face as if a gap had been torn out in the wall in front of him, and
|
||
next to him he heard someone say, "First he says he wants to go, and
|
||
then you can tell him a hundred times that this is the way out and he
|
||
doesn't move." K. became aware that he was standing in front of the way
|
||
out, and that the young woman had opened the door. It seemed to him that
|
||
all his strength returned to him at once, and to get a foretaste of
|
||
freedom he stepped straight on to one of the stairs and took his leave
|
||
there of his companions, who bowed to him. "Thank you very much," he
|
||
repeated, shook their hands once more and did not let go until he
|
||
thought he saw that they found it hard to bear the comparatively fresh
|
||
air from the stairway after being so long used to the air in the
|
||
offices. They were hardly able to reply, and the young woman might even
|
||
have fallen over if K. had not shut the door extremely fast. K. then
|
||
stood still for a while, combed his hair with the help of a pocket
|
||
mirror, picked up his hat from the next stair--the information-giver
|
||
must have thrown it down there--and then he ran down the steps so fresh
|
||
and in such long leaps that the contrast with his previous state nearly
|
||
frightened him. His normally sturdy state of health had never prepared
|
||
him for surprises such as this. Did his body want to revolt and cause
|
||
him a new trial as he was bearing the old one with such little effort?
|
||
He did not quite reject the idea that he should see a doctor the next
|
||
time he had the chance, but whatever he did--and this was something on
|
||
which he could advise himself--he wanted to spend all Sunday mornings in
|
||
future better than he had spent this one.
|
||
|
||
|
||
|
||
|
||
Chapter Four
|
||
|
||
Miss Bürstner's Friend
|
||
|
||
|
||
For some time after this, K. found it impossible to exchange even just a
|
||
few words with Miss Bürstner. He tried to reach her in many and various
|
||
ways but she always found a way to avoid it. He would come straight home
|
||
from the office, remain in her room without the light on, and sit on the
|
||
sofa with nothing more to distract him than keeping watch on the empty
|
||
hallway. If the maid went by and closed the door of the apparently empty
|
||
room he would get up after a while and open it again. He got up an hour
|
||
earlier than usual in the morning so that he might perhaps find Miss
|
||
Bürstner alone as she went to the office. But none of these efforts
|
||
brought any success. Then he wrote her a letter, both to the office and
|
||
the flat, attempting once more to justify his behaviour, offered to make
|
||
whatever amends he could, promised never to cross whatever boundary she
|
||
might set him and begged merely to have the chance to speak to her some
|
||
time, especially as he was unable to do anything with Mrs. Grubach
|
||
either until he had spoken with Miss Bürstner, he finally informed her
|
||
that the following Sunday he would stay in his room all day waiting for
|
||
a sign from her that there was some hope of his request being fulfilled,
|
||
or at least that she would explain to him why she could not fulfil it
|
||
even though he had promised to observe whatever stipulations she might
|
||
make. The letters were not returned, but there was no answer either.
|
||
However, on the following Sunday there was a sign that seemed clear
|
||
enough. It was still early when K. noticed, through the keyhole, that
|
||
there was an unusual level of activity in the hallway which soon abated.
|
||
A French teacher, although she was German and called Montag, a pale and
|
||
febrile girl with a slight limp who had previously occupied a room of
|
||
her own, was moving into Miss Bürstner's room. She could be seen
|
||
shuffling through the hallway for several hours, there was always
|
||
another piece of clothing or a blanket or a book that she had forgotten
|
||
and had to be fetched specially and brought into the new home.
|
||
|
||
When Mrs. Grubach brought K. his breakfast--ever since the time when she
|
||
had made K. so cross she didn't trust the maid to do the slightest
|
||
job--he had no choice but to speak to her, for the first time in five
|
||
days. "Why is there so much noise in the hallway today?" he asked as she
|
||
poured his coffee out, "Can't something be done about it? Does this
|
||
clearing out have to be done on a Sunday?" K. did not look up at Mrs.
|
||
Grubach, but he saw nonetheless that she seemed to feel some relief as
|
||
she breathed in. Even sharp questions like this from Mr. K. she
|
||
perceived as forgiveness, or as the beginning of forgiveness. "We're not
|
||
clearing anything out, Mr. K.," she said, "it's just that Miss Montag is
|
||
moving in with Miss Bürstner and is moving her things across." She said
|
||
nothing more, but just waited to see how K. would take it and whether he
|
||
would allow her to carry on speaking. But K. kept her in uncertainty,
|
||
took the spoon and pensively stirred his coffee while he remained
|
||
silent. Then he looked up at her and said, "What about the suspicions
|
||
you had earlier about Miss Bürstner, have you given them up?" "Mr. K.,"
|
||
called Mrs. Grubach, who had been waiting for this very question, as she
|
||
put her hands together and held them out towards him. "I just made a
|
||
chance remark and you took it so badly. I didn't have the slightest
|
||
intention of offending anyone, not you or anyone else. You've known me
|
||
for long enough, Mr. K., I'm sure you're convinced of that. You don't
|
||
know how I've been suffering for the past few days! That I should tell
|
||
lies about my tenants! And you, Mr. K., you believed it! And said I
|
||
should give you notice! Give you notice!" At this last outcry, Mrs.
|
||
Grubach was already choking back her tears, she raised her apron to her
|
||
face and blubbered out loud.
|
||
|
||
"Oh, don't cry Mrs. Grubach," said K., looking out the window, he was
|
||
thinking only of Miss Bürstner and how she was accepting an unknown girl
|
||
into her room. "Now don't cry," he said again as he turned his look back
|
||
into the room where Mrs. Grubach was still crying. "I meant no harm
|
||
either when I said that. It was simply a misunderstanding between us.
|
||
That can happen even between old friends sometimes." Mrs. Grubach pulled
|
||
her apron down to below her eyes to see whether K. really was attempting
|
||
a reconciliation. "Well, yes, that's how it is," said K., and as Mrs.
|
||
Grubach's behaviour indicated that the captain had said nothing he dared
|
||
to add, "Do you really think, then, that I'd want to make an enemy of
|
||
you for the sake of a girl we hardly know?" "Yes, you're quite right,
|
||
Mr. K.," said Mrs. Grubach, and then, to her misfortune, as soon as she
|
||
felt just a little freer to speak, she added something rather inept. "I
|
||
kept asking myself why it was that Mr. K. took such an interest in Miss
|
||
Bürstner. Why does he quarrel with me over her when he knows that any
|
||
cross word from him and I can't sleep that night? And I didn't say
|
||
anything about Miss Bürstner that I hadn't seen with my own eyes." K.
|
||
said nothing in reply, he should have chased her from the room as soon
|
||
as she had opened her mouth, and he didn't want to do that. He contented
|
||
himself with merely drinking his coffee and letting Mrs. Grubach feel
|
||
that she was superfluous. Outside, the dragging steps of Miss Montag
|
||
could still be heard as she went from one side of the hallway to the
|
||
other. "Do you hear that?" asked K. pointing his hand at the door.
|
||
"Yes," said Mrs. Grubach with a sigh, "I wanted to give her some help
|
||
and I wanted the maid to help her too but she's stubborn, she wants to
|
||
move everything in herself. I wonder at Miss Bürstner. I often feel it's
|
||
a burden for me to have Miss Montag as a tenant but Miss Bürstner
|
||
accepts her into her room with herself." "There's nothing there for you
|
||
to worry about," said K., crushing the remains of a sugar lump in his
|
||
cup. "Does she cause you any trouble?" "No," said Mrs. Grubach, "in
|
||
itself it's very good to have her there, it makes another room free for
|
||
me and I can let my nephew, the captain, occupy it. I began to worry he
|
||
might be disturbing you when I had to let him live in the living room
|
||
next to you over the last few days. He's not very considerate." "What an
|
||
idea!" said K. standing up, "there's no question of that. You seem to
|
||
think that because I can't stand this to-ing and fro-ing of Miss Montag
|
||
that I'm over-sensitive--and there she goes back again." Mrs. Grubach
|
||
appeared quite powerless. "Should I tell her to leave moving the rest of
|
||
her things over till later, then, Mr. K.? If that's what you want I'll
|
||
do it immediately." "But she has to move in with Miss Bürstner!" said K.
|
||
"Yes," said Mrs. Grubach, without quite understanding what K. meant. "So
|
||
she has to take her things over there." Mrs. Grubach just nodded. K. was
|
||
irritated all the more by this dumb helplessness which, seen from the
|
||
outside, could have seemed like a kind of defiance on her part. He began
|
||
to walk up and down the room between the window and the door, thus
|
||
depriving Mrs. Grubach of the chance to leave, which she otherwise
|
||
probably would have done.
|
||
|
||
Just as K. once more reached the door, someone knocked at it. It was the
|
||
maid, to say that Miss Montag would like to have a few words with Mr.
|
||
K., and therefore requested that he come to the dining room where she
|
||
was waiting for him. K. heard the maid out thoughtfully, and then looked
|
||
back at the shocked Mrs. Grubach in a way that was almost contemptuous.
|
||
His look seemed to be saying that K. had been expecting this invitation
|
||
for Miss Montag for a long time, and that it was confirmation of the
|
||
suffering he had been made to endure that Sunday morning from Mrs.
|
||
Grubach's tenants. He sent the maid back with the reply that he was on
|
||
his way, then he went to the wardrobe to change his coat, and in answer
|
||
to Mrs. Grubach's gentle whining about the nuisance Miss Montag was
|
||
causing merely asked her to clear away the breakfast things. "But you've
|
||
hardly touched it," said Mrs. Grubach. "Oh just take it away!" shouted
|
||
K. It seemed to him that Miss Montag was mixed up in everything and made
|
||
it repulsive to him.
|
||
|
||
As he went through the hallway he looked at the closed door of Miss
|
||
Bürstner's room. But it wasn't there that he was invited, but the dining
|
||
room, to which he yanked the door open without knocking.
|
||
|
||
The room was long but narrow with one window. There was only enough
|
||
space available to put two cupboards at an angle in the corner by the
|
||
door, and the rest of the room was entirely taken up with the long
|
||
dining table which started by the door and reached all the way to the
|
||
great window, which was thus made almost inaccessible. The table was
|
||
already laid for a large number of people, as on Sundays almost all the
|
||
tenants ate their dinner here at midday.
|
||
|
||
When K. entered, Miss Montag came towards him from the window along one
|
||
side of the table. They greeted each other in silence. Then Miss Montag,
|
||
her head unusually erect as always, said, "I'm not sure whether you know
|
||
me." K. looked at her with a frown. "Of course I do," he said, "you've
|
||
been living here with Mrs. Grubach for quite some time now." "But I get
|
||
the impression you don't pay much attention to what's going on in the
|
||
lodging house," said Miss Montag. "No," said K. "Would you not like to
|
||
sit down?" said Miss Montag. In silence, the two of them drew chairs out
|
||
from the farthest end of the table and sat down facing each other. But
|
||
Miss Montag stood straight up again as she had left her handbag on the
|
||
window sill and went to fetch it; she shuffled down the whole length of
|
||
the room. When she came back, the handbag lightly swinging, she said,
|
||
"I'd like just to have a few words with you on behalf of my friend. She
|
||
would have come herself, but she's feeling a little unwell today.
|
||
Perhaps you'll be kind enough to forgive her and listen to me instead.
|
||
There's anyway nothing that she could have said that I won't. On the
|
||
contrary, in fact, I think I can say even more than her because I'm
|
||
relatively impartial. Would you not agree?" "What is there to say,
|
||
then?" answered K., who was tired of Miss Montag continuously watching
|
||
his lips. In that way she took control of what he wanted to say before
|
||
he said it. "Miss Bürstner clearly refuses to grant me the personal
|
||
meeting that I asked her for." "That's how it is," said Miss Montag, "or
|
||
rather, that's not at all how it is, the way you put it is remarkably
|
||
severe. Generally speaking, meetings are neither granted nor the
|
||
opposite. But it can be that meetings are considered unnecessary, and
|
||
that's how it is here. Now, after your comment, I can speak openly. You
|
||
asked my friend, verbally or in writing, for the chance to speak with
|
||
her. Now my friend is aware of your reasons for asking for this
|
||
meeting--or at least I suppose she is--and so, for reasons I know
|
||
nothing about, she is quite sure that it would be of no benefit to
|
||
anyone if this meeting actually took place. Moreover, it was only
|
||
yesterday, and only very briefly, that she made it clear to me that such
|
||
a meeting could be of no benefit for yourself either, she feels that it
|
||
can only have been a matter of chance that such an idea came to you, and
|
||
that even without any explanations from her, you will very soon come to
|
||
realise yourself, if you have not done so already, the futility of your
|
||
idea. My answer to that is that although it may be quite right, I
|
||
consider it advantageous, if the matter is to be made perfectly clear,
|
||
to give you an explicit answer. I offered my services in taking on the
|
||
task, and after some hesitation my friend conceded. I hope, however,
|
||
also to have acted in your interests, as even the slightest uncertainty
|
||
in the least significant of matters will always remain a cause of
|
||
suffering and if, as in this case, it can be removed without substantial
|
||
effort, then it is better if that is done without delay." "I thank you,"
|
||
said K. as soon as Miss Montag had finished. He stood slowly up, looked
|
||
at her, then across the table, then out the window--the house opposite
|
||
stood there in the sun--and went to the door. Miss Montag followed him a
|
||
few paces, as if she did not quite trust him. At the door, however, both
|
||
of them had to step back as it opened and Captain Lanz entered. This was
|
||
the first time that K. had seen him close up. He was a large man of
|
||
about forty with a tanned, fleshy face. He bowed slightly, intending it
|
||
also for K., and then went over to Miss Montag and deferentially kissed
|
||
her hand. He was very elegant in the way he moved. The courtesy he
|
||
showed towards Miss Montag made a striking contrast with the way she had
|
||
been treated by K. Nonetheless, Miss Montag did not seem to be cross
|
||
with K. as it even seemed to him that she wanted to introduce the
|
||
captain. K. however, did not want to be introduced, he would not have
|
||
been able to show any sort of friendliness either to Miss Montag or to
|
||
the captain, the kiss on the hand had, for K., bound them into a group
|
||
which would keep him at a distance from Miss Bürstner whilst at the same
|
||
time seeming to be totally harmless and unselfish. K. thought, however,
|
||
that he saw more than that, he thought he also saw that Miss Montag had
|
||
chosen a means of doing it that was good, but two-edged. She exaggerated
|
||
the importance of the relationship between K. and Miss Bürstner, and
|
||
above all she exaggerated the importance of asking to speak with her and
|
||
she tried at the same time to make out that K. was exaggerating
|
||
everything. She would be disappointed, K. did not want to exaggerate
|
||
anything, he was aware that Miss Bürstner was a little typist who would
|
||
not offer him much resistance for long. In doing so he deliberately took
|
||
no account of what Mrs. Grubach had told him about Miss Bürstner. All
|
||
these things were going through his mind as he left the room with hardly
|
||
a polite word. He wanted to go straight to his room, but a little laugh
|
||
from Miss Montag that he heard from the dining room behind him brought
|
||
him to the idea that he might prepare a surprise for the two of them,
|
||
the captain and Miss Montag. He looked round and listened to find out if
|
||
there might be any disturbance from any of the surrounding rooms,
|
||
everywhere was quiet, the only thing to be heard was the conversation
|
||
from the dining room and Mrs. Grubach's voice from the passage leading
|
||
to the kitchen. This seemed an opportune time, K. went to Miss
|
||
Bürstner's room and knocked gently. There was no sound so he knocked
|
||
again but there was still no answer in reply. Was she asleep? Or was
|
||
she really unwell? Or was she just pretending as she realised it could
|
||
only be K. knocking so gently? K. assumed she was pretending and
|
||
knocked harder, eventually, when the knocking brought no result, he
|
||
carefully opened the door with the sense of doing something that was not
|
||
only improper but also pointless. In the room there was no-one. What's
|
||
more, it looked hardly at all like the room K. had known before. Against
|
||
the wall there were now two beds behind one another, there were clothes
|
||
piled up on three chairs near the door, a wardrobe stood open. Miss
|
||
Bürstner must have gone out while Miss Montag was speaking to him in the
|
||
dining room. K. was not greatly bothered by this, he had hardly expected
|
||
to be able to find Miss Bürstner so easily and had made this attempt for
|
||
little more reason than to spite Miss Montag. But that made it all the
|
||
more embarrassing for him when, as he was closing the door again, he saw
|
||
Miss Montag and the captain talking in the open doorway of the dining
|
||
room. They had probably been standing there ever since K. had opened the
|
||
door, they avoided seeming to observe K. but chatted lightly and
|
||
followed his movements with glances, the absent minded glances to the
|
||
side such as you make during a conversation. But these glances were
|
||
heavy for K., and he rushed alongside the wall back into his own room.
|
||
|
||
|
||
|
||
|
||
Chapter Five
|
||
|
||
The whip-man
|
||
|
||
|
||
One evening, a few days later, K. was walking along one of the corridors
|
||
that separated his office from the main stairway--he was nearly the last
|
||
one to leave for home that evening, there remained only a couple of
|
||
workers in the light of a single bulb in the dispatch department--when
|
||
he heard a sigh from behind a door which he had himself never opened but
|
||
which he had always thought just led into a junk room. He stood in
|
||
amazement and listened again to establish whether he might not be
|
||
mistaken. For a while there was silence, but then came some more sighs.
|
||
His first thought was to fetch one of the servitors, it might well have
|
||
been worth having a witness present, but then he was taken by an
|
||
uncontrollable curiosity that make him simply yank the door open. It
|
||
was, as he had thought, a junk room. Old, unusable forms, empty stone
|
||
ink-bottles lay scattered behind the entrance. But in the cupboard-like
|
||
room itself stood three men, crouching under the low ceiling. A candle
|
||
fixed on a shelf gave them light. "What are you doing here?" asked K.
|
||
quietly, but crossly and without thinking. One of the men was clearly in
|
||
charge, and attracted attention by being dressed in a kind of dark
|
||
leather costume which left his neck and chest and his arms exposed. He
|
||
did not answer. But the other two called out, "Mr. K.! We're to be
|
||
beaten because you made a complaint about us to the examining judge."
|
||
And now, K. finally realised that it was actually the two policemen,
|
||
Franz and Willem, and that the third man held a cane in his hand with
|
||
which to beat them. "Well," said K., staring at them, "I didn't make any
|
||
complaint, I only said what took place in my home. And your behaviour
|
||
was not entirely unobjectionable, after all." "Mr. K.," said Willem,
|
||
while Franz clearly tried to shelter behind him as protection from the
|
||
third man, "if you knew how badly we get paid you wouldn't think so
|
||
badly of us. I've got a family to feed, and Franz here wanted to get
|
||
married, you just have to get more money where you can, you can't do it
|
||
just by working hard, not however hard you try. I was sorely tempted by
|
||
your fine clothes, policemen aren't allowed to do that sort of thing,
|
||
course they aren't, and it wasn't right of us, but it's tradition that
|
||
the clothes go to the officers, that's how it's always been, believe me;
|
||
and it's understandable too, isn't it, what can things like that mean
|
||
for anyone unlucky enough to be arrested. But if he starts talking about
|
||
it openly then the punishment has to follow." "I didn't know about any
|
||
of this that you've been telling me, and I made no sort of request that
|
||
you be punished, I was simply acting on principle." "Franz," said
|
||
Willem, turning to the other policeman, "didn't I tell you that the
|
||
gentleman didn't say he wanted us to be punished. Now you can hear for
|
||
yourself, he didn't even know we'd have to be punished." "Don't you let
|
||
them persuade you, talking like that," said the third man to K., "this
|
||
punishment is both just and unavoidable." "Don't listen to him," said
|
||
Willem, interrupting himself only to quickly bring his hand to his mouth
|
||
when it had received a stroke of the cane, "we're only being punished
|
||
because you made a complaint against us. Nothing would have happened to
|
||
us otherwise, not even if they'd found out what we'd done. Can you call
|
||
that justice? Both of us, me especially, we'd proved our worth as good
|
||
police officers over a long period--you've got to admit yourself that as
|
||
far as official work was concerned we did the job well--things looked
|
||
good for us, we had prospects, it's quite certain that we would've been
|
||
made whip-men too, like this one, only he had the luck not to have
|
||
anyone make a complaint about him, as you really don't get many
|
||
complaints like that. Only that's all finished now, Mr. K., our careers
|
||
are at an end, we're going to have to do work now that's far inferior to
|
||
police work and besides all this we're going to get this terrible,
|
||
painful beating." "Can the cane really cause so much pain, then?" asked
|
||
K., testing the cane that the whip-man swang in front of him. "We're
|
||
going to have to strip off totally naked," said Willem. "Oh, I see,"
|
||
said K., looking straight at the whip-man, his skin was burned brown
|
||
like a sailor's, and his face showed health and vigour. "Is there then
|
||
no possibility of sparing these two their beating?" he asked him. "No,"
|
||
said the whip-man, shaking his head with a laugh. "Get undressed!" he
|
||
ordered the policemen. And to K. he said, "You shouldn't believe
|
||
everything they tell you, it's the fear of being beaten, it's already
|
||
made them a bit weak in the head. This one here, for instance," he
|
||
pointed at Willem, "all that he told you about his career prospects,
|
||
it's just ridiculous. Look at him, look how fat he is--the first strokes
|
||
of the cane will just get lost in all that fat. Do you know what it is
|
||
that's made him so fat. He's in the habit of, everyone that gets
|
||
arrested by him, he eats their breakfast. Didn't he eat up your
|
||
breakfast? Yeah, I thought as much. But a man with a belly like that
|
||
can't be made into a whip-man and never will be, that is quite out of
|
||
the question." "There are whip-men like that," Willem insisted, who had
|
||
just released the belt of this trousers. "No," said the whip-man,
|
||
striking him such a blow with the cane on his neck that it made him
|
||
wince, "you shouldn't be listening to this, just get undressed." "I
|
||
would make it well worth your while if you would let them go," said K.,
|
||
and without looking at the whip-man again--as such matters are best
|
||
carried on with both pairs of eyes turned down--he pulled out his
|
||
wallet. "And then you'd try and put in a complaint against me, too,"
|
||
said the whip-man, "and get me flogged. No, no!" "Now, do be
|
||
reasonable," said K., "if I had wanted to get these two punished I would
|
||
not now be trying to buy their freedom, would I? I could simply close
|
||
the door here behind me, go home and see or hear nothing more of it. But
|
||
that's not what I'm doing, it really is of much more importance to me to
|
||
let them go free; if I had realised they would be punished, or even that
|
||
they might be punished, I would never have named them in the first place
|
||
as they are not the ones I hold responsible. It's the organisation
|
||
that's to blame, the high officials are the ones to blame." "That's how
|
||
it is!" shouted the policemen, who then immediately received another
|
||
blow on their backs, which were by now exposed. "If you had a senior
|
||
judge here beneath your stick," said K., pressing down the cane as he
|
||
spoke to stop it being raised once more, "I really would do nothing to
|
||
stop you, on the contrary, I would even pay you money to give you all
|
||
the more strength." "Yeah, that's all very plausible, what you're saying
|
||
there," said the whip-man, "only I'm not the sort of person you can
|
||
bribe. It's my job to flog people, so I flog them." Franz, the
|
||
policeman, had been fairly quiet so far, probably in expectation of a
|
||
good result from K.'s intervention, but now he stepped forward to the
|
||
door wearing just his trousers, knelt down hanging on to K.'s arm and
|
||
whispered, "Even if you can't get mercy shown for both of us, at least
|
||
try and get me set free. Willem is older than me, he's less sensitive
|
||
than me in every way, he even got a light beating a couple of years
|
||
ago, but my record's still clean, I only did things the way I did
|
||
because Willem led me on to it, he's been my teacher both for good and
|
||
bad. Down in front of the bank my poor bride is waiting for me at the
|
||
entrance, I'm so ashamed of myself, it's pitiful." His face was flowing
|
||
over with tears, and he wiped it dry on K.'s coat. "I'm not going to
|
||
wait any longer," said the whip-man, taking hold of the cane in both
|
||
hands and laying in to Franz while Willem cowered back in a corner and
|
||
looked on secretly, not even daring to turn his head. Then, the sudden
|
||
scream that shot out from Franz was long and irrevocable, it seemed to
|
||
come not from a human being but from an instrument that was being
|
||
tortured, the whole corridor rang with it, it must have been heard by
|
||
everyone in the building. "Don't shout like that!", called out K.,
|
||
unable to prevent himself, and, as he looked anxiously in the direction
|
||
from which the servitor would come, he gave Franz a shove, not hard, but
|
||
hard enough for him to fall down unconscious, clawing at the ground with
|
||
his hands by reflex; he still did not avoid being hit; the rod still
|
||
found him on the floor; the tip of the rod swang regularly up and down
|
||
while he rolled to and fro under its blows. And now one of the servitors
|
||
appeared in the distance, with another a few steps behind him. K. had
|
||
quickly thrown the door shut, gone over to one of the windows
|
||
overlooking the yard and opened it. The screams had completely stopped.
|
||
So that the servitor wouldn't come in, he called out, "It's only me!"
|
||
"Good evening, chief clerk," somebody called back. "Is there anything
|
||
wrong?" "No, no," answered K., "it's only a dog yelping in the yard."
|
||
There was no sound from the servitors so he added, "You can go back to
|
||
what you were doing." He did not want to become involved with a
|
||
conversation with them, and so he leant out of the window. A little
|
||
while later, when he looked out in the corridor, they had already gone.
|
||
Now, K. remained at the window, he did not dare go back into the junk
|
||
room, and he did not want to go home either. The yard he looked down
|
||
into was small and rectangular, all around it were offices, all the
|
||
windows were now dark and only those at the very top caught a reflection
|
||
of the moon. K. tried hard to see into the darkness of one corner of the
|
||
yard, where a few handcarts had been left behind one another. He felt
|
||
anguish at not having been able to prevent the flogging, but that was
|
||
not his fault, if Franz had not screamed like that--clearly it must have
|
||
caused a great deal of pain but it's important to maintain control of
|
||
oneself at important moments--if Franz had not screamed then it was at
|
||
least highly probable that K. would have been able to dissuade the
|
||
whip-man. If all the junior officers were contemptible why would the
|
||
whip-man, whose position was the most inhumane of all, be any exception,
|
||
and K. had noticed very clearly how his eyes had lit up when he saw the
|
||
banknotes, he had obviously only seemed serious about the flogging to
|
||
raise the level of the bribe a little. And K. had not been ungenerous,
|
||
he really had wanted to get the policemen freed; if he really had now
|
||
begun to do something against the degeneracy of the court then it was a
|
||
matter of course that he would have to do something here as well. But of
|
||
course, it became impossible for him to do anything as soon as Franz
|
||
started screaming. K. could not possibly have let the junior bank staff,
|
||
and perhaps even all sorts of other people, come along and catch him by
|
||
surprise as he haggled with those people in the junk room. Nobody could
|
||
really expect that sort of sacrifice of him. If that had been his
|
||
intention then it would almost have been easier, K. would have taken
|
||
his own clothes off and offered himself to the whip-man in the
|
||
policemen's place. The whip-man would certainly not have accepted this
|
||
substitution anyway, as in that way he would have seriously violated his
|
||
duty without gaining any benefit. He would most likely have violated his
|
||
duty twice over, as court employees were probably under orders not to
|
||
cause any harm to K. while he was facing charges, although there may
|
||
have been special conditions in force here. However things stood, K. was
|
||
able to do no more than throw the door shut, even though that would
|
||
still do nothing to remove all the dangers he faced. It was regrettable
|
||
that he had given Franz a shove, and it could only be excused by the
|
||
heat of the moment.
|
||
|
||
In the distance, he heard the steps of the servitors; he did not want
|
||
them to be too aware of his presence, so he closed the window and
|
||
walked towards the main staircase. At the door of the junk room he
|
||
stopped and listened for a little while. All was silent. The two
|
||
policemen were entirely at the whip-man's mercy; he could have beaten
|
||
them to death. K. reached his hand out for the door handle but drew it
|
||
suddenly back. He was no longer in any position to help anyone, and the
|
||
servitors would soon be back; he did, though, promise himself that he
|
||
would raise the matter again with somebody and see that, as far as it
|
||
was in his power, those who really were guilty, the high officials whom
|
||
nobody had so far dared point out to him, received their due punishment.
|
||
As he went down the main stairway at the front of the bank, he looked
|
||
carefully round at everyone who was passing, but there was no girl to be
|
||
seen who might have been waiting for somebody, not even within some
|
||
distance from the bank. Franz's claim that his bride was waiting for him
|
||
was thus shown to be a lie, albeit one that was forgivable and intended
|
||
only to elicit more sympathy.
|
||
|
||
The policemen were still on K.'s mind all through the following day; he
|
||
was unable to concentrate on his work and had to stay in his office a
|
||
little longer than the previous day so that he could finish it. On the
|
||
way home, as he passed by the junk room again, he opened its door as if
|
||
that had been his habit. Instead of the darkness he expected, he saw
|
||
everything unchanged from the previous evening, and did not know how he
|
||
should respond. Everything was exactly the same as he had seen it when
|
||
he had opened the door the previous evening. The forms and bottles of
|
||
ink just inside the doorway, the whip-man with his cane, the two
|
||
policemen, still undressed, the candle on the shelf, and the two
|
||
policemen began to wail and call out "Mr. K.!" K. slammed the door
|
||
immediately shut, and even thumped on it with his fists as if that
|
||
would shut it all the firmer. Almost in tears, he ran to the servitors
|
||
working quietly at the copying machine. "Go and get that junk room
|
||
cleared out!" he shouted, and, in amazement, they stopped what they were
|
||
doing. "It should have been done long ago, we're sinking in dirt!" They
|
||
would be able to do the job the next day, K. nodded, it was too late in
|
||
the evening to make them do it there and then as he had originally
|
||
intended. He sat down briefly in order to keep them near him for a
|
||
little longer, looked through a few of the copies to give the impression
|
||
that he was checking them and then, as he saw that they would not dare
|
||
to leave at the same time as himself, went home tired and with his mind
|
||
numb.
|
||
|
||
|
||
|
||
|
||
Chapter Six
|
||
|
||
K.'s uncle--Leni
|
||
|
||
|
||
One afternoon--K. was very busy at the time, getting the post
|
||
ready--K.'s Uncle Karl, a small country land owner, came into the room,
|
||
pushing his way between two of the staff who were bringing in some
|
||
papers. K. had long expected his uncle to appear, but the sight of him
|
||
now shocked K. far less than the prospect of it had done a long time
|
||
before. His uncle was bound to come, K. had been sure of that for about
|
||
a month. He already thought at the time he could see how his uncle
|
||
would arrive, slightly bowed, his battered panama hat in his left hand,
|
||
his right hand already stretched out over the desk long before he was
|
||
close enough as he rushed carelessly towards K. knocking over everything
|
||
that was in his way. K.'s uncle was always in a hurry, as he suffered
|
||
from the unfortunate belief that he had a number of things to do while
|
||
he was in the big city and had to settle all of them in one day--his
|
||
visits were only ever for one day--and at the same time thought he could
|
||
not forgo any conversation or piece of business or pleasure that might
|
||
arise by chance. Uncle Karl was K.'s former guardian, and so K. was
|
||
duty-bound to help him in all of this as well as to offer him a bed for
|
||
the night. "I'm haunted by a ghost from the country," he would say.
|
||
|
||
As soon as they had greeted each other--K. had invited him to sit in
|
||
the armchair but Uncle Karl had no time for that--he said he wanted to
|
||
speak briefly with K. in private. "It is necessary," he said with a
|
||
tired gulp, "it is necessary for my peace of mind." K. immediately sent
|
||
the junior staff from the room and told them to let no-one in. "What's
|
||
this that I've been hearing, Josef?" cried K.'s uncle when they were
|
||
alone, as he sat on the table shoving various papers under himself
|
||
without looking at them to make himself more comfortable. K. said
|
||
nothing, he knew what was coming, but, suddenly relieved from the
|
||
effort of the work he had been doing, he gave way to a pleasant
|
||
lassitude and looked out the window at the other side of the street.
|
||
From where he sat, he could see just a small, triangular section of it,
|
||
part of the empty walls of houses between two shop windows. "You're
|
||
staring out the window!" called out his uncle, raising his arms, "For
|
||
God's sake, Josef, give me an answer! Is it true, can it really be
|
||
true?" "Uncle Karl," said K., wrenching himself back from his
|
||
daydreaming, "I really don't know what it is you want of me." "Josef,"
|
||
said his uncle in a warning tone, "as far as I know, you've always told
|
||
the truth. Am I to take what you've just said as a bad sign?" "I think I
|
||
know what it is you want," said K. obediently, "I expect you've heard
|
||
about my trial." "That's right," answered his uncle with a slow nod,
|
||
"I've heard about your trial." "Who did you hear it from, then?" asked
|
||
K. "Erna wrote to me," said his uncle, "she doesn't have much contact
|
||
with you, it's true, you don't pay very much attention to her, I'm
|
||
afraid to say, but she learned about it nonetheless. I got her letter
|
||
today and, of course, I came straight here. And for no other reason, but
|
||
it seems to me that this is reason enough. I can read you out the part
|
||
of the letter that concerns you." He drew the letter out from his
|
||
wallet. "Here it is. She writes; 'I have not seen Josef for a long time,
|
||
I was in the bank last week but Josef was so busy that they would not
|
||
let me through; I waited there for nearly an hour but then I had to go
|
||
home as I had my piano lesson. I would have liked to have spoken to him,
|
||
maybe there will be a chance another time. He sent me a big box of
|
||
chocolates for my name-day, that was very nice and attentive of him. I
|
||
forgot to tell you about it when I wrote, and I only remember now that
|
||
you ask me about it. Chocolate, as I am sure you are aware, disappears
|
||
straight away in this lodging house, almost as soon as you know somebody
|
||
has given you chocolate it is gone. But there is something else I wanted
|
||
to tell you about Josef. Like I said, they would not let me through to
|
||
see him at the bank because he was negotiating with some gentleman just
|
||
then. After I had been waiting quietly for quite a long time I asked one
|
||
of the staff whether his meeting would last much longer. He said it
|
||
might well do, as it was probably about the legal proceedings, he said,
|
||
that were being conducted against him. I asked what sort of legal
|
||
proceedings it was that were being conducted against the chief clerk,
|
||
and whether he was not making some mistake, but he said he was not
|
||
making any mistake, there were legal proceedings underway and even that
|
||
they were about something quite serious, but he did not know any more
|
||
about it. He would have liked to have been of some help to the chief
|
||
clerk himself, as the chief clerk was a gentleman, good and honest, but
|
||
he did not know what it was he could do and merely hoped there would be
|
||
some influential gentlemen who would take his side. I'm sure that is
|
||
what will happen and that everything will turn out for the best in the
|
||
end, but in the mean time things do not look at all good, and you can
|
||
see that from the mood of the chief clerk himself. Of course, I did not
|
||
place too much importance on this conversation, and even did my best to
|
||
put the bank clerk's mind at rest, he was quite a simple man. I told him
|
||
he was not to speak to anyone else about this, and I think it is all
|
||
just a rumour, but I still think it might be good if you, Dear Father,
|
||
if you looked into the matter the next time you visit. It will be easy
|
||
for you to find out more detail and, if it is really necessary, to do
|
||
something about it through the great and influential people you know.
|
||
But if it is not necessary, and that is what seems most likely, then at
|
||
least your daughter will soon have the chance to embrace you and I look
|
||
forward to it.'--She's a good child," said K.'s uncle when he had
|
||
finished reading, and wiped a few tears from his eyes. K. nodded. With
|
||
all the different disruptions he had had recently he had completely
|
||
forgotten about Erna, even her birthday, and the story of the chocolates
|
||
had clearly just been invented so that he wouldn't get in trouble with
|
||
his aunt and uncle. It was very touching, and even the theatre tickets,
|
||
which he would regularly send her from then on, would not be enough to
|
||
repay her, but he really did not feel, now, that it was right for him to
|
||
visit her in her lodgings and hold conversations with a little, eighteen
|
||
year old schoolgirl. "And what do you have to say about that?" asked his
|
||
uncle, who had forgotten all his rush and excitement as he read the
|
||
letter, and seemed to be about to read it again. "Yes, Uncle," said K.,
|
||
"it is true." "True!" called out his uncle. "What is true? How can this
|
||
be true? What sort of trial is it? Not a criminal trial, I hope?" "It's
|
||
a criminal trial," answered K. "And you sit quietly here while you've
|
||
got a criminal trial round your neck?" shouted his uncle, getting ever
|
||
louder. "The more calm I am, the better it will be for the outcome,"
|
||
said K. in a tired voice, "don't worry." "How can I help worrying?!"
|
||
shouted his uncle, "Josef, my dear Josef, think about yourself, about
|
||
your family, think about our good name! Up till now, you've always been
|
||
our pride, don't now become our disgrace. I don't like the way you're
|
||
behaving," he said, looking at K. with his head at an angle, "that's not
|
||
how an innocent man behaves when he's accused of something, not if he's
|
||
still got any strength in him. Just tell me what it's all about so that
|
||
I can help you. It's something to do with the bank, I take it?" "No,"
|
||
said K. as he stood up, "and you're speaking too loud, Uncle, I expect
|
||
one of the staff is listening at the door and I find that rather
|
||
unpleasant. It's best if we go somewhere else, then I can answer all
|
||
your questions, as far as I can. And I know very well that I have to
|
||
account to the family for what I do." "You certainly do!" his uncle
|
||
shouted, "Quite right, you do. Now just get a move on, Josef, hurry up
|
||
now!" "I still have a few documents I need to prepare," said K., and,
|
||
using the intercom, he summoned his deputy who entered a few moments
|
||
later. K.'s uncle, still angry and excited, gestured with his hand to
|
||
show that K. had summoned him, even though there was no need whatever to
|
||
do so. K. stood in front of the desk and explained to the young man, who
|
||
listened calm and attentive, what would need to be done that day in his
|
||
absence, speaking in a calm voice and making use of various documents.
|
||
The presence of K.'s uncle while this was going on was quite disturbing;
|
||
he did not listen to what was being said, but at first he stood there
|
||
with eyes wide open and nervously biting his lips. Then he began to walk
|
||
up and down the room, stopped now and then at the window, or stood in
|
||
front of a picture always making various exclamations such as, "That is
|
||
totally incomprehensible to me!" or "Now just tell me, what are you
|
||
supposed to make of that?" The young man pretended to notice nothing of
|
||
this and listened to K.'s instructions through to the end, he made a few
|
||
notes, bowed to both K. and his uncle and then left the room. K.'s uncle
|
||
had turned his back to him and was looking out the window, bunching up
|
||
the curtains with his outstretched hands. The door had hardly closed
|
||
when he called out, "At last! Now that he's stopped jumping about we can
|
||
go too!" Once they were in the front hall of the bank, where several
|
||
members of staff were standing about and where, just then, the deputy
|
||
director was walking across, there was unfortunately no way of stopping
|
||
K.'s uncle from continually asking questions about the trial. "Now
|
||
then, Josef," he began, lightly acknowledging the bows from those around
|
||
them as they passed, "tell me everything about this trial; what sort of
|
||
trial is it?" K. made a few comments which conveyed little information,
|
||
even laughed a little, and it was only when they reached the front steps
|
||
that he explained to his uncle that he had not wanted to talk openly in
|
||
front of those people. "Quite right," said his uncle, "but now start
|
||
talking." With his head to one side, and smoking his cigar in short,
|
||
impatient draughts, he listened. "First of all, Uncle," said K., "it's
|
||
not a trial like you'd have in a normal courtroom." "So much the worse,"
|
||
said his uncle. "How's that?" asked K., looking at him. "What I mean is,
|
||
that's for the worse," he repeated. They were standing on the front
|
||
steps of the bank; as the doorkeeper seemed to be listening to what they
|
||
were saying K. drew his uncle down further, where they were absorbed
|
||
into the bustle of the street. His uncle took K.'s arm and stopped
|
||
asking questions with such urgency about the trial, they walked on for a
|
||
while in silence. "But how did all this come about?" he eventually
|
||
asked, stopping abruptly enough to startle the people walking behind,
|
||
who had to avoid walking into him. "Things like this don't come all of a
|
||
sudden, they start developing a long time beforehand, there must have
|
||
been warning signs of it, why didn't you write to me? You know I'd do
|
||
anything for you, to some extent I am still your guardian, and until
|
||
today that's something I was proud of. I'll still help you, of course I
|
||
will, only now, now that the trial is already underway, it makes it
|
||
very difficult. But whatever; the best thing now is for you to take a
|
||
short holiday staying with us in the country. You've lost weight, I can
|
||
see that now. The country life will give you strength, that will be
|
||
good, there's bound to be a lot of hard work ahead of you. But besides
|
||
that it'll be a way of getting you away from the court, to some extent.
|
||
Here they've got every means of showing the powers at their disposal
|
||
and they're automatically bound to use them against you; in the country
|
||
they'll either have to delegate authority to different bodies or just
|
||
have to try and bother you by letter, telegram or telephone. And that's
|
||
bound to weaken the effect, it won't release you from them but it'll
|
||
give you room to breathe." "You could forbid me to leave," said K., who
|
||
had been drawn slightly into his uncle's way of thinking by what he had
|
||
been saying. "I didn't think you would do it," said his uncle
|
||
thoughtfully, "you won't suffer too much loss of power by moving away."
|
||
K. grasped his uncle under the arm to prevent him stopping still and
|
||
said, "I thought you'd think all this is less important than I do, and
|
||
now you're taking it so hard." "Josef," called his uncle trying to
|
||
disentangle himself from him so that he could stop walking, but K. did
|
||
not let go, "you've completely changed, you used to be so astute, are
|
||
you losing it now? Do you want to lose the trial? Do you realise what
|
||
that would mean? That would mean you would be simply destroyed. And
|
||
that everyone you know would be pulled down with you or at the very
|
||
least humiliated, disgraced right down to the ground. Josef, pull
|
||
yourself together. The way you're so indifferent about it, it's driving
|
||
me mad. Looking at you I can almost believe that old saying: 'Having a
|
||
trial like that means losing a trial like that'." "My dear Uncle," said
|
||
K., "it won't do any good to get excited, it's no good for you to do it
|
||
and it'd be no good for me to do it. The case won't be won by getting
|
||
excited, and please admit that my practical experience counts for
|
||
something, just as I have always and still do respect your experience,
|
||
even when it surprises me. You say that the family will also be
|
||
affected by this trial; I really can't see how, but that's beside the
|
||
point and I'm quite willing to follow your instructions in all of this.
|
||
Only, I don't see any advantage in staying in the country, not even for
|
||
you, as that would indicate flight and a sense of guilt. And besides,
|
||
although I am more subject to persecution if I stay in the city I can
|
||
also press the matter forward better here." "You're right," said his
|
||
uncle in a tone that seemed to indicate they were finally coming closer
|
||
to each other, "I just made the suggestion because, as I saw it, if you
|
||
stay in the city the case will be put in danger by your indifference to
|
||
it, and I thought it was better if I did the work for you. But will you
|
||
push things forward yourself with all your strength, if so, that will
|
||
naturally be far better." "We're agreed then," said K. "And do you have
|
||
any suggestions for what I should do next?" "Well, naturally I'll have
|
||
to think about it," said his uncle, "you must bear in mind that I've
|
||
been living in the country for twenty years now, almost without a
|
||
break, you lose your ability to deal with matters like this. But I do
|
||
have some important connections with several people who, I expect, know
|
||
their way around these things better than I do, and to contact them is a
|
||
matter of course. Out there in the country I've been getting out of
|
||
condition, I'm sure you're already aware of that. It's only at times
|
||
like this that you notice it yourself. And this affair of yours came
|
||
largely unexpected, although, oddly enough, I had expected something of
|
||
the sort after I'd read Erna's letter, and today when I saw your face I
|
||
knew it with almost total certainty. But all that is by the by, the
|
||
important thing now is, we have no time to lose." Even while he was
|
||
still speaking, K.'s uncle had stood on tiptoe to summon a taxi and now
|
||
he pulled K. into the car behind himself as he called out an address to
|
||
the driver. "We're going now to see Dr. Huld, the lawyer," he said, "we
|
||
were at school together. I'm sure you know the name, don't you? No? Well
|
||
that is odd. He's got a very good reputation as a defence barrister and
|
||
for working with the poor. But I esteem him especially as someone you
|
||
can trust." "It's alright with me, whatever you do," said K., although
|
||
he was made uneasy by the rushed and urgent way his uncle was dealing
|
||
with the matter. It was not very encouraging, as the accused, to be
|
||
taken to a lawyer for poor people. "I didn't know," he said, "that you
|
||
could take on a lawyer in matters like this." "Well of course you can,"
|
||
said his uncle, "that goes without saying. Why wouldn't you take on a
|
||
lawyer? And now, so that I'm properly instructed in this matter, tell me
|
||
what's been happening so far." K. instantly began telling his uncle
|
||
about what had been happening, holding nothing back--being completely
|
||
open with him was the only way that K. could protest at his uncle's
|
||
belief that the trial was a great disgrace. He mentioned Miss Bürstner's
|
||
name just once and in passing, but that did nothing to diminish his
|
||
openness about the trial as Miss Bürstner had no connection with it. As
|
||
he spoke, he looked out the window and saw how, just then, they were
|
||
getting closer to the suburb where the court offices were. He drew this
|
||
to his uncle's attention, but he did not find the coincidence especially
|
||
remarkable. The taxi stopped in front of a dark building. K.'s uncle
|
||
knocked at the very first door at ground level; while they waited he
|
||
smiled, showing his big teeth, and whispered, "Eight o'clock; not the
|
||
usual sort of time to be visiting a lawyer, but Huld won't mind it from
|
||
me." Two large, black eyes appeared in the spy-hatch in the door, they
|
||
stared at the two visitors for a while and then disappeared; the door,
|
||
however, did not open. K. and his uncle confirmed to each other the fact
|
||
that they had seen the two eyes. "A new maid, afraid of strangers," said
|
||
K.'s uncle, and knocked again. The eyes appeared once more. This time
|
||
they seemed almost sad, but the open gas flame that burned with a hiss
|
||
close above their heads gave off little light and that may have merely
|
||
created an illusion. "Open the door," called K.'s uncle, raising his
|
||
fist against it, "we are friends of Dr. Huld, the lawyer!" "Dr. Huld is
|
||
ill," whispered someone behind them. In a doorway at the far end of a
|
||
narrow passage stood a man in his dressing gown, giving them this
|
||
information in an extremely quiet voice. K.'s uncle, who had already
|
||
been made very angry by the long wait, turned abruptly round and
|
||
retorted, "Ill. You say he's ill?" and strode towards the gentleman in a
|
||
way that seemed almost threatening, as if he were the illness himself.
|
||
"They've opened the door for you, now," said the gentleman, pointing at
|
||
the door of the lawyer. He pulled his dressing gown together and
|
||
disappeared. The door had indeed been opened, a young girl--K.
|
||
recognised the dark, slightly bulging eyes--stood in the hallway in a
|
||
long white apron, holding a candle in her hand. "Next time, open up
|
||
sooner!" said K.'s uncle instead of a greeting, while the girl made a
|
||
slight curtsey. "Come along, Josef," he then said to K. who was slowly
|
||
moving over towards the girl. "Dr. Huld is unwell," said the girl as
|
||
K.'s uncle, without stopping, rushed towards one of the doors. K.
|
||
continued to look at the girl in amazement as she turned round to block
|
||
the way into the living room, she had a round face like a puppy's, not
|
||
only the pale cheeks and the chin were round but the temples and the
|
||
hairline were too. "Josef!" called his uncle once more, and he asked the
|
||
girl, "It's trouble with his heart, is it?" "I think it is, sir," said
|
||
the girl, who by now had found time to go ahead with the candle and open
|
||
the door into the room. In one corner of the room, where the light of
|
||
the candle did not reach, a face with a long beard looked up from the
|
||
bed. "Leni, who's this coming in?" asked the lawyer, unable to recognise
|
||
his guests because he was dazzled by the candle. "It's your old friend,
|
||
Albert," said K.'s uncle. "Oh, Albert," said the lawyer, falling back
|
||
onto his pillow as if this visit meant he would not need to keep up
|
||
appearances. "Is it really as bad as that?" asked K.'s uncle, sitting on
|
||
the edge of the bed. "I don't believe it is. It's a recurrence of your
|
||
heart trouble and it'll pass over like the other times." "Maybe," said
|
||
the lawyer quietly, "but it's just as much trouble as it's ever been. I
|
||
can hardly breathe, I can't sleep at all and I'm getting weaker by the
|
||
day." "I see," said K.'s uncle, pressing his panama hat firmly against
|
||
his knee with his big hand. "That is bad news. But are you getting the
|
||
right sort of care? And it's so depressing in here, it's so dark. It's a
|
||
long time since I was last here, but it seemed to me friendlier then.
|
||
Even your young lady here doesn't seem to have much life in her, unless
|
||
she's just pretending." The maid was still standing by the door with the
|
||
candle; as far as could be made out, she was watching K. more than she
|
||
was watching his uncle even while the latter was still speaking about
|
||
her. K. leant against a chair that he had pushed near to the girl. "When
|
||
you're as ill as I am," said the lawyer, "you need to have peace. I
|
||
don't find it depressing." After a short pause he added, "and Leni looks
|
||
after me well, she's a good girl." But that was not enough to persuade
|
||
K.'s uncle, he had visibly taken against his friend's carer and, even
|
||
though he did not contradict the invalid, he persecuted her with his
|
||
scowl as she went over to the bed, put the candle on the bedside table
|
||
and, leaning over the bed, made a fuss of him by tidying the pillows.
|
||
K.'s uncle nearly forgot the need to show any consideration for the man
|
||
who lay ill in bed, he stood up, walked up and down behind the carer,
|
||
and K. would not have been surprised if he had grabbed hold of her
|
||
skirts behind her and dragged her away from the bed. K. himself looked
|
||
on calmly, he was not even disappointed at finding the lawyer unwell,
|
||
he had been able to do nothing to oppose the enthusiasm his uncle had
|
||
developed for the matter, he was glad that this enthusiasm had now been
|
||
distracted without his having to do anything about it. His uncle,
|
||
probably simply wishing to be offensive to the lawyer's attendant, then
|
||
said, "Young lady, now please leave us alone for a while, I have some
|
||
personal matters to discuss with my friend." Dr. Huld's carer was still
|
||
leant far over the invalid's bed and smoothing out the cloth covering
|
||
the wall next to it, she merely turned her head and then, in striking
|
||
contrast with the anger that first stopped K.'s uncle from speaking and
|
||
then let the words out in a gush, she said very quietly, "You can see
|
||
that Dr. Huld is so ill that he can't discuss any matters at all." It
|
||
was probably just for the sake of convenience that she had repeated the
|
||
words spoken by K.'s uncle, but an onlooker might even have perceived
|
||
it as mocking him and he, of course, jumped up as if he had just been
|
||
stabbed. "You damned ...," in the first gurglings of his excitement his
|
||
words could hardly be understood, K. was startled even though he had
|
||
been expecting something of the sort and ran to his uncle with the
|
||
intention, no doubt, of closing his mouth with both his hands.
|
||
Fortunately, though, behind the girl, the invalid raised himself up,
|
||
K.'s uncle made an ugly face as if swallowing something disgusting and
|
||
then, somewhat calmer, said, "We have naturally not lost our senses,
|
||
not yet; if what I am asking for were not possible I would not be asking
|
||
for it. Now please, go!" The carer stood up straight by the bed
|
||
directly facing K.'s uncle, K. thought he noticed that with one hand she
|
||
was stroking the lawyer's hand. "You can say anything in front of
|
||
Leni," said the invalid, in a tone that was unmistakably imploring.
|
||
"It's not my business," said K.'s uncle, "and it's not my secrets." And
|
||
he twisted himself round as if wanting to go into no more negotiations
|
||
but giving himself a little more time to think. "Whose business is it
|
||
then?" asked the lawyer in an exhausted voice as he leant back again.
|
||
"My nephew's," said K.'s uncle, "and I've brought him along with me."
|
||
And he introduced him, "Chief Clerk Josef K." "Oh!" said the invalid,
|
||
now with much more life in him, and reached out his hand towards K. "Do
|
||
forgive me, I didn't notice you there at all." Then he then said to his
|
||
carer, "Leni, go," stretching his hand out to her as if this were a
|
||
farewell that would have to last for a long time. This time the girl
|
||
offered no resistance. "So you," he finally said to K.'s uncle, who had
|
||
also calmed down and stepped closer, "you haven't come to visit me
|
||
because I'm ill but you've come on business." The lawyer now looked so
|
||
much stronger that it seemed the idea of being visited because he was
|
||
ill had somehow made him weak, he remained supporting himself on one
|
||
elbow, which must have been rather tiring, and continually pulled at a
|
||
lock of hair in the middle of his beard. "You already look much better,"
|
||
said K.'s uncle, "now that that witch has gone outside." He interrupted
|
||
himself, whispered, "I bet you she's listening!" and sprang over to the
|
||
door. But behind the door there was no-one, K.'s uncle came back not
|
||
disappointed, as her not listening seemed to him worse than if she had
|
||
been, but probably somewhat embittered. "You're mistaken about her,"
|
||
said the lawyer, but did nothing more to defend her; perhaps that was
|
||
his way of indicating that she did not need defending. But in a tone
|
||
that was much more committed he went on, "As far as your nephew's
|
||
affairs are concerned, this will be an extremely difficult undertaking
|
||
and I'd count myself lucky if my strength lasted out long enough for it;
|
||
I'm greatly afraid it won't do, but anyway I don't want to leave
|
||
anything untried; if I don't last out you can always get somebody else.
|
||
To be honest, this matter interests me too much, and I can't bring
|
||
myself to give up the chance of taking some part in it. If my heart does
|
||
totally give out then at least it will have found a worthy affair to
|
||
fail in." K. believed he understood not a word of this entire speech, he
|
||
looked at his uncle for an explanation but his uncle sat on the bedside
|
||
table with the candle in his hand, a medicine bottle had rolled off the
|
||
table onto the floor, he nodded to everything the lawyer said, agreed to
|
||
everything, and now and then looked at K. urging him to show the same
|
||
compliance. Maybe K.'s uncle had already told the lawyer about the
|
||
trial. But that was impossible, everything that had happened so far
|
||
spoke against it. So he said, "I don't understand...." "Well, maybe I've
|
||
misunderstood what you've been saying," said the lawyer, just as
|
||
astonished and embarrassed as K. "Perhaps I've been going too fast. What
|
||
was it you wanted to speak to me about? I thought it was to do with your
|
||
trial." "Of course it is," said K.'s uncle, who then asked K., "So what
|
||
is it you want?" "Yes, but how is it that you know anything about me and
|
||
my case?" asked K. "Oh, I see," said the lawyer with a smile. "I am a
|
||
lawyer, I move in court circles, people talk about various different
|
||
cases and the more interesting ones stay in your mind, especially when
|
||
they concern the nephew of a friend. There's nothing very remarkable
|
||
about that." "What is it you want, then?" asked K.'s uncle once more,
|
||
"You seem so uneasy about it." "You move in this court's circles?" asked
|
||
K. "Yes," said the lawyer. "You're asking questions like a child," said
|
||
K.'s uncle. "What circles should I move in, then, if not with members of
|
||
my own discipline?" the lawyer added. It sounded so indisputable that K.
|
||
gave no answer at all. "But you work in the High Court, not that court
|
||
in the attic," he had wanted to say but could not bring himself to
|
||
actually utter it. "You have to realise," the lawyer continued, in a
|
||
tone as if he were explaining something obvious, unnecessary and
|
||
incidental, "you have to realise that I also derive great advantage for
|
||
my clients from mixing with those people, and do so in many different
|
||
ways, it's not something you can keep talking about all the time. I'm at
|
||
a bit of a disadvantage now, of course, because of my illness, but I
|
||
still get visits from some good friends of mine at the court and I learn
|
||
one or two things. It might even be that I learn more than many of those
|
||
who are in the best of health and spend all day in court. And I'm
|
||
receiving a very welcome visit right now, for instance." And he pointed
|
||
into a dark corner of the room. "Where?" asked K., almost uncouth in
|
||
his surprise. He looked round uneasily; the little candle gave off far
|
||
too little light to reach as far as the wall opposite. And then,
|
||
something did indeed begin to move there in the corner. In the light of
|
||
the candle held up by K.'s uncle an elderly gentleman could be seen
|
||
sitting beside a small table. He had been sitting there for so long
|
||
without being noticed that he could hardly have been breathing. Now he
|
||
stood up with a great deal of fuss, clearly unhappy that attention had
|
||
been drawn to him. It was as if, by flapping his hands about like short
|
||
wings, he hoped to deflect any introductions and greetings, as if he
|
||
wanted on no account to disturb the others by his presence and seemed to
|
||
be exhorting them to leave him back in the dark and forget about his
|
||
being there. That, however, was something that could no longer be
|
||
granted him. "You took us by surprise, you see," said the lawyer in
|
||
explanation, cheerfully indicating to the gentleman that he should come
|
||
closer, which, slowly, hesitatingly, looking all around him, but with a
|
||
certain dignity, he did. "The office director--oh, yes, forgive me, I
|
||
haven't introduced you--this is my friend Albert K., this is his nephew,
|
||
the chief clerk Josef K., and this is the office director--so, the
|
||
office director was kind enough to pay me a visit. It's only possible
|
||
to appreciate just how valuable a visit like this is if you've been let
|
||
into the secret of what a pile of work the office director has heaped
|
||
over him. Well, he came anyway, we were having a peaceful chat, as far
|
||
as I was able when I'm so weak, and although we hadn't told Leni she
|
||
mustn't let anyone in as we weren't expecting anyone, we still would
|
||
rather have remained alone, but then along came you, Albert, thumping
|
||
your fists on the door, the office director moved over into the corner
|
||
pulling his table and chair with him, but now it turns out we might
|
||
have, that is, if that's what you wish, we might have something to
|
||
discuss with each other and it would be good if we can all come back
|
||
together again.--Office director ...," he said with his head on one
|
||
side, pointing with a humble smile to an armchair near the bed. "I'm
|
||
afraid I'll only be able to stay a few minutes more," smiled the office
|
||
director as he spread himself out in the armchair and looked at the
|
||
clock. "Business calls. But I wouldn't want to miss the chance of
|
||
meeting a friend of my friend." He inclined his head slightly toward
|
||
K.'s uncle, who seemed very happy with his new acquaintance, but he was
|
||
not the sort of person to express his feelings of deference and
|
||
responded to the office director's words with embarrassed, but loud,
|
||
laughter. A horrible sight! K. was able to quietly watch everything as
|
||
nobody paid any attention to him, the office director took over as
|
||
leader of the conversation as seemed to be his habit once he had been
|
||
called forward, the lawyer listened attentively with his hand to his
|
||
ear, his initial weakness having perhaps only had the function of
|
||
driving away his new visitors. K.'s uncle served as
|
||
candle-bearer--balancing the candle on his thigh while the office
|
||
director frequently glanced nervously at it--and was soon free of his
|
||
embarrassment and was quickly enchanted not only by the office
|
||
director's speaking manner but also by the gentle, waving
|
||
hand-movements with which he accompanied it. K., leaning against the
|
||
bedpost, was totally ignored by the office director, perhaps
|
||
deliberately, and served the old man only as audience. And besides, he
|
||
had hardly any idea what the conversation was about and his thoughts
|
||
soon turned to the care assistant and the ill treatment she had suffered
|
||
from his uncle. Soon after, he began to wonder whether he had not seen
|
||
the office director somewhere before, perhaps among the people who were
|
||
at his first hearing. He may have been mistaken, but thought the office
|
||
director might well have been among the old gentlemen with the thin
|
||
beards in the first row.
|
||
|
||
There was then a noise that everyone heard from the hallway as if
|
||
something of porcelain were being broken. "I'll go and see what's
|
||
happened," said K., who slowly left the room as if giving the others
|
||
the chance to stop him. He had hardly stepped into the hallway, finding
|
||
his bearings in the darkness with his hand still firmly holding the
|
||
door, when another small hand, much smaller than K.'s own, placed itself
|
||
on his and gently shut the door. It was the carer who had been waiting
|
||
there. "Nothing has happened," she whispered to him, "I just threw a
|
||
plate against the wall to get you out of there." "I was thinking about
|
||
you, as well," replied K. uneasily. "So much the better," said the
|
||
carer. "Come with me." A few steps along, they came to a frosted glass
|
||
door which the carer opened for him. "Come in here," she said. It was
|
||
clearly the lawyer's office, fitted out with old, heavy furniture, as
|
||
far as could be seen in the moonlight which now illuminated just a
|
||
small, rectangular section of the floor by each of the three big
|
||
windows. "This way," said the carer, pointing to a dark trunk with a
|
||
carved, wooden backrest. When he had sat down, K. continued to look
|
||
round the room, it was a large room with a high ceiling, the clients of
|
||
this lawyer for the poor must have felt quite lost in it. K. thought he
|
||
could see the little steps with which visitors would approach the
|
||
massive desk. But then he forgot about all of this and had eyes only
|
||
for the carer who sat very close beside him, almost pressing him against
|
||
the armrest. "I did think," she said, "you would come out here to me by
|
||
yourself without me having to call you first. It was odd. First you
|
||
stare at me as soon as you come in, and then you keep me waiting. And
|
||
you ought to call me Leni, too," she added quickly and suddenly, as if
|
||
no moment of this conversation should be lost. "Gladly," said K. "But
|
||
as for its being odd, Leni, that's easy to explain. Firstly, I had to
|
||
listen to what the old men were saying and couldn't leave without a
|
||
good reason, but secondly I'm not a bold person, if anything I'm quite
|
||
shy, and you, Leni, you didn't really look like you could be won over in
|
||
one stroke, either." "That's not it," said Leni, laying one arm on the
|
||
armrest and looking at K., "you didn't like me, and I don't suppose you
|
||
like me now, either." "Liking wouldn't be very much," said K.,
|
||
evasively. "Oh!" she exclaimed with a smile, thus making use of K.'s
|
||
comment to gain an advantage over him. So K. remained silent for a
|
||
while. By now, he had become used to the darkness in the room and was
|
||
able to make out various fixtures and fittings. He was especially
|
||
impressed by a large picture hanging to the right of the door, he leant
|
||
forward in order to see it better. It depicted a man wearing a judge's
|
||
robes; he was sitting on a lofty throne gilded in a way that shone
|
||
forth from the picture. The odd thing about the picture was that this
|
||
judge was not sitting there in dignified calm but had his left arm
|
||
pressed against the back and armrest, his right arm, however, was
|
||
completely free and only grasped the armrest with his hand, as if about
|
||
to jump up any moment in vigorous outrage and make some decisive comment
|
||
or even to pass sentence. The accused was probably meant to be imagined
|
||
at the foot of the steps, the top one of which could be seen in the
|
||
picture, covered with a yellow carpet. "That might be my judge," said
|
||
K., pointing to the picture with one finger. "I know him," said Leni
|
||
looking up at the picture, "he comes here quite often. That picture is
|
||
from when he was young, but he can never have looked anything like it,
|
||
as he's tiny, minute almost. But despite that, he had himself made to
|
||
look bigger in the picture as he's madly vain, just like everyone round
|
||
here. But even I'm vain and that makes me very unhappy that you don't
|
||
like me." K. replied to that last comment merely by embracing Leni and
|
||
drawing her towards him, she lay her head quietly on his shoulder. To
|
||
the rest of it, though, he said, "What rank is he?" "He's an examining
|
||
judge," she said, taking hold of the hand with which K. held her and
|
||
playing with his fingers. "Just an examining judge once again," said K.
|
||
in disappointment, "the senior officials keep themselves hidden. But
|
||
here he is sitting on a throne." "That's all just made up," said Leni
|
||
with her face bent over K.'s hand, "really he's sitting on a kitchen
|
||
chair with an old horse blanket folded over it. But do you have to be
|
||
always thinking about your trial?" she added slowly. "No, not at all,"
|
||
said K., "I probably even think too little about it." "That's not the
|
||
mistake you're making," said Leni, "you're too unyielding, that's what
|
||
I've heard." "Who said that?" asked K., he felt her body against his
|
||
chest and looked down on her rich, dark, tightly-bound hair. "I'd be
|
||
saying too much if I told you that," answered Leni. "Please don't ask
|
||
for names, but do stop making these mistakes of yours, stop being so
|
||
unyielding, there's nothing you can do to defend yourself from this
|
||
court, you have to confess. So confess to them as soon as you get the
|
||
chance. It's only then that they give you the chance to get away, not
|
||
till then. Only, without help from outside even that's impossible, but
|
||
you needn't worry about getting this help as I want to help you
|
||
myself." "You understand a lot about this court and what sort of tricks
|
||
are needed," said K. as he lifted her, since she was pressing in much
|
||
too close to him, onto his lap. "That's alright, then," she said, and
|
||
made herself comfortable on his lap by smoothing out her skirt and
|
||
adjusting her blouse. Then she hung both her arms around his neck, leant
|
||
back and took a long look at him. "And what if I don't confess, could
|
||
you not help me then?" asked K. to test her out. I'm accumulating women
|
||
to help me, he thought to himself almost in amazement, first Miss
|
||
Bürstner, then the court usher's wife, and now this little care
|
||
assistant who seems to have some incomprehensible need for me. The way
|
||
she sits on my lap as if it were her proper place! "No," answered Leni,
|
||
slowly shaking her head, "I couldn't help you then. But you don't want
|
||
my help anyway, it means nothing to you, you're too stubborn and won't
|
||
be persuaded." Then, after a while she asked, "Do you have a lover?"
|
||
"No," said K. "Oh, you must have," she said. "Well, I have really," said
|
||
K. "Just think, I've even betrayed her while I'm carrying her photograph
|
||
with me." Leni insisted he show her a photograph of Elsa, and then,
|
||
hunched on his lap, studied the picture closely. The photograph was not
|
||
one that had been taken while Elsa was posing for it, it showed her just
|
||
after she had been in a wild dance such as she liked to do in wine bars,
|
||
her skirt was still flung out as she span round, she had placed her
|
||
hands on her firm hips and, with her neck held taut, looked to one side
|
||
with a laugh; you could not see from the picture whom her laugh was
|
||
intended for. "She's very tightly laced," said Leni, pointing to the
|
||
place where she thought this could be seen. "I don't like her, she's
|
||
clumsy and crude. But maybe she's gentle and friendly towards you,
|
||
that's the impression you get from the picture. Big, strong girls like
|
||
that often don't know how to be anything but gentle and friendly. Would
|
||
she be capable of sacrificing herself for you, though?" "No," said K.,
|
||
"she isn't gentle or friendly, and nor would she be capable of
|
||
sacrificing herself for me. But I've never yet asked any of those things
|
||
of her. I've never looked at this picture as closely as you." "You can't
|
||
think much of her, then," said Leni. "She can't be your lover after
|
||
all." "Yes she is," said K., "I'm not going to take my word back on
|
||
that." "Well she might be your lover now, then," said Leni, "but you
|
||
wouldn't miss her much if you lost her or if you exchanged her for
|
||
somebody else, me for instance." "That is certainly conceivable," said
|
||
K. with a smile, "but she does have one major advantage over you, she
|
||
knows nothing about my trial, and even if she did she wouldn't think
|
||
about it. She wouldn't try to persuade me to be less unyielding." "Well
|
||
that's no advantage," said Leni. "If she's got no advantage other than
|
||
that, I can keep on hoping. Has she got any bodily defects?" "'Bodily
|
||
defects'?" asked K. "Yeah," said Leni, "as I do have a bodily defect,
|
||
just a little one. Look." She spread the middle and ring fingers of her
|
||
right hand apart from each other. Between those fingers the flap of skin
|
||
connecting them reached up almost as far as the top joint of the little
|
||
finger. In the darkness, K. did not see at first what it was she wanted
|
||
to show him, so she led his hand to it so that he could feel. "What a
|
||
freak of nature," said K., and when he had taken a look at the whole
|
||
hand he added, "What a pretty claw!" Leni looked on with a kind of pride
|
||
as K. repeatedly opened and closed her two fingers in amazement, until,
|
||
finally, he briefly kissed them and let go. "Oh!" she immediately
|
||
exclaimed, "you kissed me!" Hurriedly, and with her mouth open, she
|
||
clambered up K.'s lap with her knees. He was almost aghast as he looked
|
||
up at her, now that she was so close to him there was a bitter,
|
||
irritating smell from her, like pepper, she grasped his head, leant out
|
||
over him, and bit and kissed his neck, even biting into his hair. "I've
|
||
taken her place!" she exclaimed from time to time. "Just look, now
|
||
you've taken me instead of her!" Just then, her knee slipped out and,
|
||
with a little cry, she nearly fell down onto the carpet, K. tried to
|
||
hold her by putting his arms around her and was pulled down with her.
|
||
"Now you're mine," she said. Her last words to him as he left were,
|
||
"Here's the key to the door, come whenever you want," and she planted an
|
||
undirected kiss on his back. When he stepped out the front door there
|
||
was a light rain falling, he was about to go to the middle of the street
|
||
to see if he could still glimpse Leni at the window when K.'s uncle
|
||
leapt out of a car that K., thinking of other things, had not seen
|
||
waiting outside the building. He took hold of K. by both arms and shoved
|
||
him against the door as if he wanted to nail him to it. "Young man," he
|
||
shouted, "how could you do a thing like that?! Things were going well
|
||
with this business of yours, now you've caused it terrible damage. You
|
||
slip off with some dirty, little thing who, moreover, is obviously the
|
||
lawyer's beloved, and stay away for hours. You don't even try to find an
|
||
excuse, don't try to hide anything, no, you're quite open about it, you
|
||
run off with her and stay there. And meanwhile we're sitting there, your
|
||
uncle who's going to such effort for you, the lawyer who needs to be won
|
||
over to your side, and above all the office director, a very important
|
||
gentleman who is in direct command of your affair in its present stage.
|
||
We wanted to discuss how best to help you, I had to handle the lawyer
|
||
very carefully, he had to handle the office director carefully, and you
|
||
had most reason of all to at least give me some support. Instead of
|
||
which you stay away. Eventually we couldn't keep up the pretence any
|
||
longer, but these are polite and highly capable men, they didn't say
|
||
anything about it so as to spare my feelings but in the end not even
|
||
they could continue to force themselves and, as they couldn't speak
|
||
about the matter in hand, they became silent. We sat there for several
|
||
minutes, listening to see whether you wouldn't finally come back. All in
|
||
vain. In the end the office director stood up, as he had stayed far
|
||
longer than he had originally intended, made his farewell, looked at me
|
||
in sympathy without being able to help, he waited at the door for a long
|
||
time although it's more than I can understand why he was being so good,
|
||
and then he went. I, of course, was glad he'd gone, I'd been holding my
|
||
breath all this time. All this had even more effect on the lawyer lying
|
||
there ill, when I took my leave of him, the good man, he was quite
|
||
unable to speak. You have probably contributed to his total collapse
|
||
and so brought the very man who you are dependent on closer to his
|
||
death. And me, your own uncle, you leave me here in the rain--just feel
|
||
this, I'm wet right through--waiting here for hours, sick with worry."
|
||
|
||
|
||
|
||
|
||
Chapter Seven
|
||
|
||
Lawyer--Manufacturer--Painter
|
||
|
||
|
||
One winter morning--snow was falling in the dull light outside--K. was
|
||
sitting in his office, already extremely tired despite the early hour.
|
||
He had told the servitor he was engaged in a major piece of work and
|
||
none of the junior staff should be allowed in to see him, so he would
|
||
not be disturbed by them at least. But instead of working he turned
|
||
round in his chair, slowly moved various items around his desk, but
|
||
then, without being aware of it, he lay his arm stretched out on the
|
||
desk top and sat there immobile with his head sunk down on his chest.
|
||
|
||
He was no longer able to get the thought of the trial out of his head.
|
||
He had often wondered whether it might not be a good idea to work out a
|
||
written defence and hand it in to the court. It would contain a short
|
||
description of his life and explain why he had acted the way he had at
|
||
each event that was in any way important, whether he now considered he
|
||
had acted well or ill, and his reasons for each. There was no doubt of
|
||
the advantages a written defence of this sort would have over relying
|
||
on the lawyer, who was anyway not without his shortcomings. K. had no
|
||
idea what actions the lawyer was taking; it was certainly not a lot, it
|
||
was more than a month since the lawyer had summoned him, and none of
|
||
the previous discussions had given K. the impression that this man would
|
||
be able to do much for him. Most importantly, he had asked him hardly
|
||
any questions. And there were so many questions here to be asked.
|
||
Asking questions was the most important thing. K. had the feeling that
|
||
he would be able to ask all the questions needed here himself. The
|
||
lawyer, in contrast, did not ask questions but did all the talking
|
||
himself or sat silently facing him, leant forward slightly over the
|
||
desk, probably because he was hard of hearing, pulled on a strand of
|
||
hair in the middle of his beard and looked down at the carpet, perhaps
|
||
at the very spot where K. had lain with Leni. Now and then he would give
|
||
K. some vague warning of the sort you give to children. His speeches
|
||
were as pointless as they were boring, and K. decided that when the
|
||
final bill came he would pay not a penny for them. Once the lawyer
|
||
thought he had humiliated K. sufficiently, he usually started something
|
||
that would raise his spirits again. He had already, he would then say,
|
||
won many such cases, partly or in whole, cases which may not really have
|
||
been as difficult as this one but which, on the face of it, had even
|
||
less hope of success. He had a list of these cases here in the
|
||
drawer--here he would tap on one or other of the drawers in his
|
||
desk--but could, unfortunately, not show them to K. as they dealt with
|
||
official secrets. Nonetheless, the great experience he had acquired
|
||
through all these cases would, of course, be of benefit to K. He had, of
|
||
course, begun work straight away and was nearly ready to submit the
|
||
first documents. They would be very important because the first
|
||
impression made by the defence will often determine the whole course of
|
||
the proceedings. Unfortunately, though, he would still have to make it
|
||
clear to K. that the first documents submitted are sometimes not even
|
||
read by the court. They simply put them with the other documents and
|
||
point out that, for the time being, questioning and observing the
|
||
accused are much more important than anything written. If the applicant
|
||
becomes insistent, then they add that before they come to any decision,
|
||
as soon as all the material has been brought together, with due regard,
|
||
of course, to all the documents, then these first documents to have been
|
||
submitted will also be checked over. But unfortunately, even this is not
|
||
usually true, the first documents submitted are usually mislaid or lost
|
||
completely, and even if they do keep them right to the end they are
|
||
hardly read, although the lawyer only knew about this from rumour. This
|
||
is all very regrettable, but not entirely without its justifications.
|
||
But K. should not forget that the trial would not be public, if the
|
||
court deems it necessary it can be made public but there is no law that
|
||
says it has to be. As a result, the accused and his defence don't have
|
||
access even to the court records, and especially not to the indictment,
|
||
and that means we generally don't know--or at least not precisely--what
|
||
the first documents need to be about, which means that if they do
|
||
contain anything of relevance to the case it's only by a lucky
|
||
coincidence. If anything about the individual charges and the reasons
|
||
for them comes out clearly or can be guessed at while the accused is
|
||
being questioned, then it's possible to work out and submit documents
|
||
that really direct the issue and present proof, but not before.
|
||
Conditions like this, of course, place the defence in a very
|
||
unfavourable and difficult position. But that is what they intend. In
|
||
fact, defence is not really allowed under the law, it's only tolerated,
|
||
and there is even some dispute about whether the relevant parts of the
|
||
law imply even that. So strictly speaking, there is no such thing as a
|
||
counsel acknowledged by the court, and anyone who comes before this
|
||
court as counsel is basically no more than a barrack room lawyer. The
|
||
effect of all this, of course, is to remove the dignity of the whole
|
||
procedure, the next time K. is in the court offices he might like to
|
||
have a look in at the lawyers' room, just so that he's seen it. He might
|
||
well be quite shocked by the people he sees assembled there. The room
|
||
they've been allocated, with its narrow space and low ceiling, will be
|
||
enough to show what contempt the court has for these people. The only
|
||
light in the room comes through a little window that is so high up that,
|
||
if you want to look out of it, you first have to get one of your
|
||
colleagues to support you on his back, and even then the smoke from the
|
||
chimney just in front of it will go up your nose and make your face
|
||
black. In the floor of this room--to give yet another example of the
|
||
conditions there--there is a hole that's been there for more than a
|
||
year, it's not so big that a man could fall through, but it is big
|
||
enough for your foot to disappear through it. The lawyers' room is on
|
||
the second floor of the attic; if your foot does go through it will hang
|
||
down into the first floor of the attic underneath it, and right in the
|
||
corridor where the litigants are waiting. It's no exaggeration when
|
||
lawyers say that conditions like that are a disgrace. Complaints to the
|
||
management don't have the slightest effect, but the lawyers are strictly
|
||
forbidden to alter anything in the room at their own expense. But even
|
||
treating the lawyers in this way has its reasons. They want, as far as
|
||
possible, to prevent any kind of defence, everything should be made the
|
||
responsibility of the accused. Not a bad point of view, basically, but
|
||
nothing could be more mistaken than to think from that that lawyers are
|
||
not necessary for the accused in this court. On the contrary, there is
|
||
no court where they are less needed than here. This is because
|
||
proceedings are generally kept secret not only from the public but also
|
||
from the accused. Only as far as that is possible, of course, but it is
|
||
possible to a very large extent. And the accused doesn't get to see the
|
||
court records either, and it's very difficult to infer what's in the
|
||
court records from what's been said during questioning based on them,
|
||
especially for the accused who is in a difficult situation and is faced
|
||
with every possible worry to distract him. This is when the defence
|
||
begins. Counsel for the defence are not normally allowed to be present
|
||
while the accused is being questioned, so afterwards, and if possible
|
||
still at the door of the interview room, he has to learn what he can
|
||
about it from him and extract whatever he can that might be of use, even
|
||
though what the accused has to report is often very confused. But that
|
||
is not the most important thing, as there's really not a lot that can be
|
||
learned in this way, although in this, as with anything else, a
|
||
competent man will learn more than another. Nonetheless, the most
|
||
important thing is the lawyer's personal connections, that's where the
|
||
real value of taking counsel lies. Now K. will most likely have already
|
||
learned from his own experience that, among its very lowest orders, the
|
||
court organisation does have its imperfections, the court is strictly
|
||
closed to the public, but staff who forget their duty or who take bribes
|
||
do, to some extent, show where the gaps are. This is where most lawyers
|
||
will push their way in, this is where bribes are paid and information
|
||
extracted, there have even, in earlier times at least, been incidents
|
||
where documents have been stolen. There's no denying that some
|
||
surprisingly favourable results have been attained for the accused in
|
||
this way, for a limited time, and these petty advocates then strut to
|
||
and fro on the basis of them and attract new clients, but for the
|
||
further course of the proceedings it signifies either nothing or nothing
|
||
good. The only things of real value are honest personal contacts,
|
||
contacts with higher officials, albeit higher officials of the lower
|
||
grades, you understand. That is the only way the progress of the trial
|
||
can be influenced, hardly noticeable at first, it's true, but from then
|
||
on it becomes more and more visible. There are, of course, not many
|
||
lawyers who can do this, and K. has made a very good choice in this
|
||
matter. There were probably no more than one or two who had as many
|
||
contacts as Dr. Huld, but they don't bother with the company of the
|
||
lawyers' room and have nothing to do with it. This means they have all
|
||
the less contact with the court officials. It is not at all necessary
|
||
for Dr. Huld to go to the court, wait in the ante-rooms for the
|
||
examining judges to turn up, if they turn up, and try to achieve
|
||
something which, according to the judges' mood is usually more apparent
|
||
than real and most often not even that. No, K. has seen for himself that
|
||
the court officials, including some who are quite high up, come forward
|
||
without being asked, are glad to give information which is fully open or
|
||
at least easy to understand, they discuss the next stages in the
|
||
proceedings, in fact in some cases they can be won over and are quite
|
||
willing to adopt the other person's point of view. However, when this
|
||
happens, you should never trust them too far, as however firmly they may
|
||
have declared this new point of view in favour of the defendant they
|
||
might well go straight back to their offices and write a report for the
|
||
court that says just the opposite, and might well be even harder on the
|
||
defendant than the original view, the one they insist they've been fully
|
||
dissuaded from. And, of course, there's no way of defending yourself
|
||
from this, something said in private is indeed in private and cannot
|
||
then be used in public, it's not something that makes it easy for the
|
||
defence to keep those gentlemen's favour. On the other hand, it's also
|
||
true that the gentlemen don't become involved with the defence--which
|
||
will of course be done with great expertise--just for philanthropic
|
||
reasons or in order to be friendly, in some respects it would be truer
|
||
to say that they, too, have it allocated to them. This is where the
|
||
disadvantages of a court structure that, right from the start,
|
||
stipulates that all proceedings take place in private, come into force.
|
||
In normal, mediocre trials its officials have contact with the public,
|
||
and they're very well equipped for it, but here they don't; normal
|
||
trials run their course all by themselves, almost, and just need a nudge
|
||
here and there; but when they're faced with cases that are especially
|
||
difficult they're as lost as they often are with ones that are very
|
||
simple; they're forced to spend all their time, day and night, with
|
||
their laws, and so they don't have the right feel for human
|
||
relationships, and that's a serious shortcoming in cases like this.
|
||
That's when they come for advice to the lawyer, with a servant behind
|
||
them carrying the documents which normally are kept so secret. You could
|
||
have seen many gentlemen at this window, gentlemen of whom you would
|
||
least expect it, staring out this window in despair on the street below
|
||
while the lawyer is at his desk studying the documents so that he can
|
||
give them good advice. And at times like that it's also possible to see
|
||
how exceptionally seriously these gentlemen take their professions and
|
||
how they are thrown into great confusion by difficulties which it's just
|
||
not in their natures to overcome. But they're not in an easy position,
|
||
to regard their positions as easy would be to do them an injustice. The
|
||
different ranks and hierarchies of the court are endless, and even
|
||
someone who knows his way around them cannot always tell what's going to
|
||
happen. But even for the junior officials, the proceedings in the
|
||
courtrooms are usually kept secret, so they are hardly able to see how
|
||
the cases they work with proceed, court affairs appear in their range of
|
||
vision often without their knowing where they come from and they move on
|
||
further without their learning where they go. So civil servants like
|
||
this are not able to learn the things you can learn from studying the
|
||
successive stages that individual trials go through, the final verdict
|
||
or the reasons for it. They're only allowed to deal with that part of
|
||
the trial which the law allocates them, and they usually know less about
|
||
the results of their work after it's left them than the defence does,
|
||
even though the defence will usually stay in contact with the accused
|
||
until the trial is nearly at its end, so that the court officials can
|
||
learn many useful things from the defence. Bearing all this in mind,
|
||
does it still surprise K. that the officials are irritated and often
|
||
express themselves about the litigants in unflattering ways--which is an
|
||
experience shared by everyone. All the officials are irritated, even
|
||
when they appear calm. This causes many difficulties for the junior
|
||
advocates, of course. There is a story, for instance, that has very much
|
||
the ring of truth about it. It goes like this: One of the older
|
||
officials, a good and peaceful man, was dealing with a difficult matter
|
||
for the court which had become very confused, especially thanks to the
|
||
contributions from the lawyers. He had been studying it for a day and a
|
||
night without a break--as these officials are indeed hard working,
|
||
no-one works as hard as they do. When it was nearly morning, and he had
|
||
been working for twenty-four hours with probably very little result, he
|
||
went to the front entrance, waited there in ambush, and every time a
|
||
lawyer tried to enter the building he would throw him down the steps.
|
||
The lawyers gathered together down in front of the steps and discussed
|
||
with each other what they should do; on the one hand they had actually
|
||
no right to be allowed into the building so that there was hardly
|
||
anything that they could legally do to the official and, as I've already
|
||
mentioned, they would have to be careful not to set all the officials
|
||
against them. On the other hand, any day not spent in court is a day
|
||
lost for them and it was a matter of some importance to force their way
|
||
inside. In the end, they agreed that they would try to tire the old man
|
||
out. One lawyer after another was sent out to run up the steps and let
|
||
himself be thrown down again, offering what resistance he could as long
|
||
as it was passive resistance, and his colleagues would catch him at the
|
||
bottom of the steps. That went on for about an hour until the old
|
||
gentleman, who was already exhausted from working all night, was very
|
||
tired and went back to his office. Those who were at the bottom of the
|
||
steps could not believe it at first, so they sent somebody out to go and
|
||
look behind the door to see if there really was no-one there, and only
|
||
then did they all gather together and probably didn't even dare to
|
||
complain, as it's far from being the lawyers' job to introduce any
|
||
improvements in the court system, or even to want to. Even the most
|
||
junior lawyer can understand the relationship there to some extent, but
|
||
one significant point is that almost every defendant, even very simple
|
||
people, begins to think of suggestions for improving the court as soon
|
||
as his proceedings have begun, many of them often even spend time and
|
||
energy on the matter that could be spent far better elsewhere. The only
|
||
right thing to do is to learn how to deal with the situation as it is.
|
||
Even if it were possible to improve any detail of it--which is anyway no
|
||
more than superstitious nonsense--the best that they could achieve,
|
||
although doing themselves incalculable harm in the process, is that they
|
||
will have attracted the special attention of the officials for any case
|
||
that comes up in the future, and the officials are always ready to seek
|
||
revenge. Never attract attention to yourself! Stay calm, however much it
|
||
goes against your character! Try to gain some insight into the size of
|
||
the court organism and how, to some extent, it remains in a state of
|
||
suspension, and that even if you alter something in one place you'll
|
||
draw the ground out from under your feet and might fall, whereas if an
|
||
enormous organism like the court is disrupted in any one place it finds
|
||
it easy to provide a substitute for itself somewhere else. Everything is
|
||
connected with everything else and will continue without any change or
|
||
else, which is quite probable, even more closed, more attentive, more
|
||
strict, more malevolent. So it's best to leave the work to the lawyers
|
||
and not to keep disturbing them. It doesn't do much good to make
|
||
accusations, especially if you can't make it clear what they're based on
|
||
and their full significance, but it must be said that K. caused a great
|
||
deal of harm to his own case by his behaviour towards the office
|
||
director, he was a very influential man but now he might as well be
|
||
struck off the list of those who might do anything for K. If the trial
|
||
is mentioned, even just in passing, it's quite obvious that he's
|
||
ignoring it. These officials are in many ways just like children. Often,
|
||
something quite harmless--although K.'s behaviour could unfortunately
|
||
not be called harmless--will leave them feeling so offended that they
|
||
will even stop talking with good friends of theirs, they turn away when
|
||
they see them and do everything they can to oppose them. But then, with
|
||
no particular reason, surprisingly enough, some little joke that was
|
||
only ever attempted because everything seemed so hopeless will make them
|
||
laugh and they'll be reconciled. It's both difficult and hard at the
|
||
same time to deal with them, and there's hardly any reason for it. It's
|
||
sometimes quite astonishing that a single, average life is enough to
|
||
encompass so much that it's at all possible ever to have any success in
|
||
one's work here. On the other hand, there are also dark moments, such as
|
||
everyone has, when you think you've achieved nothing at all, when it
|
||
seems that the only trials to come to a good end are those that were
|
||
determined to have a good end from the start and would do so without any
|
||
help, while all the others are lost despite all the running to and fro,
|
||
all the effort, all the little, apparent successes that gave such joy.
|
||
Then you no longer feel very sure of anything and, if asked about a
|
||
trial that was doing well by its own nature but which was turned for the
|
||
worse because you assisted in it, would not even dare deny that. And
|
||
even that is a kind of self-confidence, but then it's the only one
|
||
that's left. Lawyers are especially vulnerable to fits of depression of
|
||
that sort--and they are no more than fits of depression of course--when
|
||
a case is suddenly taken out of their hands after they've been
|
||
conducting it satisfactorily for some time. That's probably the worst
|
||
that can happen to a lawyer. It's not that the accused takes the case
|
||
away from him, that hardly ever happens, once a defendant has taken on
|
||
a certain lawyer he has to stay with him whatever happens. How could he
|
||
ever carry on by himself after he's taken on help from a lawyer? No,
|
||
that just doesn't happen, but what does sometimes happen is that the
|
||
trial takes on a course where the lawyer may not go along with it.
|
||
Client and trial are both simply taken away from the lawyer; and then
|
||
even contact with the court officials won't help, however good they are,
|
||
as they don't know anything themselves. The trial will have entered a
|
||
stage where no more help can be given, where it's being processed in
|
||
courts to which no-one has any access, where the defendant cannot even
|
||
be contacted by his lawyer. You come home one day and find all the
|
||
documents you've submitted, which you've worked hard to create and which
|
||
you had the best hopes for, lying on the desk, they've been sent back as
|
||
they can't be carried through to the next stage in the trial, they're
|
||
just worthless scraps of paper. It doesn't mean that the case has been
|
||
lost, not at all, or at least there is no decisive reason for supposing
|
||
so, it's just that you don't know anything more about the case and won't
|
||
be told anything of what's happening. Well, cases like that are the
|
||
exceptions, I'm glad to say, and even if K.'s trial is one of them, it's
|
||
still, for the time being, a long way off. But there was still plenty of
|
||
opportunity for lawyers to get to work, and K. could be sure they would
|
||
be made use of. As he had said, the time for submitting documents was
|
||
still in the future and there was no rush to prepare them, it was much
|
||
more important to start the initial discussions with the appropriate
|
||
officials, and they had already taken place. With varying degrees of
|
||
success, it must be said. It was much better not to give away any
|
||
details before their time, as in that way K. could only be influenced
|
||
unfavourably and his hopes might be raised or he might be made too
|
||
anxious, better just to say that some individuals have spoken very
|
||
favourably and shown themselves very willing to help, although others
|
||
have spoken less favourably, but even they have not in any way refused
|
||
to help. So all in all, the results are very encouraging, only you
|
||
should certainly not draw any particular conclusions as all preliminary
|
||
proceedings begin in the same way and it was only the way they developed
|
||
further that would show what the value of these preliminary proceedings
|
||
has been. Anyway, nothing has been lost yet, and if we can succeed in
|
||
getting the office director, despite everything, on our side--and
|
||
several actions have been undertaken to this end--then everything is a
|
||
clean wound, as a surgeon would say, and we can wait for the results
|
||
with some comfort.
|
||
|
||
When he started talking on in this way the lawyer was quite tireless.
|
||
He went through it all again every time K. went to see him. There was
|
||
always some progress, but he could never be told what sort of progress
|
||
it was. The first set of documents to be submitted were being worked on
|
||
but still not ready, which usually turned out to be a great advantage
|
||
the next time K. went to see him as the earlier occasion would have
|
||
been a very bad time to put them in, which they could not then have
|
||
known. If K., stupefied from all this talking, ever pointed out that
|
||
even considering all these difficulties progress was very slow, the
|
||
lawyer would object that progress was not slow at all, but that they
|
||
might have progressed far further if K. had come to him at the right
|
||
time. But he had come to him late and that lateness would bring still
|
||
further difficulties, and not only where time was concerned. The only
|
||
welcome interruption during these visits was always when Leni contrived
|
||
to bring the lawyer his tea while K. was there. Then she would stand
|
||
behind K.--pretending to watch the lawyer as he bent greedily over his
|
||
cup, poured the tea in and drank--and secretly let K. hold her hand.
|
||
There was always complete silence. The lawyer drank. K. squeezed Leni's
|
||
hand and Leni would sometimes dare to gently stroke K.'s hair. "Still
|
||
here, are you?" the lawyer would ask when he was ready. "I wanted to
|
||
take the dishes away," said Leni, they would give each other's hands a
|
||
final squeeze, the lawyer would wipe his mouth and then start talking at
|
||
K. again with renewed energy.
|
||
|
||
Was the lawyer trying to comfort K. or to confuse him? K. could not
|
||
tell, but it seemed clear to him that his defence was not in good
|
||
hands. Maybe everything the lawyer said was quite right, even though he
|
||
obviously wanted to make himself as conspicuous as possible and
|
||
probably had never even taken on a case as important as he said K.'s
|
||
was. But it was still suspicious how he continually mentioned his
|
||
personal contacts with the civil servants. Were they to be exploited
|
||
solely for K.'s benefit. The lawyer never forgot to mention that they
|
||
were dealing only with junior officials, which meant officials who were
|
||
dependent on others, and the direction taken in each trial could be
|
||
important for their own furtherment. Could it be that they were making
|
||
use of the lawyer to turn trials in a certain direction, which would,
|
||
of course, always be at the cost of the defendant. It certainly did not
|
||
mean that they would do that in every trial, that was not likely at all,
|
||
and there were probably also trials where they gave the lawyer
|
||
advantages and all the room he needed to turn it in the direction he
|
||
wanted, as it would also be to their advantage to keep his reputation
|
||
intact. If that really was their relationship, how would they direct
|
||
K.'s trial which, as the lawyer had explained, was especially difficult
|
||
and therefore important enough to attract great attention from the very
|
||
first time it came to court? There could not be much doubt about what
|
||
they would do. The first signs of it could already be seen in the fact
|
||
that the first documents still had not been submitted even though the
|
||
trial had already lasted several months, and that, according to the
|
||
lawyer, everything was still in its initial stages, which was very
|
||
effective, of course, in making the defendant passive and keeping him
|
||
helpless. Then he could be suddenly surprised with the verdict, or at
|
||
least with a notification that the hearing had not decided in his favour
|
||
and the matter would be passed on to a higher office.
|
||
|
||
It was essential that K. take a hand in it himself. On winter's
|
||
mornings such as this, when he was very tired and everything dragged
|
||
itself lethargically through his head, this belief of his seemed
|
||
irrefutable. He no longer felt the contempt for the trial that he had
|
||
had earlier. If he had been alone in the world it would have been easy
|
||
for him to ignore it, although it was also certain that, in that case,
|
||
the trial would never have arisen in the first place. But now, his uncle
|
||
had already dragged him to see the lawyer, he had to take account of his
|
||
family; his job was no longer totally separate from the progress of the
|
||
trial, he himself had carelessly--with a certain, inexplicable
|
||
complacency--mentioned it to acquaintances and others had learned about
|
||
it in ways he did not know, his relationship with Miss Bürstner seemed
|
||
to be in trouble because of it. In short, he no longer had any choice
|
||
whether he would accept the trial or turn it down, he was in the middle
|
||
of it and had to defend himself. If he was tired, then that was bad.
|
||
|
||
But there was no reason to worry too much before he needed to. He had
|
||
been capable of working himself up to his high position in the bank in
|
||
a relatively short time and to retain it with respect from everyone,
|
||
now he simply had to apply some of the talents that had made that
|
||
possible for him to the trial, and there was no doubt that it had to
|
||
turn out well. The most important thing, if something was to be
|
||
achieved, was to reject in advance any idea that he might be in any way
|
||
guilty. There was no guilt. The trial was nothing but a big piece of
|
||
business, just like he had already concluded to the benefit of the bank
|
||
many times, a piece of business that concealed many lurking dangers
|
||
waiting in ambush for him, as they usually did, and these dangers would
|
||
need to be defended against. If that was to be achieved then he must not
|
||
entertain any idea of guilt, whatever he did, he would need to look
|
||
after his own interests as closely as he could. Seen in this way, there
|
||
was no choice but to take his representation away from the lawyer very
|
||
soon, at best that very evening. The lawyer had told him, as he talked
|
||
to him, that that was something unheard of and would probably do him a
|
||
great deal of harm, but K. could not tolerate any impediment to his
|
||
efforts where his trial was concerned, and these impediments were
|
||
probably caused by the lawyer himself. But once he had shaken off the
|
||
lawyer the documents would need to be submitted straight away and, if
|
||
possible, he would need to see to it that they were being dealt with
|
||
every day. It would of course not be enough, if that was to be done, for
|
||
K. to sit in the corridor with his hat under the bench like the others.
|
||
Day after day, he himself, or one of the women or somebody else on his
|
||
behalf, would have to run after the officials and force them to sit at
|
||
their desks and study K.'s documents instead of looking out on the
|
||
corridor through the grating. There could be no let-up in these efforts,
|
||
everything would need to be organised and supervised, it was about time
|
||
that the court came up against a defendant who knew how to defend and
|
||
make use of his rights.
|
||
|
||
But when K. had the confidence to try and do all this the difficulty of
|
||
composing the documents was too much for him. Earlier, just a week or
|
||
so before, he could only have felt shame at the thought of being made
|
||
to write out such documents himself; it had never entered his head that
|
||
the task could also be difficult. He remembered one morning when,
|
||
already piled up with work, he suddenly shoved everything to one side
|
||
and took a pad of paper on which he sketched out some of his thoughts on
|
||
how documents of this sort should proceed. Perhaps he would offer them
|
||
to that slow-witted lawyer, but just then the door of the manager's
|
||
office opened and the deputy director entered the room with a loud
|
||
laugh. K. was very embarrassed, although the deputy director, of
|
||
course, was not laughing at K.'s documents, which he knew nothing about,
|
||
but at a joke he had just heard about the stock-exchange, a joke which
|
||
needed an illustration if it was to be understood, and now the
|
||
deputy director leant over K.'s desk, took his pencil from his hand,
|
||
and drew the illustration on the writing pad that K. had intended for
|
||
his ideas about his case.
|
||
|
||
K. now had no more thoughts of shame, the documents had to be prepared
|
||
and submitted. If, as was very likely, he could find no time to do it
|
||
in the office he would have to do it at home at night. If the nights
|
||
weren't enough he would have to take a holiday. Above all, he could not
|
||
stop half way, that was nonsense not only in business but always and
|
||
everywhere. Needless to say, the documents would mean an almost endless
|
||
amount of work. It was easy to come to the belief, not only for those
|
||
of an anxious disposition, that it was impossible ever to finish it.
|
||
This was not because of laziness or deceit, which were the only things
|
||
that might have hindered the lawyer in preparing it, but because he did
|
||
not know what the charge was or even what consequences it might bring,
|
||
so that he had to remember every tiny action and event from the whole
|
||
of his life, looking at them from all sides and checking and
|
||
reconsidering them. It was also a very disheartening job. It would have
|
||
been more suitable as a way of passing the long days after he had
|
||
retired and become senile. But now, just when K. needed to apply all his
|
||
thoughts to his work, when he was still rising and already posed a
|
||
threat to the deputy director, when every hour passed so quickly and he
|
||
wanted to enjoy the brief evenings and nights as a young man, this was
|
||
the time he had to start working out these documents. Once more, he
|
||
began to feel resentment. Almost involuntarily, only to put an end to
|
||
it, his finger felt for the button of the electric bell in the
|
||
ante-room. As he pressed it he glanced up to the clock. It was eleven
|
||
o'clock, two hours, he had spent a great deal of his costly time just
|
||
dreaming and his wits were, of course, even more dulled than they had
|
||
been before. But the time had, nonetheless, not been wasted, he had come
|
||
to some decisions that could be of value. As well as various pieces of
|
||
mail, the servitors brought two visiting cards from gentlemen who had
|
||
already been waiting for K. for some time. They were actually very
|
||
important clients of the bank who should not really have been kept
|
||
waiting under any circumstances. Why had they come at such an awkward
|
||
time, and why, the gentlemen on the other side of the closed door seemed
|
||
to be asking, was the industrious K. using up the best business time for
|
||
his private affairs? Tired from what had gone before, and tired in
|
||
anticipation of what was to follow, K. stood up to receive the first of
|
||
them.
|
||
|
||
He was a short, jolly man, a manufacturer who K. knew well. He
|
||
apologised for disturbing K. at some important work, and K., for his
|
||
part, apologised for having kept the manufacturer waiting for so long.
|
||
But even this apology was spoken in such a mechanical way and with such
|
||
false intonation that the manufacturer would certainly have noticed if
|
||
he had not been fully preoccupied with his business affairs. Instead,
|
||
he hurriedly pulled calculations and tables out from all his pockets,
|
||
spread them out in front of K., explained several items, corrected a
|
||
little mistake in the arithmetic that he noticed as he quickly glanced
|
||
over it all, and reminded K. of a similar piece of business he'd
|
||
concluded with him about a year before, mentioning in passing that this
|
||
time there was another bank spending great effort to get his business,
|
||
and finally stopped speaking in order to learn K.'s opinion on the
|
||
matter. And K. had indeed, at first, been closely following what the
|
||
manufacturer was saying, he too was aware of how important the deal
|
||
was, but unfortunately it did not last, he soon stopped listening,
|
||
nodded at each of the manufacturer's louder exclamations for a short
|
||
while, but eventually he stopped doing even that and did no more than
|
||
stare at the bald head bent over the papers, asking himself when the
|
||
manufacturer would finally realise that everything he was saying was
|
||
useless. When he did stop talking, K. really thought at first that this
|
||
was so that he would have the chance to confess that he was incapable of
|
||
listening. Instead, seeing the anticipation on the manufacturer's face,
|
||
obviously ready to counter any objections made, he was sorry to realise
|
||
that the business discussion had to be continued. So he bent his head as
|
||
if he'd been given an order and began slowly to move his pencil over the
|
||
papers, now and then he would stop and stare at one of the figures. The
|
||
manufacturer thought there must be some objection, perhaps his figures
|
||
weren't really sound, perhaps they weren't the decisive issue, whatever
|
||
he thought, the manufacturer covered the papers with his hand and began
|
||
once again, moving very close to K., to explain what the deal was all
|
||
about. "It is difficult," said K., pursing his lips. The only thing
|
||
that could offer him any guidance were the papers, and the manufacturer
|
||
had covered them from his view, so he just sank back against the arm of
|
||
the chair. Even when the door of the manager's office opened and
|
||
revealed not very clearly, as if through a veil, the deputy director, he
|
||
did no more than look up weakly. K. thought no more about the matter, he
|
||
merely watched the immediate effect of the deputy director's appearance
|
||
and, for him, the effect was very pleasing; the manufacturer
|
||
immediately jumped up from his seat and hurried over to meet the deputy
|
||
director, although K. would have liked to make him ten times livelier as
|
||
he feared the deputy director might disappear again. He need not have
|
||
worried, the two gentlemen met each other, shook each other's hand and
|
||
went together over to K.'s desk. The manufacturer said he was sorry to
|
||
find the chief clerk so little inclined to do business, pointing to K.
|
||
who, under the view of the deputy director, had bent back down over the
|
||
papers. As the two men leant over the desk and the manufacturer made
|
||
some effort to gain and keep the deputy director's attention, K. felt as
|
||
if they were much bigger than they really were and that their
|
||
negotiations were about him. Carefully and slowly turning his eyes
|
||
upwards, he tried to learn what was taking place above him, took one of
|
||
the papers from his desk without looking to see what it was, lay it on
|
||
the flat of his hand and raised it slowly up as he rose up to the level
|
||
of the two men himself. He had no particular plan in mind as he did
|
||
this, but merely felt this was how he would act if only he had finished
|
||
preparing that great document that was to remove his burden entirely.
|
||
The deputy director had been paying all his attention to the
|
||
conversation and did no more than glance at the paper, he did not read
|
||
what was written on it at all as what was important for the chief clerk
|
||
was not important for him, he took it from K.'s hand saying, "Thank you,
|
||
I'm already familiar with everything," and laid it calmly back on the
|
||
desk. K. gave him a bitter, sideways look. But the deputy director did
|
||
not notice this at all, or if he did notice it it only raised his
|
||
spirits, he frequently laughed out loud, one time he clearly embarrassed
|
||
the manufacturer when he raised an objection in a witty way but drew him
|
||
immediately back out of his embarrassment by commenting adversely on
|
||
himself, and finally invited him into his office where they could bring
|
||
the matter to its conclusion. "It's a very important matter," said the
|
||
manufacturer. "I understand that completely. And I'm sure the chief
|
||
clerk ..."--even as he said this he was actually speaking only to the
|
||
manufacturer--"will be very glad to have us take it off his hands. This
|
||
is something that needs calm consideration. But he seems to be
|
||
over-burdened today, there are even some people in the room outside
|
||
who've been waiting there for hours for him." K. still had enough
|
||
control of himself to turn away from the deputy director and direct his
|
||
friendly, albeit stiff, smile only at the manufacturer, he made no other
|
||
retaliation, bent down slightly and supported himself with both hands on
|
||
his desk like a clerk, and watched as the two gentlemen, still talking,
|
||
took the papers from his desk and disappeared into the manager's office.
|
||
In the doorway, the manufacturer turned and said he wouldn't make his
|
||
farewell with K. just yet, he would of course let the chief clerk know
|
||
about the success of his discussions but he also had a little something
|
||
to tell him about.
|
||
|
||
At last, K. was by himself. It did not enter his head to show anyone
|
||
else into his office and only became vaguely aware of how nice it was
|
||
that the people outside thought he was still negotiating with the
|
||
manufacturer and, for this reason, he could not let anyone in to see
|
||
him, not even the servitor. He went over to the window, sat down on the
|
||
ledge beside it, held firmly on to the handle and looked down onto the
|
||
square outside. The snow was still falling, the weather still had not
|
||
brightened up at all.
|
||
|
||
He remained a long time sitting in this way, not knowing what it
|
||
actually was that made him so anxious, only occasionally did he glance,
|
||
slightly startled, over his shoulder at the door to the outer room
|
||
where, mistakenly, he thought he'd heard some noise. No-one came, and
|
||
that made him feel calmer, he went over to the wash stand, rinsed his
|
||
face with cold water and, his head somewhat clearer, went back to his
|
||
place by the window. The decision to take his defence into his own
|
||
hands now seemed more of a burden than he had originally assumed. All
|
||
the while he had left his defence up to the lawyer his trial had had
|
||
little basic affect on him, he had observed it from afar as something
|
||
that was scarcely able to reach him directly, when it suited him he
|
||
looked to see how things stood but he was also able to draw his head
|
||
back again whenever he wanted. Now, in contrast, if he was to conduct
|
||
his defence himself, he would have to devote himself entirely to the
|
||
court--for the time being, at least--success would mean, later on, his
|
||
complete and conclusive liberation, but if he was to achieve this he
|
||
would have to place himself, to start with, in far greater danger than
|
||
he had been in so far. If he ever felt tempted to doubt this, then his
|
||
experience with the deputy director and the manufacturer that day would
|
||
be quite enough to convince him of it. How could he have sat there
|
||
totally convinced of the need to do his own defence? How would it be
|
||
later? What would his life be like in the days ahead? Would he find the
|
||
way through it all to a happy conclusion? Did a carefully worked out
|
||
defence--and any other sort would have made no sense--did a carefully
|
||
worked out defence not also mean he would need to shut himself off from
|
||
everything else as much as he could? Would he survive that? And how was
|
||
he to succeed in conducting all this at the bank? It involved much more
|
||
than just submitting some documents that he could probably prepare in a
|
||
few days' leave, although it would have been great temerity to ask for
|
||
time off from the bank just at that time, it was a whole trial and there
|
||
was no way of seeing how long it might last. This was an enormous
|
||
difficulty that had suddenly been thrown into K.'s life!
|
||
|
||
And was he supposed to be doing the bank's work at a time like this? He
|
||
looked down at his desk. Was he supposed to let people in to see him
|
||
and go into negotiations with them at a time like this? While his trial
|
||
trundled on, while the court officials upstairs in the attic room sat
|
||
looking at the papers for this trial, should he be worrying about the
|
||
business of the bank? Did this not seem like a kind of torture,
|
||
acknowledged by the court, connected with the trial and which followed
|
||
him around? And is it likely that anyone in the bank, when judging his
|
||
work, would take any account of his peculiar situation? No-one and
|
||
never. There were those who knew about his trial, although it was not
|
||
quite clear who knew about it or how much. But he hoped rumours had not
|
||
reached as far as the deputy director, otherwise he would obviously
|
||
soon find a way of making use of it to harm K., he would show neither
|
||
comradeship nor humaneness. And what about the director? It was true
|
||
that he was well disposed towards K., and as soon as he heard about the
|
||
trial he would probably try to do everything he could to make it easier
|
||
for him, but he would certainly not devote himself to it. K. at one
|
||
time had provided the counter-balance to what the deputy director said
|
||
but the director was now coming more and more under his influence, and
|
||
the deputy director would also exploit the weakened condition of the
|
||
director to strengthen his own power. So what could K. hope for? Maybe
|
||
considerations of this sort weakened his power of resistance, but it
|
||
was still necessary not to deceive oneself and to see everything as
|
||
clearly as it could be seen at that moment.
|
||
|
||
For no particular reason, just to avoiding returning to his desk for a
|
||
while, he opened the window. It was difficult to open and he had to
|
||
turn the handle with both his hands. Then, through the whole height and
|
||
breadth of the window, the mixture of fog and smoke was drawn into the
|
||
room, filling it with a slight smell of burning. A few flakes of snow
|
||
were blown in with it. "It's a horrible autumn," said the manufacturer,
|
||
who had come into the room unnoticed after seeing the deputy director
|
||
and now stood behind K. K. nodded and looked uneasily at the
|
||
manufacturer's briefcase, from which he would now probably take the
|
||
papers and inform K. of the result of his negotiations with the deputy
|
||
director. However, the manufacturer saw where K. was looking, knocked
|
||
on his briefcase and without opening it said, "You'll be wanting to
|
||
hear how things turned out. I've already got the contract in my pocket,
|
||
almost. He's a charming man, your deputy director--he's got his
|
||
dangers, though." He laughed as he shook K.'s hand and wanted to make
|
||
him laugh with him. But to K., it once more seemed suspicious that the
|
||
manufacturer did not want to show him the papers and saw nothing about
|
||
his comments to laugh at. "Chief clerk," said the manufacturer, "I
|
||
expect the weather's been affecting your mood, has it? You're looking
|
||
so worried today." "Yes," said K., raising his hand and holding the
|
||
temple of his head, "headaches, worries in the family." "Quite right,"
|
||
said the manufacturer, who was always in a hurry and could never listen
|
||
to anyone for very long, "everyone has his cross to bear." K. had
|
||
unconsciously made a step towards the door as if wanting to show the
|
||
manufacturer out, but the manufacturer said, "Chief clerk, there's
|
||
something else I'd like to mention to you. I'm very sorry if it's
|
||
something that'll be a burden to you today of all days but I've been to
|
||
see you twice already, lately, and each time I forgot all about it. If I
|
||
delay it any longer it might well lose its point altogether. That would
|
||
be a pity, as I think what I've got to say does have some value." Before
|
||
K. had had the time to answer, the manufacturer came up close to him,
|
||
tapped his knuckle lightly on his chest and said quietly, "You've got a
|
||
trial going on, haven't you?" K. stepped back and immediately exclaimed,
|
||
"That's what the deputy director's been telling you!" "No, no," said
|
||
the manufacturer, "how would the deputy director know about it?" "And
|
||
what about you?" asked K., already more in control of himself. "I hear
|
||
things about the court here and there," said the manufacturer, "and that
|
||
even applies to what it is that I wanted to tell you about." "There are
|
||
so many people who have connections with the court!" said K. with
|
||
lowered head, and he led the manufacturer over to his desk. They sat
|
||
down where they had been before, and the manufacturer said, "I'm afraid
|
||
it's not very much that I've got to tell you about. Only, in matters
|
||
like this, it's best not to overlook the tiniest details. Besides, I
|
||
really want to help you in some way, however modest my help might be.
|
||
We've been good business partners up till now, haven't we? Well then."
|
||
K. wanted to apologise for his behaviour in the conversation earlier
|
||
that day, but the manufacturer would tolerate no interruption, shoved
|
||
his briefcase up high in his armpit to show that he was in a hurry, and
|
||
carried on. "I know about your case through a certain Titorelli. He's a
|
||
painter, Titorelli's just his artistic name, I don't even know what his
|
||
real name is. He's been coming to me in my office for years from time to
|
||
time, and brings little pictures with him which I buy more or less just
|
||
for the sake of charity as he's hardly more than a beggar. And they're
|
||
nice pictures, too, moorland landscapes and that sort of thing. We'd
|
||
both got used to doing business in this way and it always went smoothly.
|
||
Only, one time these visits became a bit too frequent, I began to tell
|
||
him off for it, we started talking and I became interested how it was
|
||
that he could earn a living just by painting, and then I learned to my
|
||
amazement that his main source of income was painting portraits. 'I work
|
||
for the court,' he said, 'what court?' said I. And that's when he told
|
||
me about the court. I'm sure you can imagine how amazed I was at being
|
||
told all this. Ever since then I learn something new about the court
|
||
every time he comes to visit, and so little by little I get to
|
||
understand something of how it works. Anyway, Titorelli talks a lot and
|
||
I often have to push him away, not only because he's bound to be lying
|
||
but also, most of all, because a businessman like me who's already close
|
||
to breaking point under the weight of his own business worries can't pay
|
||
too much attention to other people's. But all that's just by the by.
|
||
Perhaps--this is what I've been thinking--perhaps Titorelli might be
|
||
able to help you in some small way, he knows lots of judges and even if
|
||
he can't have much influence himself he can give you some advice about
|
||
how to get some influential people on your side. And even if this
|
||
advice doesn't turn out to make all the difference I still think it'll
|
||
be very important once you've got it. You're nearly a lawyer yourself.
|
||
That's what I always say, Mr. K. the chief clerk is nearly a lawyer. Oh
|
||
I'm sure this trial of yours will turn out all right. So do you want to
|
||
go and see Titorelli, then. If I ask him to he'll certainly do
|
||
everything he possibly can. I really do think you ought to go. It
|
||
needn't be today, of course, just some time, when you get the chance.
|
||
And anyway--I want to tell you this too--you don't actually have to go
|
||
and see Titorelli, this advice from me doesn't place you under any
|
||
obligation at all. No, if you think you can get by without Titorelli
|
||
it'll certainly be better to leave him completely out of it. Maybe
|
||
you've already got a clear idea of what you're doing and Titorelli could
|
||
upset your plans. No, if that's the case then of course you shouldn't go
|
||
there under any circumstances! And it certainly won't be easy to take
|
||
advice from a lad like that. Still, it's up to you. Here's the letter of
|
||
recommendation and here's the address."
|
||
|
||
Disappointed, K. took the letter and put it in his pocket. Even at
|
||
best, the advantage he might derive from this recommendation was
|
||
incomparably smaller than the damage that lay in the fact of the
|
||
manufacturer knowing about his trial, and that the painter was spreading
|
||
the news about. It was all he could manage to give the manufacturer, who
|
||
was already on his way to the door, a few words of thanks. "I'll go
|
||
there," he said as he took his leave of the manufacturer at the door,
|
||
"or, as I'm very busy at present, I'll write to him, perhaps he would
|
||
like to come to me in my office some time." "I was sure you'd find the
|
||
best solution," said the manufacturer. "Although I had thought you'd
|
||
prefer to avoid inviting people like this Titorelli to the bank and
|
||
talking about the trial here. And it's not always a good idea to send
|
||
letters to people like Titorelli, you don't know what might happen to
|
||
them. But you're bound to have thought everything through and you know
|
||
what you can and can't do." K. nodded and accompanied the manufacturer
|
||
on through the ante-room. But despite seeming calm on the outside he was
|
||
actually very shocked; he had told the manufacturer he would write to
|
||
Titorelli only to show him in some way that he valued his
|
||
recommendations and would consider the opportunity to speak with
|
||
Titorelli without delay, but if he had thought Titorelli could offer any
|
||
worthwhile assistance he would not have delayed. But it was only the
|
||
manufacturer's comment that made K. realise what dangers that could lead
|
||
to. Was he really able to rely on his own understanding so little? If it
|
||
was possible that he might invite a questionable character into the bank
|
||
with a clear letter, and ask advice from him about his trial, separated
|
||
from the deputy director by no more than a door, was it not possible or
|
||
even very likely that there were also other dangers he had failed to see
|
||
or that he was even running towards? There was not always someone
|
||
beside him to warn him. And just now, just when he would have to act
|
||
with all the strength he could muster, now a number of doubts of a sort
|
||
he had never before known had presented themselves and affected his own
|
||
vigilance! The difficulties he had been feeling in carrying out his
|
||
office work; were they now going to affect the trial too? Now, at least,
|
||
he found himself quite unable to understand how he could have intended
|
||
to write to Titorelli and invite him into the bank.
|
||
|
||
He shook his head at the thought of it once more as the servitor came
|
||
up beside him and drew his attention to the three gentlemen who were
|
||
waiting on a bench in the ante-room. They had already been waiting to
|
||
see K. for a long time. Now that the servitor was speaking with K. they
|
||
had stood up and each of them wanted to make use of the opportunity to
|
||
see K. before the others. It had been negligent of the bank to let them
|
||
waste their time here in the waiting room, but none of them wanted to
|
||
draw attention to this. "Mr. K., ..." one of them was saying, but K.
|
||
had told the servitor to fetch his winter coat and said to the three of
|
||
them, as the servitor helped him to put it on, "Please forgive me,
|
||
gentlemen, I'm afraid I have no time to see you at present. Please do
|
||
forgive me but I have some urgent business to settle and have to leave
|
||
straight away. You've already seen yourselves how long I've been
|
||
delayed. Would you be so kind as to come back tomorrow or some time? Or
|
||
perhaps we could settle your affairs by telephone. Or perhaps you would
|
||
like to tell me now, briefly, what it's about and I can then give you a
|
||
full answer in writing. Whatever, the best thing will be for you to
|
||
come here again." The gentlemen now saw that their wait had been
|
||
totally pointless, and these suggestions of K.'s left them so astounded
|
||
that they looked at each other without a word. "That's agreed then, is
|
||
it?" asked K., who had turned toward the servitor bringing him his hat.
|
||
Through the open door of K.'s office they could see that the snowfall
|
||
outside had become much heavier. So K. turned the collar of his coat up
|
||
and buttoned it up high under his chin. Just then the deputy director
|
||
came out of the adjoining room, smiled as he saw K. negotiating with
|
||
the gentlemen in his winter coat, and asked, "Are you about to go out?"
|
||
"Yes," said K., standing more upright, "I have to go out on some
|
||
business." But the deputy director had already turned towards the
|
||
gentlemen. "And what about these gentlemen?" he asked. "I think they've
|
||
already been waiting quite a long time." "We've already come to an
|
||
understanding," said K. But now the gentlemen could be held back no
|
||
longer, they surrounded K. and explained that they would not have been
|
||
waiting for hours if it had not been about something important that had
|
||
to be discussed now, at length and in private. The deputy director
|
||
listened to them for a short while, he also looked at K. as he held his
|
||
hat in his hand cleaning the dust off it here and there, and then he
|
||
said, "Gentlemen, there is a very simple way to solve this. If you
|
||
would prefer it, I'll be very glad to take over these negotiations
|
||
instead of the chief clerk. Your business does, of course, need to be
|
||
discussed without delay. We are businessmen like yourselves and know the
|
||
value of a businessman's time. Would you like to come this way?" And he
|
||
opened the door leading to the ante-room of his own office.
|
||
|
||
The deputy director seemed very good at appropriating everything that
|
||
K. was now forced to give up! But was K. not giving up more than he
|
||
absolutely had to? By running off to some unknown painter, with, as he
|
||
had to admit, very little hope of any vague benefit, his renown was
|
||
suffering damage that could not be repaired. It would probably be much
|
||
better to take off his winter coat again and, at the very least, try to
|
||
win back the two gentlemen who were certainly still waiting in the next
|
||
room. If K. had not then glimpsed the deputy director in his office,
|
||
looking for something from his bookshelves as if they were his own, he
|
||
would probably even have made the attempt. As K., somewhat agitated,
|
||
approached the door the deputy director called out, "Oh, you've still
|
||
not left!" He turned his face toward him--its many deep folds seemed to
|
||
show strength rather than age--and immediately began once more to
|
||
search. "I'm looking for a copy of a contract," he said, "which this
|
||
gentleman insists you must have. Could you help me look for it, do you
|
||
think?" K. made a step forward, but the deputy director said, "thank
|
||
you, I've already found it," and with a big package of papers, which
|
||
certainly must have included many more documents than just the copy of
|
||
the contract, he turned and went back into his own office.
|
||
|
||
"I can't deal with him right now," K. said to himself, "but once my
|
||
personal difficulties have been settled, then he'll certainly be the
|
||
first to get the effect of it, and he certainly won't like it."
|
||
Slightly calmed by these thoughts, K. gave the servitor, who had already
|
||
long been holding the door to the corridor open for him, the task of
|
||
telling the director, when he was able, that K. was going out of the
|
||
bank on a business matter. As he left the bank he felt almost happy at
|
||
the thought of being able to devote more of himself to his own business
|
||
for a while.
|
||
|
||
He went straight to the painter, who lived in an outlying part of town
|
||
which was very near to the court offices, although this area was even
|
||
poorer, the houses were darker, the streets were full of dirt that
|
||
slowly blew about over the half-melted snow. In the great gateway to
|
||
the building where the painter lived only one of the two doors was open,
|
||
a hole had been broken open in the wall by the other door, and as K.
|
||
approached it a repulsive, yellow, steaming liquid shot out causing
|
||
some rats to scurry away into the nearby canal. Down by the staircase
|
||
there was a small child lying on its belly crying, but it could hardly
|
||
be heard because of the noise from a metal-workshop on the other side
|
||
of the entrance hall, drowning out any other sound. The door to the
|
||
workshop was open, three workers stood in a circle around some piece of
|
||
work that they were beating with hammers. A large tin plate hung on the
|
||
wall, casting a pale light that pushed its way in between two of the
|
||
workers, lighting up their faces and their work-aprons. K. did no more
|
||
than glance at any of these things, he wanted to get things over with
|
||
here as soon as possible, to exchange just a few words to find out how
|
||
things stood with the painter and go straight back to the bank. Even if
|
||
he had just some tiny success here it would still have a good effect on
|
||
his work at the bank for that day. On the third floor he had to slow
|
||
down his pace, he was quite out of breath--the steps, just like the
|
||
height of each floor, were much higher than they needed to be and he'd
|
||
been told that the painter lived right up in the attic. The air was
|
||
also quite oppressive, there was no proper stairwell and the narrow
|
||
steps were closed in by walls on both sides with no more than a small,
|
||
high window here and there. Just as K. paused for a while some young
|
||
girls ran out of one of the flats and rushed higher up the stairs,
|
||
laughing. K. followed them slowly, caught up with one of the girls who
|
||
had stumbled and been left behind by the others, and asked her as they
|
||
went up side by side, "Is there a painter, Titorelli, who lives here?"
|
||
The girl, hardly thirteen years old and somewhat hunchbacked, jabbed
|
||
him with her elbow and looked at him sideways. Her youth and her bodily
|
||
defects had done nothing to stop her being already quite depraved. She
|
||
did not smile once, but looked at K. earnestly, with sharp, acquisitive
|
||
eyes. K. pretended not to notice her behaviour and asked, "Do you know
|
||
Titorelli, the painter?" She nodded and asked in reply, "What d'you
|
||
want to see him for?" K. thought it would be to his advantage quickly to
|
||
find out something more about Titorelli. "I want to have him paint my
|
||
portrait," he said. "Paint your portrait?" she asked, opening her mouth
|
||
too wide and lightly hitting K. with her hand as if he had said
|
||
something extraordinarily surprising or clumsy, with both hands she
|
||
lifted her skirt, which was already very short, and, as fast as she
|
||
could, she ran off after the other girls whose indistinct shouts lost
|
||
themselves in the heights. At the next turn of the stairs, however, K.
|
||
encountered all the girls once more. The hunchbacked girl had clearly
|
||
told them about K.'s intentions and they were waiting for him. They
|
||
stood on both sides of the stairs, pressing themselves against the wall
|
||
so that K. could get through between them, and smoothed their aprons
|
||
down with their hands. All their faces, even in this guard of honour,
|
||
showed a mixture of childishness and depravity. Up at the head of the
|
||
line of girls, who now, laughing, began to close in around K., was the
|
||
hunchback who had taken on the role of leader. It was thanks to her
|
||
that K. found the right direction without delay--he would have continued
|
||
up the stairs straight in front of him, but she showed him that to
|
||
reach Titorelli he would need to turn off to one side. The steps that
|
||
led up to the painter were especially narrow, very long without any
|
||
turning, the whole length could be seen in one glance and, at the top,
|
||
at Titorelli's closed door, it came to its end. This door was much
|
||
better illuminated than the rest of the stairway by the light from a
|
||
small skylight set obliquely above it, it had been put together from
|
||
unpainted planks of wood and the name 'Titorelli' was painted on it in
|
||
broad, red brushstrokes. K. was no more than half way up the steps,
|
||
accompanied by his retinue of girls, when, clearly the result of the
|
||
noise of all those footsteps, the door opened slightly and in the crack
|
||
a man who seemed to be dressed in just his nightshirt appeared. "Oh!" he
|
||
cried, when he saw the approaching crowd, and vanished. The hunchbacked
|
||
girl clapped her hands in glee and the other girls crowded in behind K.
|
||
to push him faster forward.
|
||
|
||
They still had not arrived at the top, however, when the painter up
|
||
above them suddenly pulled the door wide open and, with a deep bow,
|
||
invited K. to enter. The girls, on the other hand, he tried to keep
|
||
away, he did not want to let any of them in however much they begged
|
||
him and however much they tried to get in--if they could not get in with
|
||
his permission they would try to force their way in against his will.
|
||
The only one to succeed was the hunchback when she slipped through under
|
||
his outstretched arm, but the painter chased after her, grabbed her by
|
||
the skirt, span her once round and set her down again by the door with
|
||
the other girls who, unlike the first, had not dared to cross the
|
||
doorstep while the painter had left his post. K. did not know what he
|
||
was to make of all this, as they all seemed to be having fun. One behind
|
||
the other, the girls by the door stretched their necks up high and
|
||
called out various words to the painter which were meant in jest but
|
||
which K. did not understand, and even the painter laughed as the
|
||
hunchback whirled round in his hand. Then he shut the door, bowed once
|
||
more to K., offered him his hand and introduced himself, saying,
|
||
"Titorelli, painter." K. pointed to the door, behind which the girls
|
||
were whispering, and said, "You seem to be very popular in this
|
||
building." "Ach, those brats!" said the painter, trying in vain to
|
||
fasten his nightshirt at the neck. He was also bare-footed and, apart
|
||
from that, was wearing nothing more than a loose pair of yellowish linen
|
||
trousers held up with a belt whose free end whipped to and fro. "Those
|
||
kids are a real burden for me," he continued. The top button of his
|
||
nightshirt came off and he gave up trying to fasten it, fetched a chair
|
||
for K. and made him sit down on it. "I painted one of them once--she's
|
||
not here today--and ever since then they've been following me about. If
|
||
I'm here they only come in when I allow it, but as soon as I've gone out
|
||
there's always at least one of them in here. They had a key made to my
|
||
door and lend it round to each other. It's hard to imagine what a pain
|
||
that is. Suppose I come back home with a lady I'm going to paint, I open
|
||
the door with my own key and find the hunchback there or something, by
|
||
the table painting her lips red with my paintbrush, and meanwhile her
|
||
little sisters will be keeping guard for her, moving about and causing
|
||
chaos in every corner of the room. Or else, like happened yesterday, I
|
||
might come back home late in the evening--please forgive my appearance
|
||
and the room being in a mess, it is to do with them--so, I might come
|
||
home late in the evening and want to go to bed, then I feel something
|
||
pinching my leg, look under the bed and pull another of them out from
|
||
under it. I don't know why it is they bother me like this, I expect
|
||
you've just seen that I do nothing to encourage them to come near me.
|
||
And they make it hard for me to do my work too, of course. If I didn't
|
||
get this studio for nothing I'd have moved out a long time ago." Just
|
||
then, a little voice, tender and anxious, called out from under the
|
||
door, "Titorelli, can we come in now?" "No," answered the painter. "Not
|
||
even just me, by myself?" the voice asked again. "Not even just you,"
|
||
said the painter, as he went to the door and locked it.
|
||
|
||
Meanwhile, K. had been looking round the room, if it had not been
|
||
pointed out it would never have occurred to him that this wretched
|
||
little room could be called a studio. It was hardly long enough or
|
||
broad enough to make two steps. Everything, floor, walls and ceiling,
|
||
was made of wood, between the planks narrow gaps could be seen. Across
|
||
from where K. was, the bed stood against the wall under a covering of
|
||
many different colours. In the middle of the room a picture stood on an
|
||
easel, covered over with a shirt whose arms dangled down to the ground.
|
||
Behind K. was the window through which the fog made it impossible to
|
||
see further than the snow covered roof of the neighbouring building.
|
||
|
||
The turning of the key in the lock reminded K. that he had not wanted
|
||
to stay too long. So he drew the manufacturer's letter out from his
|
||
pocket, held it out to the painter and said, "I learned about you from
|
||
this gentleman, an acquaintance of yours, and it's on his advice that
|
||
I've come here." The painter glanced through the letter and threw it
|
||
down onto the bed. If the manufacturer had not said very clearly that
|
||
Titorelli was an acquaintance of his, a poor man who was dependent on
|
||
his charity, then it would really have been quite possible to believe
|
||
that Titorelli did not know him or at least that he could not remember
|
||
him. This impression was augmented by the painter's asking, "Were you
|
||
wanting to buy some pictures or did you want to have yourself painted?"
|
||
K. looked at the painter in astonishment. What did the letter actually
|
||
say? K. had taken it as a matter of course that the manufacturer had
|
||
explained to the painter in his letter that K. wanted nothing more with
|
||
him than to find out more about his trial. He had been far too rash in
|
||
coming here! But now he had to give the painter some sort of answer
|
||
and, glancing at the easel, said, "Are you working on a picture
|
||
currently?" "Yes," said the painter, and he took the shirt hanging over
|
||
the easel and threw it onto the bed after the letter. "It's a portrait.
|
||
Quite a good piece of work, although it's not quite finished yet." This
|
||
was a convenient coincidence for K., it gave him a good opportunity to
|
||
talk about the court as the picture showed, very clearly, a judge.
|
||
What's more, it was remarkably similar to the picture in the lawyer's
|
||
office, although this one showed a quite different judge, a heavy man
|
||
with a full beard which was black and bushy and extended to the sides
|
||
far up the man's cheeks. The lawyer's picture was also an oil painting,
|
||
whereas this one had been made with pastel colours and was pale and
|
||
unclear. But everything else about the picture was similar, as this
|
||
judge, too, was holding tightly to the arm of his throne and seemed
|
||
ominously about to rise from it. At first K. was about to say, "He
|
||
certainly is a judge," but he held himself back for the time being and
|
||
went closer to the picture as if he wanted to study it in detail. There
|
||
was a large figure shown in the middle of the throne's back rest which
|
||
K. could not understand and asked the painter about it. That'll need
|
||
some more work done on it, the painter told him, and taking a pastel
|
||
crayon from a small table he added a few strokes to the edges of the
|
||
figure but without making it any clearer as far as K. could make out.
|
||
"That's the figure of justice," said the painter, finally. "Now I see,"
|
||
said K., "here's the blindfold and here are the scales. But aren't those
|
||
wings on her heels, and isn't she moving?" "Yes," said the painter, "I
|
||
had to paint it like that according to the contract. It's actually the
|
||
figure of justice and the goddess of victory all in one." "That is not a
|
||
good combination," said K. with a smile. "Justice needs to remain
|
||
still, otherwise the scales will move about and it won't be possible to
|
||
make a just verdict." "I'm just doing what the client wanted," said the
|
||
painter. "Yes, certainly," said K., who had not meant to criticise
|
||
anyone by that comment. "You've painted the figure as it actually
|
||
appears on the throne." "No," said the painter, "I've never seen that
|
||
figure or that throne, it's all just invention, but they told me what
|
||
it was I had to paint." "How's that?" asked K. pretending not fully to
|
||
understand what the painter said. "That is a judge sitting on the
|
||
judge's chair, isn't it?" "Yes," said the painter, "but that judge
|
||
isn't very high up and he's never sat on any throne like that." "And he
|
||
has himself painted in such a grand pose. He's sitting there just like
|
||
the president of the court." "Yeah, gentlemen like this are very vain,"
|
||
said the painter. "But they have permission from higher up to get
|
||
themselves painted like this. It's laid down quite strictly just what
|
||
sort of portrait each of them can get for himself. Only it's a pity that
|
||
you can't make out the details of his costume and pose in this picture,
|
||
pastel colours aren't really suitable for showing people like this."
|
||
"Yes," said K., "it does seem odd that it's in pastel colours." "That's
|
||
what the judge wanted," said the painter, "it's meant to be for a
|
||
woman." The sight of the picture seemed to make him feel like working,
|
||
he rolled up his shirtsleeves, picked up a few of the crayons, and K.
|
||
watched as a reddish shadow built up around the head of the judge under
|
||
their quivering tips and radiated out the to edges of the picture. This
|
||
shadow play slowly surrounded the head like a decoration or lofty
|
||
distinction. But around the figure of Justice, apart from some
|
||
coloration that was barely noticeable, it remained light, and in this
|
||
brightness the figure seemed to shine forward so that it now looked
|
||
like neither the God of Justice nor the God of Victory, it seemed now,
|
||
rather, to be a perfect depiction of the God of the Hunt. K. found the
|
||
painter's work more engrossing than he had wanted; but finally he
|
||
reproached himself for staying so long without having done anything
|
||
relevant to his own affair. "What's the name of this judge?" he asked
|
||
suddenly. "I'm not allowed to tell you that," the painter answered. He
|
||
was bent deeply over the picture and clearly neglecting his guest who,
|
||
at first, he had received with such care. K. took this to be just a
|
||
foible of the painter's, and it irritated him as it made him lose time.
|
||
"I take it you must be a trustee of the court," he said. The painter
|
||
immediately put his crayons down, stood upright, rubbed his hands
|
||
together and looked at K. with a smile. "Always straight out with the
|
||
truth," he said. "You want to learn something about the court, like it
|
||
says in your letter of recommendation, but then you start talking about
|
||
my pictures to get me on your side. Still, I won't hold it against you,
|
||
you weren't to know that that was entirely the wrong thing to try with
|
||
me. Oh, please!" he said sharply, repelling K.'s attempt to make some
|
||
objection. He then continued, "And besides, you're quite right in your
|
||
comment that I'm a trustee of the court." He made a pause, as if
|
||
wanting to give K. the time to come to terms with this fact. The girls
|
||
could once more be heard from behind the door. They were probably
|
||
pressed around the keyhole, perhaps they could even see into the room
|
||
through the gaps in the planks. K. forewent the opportunity to excuse
|
||
himself in some way as he did not wish to distract the painter from what
|
||
he was saying, or else perhaps he didn't want him to get too far above
|
||
himself and in this way make himself to some extent unattainable, so he
|
||
asked, "Is that a publicly acknowledged position?" "No," was the
|
||
painter's curt reply, as if the question prevented him saying any more.
|
||
But K. wanted him to continue speaking and said, "Well, positions like
|
||
that, that aren't officially acknowledged, can often have more influence
|
||
than those that are." "And that's how it is with me," said the painter,
|
||
and nodded with a frown. "I was talking about your case with the
|
||
manufacturer yesterday, and he asked me if I wouldn't like to help you,
|
||
and I answered: 'He can come and see me if he likes,' and now I'm
|
||
pleased to see you here so soon. This business seems to be quite
|
||
important to you, and, of course, I'm not surprised at that. Would you
|
||
not like to take your coat off now?" K. had intended to stay for only a
|
||
very short time, but the painter's invitation was nonetheless very
|
||
welcome. The air in the room had slowly become quite oppressive for him,
|
||
he had several times looked in amazement at a small, iron stove in the
|
||
corner that certainly could not have been lit, the heat of the room was
|
||
inexplicable. As he took off his winter overcoat and also unbuttoned
|
||
his frock coat the painter said to him in apology, "I must have warmth.
|
||
And it is very cosy here, isn't it. This room's very good in that
|
||
respect." K. made no reply, but it was actually not the heat that made
|
||
him uncomfortable but, much more, the stuffiness, the air that almost
|
||
made it more difficult to breathe, the room had probably not been
|
||
ventilated for a long time. The unpleasantness of this was made all the
|
||
stronger for K. when the painter invited him to sit on the bed while he
|
||
himself sat down on the only chair in the room in front of the easel.
|
||
The painter even seemed to misunderstand why K. remained at the edge of
|
||
the bed and urged K. to make himself comfortable, and as he hesitated
|
||
he went over to the bed himself and pressed K. deep down into the
|
||
bedclothes and pillows. Then he went back to his seat and at last he
|
||
asked his first objective question, which made K. forget everything
|
||
else. "You're innocent, are you?" he asked. "Yes," said K. He felt a
|
||
simple joy at answering this question, especially as the answer was
|
||
given to a private individual and therefore would have no consequences.
|
||
Up till then no-one had asked him this question so openly. To make the
|
||
most of his pleasure he added, "I am totally innocent." "So," said the
|
||
painter, and he lowered his head and seemed to be thinking. Suddenly he
|
||
raised his head again and said, "Well if you're innocent it's all very
|
||
simple." K. began to scowl, this supposed trustee of the court was
|
||
talking like an ignorant child. "My being innocent does not make things
|
||
simple," said K. Despite everything, he couldn't help smiling and
|
||
slowly shook his head. "There are many fine details in which the court
|
||
gets lost, but in the end it reaches into some place where originally
|
||
there was nothing and pulls enormous guilt out of it." "Yeah, yeah,
|
||
sure," said the painter, as if K. had been disturbing his train of
|
||
thought for no reason. "But you are innocent, aren't you?" "Well of
|
||
course I am," said K. "That's the main thing," said the painter. There
|
||
was no counter-argument that could influence him, but although he had
|
||
made up his mind it was not clear whether he was talking this way
|
||
because of conviction or indifference. K., then, wanted to find out and
|
||
said therefore, "I'm sure you're more familiar with the court than I am,
|
||
I know hardly more about it than what I've heard, and that's been from
|
||
many very different people. But they were all agreed on one thing, and
|
||
that was that when ill thought-out accusations are made they are not
|
||
ignored, and that once the court has made an accusation it is convinced
|
||
of the guilt of the defendant and it's very hard to make it think
|
||
otherwise." "Very hard?" the painter asked, throwing one hand up in the
|
||
air. "It's impossible to make it think otherwise. If I painted all the
|
||
judges next to each other here on canvas, and you were trying to defend
|
||
yourself in front of it, you'd have more success with them than you'd
|
||
ever have with the real court." "Yes," said K. to himself, forgetting
|
||
that he had only gone there to investigate the painter.
|
||
|
||
One of the girls behind the door started up again, and asked,
|
||
"Titorelli, is he going to go soon?" "Quiet!" shouted the painter at
|
||
the door, "Can't you see I'm talking with the gentleman?" But this was
|
||
not enough to satisfy the girl and she asked, "You going to paint his
|
||
picture?" And when the painter didn't answer she added, "Please don't
|
||
paint him, he's an 'orrible bloke." There followed an incomprehensible,
|
||
interwoven babble of shouts and replies and calls of agreement. The
|
||
painter leapt over to the door, opened it very slightly--the girls'
|
||
clasped hands could be seen stretching through the crack as if they
|
||
wanted something--and said, "If you're not quiet I'll throw you all
|
||
down the stairs. Sit down here on the steps and be quiet." They probably
|
||
did not obey him immediately, so that he had to command, "Down on the
|
||
steps!" Only then it became quiet.
|
||
|
||
"I'm sorry about that," said the painter as he returned to K. K. had
|
||
hardly turned towards the door, he had left it completely up to the
|
||
painter whether and how he would place him under his protection if he
|
||
wanted to. Even now, he made hardly any movement as the painter bent
|
||
over him and, whispering into his ear in order not to be heard outside,
|
||
said, "These girls belong to the court as well." "How's that?" asked
|
||
K., as he leant his head to one side and looked at the painter. But the
|
||
painter sat back down on his chair and, half in jest, half in
|
||
explanation, "Well, everything belongs to the court." "That is
|
||
something I had never noticed until now," said K. curtly, this general
|
||
comment of the painter's made his comment about the girls far less
|
||
disturbing. Nonetheless, K. looked for a while at the door, behind which
|
||
the girls were now sitting quietly on the steps. Except, that one of
|
||
them had pushed a drinking straw through a crack between the planks and
|
||
was moving it slowly up and down. "You still don't seem to have much
|
||
general idea of what the court's about," said the painter, who had
|
||
stretched his legs wide apart and was tapping loudly on the floor with
|
||
the tip of his foot. "But as you're innocent you won't need it anyway.
|
||
I'll get you out of this by myself." "How do you intend to do that?"
|
||
asked K. "You did say yourself not long ago that it's quite impossible
|
||
to go to the court with reasons and proofs." "Only impossible for
|
||
reasons and proofs you take to the court yourself," said the painter,
|
||
raising his forefinger as if K. had failed to notice a fine distinction.
|
||
"It goes differently if you try to do something behind the public court,
|
||
that's to say in the consultation rooms, in the corridors or here, for
|
||
instance, in my studio." K. now began to find it far easier to believe
|
||
what the painter was saying, or rather it was largely in agreement with
|
||
what he had also been told by others. In fact it was even quite
|
||
promising. If it really was so easy to influence the judges through
|
||
personal contacts as the lawyer had said then the painter's contacts
|
||
with these vain judges was especially important, and at the very least
|
||
should not be undervalued. And the painter would fit in very well in the
|
||
circle of assistants that K. was slowly gathering around himself. He had
|
||
been noted at the bank for his talent in organising, here, where he was
|
||
placed entirely on his own resources, would be a good opportunity to
|
||
test that talent to its limits. The painter observed the effect his
|
||
explanation had had on K. and then, with a certain unease, said, "Does
|
||
it not occur to you that the way I'm speaking is almost like a lawyer?
|
||
It's the incessant contact with the gentlemen of the court has that
|
||
influence on me. I gain a lot by it, of course, but I lose a lot,
|
||
artistically speaking." "How did you first come into contact with the
|
||
judges, then?" asked K., he wanted first to gain the painter's trust
|
||
before he took him into his service. "That was very easy," said the
|
||
painter, "I inherited these contacts. My father was court painter before
|
||
me. It's a position that's always inherited. They can't use new people
|
||
for it, the rules governing how the various grades of officials are
|
||
painted are so many and varied, and, above all, so secret that no-one
|
||
outside of certain families even knows them. In the drawer there, for
|
||
instance, I've got my father's notes, which I don't show to anyone. But
|
||
you're only able to paint judges if you know what they say. Although,
|
||
even if I lost them no-one could ever dispute my position because of all
|
||
the rules I just carry round in my head. All the judges want to be
|
||
painted like the old, great judges were, and I'm the only one who can do
|
||
that." "You are to be envied," said K., thinking of his position at the
|
||
bank. "Your position is quite unassailable, then?" "Yes, quite
|
||
unassailable," said the painter, and he raised his shoulders in pride.
|
||
"That's how I can even afford to help some poor man facing trial now and
|
||
then." "And how do you do that?" asked K., as if the painter had not
|
||
just described him as a poor man. The painter did not let himself be
|
||
distracted, but said, "In your case, for instance, as you're totally
|
||
innocent, this is what I'll do." The repeated mention of K.'s innocence
|
||
was becoming irksome to him. It sometimes seemed to him as if the
|
||
painter was using these comments to make a favourable outcome to the
|
||
trial a precondition for his help, which of course would make the help
|
||
itself unnecessary. But despite these doubts K. forced himself not to
|
||
interrupt the painter. He did not want to do without the painter's help,
|
||
that was what he had decided, and this help did not seem in any way less
|
||
questionable than that of the lawyer. K. valued the painter's help far
|
||
more highly because it was offered in a way that was more harmless and
|
||
open.
|
||
|
||
The painter had pulled his seat closer to the bed and continued in a
|
||
subdued voice: "I forgot to ask you: what sort of acquittal is it you
|
||
want. There are three possibilities: absolute acquittal, apparent
|
||
acquittal and deferment. Absolute acquittal is the best, of course,
|
||
only there's nothing I could do to get that sort of outcome. I don't
|
||
think there's anyone at all who could do anything to get an absolute
|
||
acquittal. Probably the only thing that could do that is if the accused
|
||
is innocent. As you are innocent it could actually be possible and you
|
||
could depend on your innocence alone. In that case you won't need me or
|
||
any other kind of help."
|
||
|
||
At first, K. was astonished at this orderly explanation, but then, just
|
||
as quietly as the painter, he said, "I think you're contradicting
|
||
yourself." "How's that?" asked the painter patiently, leaning back with
|
||
a smile. This smile made K. feel as if he were examining not the words
|
||
of the painter but seeking out inconsistencies in the procedures of the
|
||
court itself. Nonetheless, he continued unabashed and said, "You
|
||
remarked earlier that the court cannot be approached with reasoned
|
||
proofs, you later restricted this to the open court, and now you go so
|
||
far as to say that an innocent man needs no assistance in court. That
|
||
entails a contradiction. Moreover, you said earlier that the judges can
|
||
be influenced personally but now you insist that an absolute acquittal,
|
||
as you call it, can never be attained through personal influence. That
|
||
entails a second contradiction." "It's quite easy to clear up these
|
||
contradictions," said the painter. "We're talking about two different
|
||
things here, there's what it says in the law and there's what I know
|
||
from my own experience, you shouldn't get the two confused. I've never
|
||
seen it in writing, but the law does, of course, say on the one hand
|
||
that the innocent will be set free, but on the other hand it doesn't
|
||
say that the judges can be influenced. But in my experience it's the
|
||
other way round. I don't know of any absolute acquittals but I do know
|
||
of many times when a judge has been influenced. It's possible, of
|
||
course, that there was no innocence in any of the cases I know about.
|
||
But is that likely? Not a single innocent defendant in so many cases?
|
||
When I was a boy I used to listen closely to my father when he told us
|
||
about court cases at home, and the judges that came to his studio talked
|
||
about the court, in our circles nobody talks about anything else; I
|
||
hardly ever got the chance to go to court myself but always made use of
|
||
it when I could, I've listened to countless trials at important stages
|
||
in their development, I've followed them closely as far as they could
|
||
be followed, and I have to say that I've never seen a single
|
||
acquittal." "So. Not a single acquittal," said K., as if talking to
|
||
himself and his hopes. "That confirms the impression I already have of
|
||
the court. So there's no point in it from this side either. They could
|
||
replace the whole court with a single hangman." "You shouldn't
|
||
generalise," said the painter, dissatisfied, "I've only been talking
|
||
about my own experience." "Well that's enough," said K., "or have you
|
||
heard of any acquittals that happened earlier?" "They say there have
|
||
been some acquittals earlier," the painter answered, "but it's very hard
|
||
to be sure about it. The courts don't make their final conclusions
|
||
public, not even the judges are allowed to know about them, so that all
|
||
we know about these earlier cases are just legends. But most of them did
|
||
involve absolute acquittals, you can believe that, but they can't be
|
||
proved. On the other hand, you shouldn't forget all about them either,
|
||
I'm sure there is some truth to them, and they are very beautiful, I've
|
||
painted a few pictures myself depicting these legends." "My assessment
|
||
will not be altered by mere legends," said K. "I don't suppose it's
|
||
possible to cite these legends in court, is it?" The painter laughed.
|
||
"No, you can't cite them in court," he said. "Then there's no point in
|
||
talking about them," said K., he wanted, for the time being, to accept
|
||
anything the painter told him, even if he thought it unlikely or
|
||
contradicted what he had been told by others. He did not now have the
|
||
time to examine the truth of everything the painter said or even to
|
||
disprove it, he would have achieved as much as he could if the painter
|
||
would help him in any way even if his help would not be decisive. As a
|
||
result, he said, "So let's pay no more attention to absolute acquittal,
|
||
but you mentioned two other possibilities." "Apparent acquittal and
|
||
deferment. They're the only possibilities," said the painter. "But
|
||
before we talk about them, would you not like to take your coat off? You
|
||
must be hot." "Yes," said K., who until then had paid attention to
|
||
nothing but the painter's explanations, but now that he had had the heat
|
||
pointed out to him his brow began to sweat heavily. "It's almost
|
||
unbearable." The painter nodded as if he understood K.'s discomfort very
|
||
well. "Could we not open the window?" asked K. "No," said the painter.
|
||
"It's only a fixed pane of glass, it can't be opened." K. now realised
|
||
that all this time he had been hoping the painter would suddenly go over
|
||
to the window and pull it open. He had prepared himself even for the fog
|
||
that he would breathe in through his open mouth. The thought that here
|
||
he was entirely cut off from the air made him feel dizzy. He tapped
|
||
lightly on the bedspread beside him and, with a weak voice, said, "That
|
||
is very inconvenient and unhealthy." "Oh no," said the painter in
|
||
defence of his window, "as it can't be opened this room retains the heat
|
||
better than if the window were double glazed, even though it's only a
|
||
single pane. There's not much need to air the room as there's so much
|
||
ventilation through the gaps in the wood, but when I do want to I can
|
||
open one of my doors, or even both of them." K. was slightly consoled
|
||
by this explanation and looked around to see where the second door was.
|
||
The painter saw him do so and said, "It's behind you, I had to hide it
|
||
behind the bed." Only then was K. able to see the little door in the
|
||
wall. "It's really much too small for a studio here," said the painter,
|
||
as if he wanted to anticipate an objection K. would make. "I had to
|
||
arrange things as well as I could. That's obviously a very bad place for
|
||
the bed, in front of the door. For instance when the judge I'm painting
|
||
at present comes he always comes through the door by the bed, and I've
|
||
even given him a key to this door so that he can wait for me here in the
|
||
studio when I'm not home. Although nowadays he usually comes early in
|
||
the morning when I'm still asleep. And of course, it always wakes me up
|
||
when I hear the door opened beside the bed, however fast asleep I am. If
|
||
you could hear the way I curse him as he climbs over my bed in the
|
||
morning you'd lose all respect for judges. I suppose I could take the
|
||
key away from him but that'd only make things worse. It only takes a
|
||
tiny effort to break any of the doors here off their hinges." All the
|
||
time the painter was speaking, K. was considering whether he should take
|
||
off his coat, but he finally realised that, if he didn't do so, he would
|
||
be quite unable to stay here any longer, so he took off his frock coat
|
||
and lay it on his knee so that he could put it back on again as soon as
|
||
the conversation was over. He had hardly done this when one of the girls
|
||
called out, "Now he's taken his coat off!" and they could all be heard
|
||
pressing around the gaps in the planks to see the spectacle for
|
||
themselves. "The girls think I'm going to paint your portrait," said the
|
||
painter, "and that's why you're taking your coat off." "I see," said K.,
|
||
only slightly amused by this, as he felt little better than he had
|
||
before even though he now sat in his shirtsleeves. With some irritation
|
||
he asked, "What did you say the two other possibilities were?" He had
|
||
already forgotten the terms used. "Apparent acquittal and deferment,"
|
||
said the painter. "It's up to you which one you choose. You can get
|
||
either of them if I help you, but it'll take some effort of course, the
|
||
difference between them is that apparent acquittal needs concentrated
|
||
effort for a while and that deferment takes much less effort but it has
|
||
to be sustained. Now then, apparent acquittal. If that's what you want
|
||
I'll write down an assertion of your innocence on a piece of paper. The
|
||
text for an assertion of this sort was passed down to me from my father
|
||
and it's quite unassailable. I take this assertion round to the judges I
|
||
know. So I'll start off with the one I'm currently painting, and put
|
||
the assertion to him when he comes for his sitting this evening. I'll
|
||
lay the assertion in front of him, explain that you're innocent and give
|
||
him my personal guarantee of it. And that's not just a superficial
|
||
guarantee, it's a real one and it's binding." The painter's eyes seemed
|
||
to show some reproach of K. for wanting to impose that sort of
|
||
responsibility on him. "That would be very kind of you," said K. "And
|
||
would the judge then believe you and nonetheless not pass an absolute
|
||
acquittal?" "It's like I just said," answered the painter. "And anyway,
|
||
it's not entirely sure that all the judges would believe me, many of
|
||
them, for instance, might want me to bring you to see them personally.
|
||
So then you'd have to come along too. But at least then, if that
|
||
happens, the matter is half way won, especially as I'd teach you in
|
||
advance exactly how you'd need to act with the judge concerned, of
|
||
course. What also happens, though, is that there are some judges who'll
|
||
turn me down in advance, and that's worse. I'll certainly make several
|
||
attempts, but still, we'll have to forget about them, but at least we
|
||
can afford to do that as no one judge can pass the decisive verdict.
|
||
Then when I've got enough judges' signatures on this document I take it
|
||
to the judge who's concerned with your case. I might even have his
|
||
signature already, in which case things develop a bit quicker than they
|
||
would do otherwise. But there aren't usually many hold ups from then
|
||
on, and that's the time that the defendant can feel most confident.
|
||
It's odd, but true, that people feel more confidence in this time than
|
||
they do after they've been acquitted. There's no particular exertion
|
||
needed now. When he has the document asserting the defendant's
|
||
innocence, guaranteed by a number of other judges, the judge can acquit
|
||
you without any worries, and although there are still several
|
||
formalities to be gone through there's no doubt that that's what he'll
|
||
do as a favour to me and several other acquaintances. You, however, walk
|
||
out the court and you're free." "So, then I'll be free," said K.,
|
||
hesitantly. "That's right," said the painter, "but only apparently free
|
||
or, to put it a better way, temporarily free, as the most junior judges,
|
||
the ones I know, they don't have the right to give the final acquittal.
|
||
Only the highest judge can do that, in the court that's quite out of
|
||
reach for you, for me and for all of us. We don't know how things look
|
||
there and, incidentally, we don't want to know. The right to acquit
|
||
people is a major privilege and our judges don't have it, but they do
|
||
have the right to free people from the indictment. That's to say, if
|
||
they're freed in this way then for the time being the charge is
|
||
withdrawn but it's still hanging over their heads and it only takes an
|
||
order from higher up to bring it back into force. And as I'm in such
|
||
good contact with the court I can also tell you how the difference
|
||
between absolute and apparent acquittal is described, just in a
|
||
superficial way, in the directives to the court offices. If there's an
|
||
absolute acquittal all proceedings should stop, everything disappears
|
||
from the process, not just the indictment but the trial and even the
|
||
acquittal disappears, everything just disappears. With an apparent
|
||
acquittal it's different. When that happens, nothing has changed except
|
||
that the case for your innocence, for your acquittal and the grounds for
|
||
the acquittal have been made stronger. Apart from that, proceedings go
|
||
on as before, the court offices continue their business and the case
|
||
gets passed to higher courts, gets passed back down to the lower courts
|
||
and so on, backwards and forwards, sometimes faster, sometimes slower,
|
||
to and fro. It's impossible to know exactly what's happening while this
|
||
is going on. Seen from outside it can sometimes seem that everything has
|
||
been long since forgotten, the documents have been lost and the
|
||
acquittal is complete. No-one familiar with the court would believe it.
|
||
No documents ever get lost, the court forgets nothing. One day--no-one
|
||
expects it--some judge or other picks up the documents and looks more
|
||
closely at them, he notices that this particular case is still active,
|
||
and orders the defendant's immediate arrest. I've been talking here as
|
||
if there's a long delay between apparent acquittal and re-arrest, that
|
||
is quite possible and I do know of cases like that, but it's just as
|
||
likely that the defendant goes home after he's been acquitted and finds
|
||
somebody there waiting to re-arrest him. Then, of course, his life as a
|
||
free man is at an end." "And does the trial start over again?" asked K.,
|
||
finding it hard to believe. "The trial will always start over again,"
|
||
said the painter, "but there is, once again as before, the possibility
|
||
of getting an apparent acquittal. Once again, the accused has to muster
|
||
all his strength and mustn't give up." The painter said that last phrase
|
||
possibly as a result of the impression that K., whose shoulders had
|
||
dropped somewhat, gave on him. "But to get a second acquittal," asked
|
||
K., as if in anticipation of further revelations by the painter, "is
|
||
that not harder to get than the first time?" "As far as that's
|
||
concerned," answered the painter, "there's nothing you can say for
|
||
certain. You mean, do you, that the second arrest would have an adverse
|
||
influence on the judge and the verdict he passes on the defendant.
|
||
That's not how it happens. When the acquittal is passed the judges are
|
||
already aware that re-arrest is likely. So when it happens it has hardly
|
||
any effect. But there are countless other reasons why the judges' mood
|
||
and their legal acumen in the case can be altered, and efforts to obtain
|
||
the second acquittal must therefore be suited to the new conditions, and
|
||
generally just as vigorous as the first." "But this second acquittal
|
||
will once again not be final," said K., shaking his head. "Of course
|
||
not," said the painter, "the second acquittal is followed by the third
|
||
arrest, the third acquittal by the fourth arrest and so on. That's what
|
||
is meant by the term apparent acquittal." K. was silent. "You clearly
|
||
don't think an apparent acquittal offers much advantage," said the
|
||
painter, "perhaps deferment would suit you better. Would you like me to
|
||
explain what deferment is about?" K. nodded. The painter had leant back
|
||
and spread himself out in his chair, his nightshirt was wide open, he
|
||
had pushed his hand inside and was stroking his breast and his sides.
|
||
"Deferment," said the painter, looking vaguely in front of himself for a
|
||
while as if trying to find a perfectly appropriate explanation,
|
||
"deferment consists of keeping proceedings permanently in their earliest
|
||
stages. To do that, the accused and those helping him need to keep in
|
||
continuous personal contact with the court, especially those helping
|
||
him. I repeat, this doesn't require so much effort as getting an
|
||
apparent acquittal, but it probably requires a lot more attention. You
|
||
must never let the trial out of your sight, you have to go and see the
|
||
appropriate judge at regular intervals as well as when something in
|
||
particular comes up and, whatever you do, you have to try and remain
|
||
friendly with him; if you don't know the judge personally you have to
|
||
influence him through the judges you do know, and you have to do it
|
||
without giving up on the direct discussions. As long as you don't fail
|
||
to do any of these things you can be reasonably sure the trial won't get
|
||
past its first stages. The trial doesn't stop, but the defendant is
|
||
almost as certain of avoiding conviction as if he'd been acquitted.
|
||
Compared with an apparent acquittal, deferment has the advantage that
|
||
the defendant's future is less uncertain, he's safe from the shock of
|
||
being suddenly re-arrested and doesn't need to fear the exertions and
|
||
stress involved in getting an apparent acquittal just when everything
|
||
else in his life would make it most difficult. Deferment does have
|
||
certain disadvantages of its own though, too, and they shouldn't be
|
||
under-estimated. I don't mean by this that the defendant is never free,
|
||
he's never free in the proper sense of the word with an apparent
|
||
acquittal either. There's another disadvantage. Proceedings can't be
|
||
prevented from moving forward unless there are some at least ostensible
|
||
reasons given. So something needs to seem to be happening when looked at
|
||
from the outside. This means that from time to time various injunctions
|
||
have to be obeyed, the accused has to be questioned, investigations have
|
||
to take place and so on. The trial's been artificially constrained
|
||
inside a tiny circle, and it has to be continuously spun round within
|
||
it. And that, of course, brings with it certain unpleasantnesses for the
|
||
accused, although you shouldn't imagine they're all that bad. All of
|
||
this is just for show, the interrogations, for instance, they're only
|
||
very short, if you ever don't have the time or don't feel like going to
|
||
them you can offer an excuse, with some judges you can even arrange the
|
||
injunctions together a long time in advance, in essence all it means is
|
||
that, as the accused, you have to report to the judge from time to
|
||
time." Even while the painter was speaking those last words K. had laid
|
||
his coat over his arm and had stood up. Immediately, from outside the
|
||
door, there was a cry of "He's standing up now!" "Are you leaving
|
||
already?" asked the painter, who had also stood up. "It must be the air
|
||
that's driving you out. I'm very sorry about that. There's still a lot I
|
||
need to tell you. I had to put everything very briefly but I hope at
|
||
least it was all clear." "Oh yes," said K., whose head was aching from
|
||
the effort of listening. Despite this affirmation the painter summed it
|
||
all up once more, as if he wanted to give K. something to console him on
|
||
his way home. "Both have in common that they prevent the defendant being
|
||
convicted," he said. "But they also prevent his being properly
|
||
acquitted," said K. quietly, as if ashamed to acknowledge it. "You've
|
||
got it, in essence," said the painter quickly. K. placed his hand on his
|
||
winter overcoat but could not bring himself to put it on. Most of all he
|
||
would have liked to pack everything together and run out to the fresh
|
||
air. Not even the girls could induce him to put his coat on, even though
|
||
they were already loudly telling each other that he was doing so. The
|
||
painter still had to interpret K.'s mood in some way, so he said, "I
|
||
expect you've deliberately avoided deciding between my suggestions yet.
|
||
That's good. I would even have advised against making a decision
|
||
straight away. There's no more than a hair's breadth of difference
|
||
between the advantages and disadvantages. Everything has to be carefully
|
||
weighed up. But the most important thing is you shouldn't lose too much
|
||
time." "I'll come back here again soon," said K., who had suddenly
|
||
decided to put his frock coat on, threw his overcoat over his shoulder
|
||
and hurried over to the door behind which the girls now began to scream.
|
||
K. thought he could even see the screaming girls through the door.
|
||
"Well, you'll have to keep your word," said the painter, who had not
|
||
followed him, "otherwise I'll come to the bank to ask about it myself."
|
||
"Will you open this door for me," said K. pulling at the handle which,
|
||
as he noticed from the resistance, was being held tightly by the girls
|
||
on the other side. "Do you want to be bothered by the girls?" asked the
|
||
painter. "It's better if you use the other way out," he said, pointing
|
||
to the door behind the bed. K. agreed to this and jumped back to the
|
||
bed. But instead of opening that door the painter crawled under the bed
|
||
and from underneath it asked K., "Just a moment more, would you not like
|
||
to see a picture I could sell to you?" K. did not want to be impolite,
|
||
the painter really had taken his side and promised to help him more in
|
||
the future, and because of K.'s forgetfulness there had been no mention
|
||
of any payment for the painter's help, so K. could not turn him down now
|
||
and allowed him to show him the picture, even though he was quivering
|
||
with impatience to get out of the studio. From under the bed, the
|
||
painter withdrew a pile of unframed paintings. They were so covered in
|
||
dust that when the painter tried to blow it off the one on top the dust
|
||
swirled around in front of K.'s eyes, robbing him of breath for some
|
||
time. "Moorland landscape," said the painter passing the picture to K.
|
||
It showed two sickly trees, well separated from each other in dark
|
||
grass. In the background there was a multi-coloured sunset. "That's
|
||
nice," said K. "I'll buy it." K. expressed himself in this curt way
|
||
without any thought, so he was glad when the painter did not take this
|
||
amiss and picked up a second painting from the floor. "This is a
|
||
counterpart to the first picture," said the painter. Perhaps it had been
|
||
intended as a counterpart, but there was not the slightest difference to
|
||
be seen between it and the first picture, there were the trees, there
|
||
the grass and there the sunset. But this was of little importance to K.
|
||
"They are beautiful landscapes," he said, "I'll buy them both and hang
|
||
them in my office." "You seem to like this subject," said the painter,
|
||
picking up a third painting, "good job I've still got another, similar
|
||
picture here." The picture though, was not similar, rather it was
|
||
exactly the same moorland landscape. The painter was fully exploiting
|
||
this opportunity to sell off his old pictures. "I'll take this one too,"
|
||
said K. "How much do the three paintings cost?" "We can talk about that
|
||
next time," said the painter. "You're in a hurry now, and we'll still be
|
||
in contact. And besides, I'm glad you like the paintings, I'll give you
|
||
all the paintings I've got down here. They're all moorland landscapes,
|
||
I've painted a lot of moorland landscapes. A lot of people don't like
|
||
that sort of picture because they're too gloomy, but there are others,
|
||
and you're one of them, who love gloomy themes." But K. was not in the
|
||
mood to hear about the professional experiences of this painter cum
|
||
beggar. "Wrap them all up!" he called out, interrupting the painter as
|
||
he was speaking, "my servant will come to fetch them in the morning."
|
||
"There's no need for that," said the painter. "I expect I can find a
|
||
porter for you who can go with you now." And, at last, he leant over the
|
||
bed and unlocked the door. "Just step on the bed, don't worry about
|
||
that," said the painter, "that's what everyone does who comes in here."
|
||
Even without this invitation, K. had shown no compunction in already
|
||
placing his foot in the middle of the bed covers, then he looked out
|
||
through the open door and drew his foot back again. "What is that?" he
|
||
asked the painter. "What are you so surprised at?" he asked, surprised
|
||
in his turn. "Those are court offices. Didn't you know there are court
|
||
offices here. There are court offices in almost every attic, why should
|
||
this building be any different? Even my studio is actually one of the
|
||
court offices but the court put it at my disposal." It was not so much
|
||
finding court offices even here that shocked K., he was mainly shocked
|
||
at himself, at his own naïvety in court matters. It seemed to him that
|
||
one of the most basic rules governing how a defendant should behave was
|
||
always to be prepared, never allow surprises, never to look,
|
||
unsuspecting, to the right when the judge stood beside him to his
|
||
left--and this was the very basic rule that he was continually
|
||
violating. A long corridor extended in front of him, air blew in from it
|
||
which, compared with the air in the studio, was refreshing. There were
|
||
benches set along each side of the corridor just as in the waiting area
|
||
for the office he went to himself. There seemed to be precise rules
|
||
governing how offices should be equipped. There did not seem to be many
|
||
people visiting the offices that day. There was a man there, half
|
||
sitting, half laying, his face was buried in his arm on the bench and he
|
||
seemed to be sleeping; another man was standing in the half-dark at the
|
||
end of the corridor. K. now climbed over the bed, the painter followed
|
||
him with the pictures. They soon came across a servant of the court--K.
|
||
was now able to recognise all the servants of the court from the gold
|
||
buttons they wore on their civilian clothes below the normal
|
||
buttons--and the painter instructed him to go with K. carrying the
|
||
pictures. K. staggered more than he walked, his handkerchief pressed
|
||
over his mouth. They had nearly reached the exit when the girls stormed
|
||
in on them, so K. had not been able to avoid them. They had clearly seen
|
||
that the second door of the studio had been opened and had gone around
|
||
to impose themselves on him from this side. "I can't come with you any
|
||
further!" called out the painter with a laugh as the girls pressed in.
|
||
"Goodbye, and don't hesitate too long!" K. did not even look round at
|
||
him. Once on the street he took the first cab he came across. He now had
|
||
to get rid of the servant, whose gold button continually caught his eye
|
||
even if it caught no-one else's. As a servant, the servant of the court
|
||
was going to sit on the coach-box. But K. chased him down from there. It
|
||
was already well into the afternoon when K. arrived in front of the
|
||
bank. He would have liked to leave the pictures in the cab but feared
|
||
there might be some occasion when he would have to let the painter see
|
||
he still had them. So he had the pictures taken to his office and locked
|
||
them in the lowest drawer of his desk so that he could at least keep
|
||
them safe from the deputy director's view for the next few days.
|
||
|
||
|
||
|
||
|
||
Chapter Eight
|
||
|
||
Block, the businessman--Dismissing the lawyer
|
||
|
||
|
||
K. had at last made the decision to withdraw his defence from the
|
||
lawyer. It was impossible to remove his doubts as to whether this was
|
||
the right decision, but this was outweighed by his belief in its
|
||
necessity. This decision, on the day he intended to go to see the
|
||
lawyer, took a lot of the strength he needed for his work, he worked
|
||
exceptionally slowly, he had to remain in his office a long time, and
|
||
it was already past ten o'clock when he finally stood in front of the
|
||
lawyer's front door. Even before he rang he considered whether it might
|
||
not be better to give the lawyer notice by letter or telephone, a
|
||
personal conversation would certainly be very difficult. Nonetheless,
|
||
K. did not actually want to do without it, if he gave notice by any
|
||
other means it would be received in silence or with a few formulated
|
||
words, and unless Leni could discover anything K. would never learn how
|
||
the lawyer had taken his dismissal and what its consequences might be,
|
||
in the lawyer's not unimportant opinion. But sitting in front of him
|
||
and taken by surprise by his dismissal, K. would be able easily to
|
||
infer everything he wanted from the lawyer's face and behaviour, even if
|
||
he could not be induced to say very much. It was not even out of the
|
||
question that K. might, after all, be persuaded that it would be best
|
||
to leave his defence to the lawyer and withdraw his dismissal.
|
||
|
||
As usual, there was at first no response to K.'s ring at the door.
|
||
"Leni could be a bit quicker," thought K. But he could at least be glad
|
||
there was nobody else interfering as usually happened, be it the man in
|
||
his nightshirt or anyone else who might bother him. As K. pressed on
|
||
the button for the second time he looked back at the other door, but
|
||
this time it, too, remained closed. At last, two eyes appeared at the
|
||
spy-hatch in the lawyer's door, although they weren't Leni's eyes.
|
||
Someone unlocked the door, but kept himself pressed against it as he
|
||
called back inside, "It's him!", and only then did he open the door
|
||
properly. K. pushed against the door, as behind him he could already
|
||
hear the key being hurriedly turned in the lock of the door to the
|
||
other flat. When the door in front of him finally opened, he stormed
|
||
straight into the hallway. Through the corridor which led between the
|
||
rooms he saw Leni, to whom the warning cry of the door opener had been
|
||
directed, still running away in her nightshirt. He looked at her for a
|
||
moment and then looked round at the person who had opened the door. It
|
||
was a small, wizened man with a full beard, he held a candle in his
|
||
hand. "Do you work here?" asked K. "No," answered the man, "I don't
|
||
belong here at all, the lawyer is only representing me, I'm here on
|
||
legal business." "Without your coat?" asked K., indicating the man's
|
||
deficiency of dress with a gesture of his hand. "Oh, do forgive me!"
|
||
said the man, and he looked at himself in the light of the candle he was
|
||
holding as if he had not known about his appearance until then. "Is Leni
|
||
your lover?" asked K. curtly. He had set his legs slightly apart, his
|
||
hands, in which he held his hat, were behind his back. Merely by being
|
||
in possession of a thick overcoat he felt his advantage over this thin
|
||
little man. "Oh God," he said and, shocked, raised one hand in front of
|
||
his face as if in defence, "no, no, what can you be thinking?" "You look
|
||
honest enough," said K. with a smile, "but come along anyway." K.
|
||
indicated with his hat which way the man was to go and let him go ahead
|
||
of him. "What is your name then?" asked K. on the way. "Block. I'm a
|
||
businessman," said the small man, twisting himself round as he thus
|
||
introduced himself, although K. did not allow him to stop moving. "Is
|
||
that your real name?" asked K. "Of course it is," was the man's reply,
|
||
"why do you doubt it?" "I thought you might have some reason to keep
|
||
your name secret," said K. He felt himself as much at liberty as is
|
||
normally only felt in foreign parts when speaking with people of lower
|
||
standing, keeping everything about himself to himself, speaking only
|
||
casually about the interests of the other, able to raise him to a level
|
||
above one's own, but also able, at will, to let him drop again. K.
|
||
stopped at the door of the lawyer's office, opened it and, to the
|
||
businessman who had obediently gone ahead, called, "Not so fast! Bring
|
||
some light here!" K. thought Leni might have hidden in here, he let the
|
||
businessman search in every corner, but the room was empty. In front of
|
||
the picture of the judge K. took hold of the businessman's braces to
|
||
stop him moving on. "Do you know him?" he asked, pointing upwards with
|
||
his finger. The businessman lifted the candle, blinked as he looked up
|
||
and said, "It's a judge." "An important judge?" asked K., and stood to
|
||
the side and in front of the businessman so that he could observe what
|
||
impression the picture had on him. The businessman was looking up in
|
||
admiration. "He's an important judge." "You don't have much insight,"
|
||
said K. "He is the lowest of the lowest examining judges." "I remember
|
||
now," said the businessman as he lowered the candle, "that's what I've
|
||
already been told." "Well of course you have," called out K., "I'd
|
||
forgotten about it, of course you would already have been told." "But
|
||
why, why?" asked the businessman as he moved forwards towards the door,
|
||
propelled by the hands of K. Outside in the corridor K. said, "You know
|
||
where Leni's hidden, do you?" "Hidden?" said the businessman, "No, but
|
||
she might be in the kitchen cooking soup for the lawyer." "Why didn't
|
||
you say that immediately?" asked K. "I was going to take you there, but
|
||
you called me back again," answered the businessman, as if confused by
|
||
the contradictory commands. "You think you're very clever, don't you,"
|
||
said K., "now take me there!" K. had never been in the kitchen, it was
|
||
surprisingly big and very well equipped. The stove alone was three
|
||
times bigger than normal stoves, but it was not possible to see any
|
||
detail beyond this as the kitchen was at the time illuminated by no more
|
||
than a small lamp hanging by the entrance. At the stove stood Leni, in a
|
||
white apron as always, breaking eggs into a pot standing on a spirit
|
||
lamp. "Good evening, Josef," she said with a glance sideways. "Good
|
||
evening," said K., pointing with one hand to a chair in a corner which
|
||
the businessman was to sit on, and he did indeed sit down on it. K.
|
||
however went very close behind Leni's back, leant over her shoulder and
|
||
asked, "Who is this man?" Leni put one hand around K. as she stirred the
|
||
soup with the other, she drew him forward toward herself and said, "He's
|
||
a pitiful character, a poor businessman by the name of Block. Just look
|
||
at him." The two of them looked back over their shoulders. The
|
||
businessman was sitting on the chair that K. had directed him to, he
|
||
had extinguished the candle whose light was no longer needed and pressed
|
||
on the wick with his fingers to stop the smoke. "You were in your
|
||
nightshirt," said K., putting his hand on her head and turning it back
|
||
towards the stove. She was silent. "Is he your lover?" asked K. She was
|
||
about to take hold of the pot of soup, but K. took both her hands and
|
||
said, "Answer me!" She said, "Come into the office, I'll explain
|
||
everything to you." "No," said K., "I want you to explain it here." She
|
||
put her arms around him and wanted to kiss him. K., though, pushed her
|
||
away and said, "I don't want you to kiss me now." "Josef," said Leni,
|
||
looking at K. imploringly but frankly in the eyes, "you're not going to
|
||
be jealous of Mr. Block now, are you. Rudi," she then said, turning to
|
||
the businessman, "help me out will you, I'm being suspected of
|
||
something, you can see that, leave the candle alone." It had looked as
|
||
though Mr. Block had not been paying attention but he had been
|
||
following closely. "I don't even know why you might be jealous," he
|
||
said ingenuously. "Nor do I, actually," said K., looking at the
|
||
businessman with a smile. Leni laughed out loud and while K. was not
|
||
paying attention took the opportunity of embracing him and whispering,
|
||
"Leave him alone, now, you can see what sort of person he is. I've been
|
||
helping him a little bit because he's an important client of the
|
||
lawyer's, and no other reason. And what about you? Do you want to speak
|
||
to the lawyer at this time of day? He's very unwell today, but if you
|
||
want I'll tell him you're here. But you can certainly spend the night
|
||
with me. It's so long since you were last here, even the lawyer has been
|
||
asking about you. Don't neglect your case! And I've got some things to
|
||
tell you that I've learned about. But now, before anything else, take
|
||
your coat off!" She helped him off with his coat, took the hat off his
|
||
head, ran with the things into the hallway to hang them up, then she ran
|
||
back and saw to the soup. "Do you want me to tell him you're here
|
||
straight away or take him his soup first?" "Tell him I'm here first,"
|
||
said K. He was in a bad mood, he had originally intended a detailed
|
||
discussion of his business with Leni, especially the question of his
|
||
giving the lawyer notice, but now he no longer wanted to because of the
|
||
presence of the businessman. Now he considered his affair too important
|
||
to let this little businessman take part in it and perhaps change some
|
||
of his decisions, and so he called Leni back even though she was already
|
||
on her way to the lawyer. "Bring him his soup first," he said, "I want
|
||
him to get his strength up for the discussion with me, he'll need it."
|
||
"You're a client of the lawyer's too, aren't you," said the businessman
|
||
quietly from his corner as if he were trying to find this out. It was
|
||
not, however, taken well. "What business is that of yours?" said K., and
|
||
Leni said, "Will you be quiet.--I'll take him his soup first then, shall
|
||
I?" And she poured the soup into a dish. "The only worry then is that
|
||
he might go to sleep soon after he's eaten." "What I've got to say to
|
||
him will keep him awake," said K., who still wanted to intimate that he
|
||
intended some important negotiations with the lawyer, he wanted Leni to
|
||
ask him what it was and only then to ask her advice. But instead, she
|
||
just promptly carried out the order he had given her. When she went
|
||
over to him with the dish she deliberately brushed against him and
|
||
whispered, "I'll tell him you're here as soon as he's eaten the soup so
|
||
that I can get you back as soon as possible." "Just go," said K., "just
|
||
go." "Be a bit more friendly," she said and, still holding the dish,
|
||
turned completely round once more in the doorway.
|
||
|
||
K. watched her as she went; the decision had finally been made that the
|
||
lawyer was to be dismissed, it was probably better that he had not been
|
||
able to discuss the matter any more with Leni beforehand; she hardly
|
||
understood the complexity of the matter, she would certainly have
|
||
advised him against it and perhaps would even have prevented him from
|
||
dismissing the lawyer this time, he would have remained in doubt and
|
||
unease and eventually have carried out his decision after a while
|
||
anyway as this decision was something he could not avoid. The sooner it
|
||
was carried out the more harm would be avoided. And moreover, perhaps
|
||
the businessman had something to say on the matter.
|
||
|
||
K. turned round, the businessman hardly noticed it as he was about to
|
||
stand up. "Stay where you are," said K. and pulled up a chair beside
|
||
him. "Have you been a client of the lawyer's for a long time?" asked K.
|
||
"Yes," said the businessman, "a very long time." "How many years has he
|
||
been representing you so far, then?" asked K. "I don't know how you
|
||
mean," said the businessman, "he's been my business lawyer--I buy and
|
||
sell cereals--he's been my business lawyer since I took the business
|
||
over, and that's about twenty years now, but perhaps you mean my own
|
||
trial and he's been representing me in that since it started, and
|
||
that's been more than five years. Yes, well over five years," he then
|
||
added, pulling out an old briefcase, "I've got everything written down;
|
||
I can tell you the exact dates if you like. It's so hard to remember
|
||
everything. Probably, my trial's been going on much longer than that,
|
||
it started soon after the death of my wife, and that's been more than
|
||
five and a half years now." K. moved in closer to him. "So the lawyer
|
||
takes on ordinary legal business, does he?" he asked. This combination
|
||
of criminal and commercial business seemed surprisingly reassuring for
|
||
K. "Oh yes," said the businessman, and then he whispered, "They even
|
||
say he's more efficient in jurisprudence than he is in other matters."
|
||
But then he seemed to regret saying this, and he laid a hand on K.'s
|
||
shoulder and said, "Please don't betray me to him, will you." K. patted
|
||
his thigh to reassure him and said, "No, I don't betray people." "He
|
||
can be so vindictive, you see," said the businessman. "I'm sure he won't
|
||
do anything against such a faithful client as you," said K. "Oh, he
|
||
might do," said the businessman, "when he gets cross it doesn't matter
|
||
who it is, and anyway, I'm not really faithful to him." "How's that
|
||
then?" asked K. "I'm not sure I should tell you about it," said the
|
||
businessman hesitantly. "I think it'll be alright," said K. "Well then,"
|
||
said the businessman, "I'll tell you about some of it, but you'll have
|
||
to tell me a secret too, then we can support each other with the
|
||
lawyer." "You are very careful," said K., "but I'll tell you a secret
|
||
that will set your mind completely at ease. Now tell me, in what way
|
||
have you been unfaithful to the lawyer?" "I've ..." said the businessman
|
||
hesitantly, and in a tone as if he were confessing something
|
||
dishonourable, "I've taken on other lawyers besides him." "That's not so
|
||
serious," said K., a little disappointed. "It is, here," said the
|
||
businessman, who had had some difficulty breathing since making his
|
||
confession but who now, after hearing K.'s comment, began to feel more
|
||
trust for him. "That's not allowed. And it's allowed least of all to
|
||
take on petty lawyers when you've already got a proper one. And that's
|
||
just what I have done, besides him I've got five petty lawyers." "Five!"
|
||
exclaimed K., astonished at this number, "Five lawyers besides this
|
||
one?" The businessman nodded. "I'm even negotiating with a sixth one."
|
||
"But why do you need so many lawyers?" asked K. "I need all of them,"
|
||
said the businessman. "Would you mind explaining that to me?" asked K.
|
||
"I'd be glad to," said the businessman. "Most of all, I don't want to
|
||
lose my case, well that's obvious. So that means I mustn't neglect
|
||
anything that might be of use to me; even if there's very little hope of
|
||
a particular thing being of any use I can't just throw it away. So
|
||
everything I have I've put to use in my case. I've taken all the money
|
||
out of my business, for example, the offices for my business used to
|
||
occupy nearly a whole floor, but now all I need is a little room at the
|
||
back where I work with one apprentice. It wasn't just using up the money
|
||
that caused the difficulty, of course, it was much more to do with me
|
||
not working at the business as much as I used to. If you want to do
|
||
something about your trial you don't have much time for anything else."
|
||
"So you're also working at the court yourself?" asked K. "That's just
|
||
what I want to learn more about." "I can't tell you very much about
|
||
that," said the businessman, "at first I tried to do that too but I soon
|
||
had to give it up again. It wears you out too much, and it's really not
|
||
much use. And it turned out to be quite impossible to work there
|
||
yourself and to negotiate, at least for me it was. It's a heavy strain
|
||
there just sitting and waiting. You know yourself what the air is like
|
||
in those offices." "How do you know I've been there, then?" asked K. "I
|
||
was in the waiting room myself when you went through." "What a
|
||
coincidence that is!" exclaimed K., totally engrossed and forgetting how
|
||
ridiculous the businessman had seemed to him earlier. "So you saw me!
|
||
You were in the waiting room when I went through. Yes, I did go through
|
||
it one time." "It isn't such a big coincidence," said the businessman,
|
||
"I'm there nearly every day." "I expect I'll have to go there quite
|
||
often myself now," said K., "although I can hardly expect to be shown
|
||
the same respect as I was then. They all stood up for me. They must have
|
||
thought I was a judge." "No," said the businessman, "we were greeting
|
||
the servant of the court. We knew you were a defendant. That sort of
|
||
news spreads very quickly." "So you already knew about that," said K.,
|
||
"the way I behaved must have seemed very arrogant to you. Did you
|
||
criticise me for it afterwards?" "No," said the businessman, "quite the
|
||
opposite. That was just stupidity." "What do you mean, 'stupidity'?"
|
||
asked K. "Why are you asking about it?" said the businessman in some
|
||
irritation. "You still don't seem to know the people there and you might
|
||
take it wrong. Don't forget in proceedings like this there are always
|
||
lots of different things coming up to talk about, things that you just
|
||
can't understand with reason alone, you just get too tired and
|
||
distracted for most things and so, instead, people rely on superstition.
|
||
I'm talking about the others, but I'm no better myself. One of these
|
||
superstitions, for example, is that you can learn a lot about the
|
||
outcome of a defendant's case by looking at his face, especially the
|
||
shape of his lips. There are lots who believe that, and they said they
|
||
could see from the shape of your lips that you'd definitely be found
|
||
guilty very soon. I repeat that all this is just a ridiculous
|
||
superstition, and in most cases it's completely disproved by the facts,
|
||
but when you live in that society it's hard to hold yourself back from
|
||
beliefs like that. Just think how much effect that superstition can
|
||
have. You spoke to one of them there, didn't you? He was hardly able to
|
||
give you an answer. There are lots of things there that can make you
|
||
confused, of course, but one of them, for him, was the appearance of
|
||
your lips. He told us all later he thought he could see something in
|
||
your lips that meant he'd be convicted himself." "On my lips?" asked K.,
|
||
pulling out a pocket mirror and examining himself. "I can see nothing
|
||
special about my lips. Can you?" "Nor can I," said the businessman,
|
||
"nothing at all." "These people are so superstitious!" exclaimed K.
|
||
"Isn't that what I just told you?" asked the businessman. "Do you then
|
||
have that much contact with each other, exchanging each other's
|
||
opinions?" said K. "I've kept myself completely apart so far." "They
|
||
don't normally have much contact with each other," said the businessman,
|
||
"that would be impossible, there are so many of them. And they don't
|
||
have much in common either. If a group of them ever thinks they have
|
||
found something in common it soon turns out they were mistaken. There's
|
||
nothing you can do as a group where the court's concerned. Each case is
|
||
examined separately, the court is very painstaking. So there's nothing
|
||
to be achieved by forming into a group, only sometimes an individual
|
||
will achieve something in secret; and it's only when that's been done
|
||
the others learn about it; nobody knows how it was done. So there's no
|
||
sense of togetherness, you meet people now and then in the waiting
|
||
rooms, but we don't talk much there. The superstitious beliefs were
|
||
established a long time ago and they spread all by themselves." "I saw
|
||
those gentlemen in the waiting room," said K., "it seemed so pointless
|
||
for them to be waiting in that way." "Waiting is not pointless," said
|
||
the businessman, "it's only pointless if you try and interfere yourself.
|
||
I told you just now I've got five lawyers besides this one. You might
|
||
think--I thought it myself at first--you might think I could leave the
|
||
whole thing entirely up to them now. That would be entirely wrong. I can
|
||
leave it up to them less than when I had just the one. Maybe you don't
|
||
understand that, do you?" "No," said K., and to slow the businessman
|
||
down, who had been speaking too fast, he laid his hand on the
|
||
businessman's to reassure him, "but I'd like just to ask you to speak a
|
||
little more slowly, these are many very important things for me, and I
|
||
can't follow exactly what you're saying." "You're quite right to remind
|
||
me of that," said the businessman, "you're new to all this, a junior.
|
||
Your trial is six months old, isn't it. Yes, I've heard about it. Such a
|
||
new case! But I've already thought all these things through countless
|
||
times, to me they're the most obvious things in the world." "You must be
|
||
glad your trial has already progressed so far, are you?" asked K., he
|
||
did not wish to ask directly how the businessman's affairs stood, but
|
||
received no clear answer anyway. "Yes, I've been working at my trial for
|
||
five years now," said the businessman as his head sank, "that's no small
|
||
achievement." Then he was silent for a while. K. listened to hear
|
||
whether Leni was on her way back. On the one hand he did not want her to
|
||
come back too soon as he still had many questions to ask and did not
|
||
want her to find him in this intimate discussion with the businessman,
|
||
but on the other hand it irritated him that she stayed so long with the
|
||
lawyer when K. was there, much longer than she needed to give him his
|
||
soup. "I still remember it exactly," the businessman began again, and K.
|
||
immediately gave him his full attention, "when my case was as old as
|
||
yours is now. I only had this one lawyer at that time but I wasn't very
|
||
satisfied with him." Now I'll find out everything, thought K., nodding
|
||
vigorously as if he could thereby encourage the businessman to say
|
||
everything worth knowing. "My case," the businessman continued, "didn't
|
||
move on at all, there were some hearings that took place and I went to
|
||
every one of them, collected materials, handed all my business books to
|
||
the court--which I later found was entirely unnecessary--I ran back and
|
||
forth to the lawyer, and he submitted various documents to the court
|
||
too...." "Various documents?" asked K. "Yes, that's right," said the
|
||
businessman. "That's very important for me," said K., "in my case he's
|
||
still working on the first set of documents. He still hasn't done
|
||
anything. I see now that he's been neglecting me quite disgracefully."
|
||
"There can be lots of good reasons why the first documents still aren't
|
||
ready," said the businessman, "and anyway, it turned out later on that
|
||
the ones he submitted for me were entirely worthless. I even read one of
|
||
them myself, one of the officials at the court was very helpful. It was
|
||
very learned, but it didn't actually say anything. Most of all, there
|
||
was lots of Latin, which I can't understand, then pages and pages of
|
||
general appeals to the court, then lots of flattery for particular
|
||
officials, they weren't named, these officials, but anyone familiar with
|
||
the court must have been able to guess who they were, then there was
|
||
self-praise by the lawyer where he humiliated himself to the court in a
|
||
way that was downright dog-like, and then endless investigations of
|
||
cases from the past which were supposed to be similar to mine. Although,
|
||
as far as I was able to follow them, these investigations had been
|
||
carried out very carefully. Now, I don't mean to criticise the lawyer's
|
||
work with all of this, and the document I read was only one of many, but
|
||
even so, and this is something I will say, at that time I couldn't see
|
||
any progress in my trial at all." "And what sort of progress had you
|
||
been hoping for?" asked K. "That's a very sensible question," said the
|
||
businessman with a smile, "it's only very rare that you see any progress
|
||
in these proceedings at all. But I didn't know that then. I'm a
|
||
businessman, much more in those days than now, I wanted to see some
|
||
tangible progress, it should have all been moving to some conclusion or
|
||
at least should have been moving on in some way according to the rules.
|
||
Instead of which there were just more hearings, and most of them went
|
||
through the same things anyway; I had all the answers off pat like in a
|
||
church service; there were messengers from the court coming to me at
|
||
work several times a week, or they came to me at home or anywhere else
|
||
they could find me; and that was very disturbing of course (but at least
|
||
now things are better in that respect, it's much less disturbing when
|
||
they contact you by telephone), and rumours about my trial even started
|
||
to spread among some of the people I do business with, and especially my
|
||
relations, so I was being made to suffer in many different ways but
|
||
there was still not the slightest sign that even the first hearing would
|
||
take place soon. So I went to the lawyer and complained about it. He
|
||
explained it all to me at length, but refused to do anything I asked
|
||
for, no-one has any influence on the way the trial proceeds, he said, to
|
||
try and insist on it in any of the documents submitted--like I was
|
||
asking--was simply unheard of and would do harm to both him and me. I
|
||
thought to myself: What this lawyer can't or won't do another lawyer
|
||
will. So I looked round for other lawyers. And before you say anything:
|
||
none of them asked for a definite date for the main trial and none of
|
||
them got one, and anyway, apart from one exception which I'll talk about
|
||
in a minute, it really is impossible, that's one thing this lawyer
|
||
didn't mislead me about; but besides, I had no reason to regret turning
|
||
to other lawyers. Perhaps you've already heard how Dr. Huld talks about
|
||
the petty lawyers, he probably made them sound very contemptible to you,
|
||
and he's right, they are contemptible. But when he talks about them and
|
||
compares them with himself and his colleagues there's a small error
|
||
running through what he says, and, just for your interest, I'll tell you
|
||
about it. When he talks about the lawyers he mixes with he sets them
|
||
apart by calling them the 'great lawyers'. That's wrong, anyone can call
|
||
himself 'great' if he wants to, of course, but in this case only the
|
||
usage of the court can make that distinction. You see, the court says
|
||
that besides the petty lawyers there are also minor lawyers and great
|
||
lawyers. This one and his colleagues are only minor lawyers, and the
|
||
difference in rank between them and the great lawyers, who I've only
|
||
ever heard about and never seen, is incomparably greater than between
|
||
the minor lawyers and the despised petty lawyers." "The great lawyers?"
|
||
asked K. "Who are they then? How do you contact them?" "You've never
|
||
heard about them, then?" said the businessman. "There's hardly anyone
|
||
who's been accused who doesn't spend a lot of time dreaming about the
|
||
great lawyers once he's heard about them. It's best if you don't let
|
||
yourself be misled in that way. I don't know who the great lawyers are,
|
||
and there's probably no way of contacting them. I don't know of any case
|
||
I can talk about with certainty where they've taken any part. They do
|
||
defend a lot of people, but you can't get hold of them by your own
|
||
efforts, they only defend those who they want to defend. And I don't
|
||
suppose they ever take on cases that haven't already got past the lower
|
||
courts. Anyway, it's best not to think about them, as if you do it makes
|
||
the discussions with the other lawyers, all their advice and all that
|
||
they do manage to achieve, seem so unpleasant and useless, I had that
|
||
experience myself, just wanted to throw everything away and lay at home
|
||
in bed and hear nothing more about it. But that, of course, would be the
|
||
stupidest thing you could do, and you wouldn't be left in peace in bed
|
||
for very long either." "So you weren't thinking about the great lawyers
|
||
at that time?" asked K. "Not for very long," said the businessman, and
|
||
smiled again, "you can't forget about them entirely, I'm afraid,
|
||
especially in the night when these thoughts come so easily. But I wanted
|
||
immediate results in those days, so I went to the petty lawyers."
|
||
|
||
"Well look at you two sat huddled together!" called Leni as she came
|
||
back with the dish and stood in the doorway. They were indeed sat close
|
||
together, if either of them turned his head even slightly it would have
|
||
knocked against the other's, the businessman was not only very small
|
||
but also sat hunched down, so that K. was also forced to bend down low
|
||
if he wanted to hear everything. "Not quite yet!" called out K., to turn
|
||
Leni away, his hand, still resting on the businessman's hand, twitching
|
||
with impatience. "He wanted me to tell him about my trial," said the
|
||
businessman to Leni. "Carry on, then, carry on," she said. She spoke to
|
||
the businessman with affection but, at the same time, with
|
||
condescension. K. did not like that, he had begun to learn that the man
|
||
was of some value after all, he had experience at least, and he was
|
||
willing to share it. Leni was probably wrong about him. He watched her
|
||
in irritation as Leni now took the candle from the businessman's
|
||
hand--which he had been holding on to all this time--wiped his hand
|
||
with her apron and then knelt beside him to scratch off some wax that
|
||
had dripped from the candle onto his trousers. "You were about to tell
|
||
me about the petty lawyers," said K., shoving Leni's hand away with no
|
||
further comment. "What's wrong with you today?" asked Leni, tapped him
|
||
gently and carried on with what she had been doing. "Yes, the petty
|
||
lawyers," said the businessman, putting his hand to his brow as if
|
||
thinking hard. K. wanted to help him and said, "You wanted immediate
|
||
results and so went to the petty lawyers." "Yes, that's right," said
|
||
the businessman, but did not continue with what he'd been saying. "Maybe
|
||
he doesn't want to speak about it in front of Leni," thought K.,
|
||
suppressing his impatience to hear the rest straight away, and stopped
|
||
trying to press him.
|
||
|
||
"Have you told him I'm here?" he asked Leni. "Course I have," she said,
|
||
"he's waiting for you. Leave Block alone now, you can talk to Block
|
||
later, he'll still be here." K. still hesitated. "You'll still be
|
||
here?" he asked the businessman, wanting to hear the answer from him and
|
||
not wanting Leni to speak about the businessman as if he weren't there,
|
||
he was full of secret resentment towards Leni today. And once more it
|
||
was only Leni who answered. "He often sleeps here." "He sleeps here?"
|
||
exclaimed K., he had thought the businessman would just wait there for
|
||
him while he quickly settled his business with the lawyer, and then
|
||
they would leave together to discuss everything thoroughly and
|
||
undisturbed. "Yes," said Leni, "not everyone's like you, Josef, allowed
|
||
to see the lawyer at any time you like. Don't even seem surprised that
|
||
the lawyer, despite being ill, still receives you at eleven o'clock at
|
||
night. You take it far too much for granted, what your friends do for
|
||
you. Well, your friends, or at least I do, we like to do things for you.
|
||
I don't want or need any more thanks than that you're fond of me." "Fond
|
||
of you?" thought K. at first, and only then it occurred to him, "Well,
|
||
yes, I am fond of her." Nonetheless, what he said, forgetting all the
|
||
rest, was, "He receives me because I am his client. If I needed anyone
|
||
else's help I'd have to beg and show gratitude whenever I do anything."
|
||
"He's really nasty today, isn't he?" Leni asked the businessman. "Now
|
||
it's me who's not here," thought K., and nearly lost his temper with
|
||
the businessman when, with the same rudeness as Leni, he said, "The
|
||
lawyer also has other reasons to receive him. His case is much more
|
||
interesting than mine. And it's only in its early stages too, it
|
||
probably hasn't progressed very far so the lawyer still likes to deal
|
||
with him. That'll all change later on." "Yeah, yeah," said Leni, looking
|
||
at the businessman and laughing. "He doesn't half talk!" she said,
|
||
turning to face K. "You can't believe a word he says. He's as talkative
|
||
as he is sweet. Maybe that's why the lawyer can't stand him. At least,
|
||
he only sees him when he's in the right mood. I've already tried hard to
|
||
change that but it's impossible. Just think, there are times when I tell
|
||
him Block's here and he doesn't receive him until three days later. And
|
||
if Block isn't on the spot when he's called then everything's lost and
|
||
it all has to start all over again. That's why I let Block sleep here,
|
||
it wouldn't be the first time Dr. Huld has wanted to see him in the
|
||
night. So now Block is ready for that. Sometimes, when he knows Block is
|
||
still here, he'll even change his mind about letting him in to see him."
|
||
K. looked questioningly at the businessman. The latter nodded and,
|
||
although he had spoken quite openly with K. earlier, seemed to be
|
||
confused with shame as he said, "Yes, later on you become very dependent
|
||
on your lawyer." "He's only pretending to mind," said Leni. "He likes to
|
||
sleep here really, he's often said so." She went over to a little door
|
||
and shoved it open. "Do you want to see his bedroom?" she asked. K.
|
||
went over to the low, windowless room and looked in from the doorway.
|
||
The room contained a narrow bed which filled it completely, so that to
|
||
get into the bed you would need to climb over the bedpost. At the head
|
||
of the bed there was a niche in the wall where, fastidiously tidy, stood
|
||
a candle, a bottle of ink, and a pen with a bundle of papers which were
|
||
probably to do with the trial. "You sleep in the maid's room?" asked
|
||
K., as he went back to the businessman. "Leni's let me have it,"
|
||
answered the businessman, "it has many advantages." K. looked long at
|
||
him; his first impression of the businessman had perhaps not been right;
|
||
he had experience as his trial had already lasted a long time, but he
|
||
had paid a heavy price for this experience. K. was suddenly unable to
|
||
bear the sight of the businessman any longer. "Bring him to bed, then!"
|
||
he called out to Leni, who seemed to understand him. For himself, he
|
||
wanted to go to the lawyer and, by dismissing him, free himself from not
|
||
only the lawyer but also from Leni and the businessman. But before he
|
||
had reached the door the businessman spoke to him gently. "Excuse me,
|
||
sir," he said, and K. looked round crossly. "You've forgotten your
|
||
promise," said the businessman, stretching his hand out to K.
|
||
imploringly from where he sat. "You were going to tell me a secret."
|
||
"That is true," said K., as he glanced at Leni, who was watching him
|
||
carefully, to check on her. "So listen; it's hardly a secret now anyway.
|
||
I'm going to see the lawyer now to sack him." "He's sacking him!" yelled
|
||
the businessman, and he jumped up from his chair and ran around the
|
||
kitchen with his arms in the air. He kept on shouting, "He's sacking his
|
||
lawyer!" Leni tried to rush at K. but the businessman got in her way so
|
||
that she shoved him away with her fists. Then, still with her hands
|
||
balled into fists, she ran after K. who, however, had been given a long
|
||
start. He was already inside the lawyer's room by the time Leni caught
|
||
up with him. He had almost closed the door behind himself, but Leni held
|
||
the door open with her foot, grabbed his arm and tried to pull him back.
|
||
But he put such pressure on her wrist that, with a sigh, she was forced
|
||
to release him. She did not dare go into the room straight away, and K.
|
||
locked the door with the key.
|
||
|
||
"I've been waiting for you a very long time," said the lawyer from his
|
||
bed. He had been reading something by the light of a candle but now he
|
||
laid it onto the bedside table and put his glasses on, looking at K.
|
||
sharply through them. Instead of apologising K. said, "I'll be leaving
|
||
again soon." As he had not apologised the lawyer ignored what K. said,
|
||
and replied, "I won't let you in this late again next time." "I find
|
||
that quite acceptable," said K. The lawyer looked at him quizzically.
|
||
"Sit down," he said. "As you wish," said K., drawing a chair up to the
|
||
bedside table and sitting down. "It seemed to me that you locked the
|
||
door," said the lawyer. "Yes," said K., "it was because of Leni." He
|
||
had no intention of letting anyone off lightly. But the lawyer asked
|
||
him, "Was she being importunate again?" "Importunate?" asked K. "Yes,"
|
||
said the lawyer, laughing as he did so, had a fit of coughing and then,
|
||
once it had passed, began to laugh again. "I'm sure you must have
|
||
noticed how importunate she can be sometimes," he said, and patted K.'s
|
||
hand which K. had rested on the bedside table and which he now snatched
|
||
back. "You don't attach much importance to it, then," said the lawyer
|
||
when K. was silent, "so much the better. Otherwise I might have needed
|
||
to apologise to you. It is a peculiarity of Leni's. I've long since
|
||
forgiven her for it, and I wouldn't be talking of it now, if you hadn't
|
||
locked the door just now. Anyway, perhaps I should at least explain this
|
||
peculiarity of hers to you, but you seem rather disturbed, the way
|
||
you're looking at me, and so that's why I'll do it, this peculiarity of
|
||
hers consists in this: Leni finds most of the accused attractive. She
|
||
attaches herself to each of them, loves each of them, even seems to be
|
||
loved by each of them; then she sometimes entertains me by telling me
|
||
about them when I allow her to. I am not so astonished by all of this as
|
||
you seem to be. If you look at them in the right way the accused really
|
||
can be attractive, quite often. But that is a remarkable and to some
|
||
extent scientific phenomenon. Being indicted does not cause any clear,
|
||
precisely definable change in a person's appearance, of course. But
|
||
it's not like with other legal matters, most of them remain in their
|
||
usual way of life and, if they have a good lawyer looking after them,
|
||
the trial doesn't get in their way. But there are nonetheless those who
|
||
have experience in these matters who can look at a crowd, however big,
|
||
and tell you which among them is facing a charge. How can they do that,
|
||
you will ask? My answer will not please you. It is simply that those who
|
||
are facing a charge are the most attractive. It cannot be their guilt
|
||
that makes them attractive as not all of them are guilty--at least
|
||
that's what I, as a lawyer, have to say--and nor can it be the proper
|
||
punishment that has made them attractive as not all of them are
|
||
punished, so it can only be that the proceedings levelled against them
|
||
take some kind of hold on them. Whatever the reason, some of these
|
||
attractive people are indeed very attractive. But all of them are
|
||
attractive, even Block, pitiful worm that he is." As the lawyer
|
||
finished what he was saying, K. was fully in control of himself, he had
|
||
even nodded conspicuously at his last few words in order to confirm to
|
||
himself the view he had already formed: that the lawyer was trying to
|
||
confuse him, as he always did, by making general and irrelevant
|
||
observations, and thus distract him from the main question of what he
|
||
was actually doing for K.'s trial. The lawyer must have noticed that K.
|
||
was offering him more resistance than before, as he became silent,
|
||
giving K. the chance to speak himself, and then, as K. also remained
|
||
silent, he asked, "Did you have a particular reason for coming to see
|
||
me today?" "Yes," said K., putting his hand up to slightly shade his
|
||
eyes from the light of the candle so that he could see the lawyer
|
||
better, "I wanted to tell you that I'm withdrawing my representation
|
||
from you, with immediate effect." "Do I understand you rightly?" asked
|
||
the lawyer as he half raised himself in his bed and supported himself
|
||
with one hand on the pillow. "I think you do," said K., sitting stiffly
|
||
upright as if waiting in ambush. "Well we can certainly discuss this
|
||
plan of yours," said the lawyer after a pause. "It's not a plan any
|
||
more," said K. "That may be," said the lawyer, "but we still mustn't
|
||
rush anything." He used the word 'we', as if he had no intention of
|
||
letting K. go free, and as if, even if he could no longer represent him,
|
||
he could still at least continue as his adviser. "Nothing is being
|
||
rushed," said K., standing slowly up and going behind his chair,
|
||
"everything has been well thought out and probably even for too long.
|
||
The decision is final." "Then allow me to say a few words," said the
|
||
lawyer, throwing the bed cover to one side and sitting on the edge of
|
||
the bed. His naked, white-haired legs shivered in the cold. He asked K.
|
||
to pass him a blanket from the couch. K. passed him the blanket and
|
||
said, "You are running the risk of catching cold for no reason." "The
|
||
circumstances are important enough," said the lawyer as he wrapped the
|
||
bed cover around the top half of his body and then the blanket around
|
||
his legs. "Your uncle is my friend and in the course of time I've become
|
||
fond of you as well. I admit that quite openly. There's nothing in that
|
||
for me to be ashamed of." It was very unwelcome for K. to hear the old
|
||
man speak in this touching way, as it forced him to explain himself more
|
||
fully, which he would rather have avoided, and he was aware that it also
|
||
confused him even though it could never make him reverse his decision.
|
||
"Thank you for feeling so friendly toward me," he said, "and I also
|
||
realise how deeply involved you've been in my case, as deeply as
|
||
possible for yourself and to bring as much advantage as possible to me.
|
||
Nonetheless, I have recently come to the conviction that it is not
|
||
enough. I would naturally never attempt, considering that you are so
|
||
much older and more experienced than I am, to convince you of my
|
||
opinion; if I have ever unintentionally done so then I beg your
|
||
forgiveness, but, as you have just said yourself, the circumstances are
|
||
important enough and it is my belief that my trial needs to be
|
||
approached with much more vigour than has so far been the case." "I
|
||
see," said the lawyer, "you've become impatient." "I am not impatient,"
|
||
said K., with some irritation and he stopped paying so much attention to
|
||
his choice of words. "When I first came here with my uncle you probably
|
||
noticed I wasn't greatly concerned about my case, and if I wasn't
|
||
reminded of it by force, as it were, I would forget about it completely.
|
||
But my uncle insisted I should allow you to represent me and I did so as
|
||
a favour to him. I could have expected the case to be less of a burden
|
||
than it had been, as the point of taking on a lawyer is that he should
|
||
take on some of its weight. But what actually happened was the opposite.
|
||
Before, the trial was never such a worry for me as it has been since
|
||
you've been representing me. When I was by myself I never did anything
|
||
about my case, I was hardly aware of it, but then, once there was
|
||
someone representing me, everything was set for something to happen, I
|
||
was always, without cease, waiting for you to do something, getting more
|
||
and more tense, but you did nothing. I did get some information about
|
||
the court from you that I probably could not have got anywhere else, but
|
||
that can't be enough when the trial, supposedly in secret, is getting
|
||
closer and closer to me." K. had pushed the chair away and stood erect,
|
||
his hands in the pockets of his frock coat. "After a certain point in
|
||
the proceedings," said the lawyer quietly and calmly, "nothing new of
|
||
any importance ever happens. So many litigants, at the same stage in
|
||
their trials, have stood before me just like you are now and spoken in
|
||
the same way." "Then these other litigants," said K., "have all been
|
||
right, just as I am. That does not show that I'm not." "I wasn't trying
|
||
to show that you were mistaken," said the lawyer, "but I wanted to add
|
||
that I expected better judgement from you than from the others,
|
||
especially as I've given you more insight into the workings of the court
|
||
and my own activities than I normally do. And now I'm forced to accept
|
||
that, despite everything, you have too little trust in me. You don't
|
||
make it easy for me." How the lawyer was humiliating himself to K.! He
|
||
was showing no regard for the dignity of his position, which on this
|
||
point, must have been at its most sensitive. And why did he do that? He
|
||
did seem to be very busy as a lawyer as well a rich man, neither the
|
||
loss of income nor the loss of a client could have been of much
|
||
importance to him in themselves. He was moreover unwell and should have
|
||
been thinking of passing work on to others. And despite all that he held
|
||
on tightly to K. Why? Was it something personal for his uncle's sake, or
|
||
did he really see K.'s case as one that was exceptional and hoped to be
|
||
able to distinguish himself with it, either for K.'s sake or--and this
|
||
possibility could never be excluded--for his friends at the court. It
|
||
was not possible to learn anything by looking at him, even though K. was
|
||
scrutinizing him quite brazenly. It could almost be supposed he was
|
||
deliberately hiding his thoughts as he waited to see what effect his
|
||
words would have. But he clearly deemed K.'s silence to be favourable
|
||
for himself and he continued, "You will have noticed the size of my
|
||
office, but that I don't employ any staff to help me. That used to be
|
||
quite different, there was a time when several young lawyers were
|
||
working for me but now I work alone. This is partly to do with changes
|
||
in the way I do business, in that I concentrate nowadays more and more
|
||
on matters such as your own case, and partly to do with the ever deeper
|
||
understanding that I acquire from these legal matters. I found that I
|
||
could never let anyone else deal with this sort of work unless I wanted
|
||
to harm both the client and the job I had taken on. But the decision to
|
||
do all the work myself had its obvious result: I was forced to turn
|
||
almost everyone away who asked me to represent them and could only
|
||
accept those I was especially interested in--well there are enough
|
||
creatures who leap at every crumb I throw down, and they're not so very
|
||
far away. Most importantly, I became ill from over-work. But despite
|
||
that I don't regret my decision, quite possibly I should have turned
|
||
more cases away than I did, but it did turn out to be entirely necessary
|
||
for me to devote myself fully to the cases I did take on, and the
|
||
successful results showed that it was worth it. I once read a
|
||
description of the difference between representing someone in ordinary
|
||
legal matters and in legal matters of this sort, and the writer
|
||
expressed it very well. This is what he said: some lawyers lead their
|
||
clients on a thread until judgement is passed, but there are others who
|
||
immediately lift their clients onto their shoulders and carry them all
|
||
the way to the judgement and beyond. That's just how it is. But it was
|
||
quite true when I said I never regret all this work. But if, as in your
|
||
case, they are so fully misunderstood, well, then I come very close to
|
||
regretting it." All this talking did more to make K. impatient than to
|
||
persuade him. From the way the lawyer was speaking, K. thought he could
|
||
hear what he could expect if he gave in, the delays and excuses would
|
||
begin again, reports of how the documents were progressing, how the mood
|
||
of the court officials had improved, as well as all the enormous
|
||
difficulties--in short all that he had heard so many times before would
|
||
be brought out again even more fully, he would try to mislead K. with
|
||
hopes that were never specified and to make him suffer with threats that
|
||
were never clear. He had to put a stop to that, so he said, "What will
|
||
you undertake on my behalf if you continue to represent me?" The lawyer
|
||
quietly accepted even this insulting question, and answered, "I should
|
||
continue with what I've already been doing for you." "That's just what I
|
||
thought," said K., "and now you don't need to say another word." "I will
|
||
make one more attempt," said the lawyer as if whatever had been making
|
||
K. so annoyed was affecting him too. "You see, I have the impression
|
||
that you have not only misjudged the legal assistance I have given you
|
||
but also that that misjudgement has led you to behave in this way, you
|
||
seem, although you are the accused, to have been treated too well or, to
|
||
put it a better way, handled with neglect, with apparent neglect. Even
|
||
that has its reason; it is often better to be in chains than to be free.
|
||
But I would like to show you how other defendants are treated, perhaps
|
||
you will succeed in learning something from it. What I will do is I will
|
||
call Block in, unlock the door and sit down here beside the bedside
|
||
table." "Be glad to," said K., and did as the lawyer suggested; he was
|
||
always ready to learn something new. But to make sure of himself for any
|
||
event he added, "but you do realise that you are no longer to be my
|
||
lawyer, don't you?" "Yes," said the lawyer. "But you can still change
|
||
your mind today if you want to." He lay back down in the bed, pulled the
|
||
quilt up to his chin and turned to face the wall. Then he rang.
|
||
|
||
Leni appeared almost the moment he had done so. She looked hurriedly at
|
||
K. and the lawyer to try and find out what had happened; she seemed to
|
||
be reassured by the sight of K. sitting calmly at the lawyer's bed. She
|
||
smiled and nodded to K., K. looked blankly back at her. "Fetch Block,"
|
||
said the lawyer. But instead of going to fetch him, Leni just went to
|
||
the door and called out, "Block! To the lawyer!" Then, probably because
|
||
the lawyer had turned his face to the wall and was paying no attention,
|
||
she slipped in behind K.'s chair. From then on, she bothered him by
|
||
leaning forward over the back of the chair or, albeit very tenderly and
|
||
carefully, she would run her hands through his hair and over his
|
||
cheeks. K. eventually tried to stop her by taking hold of one hand, and
|
||
after some resistance Leni let him keep hold of it. Block came as soon
|
||
as he was called, but he remained standing in the doorway and seemed to
|
||
be wondering whether he should enter or not. He raised his eyebrows and
|
||
lowered his head as if listening to find out whether the order to
|
||
attend the lawyer would be repeated. K. could have encouraged him to
|
||
enter, but he had decided to make a final break not only with the
|
||
lawyer but with everything in his home, so he kept himself motionless.
|
||
Leni was also silent. Block noticed that at least no-one was chasing
|
||
him away, and, on tiptoe, he entered the room, his face was tense, his
|
||
hands were clenched behind his back. He left the door open in case he
|
||
needed to go back again. K. did not even glance at him, he looked
|
||
instead only at the thick quilt under which the lawyer could not be seen
|
||
as he had squeezed up very close to the wall. Then his voice was heard:
|
||
"Block here?" he asked. Block had already crept some way into the room
|
||
but this question seemed to give him first a shove in the breast and
|
||
then another in the back, he seemed about to fall but remained
|
||
standing, deeply bowed, and said, "At your service, sir." "What do you
|
||
want?" asked the lawyer, "you've come at a bad time." "Wasn't I
|
||
summoned?" asked Block, more to himself than the lawyer. He held his
|
||
hands in front of himself as protection and would have been ready to run
|
||
away any moment. "You were summoned," said the lawyer, "but you have
|
||
still come at a bad time." Then, after a pause he added, "You always
|
||
come at a bad time." When the lawyer started speaking Block had stopped
|
||
looking at the bed but stared rather into one of the corners, just
|
||
listening, as if the light from the speaker were brighter than Block
|
||
could bear to look at. But it was also difficult for him to listen, as
|
||
the lawyer was speaking into the wall and speaking quickly and quietly.
|
||
"Would you like me to go away again, sir?" asked Block. "Well you're
|
||
here now," said the lawyer. "Stay!" It was as if the lawyer had not done
|
||
as Block had wanted but instead threatened him with a stick, as now
|
||
Block really began to shake. "I went to see," said the lawyer, "the
|
||
third judge yesterday, a friend of mine, and slowly brought the
|
||
conversation round to the subject of you. Do you want to know what he
|
||
said?" "Oh, yes please," said Block. The lawyer did not answer
|
||
immediately, so Block repeated his request and lowered his head as if
|
||
about to kneel down. But then K. spoke to him: "What do you think you're
|
||
doing?" he shouted. Leni had wanted to stop him from calling out and so
|
||
he took hold of her other hand. It was not love that made him squeeze it
|
||
and hold on to it so tightly, she sighed frequently and tried to
|
||
disengage her hands from him. But Block was punished for K.'s outburst,
|
||
as the lawyer asked him, "Who is your lawyer?" "You are, sir," said
|
||
Block. "And who besides me?" the lawyer asked. "No-one besides you,
|
||
sir," said Block. "And let there be no-one besides me," said the lawyer.
|
||
Block fully understood what that meant, he glowered at K., shaking his
|
||
head violently. If these actions had been translated into words they
|
||
would have been coarse insults. K. had been friendly and willing to
|
||
discuss his own case with someone like this! "I won't disturb you any
|
||
more," said K., leaning back in his chair. "You can kneel down or creep
|
||
on all fours, whatever you like. I won't bother with you any more." But
|
||
Block still had some sense of pride, at least where K. was concerned,
|
||
and he went towards him waving his fists, shouting as loudly as he dared
|
||
while the lawyer was there. "You shouldn't speak to me like that, that's
|
||
not allowed. Why are you insulting me? Especially here in front of the
|
||
lawyer, where both of us, you and me, we're only tolerated because of
|
||
his charity. You're not a better person than me, you've been accused of
|
||
something too, you're facing a charge too. If, in spite of that, you're
|
||
still a gentleman then I'm just as much a gentleman as you are, if not
|
||
even more so. And I want to be spoken to as a gentleman, especially by
|
||
you. If you think being allowed to sit there and quietly listen while I
|
||
creep on all fours as you put it makes you something better than me,
|
||
then there's an old legal saying you ought to bear in mind: If you're
|
||
under suspicion it's better to be moving than still, as if you're still
|
||
you can be in the pan of the scales without knowing it and be weighed
|
||
along with your sins." K. said nothing. He merely looked in amazement at
|
||
this distracted being, his eyes completely still. He had gone through
|
||
such changes in just the last few hours! Was it the trial that was
|
||
throwing him from side to side in this way and stopped him knowing who
|
||
was friend and who was foe? Could he not see the lawyer was deliberately
|
||
humiliating him and had no other purpose today than to show off his
|
||
power to K., and perhaps even thereby subjugate K.? But if Block was
|
||
incapable of seeing that, or if he so feared the lawyer that no such
|
||
insight would even be of any use to him, how was it that he was either
|
||
so sly or so bold as to lie to the lawyer and conceal from him the fact
|
||
that he had other lawyers working on his behalf? And how did he dare to
|
||
attack K., who could betray his secret any time he liked? But he dared
|
||
even more than this, he went to the lawyer's bed and began there to make
|
||
complaints about K. "Dr. Huld, sir," he said, "did you hear the way this
|
||
man spoke to me? You can count the length of his trial in hours, and he
|
||
wants to tell me what to do when I've been involved in a legal case for
|
||
five years. He even insults me. He doesn't know anything, but he insults
|
||
me, when I, as far as my weak ability allows, when I've made a close
|
||
study of how to behave with the court, what we ought to do and what the
|
||
court practices are." "Don't let anyone bother you," said the lawyer,
|
||
"and do what seems to you to be right." "I will," said Block, as if
|
||
speaking to himself to give himself courage, and with a quick glance to
|
||
the side he knelt down close beside the bed. "I'm kneeling now, Dr.
|
||
Huld, sir," he said. But the lawyer remained silent. With one hand,
|
||
Block carefully stroked the bed cover. In the silence while he did so,
|
||
Leni, as she freed herself from K.'s hands, said, "You're hurting me.
|
||
Let go of me. I'm going over to Block." She went over to him and sat on
|
||
the edge of the bed. Block was very pleased at this and with lively,
|
||
but silent, gestures he immediately urged her to intercede for him with
|
||
the lawyer. It was clear that he desperately needed to be told something
|
||
by the lawyer, although perhaps only so that he could make use of the
|
||
information with his other lawyers. Leni probably knew very well how
|
||
the lawyer could be brought round, pointed to his hand and pursed her
|
||
lips as if making a kiss. Block immediately performed the hand-kiss and,
|
||
at further urging from Leni, repeated it twice more. But the lawyer
|
||
continued to be silent. Then Leni leant over the lawyer, as she
|
||
stretched out, the attractive shape of her body could be seen, and,
|
||
bent over close to his face, she stroked his long white hair. That now
|
||
forced him to give an answer. "I'm rather wary of telling him," said
|
||
the lawyer, and his head could be seen shaking slightly, perhaps so that
|
||
he would feel the pressure of Leni's hand better. Block listened
|
||
closely with his head lowered, as if by listening he were breaking an
|
||
order. "What makes you so wary about it?" asked Leni. K. had the feeling
|
||
he was listening to a contrived dialogue that had been repeated many
|
||
times, that would be repeated many times more, and that for Block alone
|
||
it would never lose its freshness. "What has his behaviour been like
|
||
today?" asked the lawyer instead of an answer. Before Leni said
|
||
anything she looked down at Block and watched him a short while as he
|
||
raised his hands towards her and rubbed them together imploringly.
|
||
Finally she gave a serious nod, turned back to the lawyer and said,
|
||
"He's been quiet and industrious." This was an elderly businessman, a
|
||
man whose beard was long, and he was begging a young girl to speak on
|
||
his behalf. Even if there was some plan behind what he did, there was
|
||
nothing that could reinstate him in the eyes of his fellow man. K. could
|
||
not understand how the lawyer could have thought this performance would
|
||
win him over. Even if he had done nothing earlier to make him want to
|
||
leave then this scene would have done so. It was almost humiliating even
|
||
for the onlooker. So these were the lawyer's methods, which K.
|
||
fortunately had not been exposed to for long, to let the client forget
|
||
about the whole world and leave him with nothing but the hope of
|
||
reaching the end of his trial by this deluded means. He was no longer a
|
||
client, he was the lawyer's dog. If the lawyer had ordered him to crawl
|
||
under the bed as if it were a kennel and to bark out from under it, then
|
||
he would have done so with enthusiasm. K. listened to all of this,
|
||
testing it and thinking it over as if he had been given the task of
|
||
closely observing everything spoken here, inform a higher office about
|
||
it and write a report. "And what has he been doing all day?" asked the
|
||
lawyer. "I kept him locked in the maid's room all day," said Leni, "so
|
||
that he wouldn't stop me doing my work. That's where he usually stays.
|
||
From time to time I looked in through the spyhole to see what he was
|
||
doing, and each time he was kneeling on the bed and reading the papers
|
||
you gave him, propped up on the window sill. That made a good impression
|
||
on me; as the window only opens onto an air shaft and gives hardly any
|
||
light. It showed how obedient he is that he was even reading in those
|
||
conditions." "I'm pleased to hear it," said the lawyer. "But did he
|
||
understand what he was reading?" While this conversation was going on,
|
||
Block continually moved his lips and was clearly formulating the answers
|
||
he hoped Leni would give. "Well I can't give you any certain answer to
|
||
that of course," said Leni, "but I could see that he was reading
|
||
thoroughly. He spent all day reading the same page, running his finger
|
||
along the lines. Whenever I looked in on him he sighed as if this
|
||
reading was a lot of work for him. I expect the papers you gave him were
|
||
very hard to understand." "Yes," said the lawyer, "they certainly are
|
||
that. And I really don't think he understood anything of them. But they
|
||
should at least give him some inkling of just how hard a struggle it is
|
||
and how much work it is for me to defend him. And who am I doing all
|
||
this hard work for? I'm doing it--it's laughable even to say it--I'm
|
||
doing it for Block. He ought to realise what that means, too. Did he
|
||
study without a pause?" "Almost without a pause," answered Leni. "Just
|
||
the once he asked me for a drink of water, so I gave him a glassful
|
||
through the window. Then at eight o'clock I let him out and gave him
|
||
something to eat." Block glanced sideways at K., as if he were being
|
||
praised and had to impress K. as well. He now seemed more optimistic, he
|
||
moved more freely and rocked back and forth on his knees. This made his
|
||
astonishment all the more obvious when he heard the following words from
|
||
the lawyer: "You speak well of him," said the lawyer, "but that's just
|
||
what makes it difficult for me. You see, the judge did not speak well of
|
||
him at all, neither about Block nor about his case." "Didn't speak well
|
||
of him?" asked Leni. "How is that possible?" Block looked at her with
|
||
such tension he seemed to think that although the judge's words had been
|
||
spoken so long before she would be able to change them in his favour.
|
||
"Not at all," said the lawyer. "In fact he became quite cross when I
|
||
started to talk about Block to him. 'Don't talk to me about Block,' he
|
||
said. 'He is my client,' said I. 'You're letting him abuse you,' he
|
||
said. 'I don't think his case is lost yet,' said I. 'You're letting him
|
||
abuse you,' he repeated. 'I don't think so,' said I. 'Block works hard
|
||
in his case and always knows where it stands. He practically lives with
|
||
me so that he always knows what's happening. You don't always find such
|
||
enthusiasm as that. He's not very pleasant personally, I grant you, his
|
||
manners are terrible and he's dirty, but as far as the trial's concerned
|
||
he's quite immaculate.' I said immaculate, but I was deliberately
|
||
exaggerating. Then he said, 'Block is sly, that's all. He's accumulated
|
||
plenty of experience and knows how to delay proceedings. But there's
|
||
more that he doesn't know than he does. What do you think he'd say if he
|
||
learned his trial still hasn't begun, if you told him they haven't even
|
||
rung the bell to announce the start of proceedings?' Alright Block,
|
||
alright," said the lawyer, as at these words Block had begun to raise
|
||
himself on his trembling knees and clearly wanted to plead for some
|
||
explanation. It was the first time the lawyer had spoken any clear words
|
||
directly to Block. He looked down with his tired eyes, half blankly and
|
||
half at Block, who slowly sank back down on his knees under this gaze.
|
||
"What the judge said has no meaning for you," said the lawyer. "You
|
||
needn't be frightened at every word. If you do it again I won't tell you
|
||
anything else at all. It's impossible to start a sentence without you
|
||
looking at me as if you were receiving your final judgement. You should
|
||
be ashamed of yourself here in front of my client! And you're destroying
|
||
the trust he has for me. Just what is it you want? You're still alive,
|
||
you're still under my protection. There's no point in worrying!
|
||
Somewhere you've read that the final judgement can often come without
|
||
warning, from anyone at any time. And, in the right circumstances,
|
||
that's basically true, but it's also true that I dislike your anxiety
|
||
and fear and see that you don't have the trust in me you should have.
|
||
Now what have I just said? I repeated something said by one of the
|
||
judges. You know that there are so many various opinions about the
|
||
procedure that they form into a great big pile and nobody can make any
|
||
sense of them. This judge, for instance, sees proceedings as starting at
|
||
a different point from where I do. A difference of opinion, nothing
|
||
more. At a certain stage in the proceedings tradition has it that a sign
|
||
is given by ringing a bell. This judge sees that as the point at which
|
||
proceedings begin. I can't set out all the opinions opposed to that
|
||
view here, and you wouldn't understand it anyway, suffice it to say
|
||
that there are many reasons to disagree with him." Embarrassed, Block
|
||
ran his fingers through the pile of the carpet, his anxiety about what
|
||
the judge had said had let him forget his inferior status towards the
|
||
lawyer for a while, he thought only about himself and turned the judge's
|
||
words round to examine them from all sides. "Block," said Leni, as if
|
||
reprimanding him, and, taking hold of the collar of his coat, pulled him
|
||
up slightly higher. "Leave the carpet alone and listen to what the
|
||
lawyer is saying."
|
||
|
||
|
||
_This chapter was left unfinished._
|
||
|
||
|
||
|
||
|
||
Chapter Nine
|
||
|
||
In the Cathedral
|
||
|
||
|
||
A very important Italian business contact of the bank had come to visit
|
||
the city for the first time and K. was given the task of showing him
|
||
some of its cultural sights. At any other time he would have seen this
|
||
job as an honour but now, when he was finding it hard even to maintain
|
||
his current position in the bank, he accepted it only with reluctance.
|
||
Every hour that he could not be in the office was a cause of concern
|
||
for him, he was no longer able to make use of his time in the office
|
||
anything like as well as he had previously, he spent many hours merely
|
||
pretending to do important work, but that only increased his anxiety
|
||
about not being in the office. Then he sometimes thought he saw the
|
||
deputy director, who was always watching, come into K.'s office, sit at
|
||
his desk, look through his papers, receive clients who had almost
|
||
become old friends of K., and lure them away from him, perhaps he even
|
||
discovered mistakes, mistakes that seemed to threaten K. from a
|
||
thousand directions when he was at work now, and which he could no
|
||
longer avoid. So now, if he was ever asked to leave the office on
|
||
business or even needed to make a short business trip, however much an
|
||
honour it seemed--and tasks of this sort happened to have increased
|
||
substantially recently--there was always the suspicion that they wanted
|
||
to get him out of his office for a while and check his work, or at
|
||
least the idea that they thought he was dispensable. It would not have
|
||
been difficult for him to turn down most of these jobs, but he did not
|
||
dare to do so because, if his fears had the slightest foundation,
|
||
turning the jobs down would have been an acknowledgement of them. For
|
||
this reason, he never demurred from accepting them, and even when he
|
||
was asked to go on a tiring business trip lasting two days he said
|
||
nothing about having to go out in the rainy autumn weather when he had a
|
||
severe chill, just in order to avoid the risk of not being asked to go.
|
||
When, with a raging headache, he arrived back from this trip he learned
|
||
that he had been chosen to accompany the Italian business contact the
|
||
following day. The temptation for once to turn the job down was very
|
||
great, especially as it had no direct connection with business, but
|
||
there was no denying that social obligations towards this business
|
||
contact were in themselves important enough, only not for K., who knew
|
||
quite well that he needed some successes at work if he was to maintain
|
||
his position there and that, if he failed in that, it would not help
|
||
him even if this Italian somehow found him quite charming; he did not
|
||
want to be removed from his workplace for even one day, as the fear of
|
||
not being allowed back in was too great, he knew full well that the fear
|
||
was exaggerated but it still made him anxious. However, in this case it
|
||
was almost impossible to think of an acceptable excuse, his knowledge
|
||
of Italian was not great but still good enough; the deciding factor was
|
||
that K. had earlier known a little about art history and this had
|
||
become widely known around the bank in extremely exaggerated form, and
|
||
that K. had been a member of the Society for the Preservation of City
|
||
Monuments, albeit only for business reasons. It was said that this
|
||
Italian was an art lover, so the choice of K. to accompany him was a
|
||
matter of course.
|
||
|
||
It was a very rainy and stormy morning when K., in a foul temper at the
|
||
thought of the day ahead of him, arrived early at seven o'clock in the
|
||
office so that he could at least do some work before his visitor would
|
||
prevent him. He had spent half the night studying a book of Italian
|
||
grammar so that he would be somewhat prepared and was very tired; his
|
||
desk was less attractive to him than the window where he had spent far
|
||
too much time sitting of late, but he resisted the temptation and sat
|
||
down to his work. Unfortunately, just then the servitor came in and
|
||
reported that the director had sent him to see whether the chief clerk
|
||
was already in his office; if he was, then would he please be so kind
|
||
as to come to his reception room as the gentleman from Italy was
|
||
already there. "I'll come straight away," said K. He put a small
|
||
dictionary in his pocket, took a guide to the city's tourist sites
|
||
under his arm that he had compiled for strangers, and went through the
|
||
deputy director's office into that of the director. He was glad he had
|
||
come into the office so early and was able to be of service
|
||
immediately, nobody could seriously have expected that of him. The
|
||
deputy director's office was, of course, still as empty as the middle
|
||
of the night, the servitor had probably been asked to summon him too
|
||
but without success. As K. entered the reception room two men stood up
|
||
from the deep armchairs where they had been sitting. The director gave
|
||
him a friendly smile, he was clearly very glad that K. was there, he
|
||
immediately introduced him to the Italian who shook K.'s hand
|
||
vigorously and joked that somebody was an early riser. K. did not quite
|
||
understand whom he had in mind, it was moreover an odd expression to use
|
||
and it took K. a little while to guess its meaning. He replied with a
|
||
few bland phrases which the Italian received once more with a laugh,
|
||
passing his hand nervously and repeatedly over his blue-grey, bushy
|
||
moustache. This moustache was obviously perfumed, it was almost tempting
|
||
to come close to it and sniff. When they had all sat down and begun a
|
||
light preliminary conversation, K. was disconcerted to notice that he
|
||
understood no more than fragments of what the Italian said. When he
|
||
spoke very calmly he understood almost everything, but that was very
|
||
infrequent, mostly the words gushed from his mouth and he seemed to be
|
||
enjoying himself so much his head shook. When he was talking in this
|
||
way his speech was usually wrapped up in some kind of dialect which
|
||
seemed to K. to have nothing to do with Italian but which the director
|
||
not only understood but also spoke, although K. ought to have foreseen
|
||
this as the Italian came from the south of his country where the
|
||
director had also spent several years. Whatever the cause, K. realised
|
||
that the possibility of communicating with the Italian had been largely
|
||
taken from him, even his French was difficult to understand, and his
|
||
moustache concealed the movements of his lips which might have offered
|
||
some help in understanding what he said. K. began to anticipate many
|
||
difficulties, he gave up trying to understand what the Italian
|
||
said--with the director there, who could understand him so easily, it
|
||
would have been pointless effort--and for the time being did no more
|
||
than scowl at the Italian as he relaxed sitting deep but comfortable in
|
||
the armchair, as he frequently pulled at his short, sharply tailored
|
||
jacket and at one time lifted his arms in the air and moved his hands
|
||
freely to try and depict something that K. could not grasp, even though
|
||
he was leaning forward and did not let the hands out of his sight. K.
|
||
had nothing to occupy himself but mechanically watch the exchange
|
||
between the two men and his tiredness finally made itself felt, to his
|
||
alarm, although fortunately in good time, he once caught himself nearly
|
||
getting up, turning round and leaving. Eventually the Italian looked at
|
||
the clock and jumped up. After taking his leave from the director he
|
||
turned to K., pressing himself so close to him that K. had to push his
|
||
chair back just so that he could move. The director had, no doubt, seen
|
||
the anxiety in K.'s eyes as he tried to cope with this dialect of
|
||
Italian, he joined in with this conversation in a way that was so
|
||
adroit and unobtrusive that he seemed to be adding no more than minor
|
||
comments, whereas in fact he was swiftly and patiently breaking into
|
||
what the Italian said so that K. could understand. K. learned in this
|
||
way that the Italian first had a few business matters to settle, that
|
||
he unfortunately had only a little time at his disposal, that he
|
||
certainly did not intend to rush round to see every monument in the
|
||
city, that he would much rather--at least as long as K. would agree, it
|
||
was entirely his decision--just see the cathedral and to do so
|
||
thoroughly. He was extremely pleased to be accompanied by someone who
|
||
was so learned and so pleasant--by this he meant K., who was occupied
|
||
not with listening to the Italian but the director--and asked if he
|
||
would be so kind, if the time was suitable, to meet him in the cathedral
|
||
in two hours' time at about ten o'clock. He hoped he would certainly be
|
||
able to be there at that time. K. made an appropriate reply, the Italian
|
||
shook first the director's hand and then K.'s, then the director's again
|
||
and went to the door, half turned to the two men who followed him and
|
||
continuing to talk without a break. K. remained together with the
|
||
director for a short while, although the director looked especially
|
||
unhappy today. He thought he needed to apologise to K. for something and
|
||
told him--they were standing intimately close together--he had thought
|
||
at first he would accompany the Italian himself, but then--he gave no
|
||
more precise reason than this--then he decided it would be better to
|
||
send K. with him. He should not be surprised if he could not understand
|
||
the Italian at first, he would be able to very soon, and even if he
|
||
really could not understand very much he said it was not so bad, as it
|
||
was really not so important for the Italian to be understood. And
|
||
anyway, K.'s knowledge of Italian was surprisingly good, the director
|
||
was sure he would get by very well. And with that, it was time for K. to
|
||
go. He spent the time still remaining to him with a dictionary, copying
|
||
out obscure words he would need to guide the Italian round the
|
||
cathedral. It was an extremely irksome task, servitors brought him the
|
||
mail, bank staff came with various queries and, when they saw that K.
|
||
was busy, stood by the door and did not go away until he had listened to
|
||
them, the deputy director did not miss the opportunity to disturb K. and
|
||
came in frequently, took the dictionary from his hand and flicked
|
||
through its pages, clearly for no purpose, when the door to the
|
||
ante-room opened even clients would appear from the half-darkness and
|
||
bow timidly to him--they wanted to attract his attention but were not
|
||
sure whether he had seen them--all this activity was circling around K.
|
||
with him at its centre while he compiled the list of words he would
|
||
need, then looked them up in the dictionary, then wrote them out, then
|
||
practised their pronunciation and finally tried to learn them by heart.
|
||
The good intentions he had had earlier, though, seemed to have left him
|
||
completely, it was the Italian who had caused him all this effort and
|
||
sometimes he became so angry with him that he buried the dictionary
|
||
under some papers firmly intending to do no more preparation, but then
|
||
he realised he could not walk up and down in the cathedral with the
|
||
Italian without saying a word, so, in an even greater rage, he pulled
|
||
the dictionary back out again.
|
||
|
||
At exactly half past nine, just when he was about to leave, there was a
|
||
telephone call for him, Leni wished him good morning and asked how he
|
||
was, K. thanked her hurriedly and told her it was impossible for him to
|
||
talk now as he had to go to the cathedral. "To the cathedral?" asked
|
||
Leni. "Yes, to the cathedral." "What do you have to go to the cathedral
|
||
for?" said Leni. K. tried to explain it to her briefly, but he had
|
||
hardly begun when Leni suddenly said, "They're harassing you." One
|
||
thing that K. could not bear was pity that he had not wanted or
|
||
expected, he took his leave of her with two words, but as he put the
|
||
receiver back in its place he said, half to himself and half to the
|
||
girl on the other end of the line who could no longer hear him, "Yes,
|
||
they're harassing me."
|
||
|
||
By now the time was late and there was almost a danger he would not be
|
||
on time. He took a taxi to the cathedral, at the last moment he had
|
||
remembered the album that he had had no opportunity to give to the
|
||
Italian earlier and so took it with him now. He held it on his knees
|
||
and drummed impatiently on it during the whole journey. The rain had
|
||
eased off slightly but it was still damp, chilly and dark, it would be
|
||
difficult to see anything in the cathedral but standing about on cold
|
||
flagstones might well make K.'s chill much worse. The square in front
|
||
of the cathedral was quite empty, K. remembered how even as a small
|
||
child he had noticed that nearly all the houses in this narrow square
|
||
had the curtains at their windows closed most of the time, although
|
||
today, with the weather like this, it was more understandable. The
|
||
cathedral also seemed quite empty, of course no-one would think of
|
||
going there on a day like this. K. hurried along both the side naves
|
||
but saw no-one but an old woman who, wrapped up in a warm shawl, was
|
||
kneeling at a picture of the Virgin Mary and staring up at it. Then, in
|
||
the distance, he saw a church official who limped away through a
|
||
doorway in the wall. K. had arrived on time, it had struck ten just as
|
||
he was entering the building, but the Italian still was not there. K.
|
||
went back to the main entrance, stood there indecisively for a while,
|
||
and then walked round the cathedral in the rain in case the Italian was
|
||
waiting at another entrance. He was nowhere to be found. Could the
|
||
director have misunderstood what time they had agreed on? How could
|
||
anyone understand someone like that properly anyway? Whatever had
|
||
happened, K. would have to wait for him for at least half an hour. As
|
||
he was tired he wanted to sit down, he went back inside the cathedral,
|
||
he found something like a small carpet on one of the steps, he moved it
|
||
with his foot to a nearby pew, wrapped himself up tighter in his coat,
|
||
put the collar up and sat down. To pass the time he opened the album
|
||
and flicked through the pages a little but soon had to give up as it
|
||
became so dark that when he looked up he could hardly make out anything
|
||
in the side nave next to him.
|
||
|
||
In the distance there was a large triangle of candles flickering on the
|
||
main altar, K. was not certain whether he had seen them earlier.
|
||
Perhaps they had only just been lit. Church staff creep silently as
|
||
part of their job, you don't notice them. When K. happened to turn
|
||
round he also saw a tall, stout candle attached to a column not far
|
||
behind him. It was all very pretty, but totally inadequate to illuminate
|
||
the pictures which were usually left in the darkness of the side
|
||
altars, and seemed to make the darkness all the deeper. It was
|
||
discourteous of the Italian not to come but it was also sensible of him,
|
||
there would have been nothing to see, they would have had to content
|
||
themselves with seeking out a few pictures with K.'s electric pocket
|
||
torch and looking at them one small part at a time. K. went over to a
|
||
nearby side chapel to see what they could have hoped for, he went up a
|
||
few steps to a low marble railing and leant over it to look at the altar
|
||
picture by the light of his torch. The eternal light hung disturbingly
|
||
in front of it. The first thing that K. partly saw and partly guessed at
|
||
was a large knight in armour who was shown at the far edge of the
|
||
painting. He was leaning on his sword that he had stuck into the naked
|
||
ground in front of him where only a few blades of grass grew here and
|
||
there. He seemed to be paying close attention to something that was
|
||
being played out in front of him. It was astonishing to see how he stood
|
||
there without going any closer. Perhaps it was his job to stand guard.
|
||
It was a long time since K. had looked at any pictures and he studied
|
||
the knight for a long time even though he had continually to blink as
|
||
he found it difficult to bear the green light of his torch. Then when
|
||
he moved the light to the other parts of the picture he found an
|
||
interment of Christ shown in the usual way, it was also a comparatively
|
||
new painting. He put his torch away and went back to his place.
|
||
|
||
There seemed to be no point in waiting for the Italian any longer, but
|
||
outside it was certainly raining heavily, and as it was not so cold in
|
||
the cathedral as K. had expected he decided to stay there for the time
|
||
being. Close by him was the great pulpit, there were two plain golden
|
||
crosses attached to its little round roof which were lying almost flat
|
||
and whose tips crossed over each other. The outside of the pulpit's
|
||
balustrade was covered in green foliage which continued down to the
|
||
column supporting it, little angels could be seen among the leaves,
|
||
some of them lively and some of them still. K. walked up to the pulpit
|
||
and examined it from all sides, its stonework had been sculpted with
|
||
great care, it seemed as if the foliage had trapped a deep darkness
|
||
between and behind its leaves and held it there prisoner, K. lay his
|
||
hand in one of these gaps and cautiously felt the stone, until then he
|
||
had been totally unaware of this pulpit's existence. Then K. happened
|
||
to notice one of the church staff standing behind the next row of pews,
|
||
he wore a loose, creased, black cassock, he held a snuff box in his
|
||
left hand and he was watching K. Now what does he want? thought K. Do I
|
||
seem suspicious to him? Does he want a tip? But when the man in the
|
||
cassock saw that K. had noticed him he raised his right hand, a pinch
|
||
of snuff still held between two fingers, and pointed in some vague
|
||
direction. It was almost impossible to understand what this behaviour
|
||
meant, K. waited a while longer but the man in the cassock did not stop
|
||
gesturing with his hand and even augmented it by nodding his head. "Now
|
||
what does he want?" asked K. quietly, he did not dare call out loud
|
||
here; but then he drew out his purse and pushed his way through the
|
||
nearest pews to reach the man. He, however, immediately gestured to
|
||
turn down this offer, shrugged his shoulders and limped away. As a child
|
||
K. had imitated riding on a horse with the same sort of movement as
|
||
this limp. "This old man is like a child," thought K., "he doesn't have
|
||
the sense for anything more than serving in a church. Look at the way
|
||
he stops when I stop, and how he waits to see whether I'll continue."
|
||
With a smile, K. followed the old man all the way up the side nave and
|
||
almost as far as the main altar, all this time the old man continued to
|
||
point at something but K. deliberately avoided looking round, he was
|
||
only pointing in order to make it harder for K. to follow him.
|
||
Eventually, K. did stop following, he did not want to worry the old man
|
||
too much, and he also did not want to frighten him away completely in
|
||
case the Italian turned up after all.
|
||
|
||
When he entered the central nave to go back to where he had left the
|
||
album, he noticed a small secondary pulpit on a column almost next to
|
||
the stalls by the altar where the choir sat. It was very simple, made
|
||
of plain white stone, and so small that from a distance it looked like
|
||
an empty niche where the statue of a saint ought to have been. It
|
||
certainly would have been impossible for the priest to take a full step
|
||
back from the balustrade, and, although there was no decoration on it,
|
||
the top of the pulpit curved in exceptionally low so that a man of
|
||
average height would not be able stand upright and would have to remain
|
||
bent forward over the balustrade. In all, it looked as if it had been
|
||
intended to make the priest suffer, it was impossible to understand why
|
||
this pulpit would be needed as there were also the other ones available
|
||
which were large and so artistically decorated.
|
||
|
||
And K. would certainly not have noticed this little pulpit if there had
|
||
not been a lamp fastened above it, which usually meant there was a
|
||
sermon about to be given. So was a sermon to be given now? In this
|
||
empty church? K. looked down at the steps which, pressed close against
|
||
the column, led up to the pulpit. They were so narrow they seemed to be
|
||
there as decoration on the column rather than for anyone to use. But
|
||
under the pulpit--K. grinned in astonishment--there really was a priest
|
||
standing with his hand on the handrail ready to climb the steps and
|
||
looking at K. Then he nodded very slightly, so that K. crossed himself
|
||
and genuflected as he should have done earlier. With a little swing,
|
||
the priest went up into the pulpit with short fast steps. Was there
|
||
really a sermon about to begin? Maybe the man in the cassock had not
|
||
been really so demented, and had meant to lead K.'s way to the
|
||
preacher, which in this empty church would have been very necessary.
|
||
And there was also, somewhere in front of a picture of the Virgin Mary,
|
||
an old woman who should have come to hear the sermon. And if there was
|
||
to be a sermon why had it not been introduced on the organ? But the
|
||
organ remained quiet and merely looked out weakly from the darkness of
|
||
its great height.
|
||
|
||
K. now considered whether he should leave as quickly as possible, if he
|
||
did not do it now there would be no chance of doing so during the
|
||
sermon and he would have to stay there for as long as it lasted, he had
|
||
lost so much time when he should have been in his office, there had
|
||
long been no need for him to wait for the Italian any longer, he looked
|
||
at his watch, it was eleven. But could there really be a sermon given?
|
||
Could K. constitute the entire congregation? How could he when he was
|
||
just a stranger who wanted to look at the church? That, basically, was
|
||
all he was. The idea of a sermon, now, at eleven o'clock, on a workday,
|
||
in hideous weather, was nonsense. The priest--there was no doubt that
|
||
he was a priest, a young man with a smooth, dark face--was clearly
|
||
going up there just to put the lamp out after somebody had lit it by
|
||
mistake.
|
||
|
||
But there had been no mistake, the priest seemed rather to check that
|
||
the lamp was lit and turned it a little higher, then he slowly turned
|
||
to face the front and leant down on the balustrade gripping its angular
|
||
rail with both hands. He stood there like that for a while and, without
|
||
turning his head, looked around. K. had moved back a long way and leant
|
||
his elbows on the front pew. Somewhere in the church--he could not have
|
||
said exactly where--he could make out the man in the cassock hunched
|
||
under his bent back and at peace, as if his work were completed. In the
|
||
cathedral it was now very quiet! But K. would have to disturb that
|
||
silence, he had no intention of staying there; if it was the priest's
|
||
duty to preach at a certain time regardless of the circumstances then
|
||
he could, and he could do it without K.'s taking part, and K.'s
|
||
presence would do nothing to augment the effect of it. So K. began
|
||
slowly to move, felt his way on tiptoe along the pew, arrived at the
|
||
broad aisle and went along it without being disturbed, except for the
|
||
sound of his steps, however light, which rang out on the stone floor
|
||
and resounded from the vaulting, quiet but continuous at a repeating,
|
||
regular pace. K. felt slightly abandoned as, probably observed by the
|
||
priest, he walked by himself between the empty pews, and the size of
|
||
the cathedral seemed to be just at the limit of what a man could bear.
|
||
When he arrived back at where he had been sitting he did not hesitate
|
||
but simply reached out for the album he had left there and took it with
|
||
him. He had nearly left the area covered by pews and was close to the
|
||
empty space between himself and the exit when, for the first time, he
|
||
heard the voice of the priest. A powerful and experienced voice. It
|
||
pierced through the reaches of the cathedral ready waiting for it! But
|
||
the priest was not calling out to the congregation, his cry was quite
|
||
unambiguous and there was no escape from it, he called "Josef K.!"
|
||
|
||
K. stood still and looked down at the floor. In theory he was still
|
||
free, he could have carried on walking, through one of three dark
|
||
little wooden doors not far in front of him and away from there. It
|
||
would simply mean he had not understood, or that he had understood but
|
||
chose not to pay attention to it. But if he once turned round he would
|
||
be trapped, then he would have acknowledged that he had understood
|
||
perfectly well, that he really was the Josef K. the priest had called
|
||
to and that he was willing to follow. If the priest had called out
|
||
again K. would certainly have carried on out the door, but everything
|
||
was silent as K. also waited, he turned his head slightly as he wanted
|
||
to see what the priest was doing now. He was merely standing in the
|
||
pulpit as before, but it was obvious that he had seen K. turn his head.
|
||
If K. did not now turn round completely it would have been like a child
|
||
playing hide and seek. He did so, and the priest beckoned him with his
|
||
finger. As everything could now be done openly he ran--because of
|
||
curiosity and the wish to get it over with--with long flying leaps
|
||
towards the pulpit. At the front pews he stopped, but to the priest he
|
||
still seemed too far away, he reached out his hand and pointed sharply
|
||
down with his finger to a place immediately in front of the pulpit. And
|
||
K. did as he was told, standing in that place he had to bend his head a
|
||
long way back just to see the priest. "You are Josef K.," said the
|
||
priest, and raised his hand from the balustrade to make a gesture whose
|
||
meaning was unclear. "Yes," said K., he considered how freely he had
|
||
always given his name in the past, for some time now it had been a
|
||
burden to him, now there were people who knew his name whom he had
|
||
never seen before, it had been so nice first to introduce yourself and
|
||
only then for people to know who you were. "You have been accused,"
|
||
said the priest, especially gently. "Yes," said K., "so I have been
|
||
informed." "Then you are the one I am looking for," said the priest. "I
|
||
am the prison chaplain." "I see," said K. "I had you summoned here,"
|
||
said the priest, "because I wanted to speak to you." "I knew nothing of
|
||
that," said K. "I came here to show the cathedral to a gentleman from
|
||
Italy." "That is beside the point," said the priest. "What are you
|
||
holding in your hand? Is it a prayer book?" "No," answered K., "it's an
|
||
album of the city's tourist sights." "Put it down," said the priest. K.
|
||
threw it away with such force that it flapped open and rolled across
|
||
the floor, tearing its pages. "Do you know your case is going badly?"
|
||
asked the priest. "That's how it seems to me too," said K. "I've
|
||
expended a lot of effort on it, but so far with no result. Although I do
|
||
still have some documents to submit." "How do you imagine it will end?"
|
||
asked the priest. "At first I thought it was bound to end well," said
|
||
K., "but now I have my doubts about it. I don't know how it will end. Do
|
||
you know?" "I don't," said the priest, "but I fear it will end badly.
|
||
You are considered guilty. Your case will probably not even go beyond a
|
||
minor court. Provisionally at least, your guilt is seen as proven."
|
||
"But I'm not guilty," said K., "there's been a mistake. How is it even
|
||
possible for someone to be guilty? We're all human beings here, one
|
||
like the other." "That is true," said the priest, "but that is how the
|
||
guilty speak." "Do you presume I'm guilty too?" asked K. "I make no
|
||
presumptions about you," said the priest. "I thank you for that," said
|
||
K. "but everyone else involved in these proceedings has something
|
||
against me and presumes I'm guilty. They even influence those who
|
||
aren't involved. My position gets harder all the time." "You don't
|
||
understand the facts," said the priest, "the verdict does not come
|
||
suddenly, proceedings continue until a verdict is reached gradually."
|
||
"I see," said K., lowering his head. "What do you intend to do about
|
||
your case next?" asked the priest. "I still need to find help," said
|
||
K., raising his head to see what the priest thought of this. "There are
|
||
still certain possibilities I haven't yet made use of." "You look for
|
||
too much help from people you don't know," said the priest
|
||
disapprovingly, "and especially from women. Can you really not see
|
||
that's not the help you need?" "Sometimes, in fact quite often, I could
|
||
believe you're right," said K., "but not always. Women have a lot of
|
||
power. If I could persuade some of the women I know to work together
|
||
with me then I would be certain to succeed. Especially in a court like
|
||
this that seems to consist of nothing but woman-chasers. Show the
|
||
examining judge a woman in the distance and he'll run right over the
|
||
desk, and the accused, just to get to her as soon as he can." The
|
||
priest lowered his head down to the balustrade, only now did the roof
|
||
over the pulpit seem to press him down. What sort of dreadful weather
|
||
could it be outside? It was no longer just a dull day, it was deepest
|
||
night. None of the stained glass in the main window shed even a flicker
|
||
of light on the darkness of the walls. And this was the moment when the
|
||
man in the cassock chose to put out the candles on the main altar, one
|
||
by one. "Are you cross with me?" asked K. "Maybe you don't know what
|
||
sort of court it is you serve." He received no answer. "Well, it's just
|
||
my own experience," said K. Above him there was still silence. "I didn't
|
||
mean to insult you," said K. At that, the priest screamed down at K.:
|
||
"Can you not see two steps in front of you?" He shouted in anger, but it
|
||
was also the scream of one who sees another fall and, shocked and
|
||
without thinking, screams against his own will.
|
||
|
||
The two men, then, remained silent for a long time. In the darkness
|
||
beneath him, the priest could not possibly have seen K. distinctly,
|
||
although K. was able to see him clearly by the light of the little
|
||
lamp. Why did the priest not come down? He had not given a sermon, he
|
||
had only told K. a few things which, if he followed them closely, would
|
||
probably cause him more harm than good. But the priest certainly seemed
|
||
to mean well, it might even be possible, if he would come down and
|
||
co-operate with him, it might even be possible for him to obtain some
|
||
acceptable piece of advice that could make all the difference, it
|
||
might, for instance, be able to show him not so much to influence the
|
||
proceedings but how to break free of them, how to evade them, how to
|
||
live away from them. K. had to admit that this was something he had had
|
||
on his mind quite a lot of late. If the priest knew of such a
|
||
possibility he might, if K. asked him, let him know about it, even
|
||
though he was part of the court himself and even though, when K. had
|
||
criticised the court, he had held down his gentle nature and actually
|
||
shouted at K.
|
||
|
||
"Would you not like to come down here?" asked K. "If you're not going
|
||
to give a sermon come down here with me." "Now I can come down," said
|
||
the priest, perhaps he regretted having shouted at K. As he took down
|
||
the lamp from its hook he said, "to start off with I had to speak to
|
||
you from a distance. Otherwise I'm too easily influenced and forget my
|
||
duty."
|
||
|
||
K. waited for him at the foot of the steps. While he was still on one
|
||
of the higher steps as he came down them the priest reached out his
|
||
hand for K. to shake. "Can you spare me a little of your time?" asked
|
||
K. "As much time as you need," said the priest, and passed him the
|
||
little lamp for him to carry. Even at close distance the priest did not
|
||
lose a certain solemnity that seemed to be part of his character. "You
|
||
are very friendly towards me," said K., as they walked up and down
|
||
beside each other in the darkness of one of the side naves. "That makes
|
||
you an exception among all those who belong to the court. I can trust
|
||
you more than any of the others I've seen. I can speak openly with you."
|
||
"Don't fool yourself," said the priest. "How would I be fooling myself?"
|
||
asked K. "You fool yourself in the court," said the priest, "it talks
|
||
about this self-deceit in the opening paragraphs to the law. In front of
|
||
the law there is a doorkeeper. A man from the countryside comes up to
|
||
the door and asks for entry. But the doorkeeper says he can't let him in
|
||
to the law right now. The man thinks about this, and then he asks if
|
||
he'll be able to go in later on. 'That's possible,' says the doorkeeper,
|
||
'but not now.' The gateway to the law is open as it always is, and the
|
||
doorkeeper has stepped to one side, so the man bends over to try and
|
||
see in. When the doorkeeper notices this he laughs and says, 'If you're
|
||
tempted give it a try, try and go in even though I say you can't.
|
||
Careful though: I'm powerful. And I'm only the lowliest of all the
|
||
doormen. But there's a doorkeeper for each of the rooms and each of
|
||
them is more powerful than the last. It's more than I can stand just to
|
||
look at the third one.' The man from the country had not expected
|
||
difficulties like this, the law was supposed to be accessible for
|
||
anyone at any time, he thinks, but now he looks more closely at the
|
||
doorkeeper in his fur coat, sees his big hooked nose, his long thin
|
||
tartar-beard, and he decides it's better to wait until he has
|
||
permission to enter. The doorkeeper gives him a stool and lets him sit
|
||
down to one side of the gate. He sits there for days and years. He tries
|
||
to be allowed in time and again and tires the doorkeeper with his
|
||
requests. The doorkeeper often questions him, asking about where he's
|
||
from and many other things, but these are disinterested questions such
|
||
as great men ask, and he always ends up by telling him he still can't
|
||
let him in. The man had come well equipped for his journey, and uses
|
||
everything, however valuable, to bribe the doorkeeper. He accepts
|
||
everything, but as he does so he says, 'I'll only accept this so that
|
||
you don't think there's anything you've failed to do.' Over many years,
|
||
the man watches the doorkeeper almost without a break. He forgets about
|
||
the other doormen, and begins to think this one is the only thing
|
||
stopping him from gaining access to the law. Over the first few years he
|
||
curses his unhappy condition out loud, but later, as he becomes old, he
|
||
just grumbles to himself. He becomes senile, and as he has come to know
|
||
even the fleas in the doorkeeper's fur collar over the years that he has
|
||
been studying him he even asks them to help him and change the
|
||
doorkeeper's mind. Finally his eyes grow dim, and he no longer knows
|
||
whether it's really getting darker or just his eyes that are deceiving
|
||
him. But he seems now to see an inextinguishable light begin to shine
|
||
from the darkness behind the door. He doesn't have long to live now.
|
||
Just before he dies, he brings together all his experience from all this
|
||
time into one question which he has still never put to the doorkeeper.
|
||
He beckons to him, as he's no longer able to raise his stiff body. The
|
||
doorkeeper has to bend over deeply as the difference in their sizes has
|
||
changed very much to the disadvantage of the man. 'What is it you want
|
||
to know now?' asks the doorkeeper, 'You're insatiable.' 'Everyone wants
|
||
access to the law,' says the man, 'how come, over all these years,
|
||
no-one but me has asked to be let in?' The doorkeeper can see the man's
|
||
come to his end, his hearing has faded, and so, so that he can be heard,
|
||
he shouts to him: 'Nobody else could have got in this way, as this
|
||
entrance was meant only for you. Now I'll go and close it.'"
|
||
|
||
"So the doorkeeper cheated the man," said K. immediately, who had been
|
||
captivated by the story. "Don't be too quick," said the priest, "don't
|
||
take somebody else's opinion without checking it. I told you the story
|
||
exactly as it was written. There's nothing in there about cheating."
|
||
"But it's quite clear," said K., "and your first interpretation of it
|
||
was quite correct. The doorkeeper gave him the information that would
|
||
release him only when it could be of no more use." "He didn't ask him
|
||
before that," said the priest, "and don't forget he was only a
|
||
doorkeeper, and as doorkeeper he did his duty." "What makes you think
|
||
he did his duty?" asked K., "He didn't. It might have been his duty to
|
||
keep everyone else away, but this man is who the door was intended for
|
||
and he ought to have let him in." "You're not paying enough attention
|
||
to what was written and you're changing the story," said the priest.
|
||
"According to the story, there are two important things that the
|
||
doorkeeper explains about access to the law, one at the beginning, one
|
||
at the end. At one place he says he can't allow him in now, and at the
|
||
other he says this entrance was intended for him alone. If one of the
|
||
statements contradicted the other you would be right and the doorkeeper
|
||
would have cheated the man from the country. But there is no
|
||
contradiction. On the contrary, the first statement even hints at the
|
||
second. You could almost say the doorkeeper went beyond his duty in
|
||
that he offered the man some prospect of being admitted in the future.
|
||
Throughout the story, his duty seems to have been merely to turn the
|
||
man away, and there are many commentators who are surprised that the
|
||
doorkeeper offered this hint at all, as he seems to love exactitude and
|
||
keeps strict guard over his position. He stays at his post for many
|
||
years and doesn't close the gate until the very end, he's very
|
||
conscious of the importance of his service, as he says, 'I'm powerful,'
|
||
he has respect for his superiors, as he says, 'I'm only the lowliest of
|
||
the doormen,' he's not talkative, as through all these years the only
|
||
questions he asks are 'disinterested,' he's not corruptible, as when
|
||
he's offered a gift he says, 'I'll only accept this so that you don't
|
||
think there's anything you've failed to do,' as far as fulfilling his
|
||
duty goes he can be neither ruffled nor begged, as it says about the
|
||
man that, 'he tires the doorkeeper with his requests,' even his
|
||
external appearance suggests a pedantic character, the big hooked nose
|
||
and the long, thin, black tartar-beard. How could any doorkeeper be
|
||
more faithful to his duty? But in the doorkeeper's character there are
|
||
also other features which might be very useful for those who seek entry
|
||
to the law, and when he hinted at some possibility in the future it
|
||
always seemed to make it clear that he might even go beyond his duty.
|
||
There's no denying he's a little simple-minded, and that makes him a
|
||
little conceited. Even if all he said about his power and the power of
|
||
the other doorkeepers and how not even he could bear the sight of
|
||
them--I say even if all these assertions are right, the way he makes
|
||
them shows that he's too simple and arrogant to understand properly.
|
||
The commentators say about this that, 'correct understanding of a matter
|
||
and a misunderstanding of the same matter are not mutually exclusive.'
|
||
Whether they're right or not, you have to concede that his simplicity
|
||
and arrogance, however little they show, do weaken his function of
|
||
guarding the entrance, they are defects in the doorkeeper's character.
|
||
You also have to consider that the doorkeeper seems to be friendly by
|
||
nature, he isn't always just an official. He makes a joke right at the
|
||
beginning, in that he invites the man to enter at the same time as
|
||
maintaining the ban on his entering, and then he doesn't send him away
|
||
but gives him, as it says in the text, a stool to sit on and lets him
|
||
stay by the side of the door. The patience with which he puts up with
|
||
the man's requests through all these years, the little questioning
|
||
sessions, accepting the gifts, his politeness when he puts up with the
|
||
man cursing his fate even though it was the doorkeeper who caused that
|
||
fate--all these things seem to want to arouse our sympathy. Not every
|
||
doorkeeper would have behaved in the same way. And finally, he lets the
|
||
man beckon him and he bends deep down to him so that he can put his
|
||
last question. There's no more than some slight impatience--the
|
||
doorkeeper knows everything's come to its end--shown in the words,
|
||
'You're insatiable.' There are many commentators who go even further in
|
||
explaining it in this way and think the words, 'you're insatiable' are
|
||
an expression of friendly admiration, albeit with some condescension.
|
||
However you look at it the figure of the doorkeeper comes out
|
||
differently from how you might think." "You know the story better than
|
||
I do and you've known it for longer," said K. They were silent for a
|
||
while. And then K. said, "So you think the man was not cheated, do
|
||
you?" "Don't get me wrong," said the priest, "I'm just pointing out the
|
||
different opinions about it. You shouldn't pay too much attention to
|
||
people's opinions. The text cannot be altered, and the various opinions
|
||
are often no more than an expression of despair over it. There's even
|
||
one opinion which says it's the doorkeeper who's been cheated." "That
|
||
does seem to take things too far," said K. "How can they argue the
|
||
doorkeeper has been cheated?" "Their argument," answered the priest,
|
||
"is based on the simplicity of the doorkeeper. They say the doorkeeper
|
||
doesn't know the inside of the law, only the way into it where he just
|
||
walks up and down. They see his ideas of what's inside the law as
|
||
rather childish, and suppose he's afraid himself of what he wants to
|
||
make the man frightened of. Yes, he's more afraid of it than the man, as
|
||
the man wants nothing but to go inside the law, even after he's heard
|
||
about the terrible doormen there, in contrast to the doorkeeper who
|
||
doesn't want to go in, or at least we don't hear anything about it. On
|
||
the other hand, there are those who say he must have already been inside
|
||
the law as he has been taken on into its service and that could only
|
||
have been done inside. That can be countered by supposing he could have
|
||
been given the job of doorkeeper by somebody calling out from inside,
|
||
and that he can't have gone very far inside as he couldn't bear the
|
||
sight of the third doorkeeper. Nor, through all those years, does the
|
||
story say the doorkeeper told the man anything about the inside, other
|
||
than his comment about the other doorkeepers. He could have been
|
||
forbidden to do so, but he hasn't said anything about that either. All
|
||
this seems to show he doesn't know anything about what the inside looks
|
||
like or what it means, and that that's why he's being deceived. But he's
|
||
also being deceived by the man from the country as he's this man's
|
||
subordinate and doesn't know it. There's a lot to indicate that he
|
||
treats the man as his subordinate, I expect you remember, but those who
|
||
hold this view would say it's very clear that he really is his
|
||
subordinate. Above all, the free man is superior to the man who has to
|
||
serve another. Now, the man really is free, he can go wherever he wants,
|
||
the only thing forbidden to him is entry into the law and, what's more,
|
||
there's only one man forbidding him to do so--the doorkeeper. If he
|
||
takes the stool and sits down beside the door and stays there all his
|
||
life he does this of his own free will, there's nothing in the story to
|
||
say he was forced to do it. On the other hand, the doorkeeper is kept to
|
||
his post by his employment, he's not allowed to go away from it and it
|
||
seems he's not allowed to go inside either, not even if he wanted to.
|
||
Also, although he's in the service of the law he's only there for this
|
||
one entrance, therefore he's there only in the service of this one man
|
||
who the door's intended for. This is another way in which he's his
|
||
subordinate. We can take it that he's been performing this somewhat
|
||
empty service for many years, through the whole of a man's life, as it
|
||
says that a man will come, that means someone old enough to be a man.
|
||
That means the doorkeeper will have to wait a long time before his
|
||
function is fulfilled, he will have to wait for as long as the man
|
||
liked, who came to the door of his own free will. Even the end of the
|
||
doorkeeper's service is determined by when the man's life ends, so the
|
||
doorkeeper remains his subordinate right to the end. And it's pointed
|
||
out repeatedly that the doorkeeper seems to know nothing of any of
|
||
this, although this is not seen as anything remarkable, as those who
|
||
hold this view see the doorkeeper as deluded in a way that's far worse,
|
||
a way that's to do with his service. At the end, speaking about the
|
||
entrance he says, 'Now I'll go and close it,' although at the beginning
|
||
of the story it says the door to the law is open as it always is, but if
|
||
it's always open--always--that means it's open independently of the
|
||
lifespan of the man it's intended for, and not even the doorkeeper will
|
||
be able to close it. There are various opinions about this, some say
|
||
the doorkeeper was only answering a question or showing his devotion to
|
||
duty or, just when the man was in his last moments, the doorkeeper
|
||
wanted to cause him regret and sorrow. There are many who agree that he
|
||
wouldn't be able to close the door. They even believe, at the end at
|
||
least, the doorkeeper is aware, deep down, that he's the man's
|
||
subordinate, as the man sees the light that shines out of the entry to
|
||
the law whereas the doorkeeper would probably have his back to it and
|
||
says nothing at all to show there's been any change." "That is well
|
||
substantiated," said K., who had been repeating some parts of the
|
||
priest's explanation to himself in a whisper. "It is well substantiated,
|
||
and now I too think the doorkeeper must have been deceived. Although
|
||
that does not mean I've abandoned what I thought earlier as the two
|
||
versions are, to some extent, not incompatible. It's not clear whether
|
||
the doorkeeper sees clearly or is deceived. I said the man had been
|
||
cheated. If the doorkeeper understands clearly, then there could be some
|
||
doubt about it, but if the doorkeeper has been deceived then the man is
|
||
bound to believe the same thing. That would mean the doorkeeper is not a
|
||
cheat but so simple-minded that he ought to be dismissed from his job
|
||
immediately; if the doorkeeper is mistaken it will do him no harm but
|
||
the man will be harmed immensely." "There you've found another opinion,"
|
||
said the priest, "as there are many who say the story doesn't give
|
||
anyone the right to judge the doorkeeper. However he might seem to us he
|
||
is still in the service of the law, so he belongs to the law, so he's
|
||
beyond what man has a right to judge. In this case we can't believe the
|
||
doorkeeper is the man's subordinate. Even if he has to stay at the
|
||
entrance into the law his service makes him incomparably more than if he
|
||
lived freely in the world. The man has come to the law for the first
|
||
time and the doorkeeper is already there. He's been given his position
|
||
by the law, to doubt his worth would be to doubt the law." "I can't say
|
||
I'm in complete agreement with this view," said K. shaking his head, "as
|
||
if you accept it you'll have to accept that everything said by the
|
||
doorkeeper is true. But you've already explained very fully that that's
|
||
not possible." "No," said the priest, "you don't need to accept
|
||
everything as true, you only have to accept it as necessary."
|
||
"Depressing view," said K. "The lie made into the rule of the world."
|
||
|
||
K. said that as if it were his final word but it was not his
|
||
conclusion. He was too tired to think about all the ramifications of
|
||
the story, and the sort of thoughts they led him into were not familiar
|
||
to him, unrealistic things, things better suited for officials of the
|
||
court to discuss than for him. The simple story had lost its shape, he
|
||
wanted to shake it off, and the priest who now felt quite compassionate
|
||
allowed this and accepted K.'s remarks without comment, even though his
|
||
view was certainly very different from K.'s.
|
||
|
||
In silence, they carried on walking for some time, K. stayed close
|
||
beside the priest without knowing where he was. The lamp in his hand
|
||
had long since gone out. Once, just in front of him, he thought he
|
||
could see the statue of a saint by the glitter of the silver on it,
|
||
although it quickly disappeared back into the darkness. So that he would
|
||
not remain entirely dependent on the priest, K. asked him, "We're now
|
||
near the main entrance, are we?" "No," said the priest, "we're a long
|
||
way from it. Do you already want to go?" K. had not thought of going
|
||
until then, but he immediately said, "Yes, certainly, I have to go. I'm
|
||
the chief clerk in a bank and there are people waiting for me, I only
|
||
came here to show a foreign business contact round the cathedral."
|
||
"Alright," said the priest offering him his hand, "go then." "But I
|
||
can't find my way round in this darkness by myself," said K. "Go to your
|
||
left as far as the wall," said the priest, "then continue alongside the
|
||
wall without leaving it and you'll find a way out." The priest had only
|
||
gone a few paces from him, but K. was already shouting loudly, "Please,
|
||
wait!" "I'm waiting," said the priest. "Is there anything else you want
|
||
from me?" asked K. "No," said the priest. "You were so friendly to me
|
||
earlier on," said K., "and you explained everything, but now you
|
||
abandon me as if I were nothing to you." "You have to go," said the
|
||
priest. "Well, yes," said K., "you need to understand that." "First, you
|
||
need to understand who I am," said the priest. "You're the prison
|
||
chaplain," said K., and went closer to the priest, it was not so
|
||
important for him to go straight back to the bank as he had made out, he
|
||
could very well stay where he was. "So that means I belong to the
|
||
court," said the priest. "So why would I want anything from you? The
|
||
court doesn't want anything from you. It accepts you when you come and
|
||
it lets you go when you leave."
|
||
|
||
|
||
|
||
|
||
Chapter Ten
|
||
|
||
End
|
||
|
||
|
||
The evening before K.'s thirty-first birthday--it was about nine
|
||
o'clock in the evening, the time when the streets were quiet--two men
|
||
came to where he lived. In frock coats, pale and fat, wearing top hats
|
||
that looked like they could not be taken off their heads. After some
|
||
brief formalities at the door of the flat when they first arrived, the
|
||
same formalities were repeated at greater length at K.'s door. He had
|
||
not been notified they would be coming, but K. sat in a chair near the
|
||
door, dressed in black as they were, and slowly put on new gloves which
|
||
stretched tightly over his fingers and behaved as if he were expecting
|
||
visitors. He immediately stood up and looked at the gentlemen
|
||
inquisitively. "You've come for me then, have you?" he asked. The
|
||
gentlemen nodded, one of them indicated the other with the top hand now
|
||
in his hand. K. told them he had been expecting a different visitor. He
|
||
went to the window and looked once more down at the dark street. Most
|
||
of the windows on the other side of the street were also dark already,
|
||
many of them had the curtains closed. In one of the windows on the same
|
||
floor where there was a light on, two small children could be seen
|
||
playing with each other inside a playpen, unable to move from where
|
||
they were, reaching out for each other with their little hands. "Some
|
||
ancient, unimportant actors--that's what they've sent for me," said K.
|
||
to himself, and looked round once again to confirm this to himself.
|
||
"They want to sort me out as cheaply as they can." K. suddenly turned
|
||
round to face the two men and asked, "What theatre do you play in?"
|
||
"Theatre?" asked one of the gentlemen, turning to the other for
|
||
assistance and pulling in the corners of his mouth. The other made a
|
||
gesture like someone who was dumb, as if he were struggling with some
|
||
organism causing him trouble. "You're not properly prepared to answer
|
||
questions," said K. and went to fetch his hat.
|
||
|
||
As soon as they were on the stairs the gentlemen wanted to take K.'s
|
||
arms, but K. said "Wait till we're in the street, I'm not ill." But
|
||
they waited only until the front door before they took his arms in a
|
||
way that K. had never experienced before. They kept their shoulders
|
||
close behind his, did not turn their arms in but twisted them around
|
||
the entire length of K.'s arms and took hold of his hands with a grasp
|
||
that was formal, experienced and could not be resisted. K. was held
|
||
stiff and upright between them, they formed now a single unit so that if
|
||
any one of them had been knocked down all of them must have fallen.
|
||
They formed a unit of the sort that normally can be formed only by
|
||
matter that is lifeless.
|
||
|
||
Whenever they passed under a lamp K. tried to see his companions more
|
||
clearly, as far as was possible when they were pressed so close
|
||
together, as in the dim light of his room this had been hardly
|
||
possible. "Maybe they're tenors," he thought as he saw their big double
|
||
chins. The cleanliness of their faces disgusted him. He could see the
|
||
hands that cleaned them, passing over the corners of their eyes,
|
||
rubbing at their upper lips, scratching out the creases on those chins.
|
||
|
||
When K. noticed that, he stopped, which meant the others had to stop
|
||
too; they were at the edge of an open square, devoid of people but
|
||
decorated with flower beds. "Why did they send you, of all people!" he
|
||
cried out, more a shout than a question. The two gentleman clearly knew
|
||
no answer to give, they waited, their free arms hanging down, like
|
||
nurses when the patient needs to rest. "I will go no further," said K.
|
||
as if to see what would happen. The gentlemen did not need to make any
|
||
answer, it was enough that they did not loosen their grip on K. and
|
||
tried to move him on, but K. resisted them. "I'll soon have no need of
|
||
much strength, I'll use all of it now," he thought. He thought of the
|
||
flies that tear their legs off struggling to get free of the flypaper.
|
||
"These gentleman will have some hard work to do."
|
||
|
||
Just then, Miss Bürstner came up into the square in front of them from
|
||
the steps leading from a small street at a lower level. It was not
|
||
certain that it was her, although the similarity was, of course, great.
|
||
But it did not matter to K. whether it was certainly her anyway, he
|
||
just became suddenly aware that there was no point in his resistance.
|
||
There would be nothing heroic about it if he resisted, if he now caused
|
||
trouble for these gentlemen, if in defending himself he sought to enjoy
|
||
his last glimmer of life. He started walking, which pleased the
|
||
gentlemen and some of their pleasure conveyed itself to him. Now they
|
||
permitted him to decide which direction they took, and he decided to
|
||
take the direction that followed the young woman in front of them, not
|
||
so much because he wanted to catch up with her, nor even because he
|
||
wanted to keep her in sight for as long as possible, but only so that
|
||
he would not forget the reproach she represented for him. "The only
|
||
thing I can do now," he said to himself, and his thought was confirmed
|
||
by the equal length of his own steps with the steps of the two others,
|
||
"the only thing I can do now is keep my common sense and do what's
|
||
needed right till the end. I always wanted to go at the world and try
|
||
and do too much, and even to do it for something that was not too
|
||
cheap. That was wrong of me. Should I now show them I learned nothing
|
||
from facing trial for a year? Should I go out like someone stupid?
|
||
Should I let anyone say, after I'm gone, that at the start of the
|
||
proceedings I wanted to end them, and that now that they've ended I want
|
||
to start them again? I don't want anyone to say that. I'm grateful they
|
||
sent these unspeaking, uncomprehending men to go with me on this
|
||
journey, and that it's been left up to me to say what's necessary."
|
||
|
||
Meanwhile, the young woman had turned off into a side street, but K.
|
||
could do without her now and let his companions lead him. All three of
|
||
them now, in complete agreement, went over a bridge in the light of the
|
||
moon, the two gentlemen were willing to yield to each little movement
|
||
made by K. as he moved slightly towards the edge and directed the group
|
||
in that direction as a single unit. The moonlight glittered and
|
||
quivered in the water, which divided itself around a small island
|
||
covered in a densely-piled mass of foliage and trees and bushes.
|
||
Beneath them, now invisible, there were gravel paths with comfortable
|
||
benches where K. had stretched himself out on many summer's days. "I
|
||
didn't actually want to stop here," he said to his companions, shamed by
|
||
their compliance with his wishes. Behind K.'s back one of them seemed
|
||
to quietly criticise the other for the misunderstanding about stopping,
|
||
and then they went on. They went on up through several streets where
|
||
policemen were walking or standing here and there; some in the distance
|
||
and then some very close. One of them with a bushy moustache, his hand
|
||
on the grip of his sword, seemed to have some purpose in approaching
|
||
the group, which was hardly unsuspicious. The two gentlemen stopped,
|
||
the policeman seemed about to open his mouth, and then K. drove his
|
||
group forcefully forward. Several times he looked back cautiously to see
|
||
if the policeman was following; but when they had a corner between
|
||
themselves and the policeman K. began to run, and the two gentlemen,
|
||
despite being seriously short of breath, had to run with him.
|
||
|
||
In this way they quickly left the built up area and found themselves in
|
||
the fields which, in this part of town, began almost without any
|
||
transition zone. There was a quarry, empty and abandoned, near a
|
||
building which was still like those in the city. Here the men stopped,
|
||
perhaps because this had always been their destination or perhaps
|
||
because they were too exhausted to run any further. Here they released
|
||
their hold on K., who just waited in silence, and took their top hats
|
||
off while they looked round the quarry and wiped the sweat off their
|
||
brows with their handkerchiefs. The moonlight lay everywhere with the
|
||
natural peace that is granted to no other light.
|
||
|
||
After exchanging a few courtesies about who was to carry out the next
|
||
tasks--the gentlemen did not seem to have been allocated specific
|
||
functions--one of them went to K. and took his coat, his waistcoat, and
|
||
finally his shirt off him. K. made an involuntary shiver, at which the
|
||
gentleman gave him a gentle, reassuring tap on the back. Then he
|
||
carefully folded the things up as if they would still be needed, even
|
||
if not in the near future. He did not want to expose K. to the chilly
|
||
night air without moving though, so he took him under the arm and
|
||
walked up and down with him a little way while the other gentleman
|
||
looked round the quarry for a suitable place. When he had found it he
|
||
made a sign and the other gentleman escorted him there. It was near the
|
||
rockface, there was a stone lying there that had broken loose. The
|
||
gentlemen sat K. down on the ground, leant him against the stone and
|
||
settled his head down on the top of it. Despite all the effort they
|
||
went to, and despite all the co-operation shown by K., his demeanour
|
||
seemed very forced and hard to believe. So one of the gentlemen asked
|
||
the other to grant him a short time while he put K. in position by
|
||
himself, but even that did nothing to make it better. In the end they
|
||
left K. in a position that was far from the best of the ones they had
|
||
tried so far. Then one of the gentlemen opened his frock coat and from a
|
||
sheath hanging on a belt stretched across his waistcoat he withdrew a
|
||
long, thin, double-edged butcher's knife which he held up in the light
|
||
to test its sharpness. The repulsive courtesies began once again, one of
|
||
them passed the knife over K. to the other, who then passed it back over
|
||
K. to the first. K. now knew it would be his duty to take the knife as
|
||
it passed from hand to hand above him and thrust it into himself. But
|
||
he did not do it, instead he twisted his neck, which was still free,
|
||
and looked around. He was not able to show his full worth, was not able
|
||
to take all the work from the official bodies, he lacked the rest of
|
||
the strength he needed and this final shortcoming was the fault of
|
||
whoever had denied it to him. As he looked round, he saw the top floor
|
||
of the building next to the quarry. He saw how a light flickered on and
|
||
the two halves of a window opened out, somebody, made weak and thin by
|
||
the height and the distance, leant suddenly far out from it and
|
||
stretched his arms out even further. Who was that? A friend? A good
|
||
person? Somebody who was taking part? Somebody who wanted to help? Was
|
||
he alone? Was it everyone? Would anyone help? Were there objections that
|
||
had been forgotten? There must have been some. The logic cannot be
|
||
refuted, but someone who wants to live will not resist it. Where was the
|
||
judge he'd never seen? Where was the high court he had never reached? He
|
||
raised both hands and spread out all his fingers.
|
||
|
||
But the hands of one of the gentleman were laid on K.'s throat, while
|
||
the other pushed the knife deep into his heart and twisted it there,
|
||
twice. As his eyesight failed, K. saw the two gentlemen cheek by cheek,
|
||
close in front of his face, watching the result. "Like a dog!" he said,
|
||
it was as if the shame of it should outlive him.
|